News

Laurel & Milly

Add your event to Arts Daily!

The South Carolina Arts Commission's arts calendar, Arts Daily, has joined forces with The Hub. Now you can visit one place to view or submit arts news AND events! Long-time Arts Daily users will notice that the revamped event submission process is simpler. You can also add your arts venue (if you haven't already) to The Hub's venue list through the Arts Daily submission process. Online readers of Arts Daily can search and sort events to find activities based on location, art form or type of event. Is your event or opportunity right for Arts Daily? If it's arts-related, open to the public, and of interest to people in South Carolina, then yes! Event types include auditions, calls for entries & contests, classes, conferences, exhibitions, fellowships & residencies, openings, book signings, performances, screenings and more. You'll choose the type when you submit your event or opportunity. To submit arts events to Arts Daily, use the Submit Events button. (Be sure to submit your event at least one month in advance.) If your event has an interesting news element, you can also send it to The Hub through the Submit Story button. Arts events submitted at least one month in advance will appear on the Arts Daily website, and some will be recorded for radio.

How to decide what to submit where

Submit Event to Arts Daily: Arts Daily listings and radio announcements are limited to the key details and a brief description of your event and will direct readers to your website or organization for a lengthier description. Arts events submitted at least one month before the event will be posted to the online Arts Daily calendar. Not all events are recorded for the radio. The earlier you submit, the longer it will appear on the Arts Daily site for readers to find and the better chance the event will be recorded for radio. You can even submit an entire season at once! Submit Story to The Hub: If your event has a news component, you can also submit a lengthier article or news release through The Hub's Submit Story button. Story submissions, if accepted, appear as articles on The Hub's main page and "roll off" the page as other articles are posted -- the lifespan of a Hub article is much shorter than an Arts Daily entry. Hub articles will direct readers to your website or organization for more information. What makes an event newsworthy? A few questions to ask: Does the event relate to a larger purpose (e.g., an artist's studio or gallery opening is a result of the arts reviving a downtown, a celebrity S.C. artist is participating to raise awareness and/or funds, a student exhibition illustrates the benefit of arts education, etc.)? Is this a first time for the event, or a milestone anniversary? Did the project break an attendance or fundraising record? Sometimes the news element occurs after an event when you're ready to share results and photos. Bottom line: Submit ALL arts events to Arts Daily, at least one month in advance. Submit more info about your event to The Hub ONLY if there is an extra news element. Remember, you may also use the Submit Story button to send your feature articles, blog posts, stories, etc. about arts topics other than events.

Writing your Arts Daily Event Description

Arts Daily web listings and radio announcements are designed to provide the most vital pieces of information about your event or opportunity and refer users to ArtsDaily.org and/or to your website or organization for details. We encourage you to use your Event Description space to provide a self-contained, factual summary of your event or opportunity. ONLY the text in the Event Description field will be used in your radio announcement, should your submission be chosen for broadcast. What to include in the Event Description:
  • The name of the event or opportunity and a brief description of it
  • Who is responsible for it (hosting or presenting organization)
  • Where (venue and city)
  • When (date and time)
  • Cost to participate
  • Deadline for the public to participate (e.g., registration, submission), if applicable. (Note: This is not a deadline for posting on Arts Daily.)
What not to include in the Event Description:
  • Contact information. Radio announcements will direct listeners to the Arts Daily website where you have entered this information.
  • Superlatives (such as “the best,” “beautiful,” “a great achievement,” etc.) will be excluded from the final listing.
Want a template? Try this: (Name of the presenting or host organization) presents (name of the event), (event date) at (event time), at (event venue) in (city, and state if not South Carolina). (Provide a description of the event, so that Arts Daily users will understand what it is and whether or not they would like to attend.) Tickets are (cost). (Provide registration and/or submission requirements and/or deadline, if applicable.) Questions? We're happy to help. Contact us here. About Arts Daily Arts Daily is a partnership between the South Carolina Arts Commission, South Carolina ETV Radio, and the College of Charleston.

Jobs

Job Openings at the National Endowment for the Arts

The National Endowment for the Arts (NEA) in Washington, DC is seeking a new Director of Media Arts and a new Director of Theater and Musical Theater. Apply between February 6 & March 7.  These positions provide national leadership, authority, and direction concerning agency programming and funding assessment in the field. Qualifications include national or regional experience serving as an executive or senior manager with supervisory and budgetary authority in a discipline-specific nonprofit arts organization. Some overnight travel required. About the National Endowment for the Arts The National Endowment for the Arts (NEA), an independent Federal agency and the official arts organization for the United States government, supports the advancement of artistic excellence, creativity, and innovation. More information at arts.gov.

Call for Art

Cemetery seeks creative entries for urn art competition

Historic Oakwood Cemetery in Raleigh, N.C., is focusing on the changing style of interment with a juried competition devoted to the art of cremation urns, Urn Art & Garden Faire. The competition is open to any professional or amateur artist 18 years of age or older. An artist may submit a maximum of two original works that could be used as cremation urns -- containers used to hold the ashes of someone who has been cremated. There are no size dimensions or volume requirements for this competition. All works must be sturdy enough to withstand handling and exhibition. All genres/mediums of art will be accepted. Digital images of the work(s), with entry form, must be received by March 16 at 3 p.m.  Accepted artists will be notified via e-mail on March 23. The award presentation takes place April 19 from noon – 5 p.m. Prizes to be awarded:

  • 1st Place: $300
  • 2nd Place: $200
  • 3rd Place: $100
Complete guidelines and the application are available online and on the cemetery's Facebook page. For more information, contact Robin Simonton, executive director, Historic Oakwood Cemetery, (919) 832-6077 or robin@historicoakwood.com. Via: Historic Oakwood Cemetery

Recognition

Francis Marion University’s Performing Arts Center ranked among nation’s best

From SCnow.com:
The design and beauty of Francis Marion University’s Performing Arts Center has wowed citizens in South Carolina and the Pee Dee since it opened. Now it’s grabbing some new attention nationwide.
The PAC is listed in a prestigious new ranking of “America’s 25 Most Amazing Campus Arts Centers.” FMU joins performance halls like the Debartolo Center at the University of Notre Dame, Setnor Auditorium at Syracuse and Goodhart Hall at Bryn Mawr on the list. All were were judged to have uniquely appealing performance spaces and innovative designs in the ranking created by College Degree Search, a Columbus, Ohio-based educational resource for prospective college students.
Mackenzi Flannery, development coordinator at CDS and the director of the arts center-ranking project, says CDS elected to rank collegiate arts centers because of the impact a great center can have on a student’s educational experience. Architectural appeal of the performance space was the largest weighted factor in the ranking. Exterior appeal and innovative design features were also considered.
FMU President Dr. Fred Carter says the inclusion of the Performing Arts Center in the ranking is gratifying, if not necessarily surprising.
“The design and appearance of the Performing Arts Center has played to rave reviews ever since it opened,” says Carter. “It’s clearly one of the most distinctive buildings in the region and the state. The PAC received two national awards the year it opened. It’s not surprising that the facility continues to attract attention for its marvelous design.”
Architect Malcolm Holzman, FAIA, a partner with Holzman Moss Bottino Architecture of New York, designed the Performing Arts Center. The 61,000-square foot center in downtown Florence is operated by Francis Marion University and is home to an 850-seat theatre, a smaller experimental theatre, classroom and office space for FMU’s Music Industry programs.
Since its opening in September  2011, the PAC has hosted a variety of top drawer artists, including Roberta Flack, Lyle Lovett, Travis Tritt, Ricky Skaggs, The Indigo Girls and Mary Chapin Carpenter. The PAC is home to the Florence Symphony Orchestra, the Masterworks Choir and the South Carolina Dance Theatre, as well FMU’s own symphony orchestra, concert band, Music Industry ensemble and concert choir.

Training

Gullah Geechee artists invited to free workshop in Beaufort County

The South Carolina Arts Commission will present the last in a series of three professional development workshops, Promoting your Gullah Geechee Art Form, from 6 – 9 p.m. Feb. 24 at the Port Royal Sound Maritime Center (formerly the Marina at Lemon Island) at 310 N. Okatie Highway, Okatie, S.C. The workshop is offered free of charge. Space is limited to the first 30 registrants. To register, artists should call (803) 734-8693 or e-mail sduplessis@arts.sc.gov  and provide name, art form, phone number and email address. Artists will learn how to create basic support materials necessary for promotion of their art work. “It is especially designed for Gullah Geechee residents who practice or represent one or more of the cultural expressions outlined in the Gullah Geechee Corridor’s management plan,” said Ken May, South Carolina Arts Commission executive director. Those areas are music, arts, handicrafts, foodways, spirituality, language, education and economic development. “We are pleased to present this workshop in a location between Beaufort and Hilton Head and in partnership with the new maritime center," May said. "They are a new community resource and exhibit venue for artists, and their recent programming has had a strong Gullah Geechee theme. It’s a good fit for our workshop.” The workshops were developed after a series of community arts meetings in 2013, where the South Carolina Arts Commission, in partnership with the Gullah Geechee Cultural Heritage Corridor Commission, heard from more than 80 Corridor artists and residents. The first workshop was held Sept. 30 at the Mt. Pleasant Branch of the Charleston County Library; the second took place Dec. 10 at the Georgetown County Library. All three workshops are being led by Charleston native Kerri Forrest, award-winning journalist and owner of Social Creative Media Consulting. Active in the Charleston region since her return from a distinguished career in Washington, D.C., in 2010, Forrest currently is director of Institutional Advancement for the American College of the Building Arts. She also chairs the speaker selection committee for TEDx Charleston. Other artists and local arts leaders will also participate. For additional information about the program and future meetings, contact Arts Participation Program Director Susan DuPlessis, sduplessis@arts.sc.gov or (803) 734-8693. About the Gullah Geechee Cultural Heritage Corridor The Gullah Geechee Cultural Heritage Corridor was designated a national heritage area by Congress on Oct. 12, 2006. The Corridor was created to recognize contributions made to American culture and history by African Americans known as Gullah Geechee, who settled in the coastal counties of South Carolina, Georgia, North Carolina, and Florida; to assist organizations in the four states in interpreting and preserving Gullah Geechee folklore, arts, crafts, and music; and to assist in identifying and preserving Gullah Geechee sites, historical data and artifacts for the benefit and education of the public. South Carolina’s Gullah Geechee Corridor includes the eight coastal counties of Horry, Georgetown, Berkeley, Charleston , Dorchester, Colleton, Beaufort and Jasper, as well as parts of three inland counties: Marion, Williamsburg, and Hampton. For more information, visit www.gullahgeecheecorridor.org.

News

New Greenville Symphony director focuses on diversity, broadening audience

From The Greenville News: Story by Paul Hyde

As Greenville Symphony musicians tunSherwood Mobleye up for the orchestra’s Masterworks concert tonight (Jan. 23), longtime patrons will notice that Sherwood Mobley is not standing behind the timpani. It’s a place he occupied on the Peace Center stage for 23 years. Instead, Mobley will be greeting patrons in the lobby as the orchestra’s new executive director. “I’m thrilled to have been given this opportunity,” Mobley said. Mobley’s recent appointment is gaining considerable notice because he’s one of the few African Americans serving in the top administrative position in an American symphony orchestra. Minorities have long been underrepresented in all aspects of American orchestras: on the podium, in the orchestra, in the audience and in the administrative offices. “I applaud the board for its commitment to diversity,” said Jesse Rosen, president and CEO of the League of American Orchestras, an association of U.S. symphony orchestras. Mobley, 58, who also was the former director of operations and personnel for the orchestra, was chosen from among dozens of applicants nationwide to serve as executive director. He’ll oversee an office staff of 10, a regular orchestra roster of up to 100 and an annual budget of $2.2 million. “It’s wonderful that such an accomplished musician and administrator as Sherwood Mobley is rising to the executive ranks,” Rosen said. The Greenville Symphony is one of the Upstate’s cornerstone arts organizations, with dozens of performances every year at the Peace Center as well as smaller chamber music and children’s concerts throughout the community. Mobley has served as the Greenville Symphony’s interim director since Sept. 11. Greenville Symphony conductor Edvard Tchivzhel continues to oversee all artistic matters for the orchestra. For Mobley, reaching out to Greenville’s young people and minority communities is a top priority. The audiences for symphony orchestras nationwide tend to be older and overwhelming white. “As executive director and a person of color, I’m very interested in expanding the audience, period,” Mobley said. “But secondly, I’d love to see more blacks in the audience,” Mobley added. “I’m hopeful that in my current position, I’ll be able to implement programs and activities that broaden the audience. African-American churches are a good starting point. I’d like to go to them and say, ‘Can I come to you and talk to you about the Greenville Symphony?’” Mobley plans to pursue new educational initiatives as well. The orchestra already offers concerts for thousands of young students at the Peace Center, but Mobley would like to bring the full orchestra into the auditoriums of Upstate high schools — an effort, however, that would require significant fund-raising. “I’d like to reach out to new areas of the community,” Mobley said. “I certainly have a vested interested in that. There are people within 10 miles of the Peace Center who’ve never stepped foot inside the Peace Center, where the Greenville Symphony performs and so many other great arts activities take place.” In addition, Mobley already has implemented a program called “Sunday Funday,” which allows young children to attend an orchestral performance for free when a parent buys an upper-balcony ticket. “Many parents are telling us they can’t afford tickets for the entire family,” Mobley said. The Greenville Symphony faces challenges similar to those of orchestras nationwide: growing and diversifying the classical music audience base. “Broadening the audience is Topic No. 1 or No. 2 at orchestra conferences,” Mobley said. “We’re trying to build a future audience. We’re grateful for our traditional supporters but they’re getting older and we need to look at ways to bring young people into the concert hall.” As the orchestra’s director of operations and personnel, Mobley sought to provide opportunities for minority musicians, and he hopes to repeat those efforts in regard to building a diverse audience for classical music. Nationwide, only 5 percent of orchestra musicians are African American or Latino, and 7 percent of conductors are African American or Latino, according to the League of American Orchestras. “Because of my color, I know many blacks who are really fine musicians and deserve an opportunity to at least get into the audition process,” Mobley said. “I think I was very successful in getting the word out. If you look at the Greenville Symphony, there are more black faces there than in most orchestras.” An early start Mobley keenly understands the importance of introducing young people at an early age to classical music as a way of building a future audience. Mobley was 3 years old when his father died, leaving his mother to raise Mobley, his three sisters and older brother. In a segregated Sanford, Florida, Mobley might not have found his way to music if not for a mother who introduced him to piano at age 4. “In that household, everybody had to take piano lessons,” Mobley said, with a laugh. “That was the rule. You couldn’t live there unless you took piano lessons.” One day, however, the young Mobley saw the Florida A&M band’s legendary drumline — and the young man discovered his calling. “I was just fascinated by the drums,” Mobley said. “They were flipping the sticks all around and it looked so cool. That was the wow-factor for me, seeing the Florida A&M marching band drumline.” Mobley’s mother made a deal with him: If he would agree to leave the segregated elementary school he attended for a predominately white school, she would buy him a Sears & Roebuck snare drum. She herself taught at her son’s predominately black school but wanted him to enjoy the better advantages of the predominately white school. “She was using textbooks that were old and tattered, so she knew there’d be better opportunities at a different school and she wanted me to be a part of that,” Mobley said. “So in fifth grade, I went to a new school where I was one of three blacks. My mother bought me that snare drum. I still have it today.” At his new school, Mobley met the music teacher’s husband, who was a professionally trained percussionist. He would become Mobley’s first private teacher. Later, Mobley would play percussion in a high school marching band but he found he really loved performing classics in the concert band. “I loved the symphonic band, playing the orchestral transcriptions of Brahms, Tchaikovsky and Shostakovich,” Mobley said. Mobley would later attend the Boston Conservatory, earning a bachelor’s degree in music. He earned a master’s at the New England Conservatory, also in Boston. Several professional jobs would follow. Mobley served as principal timpanist with the Maracaibo (Venezuela) and Macon (Georgia) symphony orchestras before becoming principal timpanist with the Greenville Symphony in 1991. Through his long tenure with the orchestra, Mobley has become close with his fellow musicians and conductor Tchivzhel. “I’ve developed a strong relationship not only with our musicians but with Edvard,” Mobley said. “We understand each other and there’s a great deal of trust there as well. I certainly trust Edvard’s musical instincts and knowledge, and I know I have the orchestra’s confidence and support.” Mobley became the orchestra’s director of operations and personnel in 1996 — while remaining the orchestra’s timpanist. With his new appointment as executive director, however, Mobley decided that he could not continue to perform in the orchestra. Even more difficult than resigning from the orchestra was letting go of his teaching duties at the South Carolina Governor’s School for the Arts and Humanities. “I’ve taught at the Governor’s School since the doors opened,” Mobley said. “Stepping away from those activities tugs at my heart more than anything else. It was hard for me to tell my students that I was leaving.” The Greenville Symphony will be auditioning timpanists for Mobley’s replacement soon. Nancy B. Stanton, a former president of the Greenville Symphony Guild, endowed the timpani chair in Mobley’s honor. “I’m thrilled that Sherwood is executive director now,” Stanton said. “I’ve watched him over the years assume more and more responsibility. I think it made perfect sense to move him up to that position. He is so well-respected in the community.” Mobley said he will continue to perform occasionally: chamber music or with the Greenville Symphony jazz trio. Winning applause Mobley’s appointment as executive director is being widely applauded. “He had a strong resume and strong qualifications but also an incredible sense of passion for the Greenvile Symphony and an incredible level of integrity and respect among the community, staff, musicians and key supporters of the Greenville Symphony,” said Bob Nachman, president of the symphony board and head of the seven-member search committee. Mobley was first hired as the orchestra’s personnel manager when John Warner was president of the board. Warner, who is still a board member, and was a cellist with the orchestra from 1978 to 1985, said he’s pleased to see Mobley take the reins of the organization. “He’s highly respected and he’s got all the attributes of a good manager,” Warner said. “The staff and musicians really like him. I think he’s a great choice for this position because he’s got almost universal support from all the constituents.” Robert O’Brien, who serves as the orchestra’s representative on the board, said the musicians are particularly pleased to see the executive director chosen from among their own ranks. “The musicians are very excited about Sherwood being appointed executive director,” said O’Brien, the orchestra’s assistant principal cellist. “He certainly knows the Greenville Symphony inside and out. He understands all the business aspects of the job but he also has a real artistic understanding of an organization like this. We’ve had some very good executive directors but they haven’t had the artistic knowledge that Sherwood brings to the equation. We don’t see how that can be anything but a positive.”

News

Remembering Greenville visionary Tommy Wyche

Tommy Wyche, who passed away Jan. 23, 2015, received the Elizabeth O'Neill Verner Lifetime Achievement Award in 2011. From The Greenville News: Story by Tonya Maxwell

Tommy WycheWyche, an attorney and lifelong Greenville resident, died Friday afternoon after failing health. He was 88. He had not only the ability to envision grand projects — some that might have seemed foolhardy to others at the time — but the tenacity to execute a plan that could take decades to see though, family and friends remembered. "Dad was a quiet, brilliant, behind-the-scenes advocate for the city of Greenville and the South Carolina mountains," said son Brad Wyche, executive director of Upstate Forever. "He didn't care about the recognition or the spotlight. What he wanted was to make the city a better place and to protect as many acres in the mountains as possible, and he was spectacularly successful in achieving those goals." An avid hiker and photographer, Wyche was an activist drawn to nature and worked to protect beauty he saw as endangered, said Cary Hall an attorney at the Wyche firm, where Wyche spent his career. He saw potential, too, in downtown Greenville in the early 1980s, when a trip to the mall was a better destination than a walk on Main Street. "He looked at the right bank of the Reedy River and he could see that as being a world-class development, when most people could only see falling-down buildings and bunch of kudzu," Hall said. Wyche worked with then-Mayor Max Heller, business leader Buck Mickel and others to launch initiatives that reshaped downtown Greenville. He helped bring the Hyatt Regency to Main Street, envisioned Falls Park and RiverPlace developments, helped push the city to narrow Main Street from four lanes to two, install new sidewalks and trees and construct a walking bridge across the Reedy River near the historic structure now named the Wyche Pavilion. After earning an undergraduate degree in electrical engineering, followed by a law degree, Wyche took a job at the law firm where his father worked, later taking the helm himself. In the 1960s, he invested in a location that few saw as valuable, said Ted Gentry, chair of the executive committee for the firm. "It's not his most major accomplishment, but I'm sitting here looking at the Falls of Reedy River," Gentry said. "When he sited the firm here in the '60s, it was not a sane thing to do. There was nothing special about that site, and now it's the heart of the new Greenville." After a trip to California, Wyche became determined to save the Blue Ridge Escarpment from the development that plagued hills around Los Angeles, beginning a 40-year conservation journey. Jocassee Gorges, Caesars Head State Park, Jones Gap State Park, the Greenville Watershed and hundreds of privately conserved acres "wouldn't exist today without dad's vision, commitment and hard work," Brad Wyche told The News in 2013 after his father was honored on Green Day, the Greenville Drive baseball team's annual celebration of the city. In the 1970s, the elder Wyche founded Naturaland Trust, a conservation organization dedicated to protecting natural beauty in the Upstate. "He had a unique combination of a grand vision and also the willingness and ability to undertake the real world pragmatism needed to make that vision a reality," said Frank Holleman, president of Naturaland Trust. "Many people have vision, but very few people can take a vision and convert it into a reality that changes the world." Greenville Mayor Knox White said any praise he could give to Wyche wouldn't be hyperbole. The mayor said a month didn't go by that he didn't seek Wyche's counsel. "Tommy Wyche was the most remarkable Greenvillian I've ever known," White said. "His vision for the city and love of the mountains made us what we are today." Wyche staked his business in downtown Greenville, believing in its future along the Reedy River, White said. "He saw in our downtown and our river what its potential could be decades before it would be realized," White said. "Dad was a true renaissance man who did so many things so well—in law, conservation, downtown redevelopment, piano, tennis, photography, snow skiing, scuba diving, beekeeping, and on and on," Brad Wyche said Friday. "The scope of his talents was absolutely breathtaking." The visitation will be held at Genevieve's at the Peace Center on Monday from 2 to 5 p.m., and the memorial service will be held Tuesday at the Gunter Theatre at 2 p.m.

News

Midlands residents invited to take part in performance art event

Midlands residents are invited to be a part of a new art performance event to be created for the commemoration of the 150th anniversary of the Burning of Columbia. Created and facilitated by South Carolina artist Candice Ivy, Crossings will be held on Columbia’s Main Street on the evening of Tues., Feb. 17, closing the official commemoration ceremony for the 150th anniversary of the Burning of Columbia. The mission of the performance is to express the collective voice of participants through action and sound, symbolically recalling our inter-connected past with our present experience of local history. During the performance, participants will collaborate with the artist to work symbolically with sound, cloth, water and ash sourced from the remains of two historic homes. The goal will be to collectively create and hold a respectful space that reflects an acknowledgement of history's continual presence within people, place and culture. Anyone, regardless of background, who would like to share their personal story may volunteer to participate. This performance is largely dependent upon the collective and diverse voices of the community to be successful. Narratives can be open in content, but should speak to each individual’s personal experience related to the traces of the Civil War in the South, not excluding stories connected to the range of complexities, sensitivities and divides connected to this shared history. In preparation for the event, volunteers are invited to participate in several activities as a means to share their stories and connect with the artist and each other. In part one of these preparatory meetings, participants are asked to bring any small object that connects them to their story. This performance pays reverential acknowledgement to our collective experiences. All potential participants are asked to bring their stories with openness and respect. Meetings will take place at The Big Apple, located at 1000 Hampton Street in downtown Columbia, S.C., and will be held at 6 p.m. on Feb. 9, 11, 13 and 16. Participants are required to attend both the first and last meetings as well as the performance on the evening of Feb. 17. For more information, email candiceivy@gmail.com. To sign up, visit BurningofColumbia.com. About Columbia Commemorates: Columbia Commemorates is a multi-disciplinary coalition comprised of Midlands and statewide organizations formed to plan and implement a citywide commemoration of the 150th anniversary of the Burning of Columbia. Through lectures; tours; film; visual, literary and performing arts; exhibits; public discussion; and large public gatherings, Columbia Commemorates will explore the events of February 17, 1865, as well as the immediate and long-term ramifications of the burning of South Carolina’s capital city. This commemoration is made possible by The Humanities CouncilSC, South Carolina Arts Commission and Chernoff Newman. For more information about the commemoration and a calendar of events, please visit BurningofColumbia.com and follow on Facebook, Twitter and Instagram.

News

Book-related exhibitors invited to apply for the South Carolina Book Festival

Are you a publisher, bookseller, literary organization, community nonprofit, or book-related exhibitor? Consider applying to be an exhibitor at the SCBook Festival scheduled for May 15 - 17, 2015, at the Columbia Metropolitan Convention Center in Columbia, S.C. The festival annually attracts more than 6,500 participants for this two-day event, and more than 70 percent of attendees indicate that they come with the intention of buying books. The SCBook Festival is the largest annual literary event in South Carolina. Space for exhibitors is limited, so register early. The deadline for Early Bird Registration is March 15, 2015. All other application forms and payments in full must be received by April 15, 2015, for inclusion in publicity and printed materials. The official exhibitor guidelines and registration forms are available on the festival's website. About the SCBook Festival The 19th Annual SCBook Festival takes place May 15 - 17, 2015, at the Columbia Metropolitan Convention Center in downtown Columbia. Saturday, May 16 and Sunday, May 17 are FREE and open to the public. Special events take place throughout the weekend. The SCBook Festival features more than 90 authors in solo and panel presentations, more than 100 exhibitors selling books and book-related merchandise, book signings, special ticketed events, and much more. For more information about the 2015 SCBook Festival, visit the website, www.scbookfestival.org. Via: SCBook Festival

News

Free dental clinic for South Carolina music industry professionals

Smile ProgramsThe South Carolina Arts Commission is partnering with MusiCares (an affiliate of the GRAMMY Foundation) and Smile Programs to provide a day-long dental clinic to uninsured music professionals in need. The clinic takes place Weds., March 4 from 9 a.m. to 4 p.m. at the office of Dr. Paul Downing, 121 Alpine Circle in Columbia, S.C. Space is limited and appointments are required. Dental screenings, cleanings and x-rays will be offered free of charge to pre-screened, pre-approved South Carolina applicants on a first-come, first-serve basis. Applicants must provide documentation of at least five years of professional work in the music industry. If experience is less than five years, eligibility can also be determined through credited contribution to at least six commercially released recordings or videos (singles). Call MusiCares at (877) 626-2748 to find out more about eligibility or to schedule your appointment. Please DO NOT contact the dental office directly; MusiCares staff members are handling all appointments and will be happy to answer your questions. Don't wait! Appointments will fill up fast!

Call for Art

Mauldin announces public art trail, invites S.C. artists to apply

The City of Mauldin’s Office of Cultural Affairs announces the creation of the Mauldin Public Art Trail at the Mauldin Cultural Center. This new program seeks to beautify the community with public art displays created by South Carolina artists. This year’s theme is "Crossroads." The Public Art Trail lines the perimeter of the outdoor amphitheater at the Mauldin Cultural Center. A new work will be commissioned each year to fill the nine pre-approved sites along the perimeter. All nine sites will be filled within 10 years. For each year after the first 10 years, the oldest artwork will be replaced, resulting in a new slate of nine pieces of artwork every 10 years. Retired artworks will be relocated to other areas around the community. Mauldin City Council approved the Public Art Trail in December 2014. The program is a partnership with the Mauldin Cultural Council, a nonprofit organization that supports the Office of Cultural Affairs. The Mauldin Cultural Council will lead the selection process with city input. The selection committee will choose two finalists who will then be asked to develop conceptual designs. The final artist will be selected by mid- to late-April and given no more than 12 months for project completion. Total budget for the annual program is not to exceed $15,000 and must be inclusive of fabrication, artist fees, and installation. The Request for Qualifications and Application are available online at www.cityofmauldin.org/oca. Artists, and all members of their team if applicable, must be residents of South Carolina during the duration of the project. The deadline for submission is February 27, 2015. Contact the Office of Cultural Affairs at (864) 335-4862 with any questions. Related: Public art trail coming to Mauldin, S.C. About the City of Mauldin The City of Mauldin is located in the Upstate of South Carolina and in the heart of Greenville County. It is the 17th largest city in South Carolina and one of the fastest growing cities in the state. Mauldin was first charted in 1820 and has grown to a population of almost 25,000. More information can be found online at www.cityofmauldin.org. Via: The City of Mauldin Office of Cultural Affairs