2019 Verner Award to honor nine South Carolinians

State's highest arts honor recognizes outstanding achievement and contributions

Awards to be presented May 1 at S.C. Arts Awards


COLUMBIA, S.C. – Nine South Carolinians are to be honored by the South Carolina Arts Commission with the 2019 Elizabeth O’Neill Verner Governor’s Award for the Arts—the state’s highest arts honor. The following recipients from their respective categories are being recognized for outstanding achievement and contributions to the arts in South Carolina:
  • LIFETIME ACHIEVEMENT:  Cecil Williams, Orangeburg
  • ARTIST:  Tyrone Geter, Columbia
  • INDIVIDUAL:  Kathleen (Kathi) P. Bateson, Hilton Head Island
  • ARTS IN EDUCATION: Simeon Warren, Charleston (Individual) S.C. African American Heritage Commission, Hartsville (Organization)
  • BUSINESS:  Hampton III Gallery, Taylors
  • GOVERNMENT:  Florence County Museum, Florence
  • ORGANIZATION: Gibbes Museum of Art, Charleston Columbia Stage Society (Town Theatre), Columbia (Special Award)
Print and web images of recipients available here: https://www.dropbox.com/sh/plf40ffa55oxh5g/AAAksiSWeKNQxxytp5yBM8DQa?dl=0 “It is an honor and privilege to recognize individuals and organizations who live out the service, commitment and passion that help the arts thrive in South Carolina,” S.C. Arts Commission Chairman Henry Horowitz said. “Each of the Verner Award recipients makes a tremendous contribution not just locally, but they are honored for broad impact on the state’s arts community and beyond. These are outstanding ambassadors for our state." A diverse committee, appointed by the S.C. Arts Commission Board of Directors and drawn from members of the South Carolina community at large, reviews all nominations and, after a rigorous process, makes recommendations to the board for final approval after a series of panel meetings produces a recommendation from each category. The 2019 Verner Awards will be presented with the Jean Laney Harris Folk Heritage Awards at South Carolina Arts Awards sponsored by Colonial Life on Wednesday, May 1 in a morning ceremony at the USC Alumni Center (900 Senate St., Columbia). The S.C. Arts Foundation will honor the recipients afterward during a fundraising luncheon. South Carolina artists’ work will be on sale to support the programs of the S.C. Arts Commission. Luncheon tickets are $50 per person and are to be available for purchase by mid-March. For more about the Verner Awards or the S.C. Arts Awards Luncheon, call 803.734.8696 or visit SouthCarolinaArts.com.

About the Verner Award Recipients

Cecil Williams (Lifetime Achievement), an Orangeburg native, is a professional photographer, videographer, publisher, inventor, author, and architect best known for his photographic documentation of the struggle to achieve freedom, justice, and equality during the Civil Rights struggle. By the age of 9, he had already begun his career in photography and by 15 was working professionally as a freelancer for such publications as JET and the Afro-American, and as an Associated Press stringer. The teenaged Williams documented segregated life in the Jim Crow era and the Clarendon movement that led to Briggs v. Elliott in the 1950s, countless protests and then desegregation at Clemson University and the University of South Carolina and was there for the Orangeburg Massacre in 1968. Williams, who received an art degree from Claflin University, owns Cecil Williams Photography, LLC and was recently appointed by Claflin as its historic preservationist. Williams is also recipient of the Order of the Palmetto, the state’s highest award to an individual, and Governor’s Award in the Humanities from SC Humanities. In a career that spreads across continents, Tyrone Geter (Artist Category) has built an international reputation as a world-class artist, painter, sculptor, illustrator, and teacher. Recently retired associate professor of art at Benedict College in Columbia, Geter received his Master of Fine Arts from Ohio University in 1978 with an emphasis on painting and drawing. In 1979, he relocated to Africa, living, drawing, and painting among the Fulani and local peoples of Northern Nigeria, “a lesson in the creative process that no art school would ever teach me.” Since, he has illustrated 30 children’s books, exhibited on four continents, and after relocating to South Carolina, until recently taught painting and drawing at Benedict and curated its Ponder Fine Arts Gallery. Kathleen (Kathi) P. Bateson (Individual Category) is president/CEO and executive producer of the Arts Center of Coastal Carolina – a past Verner Award recipient in the organization category. She is past president of the S.C. Arts Alliance board, served as chair and founding co-chair of the Arts & Cultural Council of Hilton Head; and was a founding member and is chair of the Community Foundation of the Lowcountry’s Women in Philanthropy. Bateson is founder and president of Management for the Arts, a national firm specializing in NPO organizational restructure, institutional planning, strategic positioning and new business ventures. She has served as a cultural representative on international delegations to South Africa, China and Japan, and is herself a goldsmith and professional set designer. Simeon A. Warren (Arts in Education Individual Category) is a cathedral-trained stone carver, sculptor, and conservator. He holds a degree from the Glasgow (Scotland) School of the Arts, and his career has led to stone work at or on some of England’s major cathedrals (and even Buckingham Palace). In 2001 he emigrated to Charleston, where he was a founding faculty member at what became the American College of Building Arts in 2004. He developed college-level courses for professors, delivered the college’s licenses to recruit and to teach, hired the college’s faculty, and served as dean from 2006 to 2013. Warren owns a private architectural stone practice and is developing The Stone People Project, among other public art projects. The S.C. African American Heritage Commission (Arts in Education Organization Category) identifies and promotes the preservation of historic sites, structures, buildings, and culture of the African American experience in South Carolina, and assists and enhances the efforts of the S.C. Department of Archives and History. SCAAHC is a leader in integrating the arts into education resources, publishing the “Supplement to the Teacher’s Guide Integrating Art into Classroom Instruction” in 2016 and a subsequent revision last year. Since 1970, Hampton III Gallery (Business Category) has supported professional living artists and the estates of professional artists in or from South Carolina ranging from post WWII to the present. Hampton III Gallery’s vision of supporting artists and educating the public to the rich heritage of South Carolina artists continues into 2019. South Carolina’s oldest gallery has more than 500 paintings, sculptures and original prints in inventory. Changing exhibitions, artists’ talks, and special events provide educational opportunities for all. Consultation is available for private and corporate collections. Exhibitions change every 6-8 weeks. The public is invited to all events. The Florence County Museum (FCM) (Government Category) reflects the region’s rich artistic, cultural and historic heritage. Its permanent collection currently includes eight works by celebrated 20th century African American artist and Florence native, William H. Johnson and it is home to The Wright Collection of Southern Art, a volume of over 140 works representing some of the finest in 20th century Southern art (including some by Elizabeth O’Neill Verner). The FCM provides a platform for contemporary artists as host of the Pee Dee Regional Art Competition, South Carolina’s oldest juried art competition, since 1954. Since 1905, the Gibbes Museum of Art (Organization Category) has been a center for creativity for the visual arts. It provides more than 100 educational programs and events. Nine galleries spanning 300 years of art history are showcased to 60,000 visitors a year who discover, enjoy, and are inspired by the creative process. The museum loans 50 objects a year to the major U.S. art museums. Dynamic year-round programming engages, and the Gibbes continually develops new multi-dimensional education and outreach programs that expand the museum experience while offering exhibitions that stay relevant to current topics. Celebrating its 100th season in 2018/2019, Columbia Stage Society’s Town Theatre (Organization Category Special Award) provides quality, live, family-oriented community theatre and entry-level experience for those who wish to participate on or off stage. Every performance has open auditions, with all community members being encouraged to attend. On stage, Town Theatre’s current and alumni performers have appeared on Broadway, network television and in major feature films. Off stage, ample opportunity exists for community members to get involved as costumers, as set and backstage crew, by helping in the box office, or as ushers and house managers.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing services, grants, and leadership initiatives in three areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Submitted material

Dorothy Allison to address Deckle Edge festival this weekend

Author will also receive festival's Southern Truth Award


In its 4th year as the grassroots answer to the S.C. Book Festival, Deckle Edge Literary Festival announces South Carolina author Dorothy Allison as the keynote speaker for the 2019 festival and the recipient of the second annual Deckle Edge Literary Festival Southern Truth Award. Author Dorothy Alliison Author Dorothy Alliison Allison will speak at the Booker T. Washington auditorium at the University of South Carolina on Friday, March 22 at 7 p.m. in an engagement sponsored by the USC Women’s and Gender Studies Program. On Saturday, March 23rd at 10 a.m., Allison will address the Deckle Edge Literary Festival in a conversation with Bren McClain, author of One Good Momma Bone (2017, USC Press) at the Richland Library on Assembly Street in downtown Columbia. (McClain is also a 2005 prose fellowship recipient from the S.C. Arts Commission). Allison is the author of Trash (1988), a collection of semi-autobiographical short stories, the multi-award winning Bastard Out of Carolina (1992), Cavedweller (1998), which became a New York Times bestseller, and more. She has written for the Village Voice, Conditions, and New York Native and won several Lambda Awards. Bastard Out of Carolina was a finalist for the National Book Award, the winner of the Ferro Grumley Prize, was translated into more than a dozen languages and became a bestseller and award winning film directed by Anjelica Huston. Allison is a recent inductee into the Fellowship of Southern Writers. Read more about her here. A native of Greenville, Allison’s writings frequently reference the class struggles and social alienation she experienced as a child growing up gay, impoverished, and the first child of a 15-year-old unwed mother in the conservative South Carolina upstate. Bastard Out of Carolina also details the sexual abuse she endured throughout childhood at the hands of her step-father. The New York Times Book Review calls the book, “As close to flawless as a reader could ask for.” Allison will be awarded the Deckle Edge Literary Festival Southern Truth Award on Friday evening, March 22nd. The Southern Truth award, whose first recipient in 2018 was Nikky Finney, is awarded to a Southern author whose body of work exemplifies the complexity of the South’s history, celebrates the gifts of the South’s diverse peoples, and enhances the narrative of the South by focusing on the progress we make and the continued work before us. The 2019 Deckle Edge Literary Festival includes an exciting roster of authors, panels, and interviews including, among others, printmaker Boyd Saunders (2002 recipient of the Elizabeth O'Neill Verner Governor's Award for the Arts); Chieftess Queen Quet who is an elder of the Gullah/Geechee Nation; Pulitzer-Prize winning journalist Kathleen Parker and more. For more information please visit www.DeckleEdgeSC.org.
Deckle Edge Literary Festival receives funding support from the S.C. Arts Commission.

South Carolina arts and cultural industries among fastest-growing in nation

Latest Data Shows Increase to U.S. Economy from Arts and Cultural Sector

Sector Contributed $804.2 Billion or 4.3 Percent of Nation’s GDP in 2016


Key national findings from this year’s ACPSA

  • Arts and culture play a significant role in the economic activity of the country. The value-added to GDP by arts and cultural production is nearly five times greater than that of the agricultural sector. Arts and culture adds nearly $60 billion more than construction and $227 billion more than transportation and warehousing to the U.S. economy.
  • Arts and cultural goods create a trade surplus. In 2016, the U.S. exported nearly $25 billion more in arts and cultural goods and services than it imported, a 12-fold increase over 10 years.
  • ACPSA exports are driven by movies and TV programs, advertising, and arts-related software such as video games.
  • The average annual growth rate for arts and culture outperforms the growth rate of the total U.S. economy. From 2014 to 2016, the average annual growth rate in the contribution of arts and culture was 4.16 percent, nearly double the 2.22 percent growth rate of the total U.S. economy.
  • Consumer spending of the performing arts has risen significantly. Between 1998 and 2016, the rate of consumer spending on performing arts admissions more than doubled, rising from 0.12 percent of U.S. GDP in 1998 to 0.26 percent, totaling $32.7 billion, in 2016.

Key state findings from this year’s ACPSA

Thirteen states had an average annual growth rate above the national average of 5.9 percent, as measured over the three-year period of 2014 to 2016. Listed in order, these states were the fastest-growing for the percentage of their gross state product coming from arts and cultural industries. Rank and Average Annual Growth Rate: 2014-2016

1.    Washington State:11.9 percent 2.    Georgia:11.1 percent 3.    Utah:10.2 percent 4.    Nevada: 9.8 percent 5.    California: 7.8 percent 6.    *Tennessee: 7.8 percent 7.    New Mexico: 7.7 percent 8.    *SOUTH CAROLINA: 7.5 PERCENT 9.    Florida: 7.1 percent 10.    *Montana: 6.6 percent 11.    Oregon: 6.5 percent 12.    Colorado: 6.3 percent 13.    Massachusetts: 6.2 percent

*These states are identified as rural by the Bureau of Economic Analysis because 30 percent or more of the state’s population live in rural areas. To learn about how arts and culture impact the economies of rural states, go to the Rural Prosperity report below.

Ed. note: this news comes the same day that President Trump released an FY20 budget today that removes all funding for the National Endowment for the Arts. For more, please read more from the S.C. Arts Alliance.


Resources The Arts Endowment, BEA, and the National Assembly of State Arts Agencies have developed resources to help users understand the data.

About the National Endowment for the Arts

Established by Congress in 1965, the NEA is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the NEA supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Please visit arts.gov to learn more.

Jonathan Green to receive Order of the Palmetto

Governor to present award tomorrow

Jonathan Green will be awarded the prestigious Order of the Palmetto on Wednesday, March 20 at noon in the Governor’s office. The event will take place at 1100 Gervais Street, Columbia. Because of space constraints, the event is limited to media only. The Order of the Palmetto Award is given to recognize lifetime achievement and service. It is the highest civilian honor awarded by the state of South Carolina. Jonathan Green is a world renowned artist and 2010 recipient of the Elizabeth O'Neill Verner Governor's Award for the Arts for lifetime achievement. Green has participated in traveling exhibitions throughout the U.S. and 48 solo exhibitions. His work is in the permanent collections of numerous museums, including the Smithsonian, Morris Museum in Augusta, Ga., the Afro-American Museum in Philadelphia, Naples (Fla.) Museum of Art, and the IFCC Cultural Center in Portland, Ore. Columbia City Ballet used his art as inspiration for a critically-acclaimed ballet that world premiered in Columbia in 2005.

Union library named finalist for National Medal

Here's a belated note worth sharing with Hub readers today. – Ed. Union County Carnegie Library Earlier in March, the Institute of Museum and Library Services today announced 30 finalists for the 2019 National Medal for Museum and Library Service. The National Medal is the nation’s highest honor given to museums and libraries for community service. Over the past 25 years, the award has celebrated institutions throughout the nation that have demonstrated extraordinary and innovative approaches to public service. Union County Carnegie Library was named to the finalist list. Throughout March and April, IMLS will celebrate the excellent community work of these institutions through its six-week Share Your Story social media campaign, which began last week. Anyone with a story to tell about these libraries and museums is encouraged to share comments and pictures with #IMLSmedals and tag IMLS on Facebook and Twitter. "We are thrilled to be a finalist for the National Medal, and we know that this is due in large part to our facility and partnerships. We wanted to share this great news with you and tell you how much we appreciate our partnership and are thankful for your support," Executive Director Rieta Drinkwine said. The S.C. Arts Commission was one such partner, as UCCL was host of the first Communal Pen writing workshop series that has since worked its way through South Carolina since last September. National Medal winners will be announced later this spring. Representatives from winning institutions will receive their medals at a ceremony on June 12 in Washington. Learn more about the Union County Library System here. 

Grants Roundup: Deadlines for the Week of March 18

Though far from the only thing, grants are certainly among the main things we do here. And because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of people who say, "If only we'd known about X grant!" We can't reach everybody, but we can try. On Mondays with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.


GrantsThis week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult your county or discipline coordinator with questions.

Next week

Next 30(ish)

Rolling Deadlines

Important Notes

  • You are encouraged to also consult the SCAC grants page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
  • For next steps, grant guidance, and more information, consult your county coordinator if you are an artist or represent local organizations, businesses, or educational institutions.

Extension announced for folklife project grants

Furthering South Carolina's living traditions

Application deadline now Friday, March 22
The S.C. Arts Commission's Folklife & Traditional Arts (FLK) Grants support non-profit organizations that seek to promote and preserve the traditional arts practiced across the state. Traditional arts are expressions of shared identity that are learned as a part of the cultural life of a particular group. This shared identity may be rooted in family, geographic, tribal, occupational, religious, ethnic or other connections. As expressions of a living culture, traditional arts have been handed down from one generation to the next and reflect the shared experience, aesthetics and values of a group. The purpose of the FLK Grant is to ensure that South Carolina’s living traditions remain vibrant and visible parts of community life. To this end, we fund projects that may include the following:
  • Presentation of Traditional Artists through workshops, concerts, festivals, exhibitions, radio programs, recordings, etc.
  • Documentation of Traditional Arts and/or Folklife of S.C. (Such a project must result in some form of public presentation.)
  • Cultural Survey – Fieldwork done to identify traditions and traditional artists
  • Production, Documentation and/or Distribution of a traditional artist’s work; for example, the production of publicity materials
  • Acquisition of difficult-to-obtain materials or equipment needed to create traditional art
  • Conservation – Projects, such as apprenticeships, that serve to keep a traditional art form vibrant and visible
Projects can receive funding up to and including $6,000. These grants go to non-profit organizations and government entities and must be matched 1:1. Priority for funding is given to projects that provide recognition and support for South Carolina’s traditional art forms and their practitioners. Read more about FLK Grants from the S.C. Arts Commission here.
The Folklife and Traditional Arts Program is a partnership with McKissick Museum at the University of South Carolina. 
The main image on The Hub's home page is 2018 Folk Heritage Award recipient J. Michael King of Greenville.

Van Gogh and more coming to CMA in 2019 

Columbia Museum of Art announces 2019 season

Columbia Museum of Art announced its full schedule of featured exhibitions through the remainder of the year, a broad assortment of largely exclusive, house-organized shows including Van Gogh and His Inspirations.
“From bold inflatables to delicate linocuts, from familiar Van Goghs to modern Latin American works of art, the roster of exhibitions the CMA is offering over the next year embraces a wide variety of materials and techniques, concepts and cultures, and times and places,” says Della Watkins, CMA executive director. “All will allow us to celebrate ideas different from our own and marvel at visual accomplishments — and have fun doing it.” Currently open exhibitions include Jackson Pollock: Mural, on view through May 19, 2019;Our Voice: Celebrating the Coretta Scott King Illustrator Awards, on view through April 21, 2019, in conjunction with Richland Library; and the freshly opened A Life with Art: Gifts from Dwight and Sue Emanuelson.
  A Life with Art: Gifts from Dwight and Sue Emanuelson March 8 – May 19, 2019 Dwight and Sue Emanuelson have generously given artworks to the CMA for 35 years, and this sweeping four-gallery exhibition celebrates the couple’s ardent engagement with art and artists. Highlights include Abstract Expressionism, Pop Art, and midcentury design, with work by Pierre Cardin and Charles and Ray Eames. This is a unique collection of modern and contemporary art assembled through the lens of one couple’s life with art and each other. Shades of Greene: The Art of Sanford Greene April 4 – June 23, 2019 Sanford Greene has worked professionally in comic illustration and related industries for over 15 years, including work for mainline publishers Marvel, DC, Dark Horse, and Image Comics. Greene’s most recent work with Marvel series Power Man and Iron Fist as well as covers for Black Panther and Luke Cage have made him well known in the comic-book scene, but his work is multidimensional. Taking a broad look at his artistic evolution, this exhibition explores Greene’s versatility as an artist and illustrator from an early age into his professional career. Latinidad: Latin American Art from the Collection April 26 – September 1, 2019 Latinidad: Latin American Art from the Collection features 20 rarely seen gems from the collection made between the 1950s and early 1990s by artists born in Chile, Cuba, Mexico, and Puerto Rico, including Roberto Matta, René Portocarrero, Ruffino Tamayo, and David Alfaro Siqueiros. With styles and influences on view including Mexican folk art and Surrealism, the installation also showcases a complete 1953 portfolio by important print collective Centro de Arte Puertorriqueño (Center for Puerto Rican Art) and contemporary photography by Jorge Otero. Wow Pop Bliss: Jimmy Kuehnle’s Inflatable Art June 14 – September 8, 2019 Jimmy Kuehnle is a performance and sculpture-based artist who creates large-scale, high-tech inflatables that expand our notions of abstract art. For this exhibition, Kuehnle is filling four galleries with touchable, interactive environments using inflatables that combine sound, light, space, and texture to create unexpected experiences for visitors as they move under, through, and around these works. Kuehnle is also creating a bright pink inflatable sculpture that will project dramatically out of the CMA façade’s architectural grid overlooking Boyd Plaza, literally spilling out into the city as a calling card to the wonder inside. Supported by The Contemporaries of the Columbia Museum of Art. Mimi Kato: Ordinary Sagas June 14 – September 8, 2019 Mimi Kato draws on the rich history and visual traditions of Japanese culture as well as the absurd everyday elements of contemporary life and merges them in imaginary landscapes. In her lengthy artistic process, Kato photographs herself as a range of costumed characters — from everyday Japanese citizens to fantastical creatures in the forest — and embeds these images into large photomontages. Her work is narratively complex and darkly humorous. Supported by Susan Thorpe and John Baynes. Maryanna Williams: New Work September 6 – December 29, 2019 Maryanna Williams’ imagery creates a dialogue between simple forms and intricate patterns. In her prints she has explored moths, jellyfish, and even Italian Renaissance portraits, each subject chosen for its inherent beauty, delicate patterning, and vibrant hues. Close up and filling the picture plane, her subjects shift between realism and abstraction, at times dissolving into facets of color and marks vibrating across surfaces. Williams’ work is not about scientific illustration or realism, but about transforming subjects from nature and art into images that express her deep passion for the intense beauty that she sees in the world. Van Gogh and His Inspirations October 4, 2019 – January 12, 2020 Van Gogh and His Inspirations, presented by The Blanchard Family, is an original exhibition organized by the CMA that brings the work of one of the most beloved artists in the world to Columbia, South Carolina, alongside a variety of handpicked paintings and drawings that shaped his vision. From 2001 to 2010, as Steven Naifeh and Greg Smith researched their New York Times bestseller Van Gogh: The Life, they built a collection of over 30 works by artists who influenced Van Gogh’s aesthetic thinking. These works join loans from 10 museums across the U.S. to explore the artistic evolution of Van Gogh through the lens of the artists who inspired him. This exhibition also brings 12 paintings and drawings by Van Gogh, including an outstanding painting of poppy fields from the National Gallery of Art, a sensitive painting of a peasant woman weaving from The Boston Museum of Fine Art, and the world-famous self-portrait from the Wadsworth Atheneum Museum of Art. Side-by-side with their inspirations, these works offer visitors a window into the mind of Van Gogh. For more information, visit columbiamuseum.org.

About the CMA

The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community enrichment for all. Located in the heart of downtown Columbia, the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history. Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds. It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Elizabeth O'Neill Verner Governor's Awards for the Arts for outstanding contributions to the arts in South Carolina. In order to serve even more audiences, the CMA is undergoing a transformation funded by a successful capital campaign. In order to serve even more audiences, the CMA recently underwent a transformation. Funded by a successful capital campaign, the two-year renovation project garnered new collection galleries with a progressive thematic layout, new studios for artmaking, cutting-edge program and event spaces, an entrance on Main Street, and a revamped CMA shop. Overall, more than 20,000 square feet of functional space were added to the building’s existing footprint. To learn more, visit www.columbiamuseum.org.

Juilliard students help high school singers give voice to their art

Students practices singing in vocal masterclass. Aiken Standard photo. From reporting by the Aiken Standard:

High school students gave youthful voices Wednesday to an early art form that dates back to Italy in the late 1500s.

As part of Joye in Aiken's educational outreach program, students from the S.C. Governor's School for the Arts and Humanities in Greenville sang works from early Baroque opera during a master class conducted by students from The Juilliard School's Ellen and James S. Marcus Institute of Vocal Arts.

Joye in Aiken receives grant support from the S.C. Arts Commission. Read the full story from the Aiken Standard here.

Submitted material

U of SC Press celebrates the life and work of Boyd Saunders

The University of South Carolina Press has recently published A VIEW FROM THE SOUTH: THE NARRATIVE ART OF BOYD SAUNDERS, by Thomas Dewey II with a Foreword by Charles R. Mack.

Event TODAY at U of S.C. Thomas Cooper Library, 4:30 p.m., Columbia


A VIEW FROM THE SOUTH is a celebration of the prolific artist's heartfelt devotion to the people and places of the American South. It is the first comprehensive examination of the life and art of Boyd Saunders, one of America’s premier printmakers. In this celebration of an enduring and widely acclaimed career as an artist, Thomas Dewey II chronicles Saunders’s work not only as a printmaker, but also as a painter, sculptor, illustrator, author, educator, amateur musician, and sometimes horseman. With great care Dewey exposes the common thread that runs through Saunders’s visual expressions: his intriguing tales that reveal his heartfelt devotion to the people and places of the American South. Dewey has captured Saunders’s life story through intensive research as well as via a series of interviews with the artist over several years. Details of Saunders’s early life on a West Tennessee farm and his family’s long attachment to the land document a profound influence on his life, outlook, and art. But Saunders was also moved by literature—namely that of William Faulkner, whom he met while earning a master’s of fine art at the University of Mississippi. Saunders credits Faulkner with inspiring much of his work, demonstrated in his Spotted Horses, a limited volume of lithographs illustrating Faulkner’s short story of the same name, which was published by the University of South Carolina Press in 1989. Now a distinguished professor emeritus of the University of South Carolina, Saunders founded its Art Department’s printmaking program as well as a southern printmaker’s organization called the Southern Graphics Council. In the more than forty years since its founding the organization, now called SGC International, it has grown well beyond its southern borders and now serves twenty-five hundred members worldwide. A View from the South features more than 120 color images showcasing the themes, ideas, and techniques Saunders has used in his paintings, drawings, prints, sculptures, etchings, lithographs, and woodcuts. His art is exhibited throughout the world and is included in many private and public collections, including the Boston Public Library, the U.S. Wildlife Collection in Washington, D.C., and Shanxi University collection in China. A foreword is provided by Charles R. Mack, professor emeritus of art history at the University of South Carolina. Thomas Dewey II is a faculty emeritus associate professor of art history at the University of Mississippi. He holds bachelor’s and master’s degrees in art history from Southern Illinois University and a Ph.D. in art history from the University of Wisconsin, Madison. Dewey has published widely in professional journals and penned an entry, “Audubon in Mississippi,” in The Mississippi Encyclopedia. On March 14 Boyd Saunders will be celebrated by the University Libraries and the University South Carolinians Society in a 4:30 p.m. event at the Thomas Cooper Library, where Boyd Saunders will show a "mini-retrospective" and discuss "The Storyteller's Art."

Tuning Up: Arts job at SCAC, arts ed, and more

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


We're hiring... but not for long! The deadline to apply for the SCAC's community arts coordinator position is coming to a close soon. The deadline is Tuesday, March 19. Cool story, Spartan-bros. Chapman Cultural Center is celebrating Youth Art Month. There's a reception TODAY at CCC from 4-7 p.m. To highlight the importance of arts education, they put a local spin on the research results from the Gallup Student Poll (conducted in arts-rich South Carolina schools) that the SCAC released last month. Johnsons donate to IAAM Susu and George Dean Johnson, Jr. of the Johnson Collection Gallery in Spartanburg are helping to create additional cultural offerings in South Carolina by pledging a $1 million gift toward the creation of the International African American Museum in Charleston. Governor's School announces 'Grand Jete' winners The first annual Grand Jeté student dance competition, hosted by the S.C. Governor’s School for the Arts and Humanities, featured 47 dancers, ages 10-19, from eight dance schools across the state, including one independent dancer. Here's who came away with prizes.