Jason Rapp

SCAC announces four 2021 fellowship recipients

Individual excellence in writing, dance honored


for immediate release

COLUMBIA, S.C. – Hard work and exceptional abilities are earning four South Carolina artists practicing in the dance and writing disciplines fellowships from the South Carolina Arts Commission for fiscal year 2021.

The South Carolina Arts Commission (SCAC) Board of Directors approved four $5,000 fellowships among several other FY21 grant awards to be announced at a later date. The SCAC’s four fellows are:
  • Sarah Blackman of Greenville County in prose,
  • John Pursley III of Greenville County for poetry,
  • Erin Bailey of Richland County for dance choreography,
  • and Tanya Wideman-Davis of Richland County for dance performance.
Individual artists residing in South Carolina full-time whose work covers prose, poetry, dance choreography, and dance performance were invited to apply last fall for fiscal year 2021 awards. Out-of-state panelists from each discipline reviewed applications and, based solely on blind reviews of anonymous work samples, recommend recipients of each $5,000 fellowship. “Fellowships recognize and reward the artistic achievements of exceptional South Carolina individual artists. Recognition from a fellowship lends artistic prestige and can often open doors to other resources and employment opportunities,” SCAC Executive Director David Platts said. A diverse group of panelists judged the nominees applying to the FY21 disciplines in which they work. The poetry panelists were Joseph Bathanti, writer-in-residence at Appalachian State University in Boone, North Carolina; author Sandra Beasley, an instructor with the University of Tampa who lives in Washington; and publisher Lucinda Clark, principal with the Poetry Matters Project in Augusta, Georgia. Author/educator Catherine Reid of Burnsville, North Carolina and Charlie Vazquez, a consultant in New York City, judged the prose applicants. Panelists of the dance performance applicants were Laurel Lawson of Atlanta, Georgia with Full Radius Dance and Tamara Nadel of Minneapolis, Minnesota with Ragamala Dance Company. Maura Garcia, principal of Maura Garcia Dance in Chapel Hill, North Carolina; and Patrick Makuakane of San Francisco, California with Nā Lei Hulu i ka Wēkiu Dance Company served as panelists of the dance choreography applicants. Four fellowships per year are awarded to artists working in rotating disciplines. One artist from each of these fields: visual arts, craft, media: production, and media: screenwriting will be honored in fiscal year 2022. To be eligible, artists must be at least 18 years old and a legal U.S. resident with permanent residence in the state for two years prior to the application date and throughout the fellowship period. Applications will be accepted later this summer following announcement by the SCAC. For more on discipline rotation, eligibility requirements, and the application process, please visit https://www.southcarolinaarts.com/grant/fel/.

About the FY21 Individual Artist Fellowship Recipients

Sarah Blackman | Prose | Greenville County Sarah Blackman is the director of creative writing at the Fine Arts Center, an arts-centered public high school in Greenville, South Carolina. Her poetry and prose have been published in a number of journals, magazines, and anthologies and she has been featured on the Poetry Daily website. Blackman is the co-fiction editor of Diagram, the online journal of experimental prose, poetry and schematics; and the founding editor of Crashtest, an online magazine for high school age writers she edits alongside her Fine Arts Center students. Her story collection Mother Box, published by FC2 in 2013, was the winner of the 2012 Ronald Sukenick/American Book Review Innovative Fiction Prize. Her novel, Hex, was published by FC2 in April 2016 and in 2018 she joined its board. John Pursley III | Poetry | Greenville County John Pursley III teaches contemporary literature and poetry at Clemson University, where he also directs the annual Clemson Literary Festival. He is the author of the poetry collection, If You Have Ghosts (Zone 3 Press), as well as the chapbooks, A Story without Poverty (South Carolina Poetry Initiative) and A Conventional Weather (New Michigan Press), among others. In addition, he works as the poetry editor of Burnside Review and is an assistant editor for the South Carolina Review. His poems and reviews have appeared in Poetry, AGNI, Colorado Review, Kenyon Review, and elsewhere. Erin Bailey | Dance: Choreography | Richland County Erin Bailey is a South Carolina native who discovered her passion for dance at the Fine Arts Center in Greenville. She has degrees from Columbia College (BFA) and Texas Women’s University (MFA) and has her certification and licensure in massage. She is an adjunct dance professor at Columbia and Coker colleges and the University of South Carolina. Bailey has worked and performed with Columbia area dance companies since 2004 and has performed nationally and internationally at festivals like Piccolo Spoleto in Charleston. In 2018 she founded and remains artistic director of Moving Body Dance Company. She has twice received awards for her choreography work. Photo by Jesse Scroggins. Tanya Wideman-Davis | Dance: Performance | Richland County Tanya Wideman-Davis is the co-director of Wideman Davis Dance and is on faculty as associate professor at the University of South Carolina in the Department of Theatre and Dance and African American Studies. With an extensive career as a dancer, choreographer, and teacher, she completed her Master of Fine Arts from Hollins University/ADF (2012). Tanya has danced with many world-renowned companies, including Dance Theatre of Harlem, Joffrey Ballet, Complexions Contemporary Ballet, Alonzo King Lines Ballet, Spectrum Dance Theater, Ballet NY, and as guest artist with Ballet Memphis, Cleveland San Jose Ballet, and Quorum Ballet (Portugal).  She received international acclaim as “Best Female Dancer of 2001-2002” from Dance Europe magazine. Photo by Sammy Lopez.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Jason Rapp

COVID-19 and the arts in South Carolina

A response resource for S.C.'s creative communities


COVID-19 molecular structure image An image of COVID-19, courtesy of CDC Artists and arts organizations in South Carolina will be affected by the worldwide outbreak of COVID-19, the 2019 Novel Coronavirus. Beyond reminding you to wash your hands (see more about that flier by an #SCartists below), the S.C. Arts Commission is going to leave the science to scientists and public health practitioners, but we can be a resource for the creative communities we serve. Our goal is to provide information that can enable our constituents to be ready for “What if…?” And let’s face it—there’s a lot of that right now. Ed. note; 13 March 2020, 16:00 ET The SCAC apologizes for the extra click, but because of the significant need for this content to be "living," we are now directing you to the COVID-19 resources page on SouthCarolinaArts.com which we are updating frequently.

Click here to access updated resources for creative communities compiled by the SCAC.

Submitted material

Celebrate ADA’s 30th with Arts Access South Carolina

Inclusive multi-discipline residency at South Florence High School

On July 26, 2020, the Americans with Disabilities Act (ADA) is celebrating its 30th anniversary!

AASC master teaching artist, Carter Boucher, working with student from S.C. School for the Deaf and the Blind The ADA was the world's first comprehensive declaration of equality for people with disabilities. It was a collaborative effort across political parties, the legislative and the executive branches, federal and state agencies, and people with and without disabilities, signed into law in 1990. President George H.W. Bush’s emphatic directive on that day—"Let the shameful walls of exclusion finally come tumbling down"—neatly encapsulated the simple yet long overdue message of the ADA: that millions of Americans with disabilities are full-fledged citizens and as such are entitled to legal protections that ensure them equal opportunity and access to the mainstream of American life. ARTS ACCESS South Carolina (AASC) is planning a 30 Day Count Down to 30 Years of ADA beginning June 26 through July 26, 2020. It's all going down on our Facebook page, which you can find by clicking here. AASC is inviting advocates, artists, and a host of others to submit an ADA Birthday Wish! We’ll celebrate through 30 comments, presentations, pictures, and/or brief expressions shared through social media platforms and other media outlets, including our statewide partner, South Carolina Arts Commission, during this 30-day period.

Submitted material

Sunspot Lit’s 2020 ‘Inception’ contest

Call issued for literary or visual art

Submission deadline: Sept. 30, 2020

Sunspot Lit’s 2020 Inception contest is open to literary and visual artists.

Literary

Send your best opening. There are no restrictions on theme, category, or the length of the piece from which the beginning is excerpted. Word limit is 250 for prose, 25 words for poetry. Graphic novel entries should be the first page (unlimited number of panels on that page) with a maximum of 250 words...so, cut the number of panels in order to meet the word count, if needed.

Visual

This contest is also now open for artwork. Visual art entries should be the first in a series, the first in a gallery lineup, the first photo in a themed collection, etc. Entries are limited to one image with up to 250 words to describe the series, lineup or collection.

The Contest

Photo by Lukas from Pexels

Submitted material

2020 S.C. Novel Prize goes to Upstate writer

Winning manuscript publishes in 2021


The South Carolina Arts Commission, Hub City Press, the College of Charleston, the South Carolina State Library,  and South Carolina Humanities are pleased to announce that the winner of the 2020 South Carolina Novel Prize is Maris Lawyer for her manuscript The Blue Line Down.  

Lawyer’s winning manuscript will be published in 2021 by Hub City Press of Spartanburg.

Maris Lawyer (right) grew up in Oconee County and hasn’t strayed far since. Graduating with a degree in Creative Writing from Anderson University in 2017, she then moved into a tiny apartment in Greenville with her husband, where she spent her evenings hunched over a laptop writing stories. Maris and her husband (and two cats) are now homeowners in Easley, where she still catches a glimpse of the Blue Ridge Mountains every day.

Stephanie Powell Watts, author of We Are Taking Only What We Need and No One is Coming to Save Us was the judge of the biennial prize this year. Of the winning manuscript, Watts wrote, “Readers are always looking for the topic that both feels familiar until we scratch the surface a little and realize we know almost nothing about it. In the clear light of the present, movements, protests and even revolutions of the past can seem obvious and inevitable. History loves to condense the story, connecting dots to make the narrative cohere. However, there is turmoil, angst, and great human suffering in between those dots. This story shows us how a decent enough person might be compelled to aid and abet bullies and killers. The story also shows us the main character's remarkable path to possible redemption.”


The South Carolina Novel Prize is funded by the following partner organizations:

The South Carolina Arts Commission is the state agency charged with creating a thriving arts environment that benefits all South Carolinians, regardless of their location or circumstances.

Hub City Press was founded in Spartanburg, South Carolina in 1995 and since then has emerged as one of the South's premier independent presses.

The College of Charleston is home not only to a cadre of nationally and internationally recognized writing faculty, but also houses one of the country’s premiere literary journals, Crazyhorse, published since 1960 and consistently ranked as among the top publishing venues in the nation. The Master of Fine Arts in Creative Writing program provides students an immersion in a world of prose and poetry and the practical aspects of establishing a career in the arts.

The South Carolina State Library develops, supports, and sustains a thriving statewide community of learners committed to making South Carolina stronger. The Library serves the people of South Carolina by supporting state government and libraries to provide opportunities for learning in a changing environment.

South Carolina Humanities is the state program of the National Endowment for the Humanities. SC Humanities presents and supports literary initiatives, lectures, exhibits, festivals, publications, oral history projects, videos and other humanities-based experiences that directly or indirectly reach more than 250,000 citizens annually.

For more information about the Novel Competition, visit or call http://www.SouthCarolinaArts.com, 803.734.8696; and http://www.hubcity.org, 864.577.9349.


More about Maris Lawyer

Maris Lawyer is a born and bred native of the South Carolina Upstate. She graduated with a degree in creative writing from Anderson University and has since gone to work as an HR generalist for an environmental consulting firm in Greenville. Maris lives in Easley with her husband Benjamin and two cats, Merlin and Luna. Alongside reading and writing, Maris spends much of her time fussing over the vegetable garden in her back yard. In The Blue Line Down, protagonist Jude Washer leaves his tormented childhood in the Virginian coal mines to join the Baldwin-Felts agents—the very agents who hunted down and disbanded the unionizers at his own mine camp. Instead of living a life of power and control, Jude finds himself disturbed by the brutal brand of justice dealt out by the Baldwin-Felts, and seeks to free himself and his young trainee, Harvey. An unplanned escape turns into a harrowing manhunt as Jude and Harvey flee the Baldwin-Felts, traveling down the Blue Ridge Mountains only to fall into the hands of bootleggers—who may present a greater threat than the Baldwin-Felts.

Jason Rapp

‘Communal Pen: Water/Ways’ debuts July 18

Two-part writing workshop reboots with new theme

Medlock Bridge Park
Chattahoochee River National Recreation Area Communal Pen, a creative writing workshop presented by the S.C. Arts Commission and South Carolina Humanities, is coming back starting Saturday, July 18 to help you write to celebrate memories, stories, and traditions of place... continuing its reimagined virtual format with a brand-new theme! SC HumanitiesWhat are the memories, stories and traditions that make your community home? What landmarks, customs, sights and sounds connect us with family, friends and neighbors, while highlighting our unique experience and identity? Sometimes, you’ve just got to write it down!
Facilitator EBONI RAMM will lead the virtual workshop as you write to celebrate and explore connections to place and community. Often, it is in our written words that memory lives. The writing process can itself help us to awaken and preserve thoughts and traditions, offering insight, understanding and respect to present and future generations. The McCormick County Chamber of Commerce and Hickory Knob State Park are hosts of this two-part writing workshop, which will be conducted over two Saturday mornings this month:
  • 10 a.m. to 12:30 p.m. Saturday, July 18
  • 10 a.m. to 12 p.m. Saturday, July 25
Space is limited; registration is on a first-come, first-served basis online or call 803.734.8680. The new format does not support walk-ins as previous workshops have. Share it with your friends on Facebook! NOTE: marking yourself as "Going" on Facebook DOES NOT register you for Communal Pen. No previous experience necessary! We invite participants to view the exhibit before the workshop, and to pay special attention to those images and ideas that are most relatable you. On the day of the workshop, please bring a photo and/or object that has special meaning for you. This item will be used during a writing exercise.
The Communal Pen writing workshop draws inspiration from the new Smithsonian exhibit, Water/Ways, which is touring South Carolina with the Smithsonian Institution’s Museum on Main Street (MoMS) Traveling Exhibition Service from June 2020-April 2021. MoMS provides access to the Smithsonian for small-town America through museum exhibitions, research, educational resources, and programming. Exhibit themes and images are a springboard for igniting our own stories, giving voice to our shared and individual experience of place. Communal Pen is developed through the S.C. Arts Commission’s place-based initiative, "Art of Community: Rural SC," a new framework for engagement, learning, and action in rural communities. The writing workshops are coordinated through the SCAC’s Folklife & Traditional Arts and Community Arts Development programs, with generous support from South Carolina Humanities.
Deeply rooted in South Carolina, Communal Pen facilitator Eboni Ramm fell in love with the arts at a young age and was encouraged throughout her youth to express herself. Today, she is a gifted vocalist known for her special blend of timeless jazz classics with a pinch of poetry. Ramm resides in Columbia, where she conducts jazz poetry workshops in schools, libraries, and various learning centers. She serves her community as Richland Library's literary resident and as a teaching artist with ARTS ACCESS South Carolina and Youth Corps. She is a featured musician on SCETV’s education web portal, knowitall.org. Her publication Within His Star: The Story of Levi Pearson celebrates the ancestor who added strength to the unprecedented Brown vs. The Board of Education case. Learn more at www.EboniRamm.com. Communal Pen coordinator Laura Marcus Green is program specialist for community arts & folklife at the South Carolina Arts Commission, where she provides statewide outreach and project coordination through the "Art of Community: Rural SC" initiative and other projects, while managing folklife grant and award programs. . She holds a Ph.D. in Folklore from Indiana University and an M.A. in Folklore/Anthropology from the University of Texas at Austin. Selected prior positions include Community Engagement Coordinator for the Museum of International Folk Art’s Gallery of Conscience, and work as a folklife fieldworker and researcher, writer, curator and consultant for the Louisiana Division of the Arts Folklife Program, the South Carolina Arts Commission, the Iowa Arts Council, New Mexico Arts, and the Idaho Commission on the Arts, among others.

Jason Rapp

CARES Act funding announced for 7 S.C. NEA grantees

Awards total $350,000


Washington — The National Endowment for the Arts announces the nonprofit arts organizations recommended for direct funding through the Coronavirus Aid, Relief, and Economic Security (CARES) Act.

These 855 organizations—located in every state, the District of Columbia, and Puerto Rico—will receive a total of $44.5 million in nonmatching funds to support staff salaries, fees for artists or contractual personnel, and facilities costs.

Grants of $50,000 are offered to 846 organizations while nine local arts agencies will receive $250,000 each to further award to arts organizations in their area. The National Endowment for the Arts received more than 3,100 eligible applications requesting $157 million for the $45 million available in direct assistance. To review the applications, the agency used more than 200 application readers and panelists to review and score each application using the published review criteria.

“All of us at the National Endowment for the Arts are keenly aware that arts organizations across the country are hurting, struggling, and trying to survive and that our supply of funding does not come close to meeting the demand for assistance,” said Arts Endowment Chairman Mary Anne Carter. “That said, I am enormously proud of the over-and-above efforts of the Arts Endowment staff to swiftly and professionally manage such a large amount of additional work in a relatively short period of time on behalf of the American public.”


These awardees represent the diverse nature of arts organizations around the country. Overall funding is divided nearly evenly between small, medium, and large arts organizations. Also, 18% went to organizations either in rural (non-metro) areas or in metro areas with populations below 250,000.

Seven NEA grantees in South Carolina received $50,000 grants each. They are:
  • Aiken Music Festival (Joye in Aiken) - Aiken
  • Fine Arts Center of Kershaw County - Camden
  • Spoleto Festival USA - Charleston
  • Columbia Film Society - Columbia
  • Pawleys Island Festival of Music & Art - Pawleys Island
  • Preserving Our Southern Appalachian Music (POSAM) - Pickens
  • Hub City Writers Project - Spartanburg
  • View the full list of nationwide recipients by clicking here.

In April, the agency announced the distribution of the required 40 percent of the CARES Act’s $75 million appropriation to the state and regional arts agencies for their granting programs. Each agency has its own process and timeline for awarding those funds, however, the Arts Endowment anticipates that together those entities will make between 4,200 and 5,600 awards.

From the beginning, the Arts Endowment has pursued both speed in making awards, and maintaining the agency’s reputation for organizational excellence. Just 12 days after President Trump signed the CARES Act legislation, the Arts Endowment posted guidelines for direct funding applicants. In less than three weeks, the agency had announced awards to state arts agencies and regional arts organizations. This press release marks less than 14 weeks since the legislation was made into law.

Arts and culture are a key component of the U.S. economy that contribute $877.8 billion, or 4.5 percent, to the nation’s gross domestic product in 2017 and employ over 5 million wage‐and‐salary workers who collectively earned $405 billion. This funding will help support those jobs and those nonprofit organizations during this time of great need so that arts and culture will persevere as a significant contributor to the American economy.

About the National Endowment for the Arts

Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Visit arts.gov to learn more.

Submitted material

Virginia theatre makes call for Black playwrights

Barter Theatre, in Abingdon, Virginia, is located in the southwest corner of the commonwealth, in the heart of Appalachia.

One of Barter's core beliefs is service to our audience, and to that end, back in 2000, we created the Appalachian Festival of Plays and Playwrights (AFPP). The AFPP solicits plays that are either set in Appalachia, or plays from playwrights who live in Appalachia (as defined by this A.R.C. link). Over the years we have not received many plays about the Black experience in Appalachia, and in an effort to address this, we have created our Black in Appalachia Initiative - a plan to actively seek out plays by Black Appalachian playwrights. Here's the link to information about the Festival: https://bartertheatre.com/playwriting-festivals/#AFPP

The AFPP Process

Plays are submitted to Barter and read blind. A panel picks the top 12, and from there another panel picks the top 6 or 7. At our festival in January, the plays are read in front of an audience by Barter's resident acting company, a panel gives feedback, the audience gives feedback, and one or two of the plays are chosen for further development - either another reading, or often a place in a future Barter season. For our Black in Appalachia Initiative, we are dedicating at LEAST one slot in the Festival to Black Appalachian playwrights, but we'd love it if there were even more.

Submitted material

‘Building the Movement’ makes call for youth art submissions

First Lady Melania Trump makes a call for art

Building the Movement: America’s Youth Celebrate 100 Years of Women’s Suffrage

Submission deadline: Monday, July 6, 2020 at 5 p.m. ET

First Lady Melania Trump is excited to announce Building the Movement: America’s Youth Celebrate 100 Years of Women’s Suffrage, an exhibit honoring the centennial anniversary of the ratification of the 19th amendment, which gave American women the right to vote.

The exhibit will launch this August and will showcase artwork by young Americans depicting this historic milestone. To create this exhibit, the First Lady (right) is asking students across the United States and its territories for submissions depicting individuals, objects, and events representing the women’s suffrage movement. Their artwork will appear alongside images of women’s suffrage parades, marches, and gatherings that took place at or around the White House. As we celebrate the 100th Anniversary of the 19th Amendment, it’s important to include our children in the conversation so they can learn and understand the history behind the women’s suffrage movement” said First Lady Melania Trump. “For decades, women leaders lobbied, marched, and protested for equality and their right to vote in the United States. It is my hope that this project will both support and expand the important conversations taking place on equality and the impact of peaceful protests, while encouraging children to engage in the history behind this consequential movement in their own home state.” The White House is encouraging submissions from students in grades 3-12, and will select one artwork to be included in the exhibit from each of the 50 states, the District of Columbia, America Samoa, Guam, the Northern Mariana Islands, Puerto Rico, and the U.S. Virgin Islands. All applicants will receive a thank you note signed by the First Lady, thanking them for their participation in this special exhibit honoring the women's suffrage movement. Submission applications can be found here. Entries must be received by July 6, 2020 at 5 p.m. ET.
To be considered, artwork must meet the following requirements:
  1. Two-dimensional, created on an 8”x 8” piece of paper. To submit, parents and guardians are asked to upload an image of your child’s artwork which can be a simple snapshot taken with a camera or a cell phone. Winners will be asked to send their original artwork via mail at a later date.
  1. Include a statement (up to 300 characters) about the artwork and how it represents women’s suffrage.
  1. Be based on one of the following categories: Suffragists, Suffrage Symbols, or Suffrage Events.
    • Suffragists: Portray a suffragist who inspires you. Many brave individuals dedicated themselves to fighting for women’s right to vote. Depict one of the well-known woman from the national movement or someone who did work in your state/territory.
    • Suffrage Symbols: Create your own button, ribbon, or sign. Activists and supporters wore buttons with messages such as “Votes for Women” or carried signs with statements to President Wilson: “Mr. President: How Long Must Women Wait for Liberty?”
    • Suffrage Events: Depict a historic march, protest, or other event related to the women’s suffrage movement. This can be a national happening or something from your state/territory.
To learn more about the women’s suffrage movement, please visit the Women’s Suffrage Centennial Commission website and review their state toolkits for more information on what happened in your state!
This exhibit is presented by the Office of the Curator in partnership with the Office of the First Lady.

Jason Rapp

SCAC Grants Team to start ‘Grants Coaching’ series

Topics and training series starts July 2


Do you have questions about the South Carolina Arts Commission grants process? Could you use some pointers for managing a grant you already have?

Well, get a coach! Today, the SCAC announces...
Twice a month, our Grants Team will offer professional coaching in Topics and Training video conference sessions. The schedule will look like this

Topics | First Thursdays

  • Grants-related topics with Q&A time at the end
  • First Thursday of the month at 11 a.m., via Zoom

Training | Third Thursdays

  • The Grants Team will be available to answer your questions about the grants process.
  • Hop on to ask your question or stay on to hear other questions. Hop off at any time.
  • Third Thursday of the month at 3 p.m., via Zoom
These sessions are a free service and first-come, first-served based on time of registration. Space is limited, so please do not miss meetings for which you’ve reserved a spot! Find information on the scheduled topics and how to register on SouthCarolinaArts.com.

Jason Rapp

South Arts Awards $323,000 among three grant categories

Four S.C. arts organizations to get funding


South Arts is awarding $323,000 in Performing Arts Touring, Literary Arts Touring, and Cross-Sector Impact grants in its nine-state service region.

Four arts organizations in South Carolina are among those receiving awards. Performing Arts and Literary Arts Touring grants support the presentation of out-of-state Southern artists for public engagements and residences, and Cross-Sector Impact Grants support collaborative, community-building projects spanning arts, culture, and other sectors of society. These three granting programs, supported by a partnership with the National Endowment for the Arts, connect arts organizations and communities with artists across South Arts' primary nine-state region of AL, FL, GA, KY, LA, MS, NC, SC, and TN. Applicants submitted proposals for each program throughout the spring, which were then reviewed by panels of peers and respected leaders in the field. While each grant has its own criteria and purpose, they collectively build towards South Arts' mission: advancing Southern vitality through the arts. These grants are part of South Arts' annual cycle of programming, and organizations are encouraged to review the current guidelines as they plan current and upcoming work.
Performing Arts Touring Grants support the presentation of Southern performing artists with up to $7,500. Applications for this program were due March 2, 2020. Review the guidelines and meet the Performing Arts Touring Grant recipients. Organizations in South Carolina receiving FY21 awards are:
  • Arts Center of Coastal Carolina ($7,000)
  • Newberry Opera House Foundation ($5,100)
  • Pawleys Island Festival of Music & Arts ($2,750)
Literary Arts Touring Grants support the presentation of Southern writers of fiction, creative nonfiction, and/or poetry with up to $2,500. Applications for this program were due May 1, 2020. Review the guidelines and meet the Literary Arts Touring Grant recipients. One organization in South Carolina is receiving an FY21 award:
  • City of Charleston Office of Cultural Affairs ($1,750)
Cross-Sector Impact Grants harness the power of collaborative, community-building "arts and..." projects spanning arts, culture, and other sectors of society with awards up to $15,000. Letters of Interest for this program were due March 30, 2020. Review the guidelines and meet the Cross-Sector Impact Grant recipients. No South Carolina arts organization is receiving one of these grants in FY21. These grant programs are supported through a partnership with the National Endowment for the Arts.