Add your event to Arts Daily!
The South Carolina Arts Commission's arts calendar, Arts Daily, has joined forces with The Hub. Now you can visit one place to view or submit arts news AND events!
Long-time Arts Daily users will notice that the revamped event submission process is simpler. You can also add your arts venue (if you haven't already) to The Hub's venue list through the Arts Daily submission process. Online readers of Arts Daily can search and sort events to find activities based on location, art form or type of event.
Is your event or opportunity right for Arts Daily? If it's arts-related, open to the public, and of interest to people in South Carolina, then yes! Event types include auditions, calls for entries & contests, classes, conferences, exhibitions, fellowships & residencies, openings, book signings, performances, screenings and more. You'll choose the type when you submit your event or opportunity.
To submit arts events to Arts Daily, use the Submit Events button. (Be sure to submit your event at least one month in advance.) If your event has an interesting news element, you can also send it to The Hub through the Submit Story button. Arts events submitted at least one month in advance will appear on the Arts Daily website, and some will be recorded for radio.
How to decide what to submit where
Submit Event to Arts Daily:
Arts Daily listings and radio announcements are limited to the key details and a brief description of your event and will direct readers to your website or organization for a lengthier description.
Arts events submitted at least one month before the event will be posted to the online Arts Daily calendar. Not all events are recorded for the radio. The earlier you submit, the longer it will appear on the Arts Daily site for readers to find and the better chance the event will be recorded for radio. You can even submit an entire season at once!
Submit Story to The Hub:
If your event has a news component, you can also submit a lengthier article or news release through The Hub's Submit Story button. Story submissions, if accepted, appear as articles on The Hub's main page and "roll off" the page as other articles are posted -- the lifespan of a Hub article is much shorter than an Arts Daily entry. Hub articles will direct readers to your website or organization for more information.
What makes an event newsworthy?
A few questions to ask: Does the event relate to a larger purpose (e.g., an artist's studio or gallery opening is a result of the arts reviving a downtown, a celebrity S.C. artist is participating to raise awareness and/or funds, a student exhibition illustrates the benefit of arts education, etc.)? Is this a first time for the event, or a milestone anniversary? Did the project break an attendance or fundraising record? Sometimes the news element occurs after an event when you're ready to share results and photos.
arts events to Arts Daily, at least one month in advance. Submit more info about your event to The Hub ONLY
if there is an extra news element.
Remember, you may also use the Submit Story button to send your feature articles, blog posts, stories, etc. about arts topics other than events.
Writing your Arts Daily Event Description
Arts Daily web listings and radio announcements are designed to provide the most vital pieces of information about your event or opportunity and refer users to ArtsDaily.org and/or to your website or organization for details. We encourage you to use your Event Description space to provide a self-contained, factual summary of your event or opportunity. ONLY the text in the Event Description field will be used in your radio announcement, should your submission be chosen for broadcast.
What to include in the Event Description:
What not to include in the Event Description:
- The name of the event or opportunity and a brief description of it
- Who is responsible for it (hosting or presenting organization)
- Where (venue and city)
- When (date and time)
- Cost to participate
- Deadline for the public to participate (e.g., registration, submission), if applicable. (Note: This is not a deadline for posting on Arts Daily.)
Want a template? Try this:
- Contact information. Radio announcements will direct listeners to the Arts Daily website where you have entered this information.
- Superlatives (such as “the best,” “beautiful,” “a great achievement,” etc.) will be excluded from the final listing.
(Name of the presenting or host organization) presents (name of the event), (event date) at (event time), at (event venue) in (city, and state if not South Carolina). (Provide a description of the event, so that Arts Daily users will understand what it is and whether or not they would like to attend.) Tickets are (cost). (Provide registration and/or submission requirements and/or deadline, if applicable.)
Questions? We're happy to help. Contact us here.
About Arts Daily
Arts Daily is a partnership between the South Carolina Arts Commission, South Carolina ETV Radio, and the College of Charleston.
Halsey Institute of Contemporary Art profiled on NEA website
The Halsey Institute of Contemporary Art at the College of Charleston was recently awarded a $40,000 grant from the National Endowment for the Arts to support an artist residency and exhibition of works by African-American vernacular sculptor Lonnie Holley. The project includes an exhibition of several dozen of Holley's works, a site-specific installation using found materials from the Charleston area, and the production of a documentary video. The exhibition is scheduled for fall 2015.
The NEA posted a profile of the Halsey Institute:
The Halsey Institute of Contemporary Art may be housed in a modest suite of gallery and office space on the College of Charleston campus, but its reach far exceeds its physical footprint. With a primary focus on artists “in the margins,” as Chief Curator Mark Sloan puts it, the museum shines a spotlight on artists who, given the depth, quality, and imaginative impact of their work deserve to be much better known. As we learned when we spoke with Sloan by telephone, the Halsey deploys a number of strategies to support the artists it shows. Artists receive not only time and space to work at the Halsey in an artist residency, but the considerable resources of the College of Charleston faculty and staff as well as the Charleston community-at-large are available to support the artist’s vision, whether that means technical expertise, help in the studio, participation in conversations with the artist and other events, or even a place for the artist to live while in town. In addition, the organization produces high-quality educational and outreach materials around the artists and their work, including short films, catalogues, and an expansive online presence on the Halsey website. The Halsey recently received an NEA grant to support an exhibit on the work of visual artist and musician Lonnie Holley. In his own words, here is Mark Sloan on the Halsey’s artist-focused curatorial philosophy, the museum’s plan for the Holley exhibit, and how the artists they feature are a little like snowflakes.
On the curatorial philosophy of the Halsey Institute of Contemporary Art…
We have an eclectic program, focused on showing the work of emerging and mid-career artists. We have developed something of a sub-specialty of showing the work of older, oddly overlooked artists. I think a way to characterize our program is that we’re shining a light in the margins where no one else is really even looking. We don’t pay any attention to who’s hot at Art Basel Miami or who’s selling. We’re happy to look at artists and look for artists who are producing really interesting, challenging, difficult work, but that exist outside of the mainstream art world. That’s not to say that we don’t show artists with art-world stature such as Jasper Johns, Shepard Fairey, Leslie Dill, Nick Cave but by showing those artists alongside artists like Aldwyth or Pat Potter or Don ZanFagna or Aggie Zed, we’re bringing attention to and I’m actually raising the level of appreciation for this work.
I like to think of us as being a generative facility. We very rarely take traveling shows. We originate everything we do. And I think that’s unusual for a university gallery of our size. What we do is we generate collaborations. We’re in it for the long game, and hope that the work we do will contribute to the global conversations about contemporary art.
On choosing artists to show at the Halsey…
I don’t work in a vacuum. Though I’m Chief Curator, I don’t just say by executive fiat, “We’re going to do this.” I’m in conversation with a lot of people, a number of colleagues, locally, regionally, nationally, and internationally as well, certainly, my staff, my board. The very best source for me for artists that I end up showing are artists that I’ve previously shown or worked with. I do an official ceremony after they’ve shown here. I deputize them as adjunct curators of the Halsey and their job is to find and root out the very best artists there are and to let me know about ones that they think might be good for our program. For example, through an artist named Marcia Cohen, I found an artist named Patricia Potter who is in her late seventies and lives in a tree house she built in the wilderness of northern Alabama. Her work is a little like Joseph Cornell on steroids. It’s incredible work. And, again, she’s never really had much exposure. Her January 2015 show here will be her first solo museum exhibition.
Read the complete profile on the NEA website
Image: Pulse Dome Project--Art + Design by Don ZanFagna, October 19-December 8, 2012
Harbison Theatre’s Performance Incubator debuts “tapestry of jazz and modern dance”
Experience the beauty of live jazz matched with fluid, contemporary movement when The HT@MTC Performance Incubator debuts Woven: Life in Notes and Steps, composed by internationally touring, locally bred trumpeter Mark Rapp on Jan. 14, 2015, at 7:30 p.m. The event takes place at Midlands Technical College's Harbison Theatre in Irmo, S.C.
In this one-of-a-kind tapestry of jazz and modern dance, jazz composer Rapp teams up with professional choreographer Stephanie Wilkins to meld choreography with improvisation, taking the audience on a life voyage through universal human experiences, from passion to despair, from questioning to acceptance. Woven was developed exclusively as part of The HT@MTC Performance Incubator.
“Woven alludes to how everyone is connected in the giant web of life, like threads strung together,” said Rapp. “Each piece, each melody is choreographed, while the solos are improvised by both dancers and instrumentalists inspiring one another – creating an exciting, organic and unique artistic presentation each time.”
During their professional careers in New York City, Rapp and Wilkins worked in the upper echelons of the performing arts industry. In Woven, their collective experiences are conveyed through an evening-length set of works featuring five jazz musicians and six modern dancers, portraying, through notes and steps, how we are all connected – woven – together in this fabric of life.
Rapp has performed sold-out shows for audiences in New Orleans, New York City and Europe, playing in legendary venues such as The Blue Note and Joe’s Pub with top-tier musicians such as Branford Marsalis and Hootie and the Blowfish. In 2008, DownBeat Magazine listed Rapp on their short list of “Top emerging jazz trumpeters.” Rapp has since recorded four albums as a lead musician, including his critically acclaimed debut Token Tales (2009), and has been featured on various chart-topping jazz albums.
Wilkins received her Masters of Fine Arts in Dance Performance and Choreography from NYU's Tisch School of the Arts in New York City, where she lived for 14 years. She has taught, choreographed and performed extensively in New York, San Francisco and Brazil, and has worked with many notable choreographers in NYC, including Bill T. Jones (as an apprentice), Bebe Miller and David Parsons. Wilkins has since returned to Columbia, S.C. and currently serves as an adjunct professor of dance and a choreographer for the USC Dance Company at the University of South Carolina.
For ticket information, visit www.HarbisonTheatre.org or call (803) 407-5011.
This project is funded in part by the South Carolina Arts Commission, which receives support from the National Endowment for the Arts.
About Harbison Theatre
Rooted in the performing arts, Harbison Theatre at Midlands Technical College offers programs and productions that encourage reflection, examination and discovery; and that provide entertainment, education and opportunity to professionals, learners and community members in all stages of life. To learn about upcoming events, purchase tickets, or pursue sponsorship and volunteer opportunities with Harbison Theatre, visit www.HarbisonTheatre.org.
About Midlands Technical College
Midlands Technical College (MTC) is a comprehensive, two-year, public college serving Richland, Lexington and Fairfield counties of South Carolina. The fifth-largest higher education provider in South Carolina and the largest provider of transfer students to four-year colleges and universities in the state, MTC offers an excellent education at an excellent value. Serving approximately 18,000 academic credit students and 15,000 Corporate and Continuing Education students annually, MTC equips students with the tools they need to meet the challenges and opportunities of the modern work world. Learn more at midlandstech.edu.
Via: Harbison Theatre
Southern Circuit Tour of Independent Filmmakers seeks film submissions and screening partners
Screen your film, tour the South, get paid. South Arts is now accepting film submissions for consideration in the 2015-16 Southern Circuit Tour of Independent Filmmakers. Up to 20 filmmakers will tour the South for one to three weeks, screening their work, interacting with audiences, and documenting the journey on the Southern Circuit blog. Don't miss out on this opportunity to join the nation's original regional tour of indie films and filmmakers!
Filmmaker application deadline – Jan. 7, 2015 (early bird) | Feb. 28,2015 (regular)
South Arts is seeking Screening Partners to join the 2015-2016 Southern Circuit Tour of Independent Filmmakers. Each year, Screening Partners throughout the South host up to six independent films and filmmakers in their community for screenings of their work, audience engagement activities, and Q&As about the film.
Screening Partner application deadline – Feb. 13, 2015
Find out how to apply on the South Arts website.
Via: South Arts
Performing arts presenters invited to apply for South Arts’ Dance Touring Initiative
Nonprofit performing arts presenters across Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee are encouraged to visit the Dance Touring Initiative area of South Arts’ website for information about applying to be part of the upcoming third cohort to receive training and support in presenting modern dance.
The application deadline is Jan. 23, 2015.
Through DTI, two cohorts totaling 20 performing arts presenters in eight Southern states have received training and support in all aspects of presenting modern dance. Participants in the two cohorts have traveled to dance festivals including Jacob’s Pillow and American Dance Festival, worked with specialists to gain deeper understanding of the wide artistic range of the art forms, and received subsidies to engage leading companies for performances and residencies.
The initiative, launched in 2009, is building a broad and deep network of performing arts presenters throughout the South that can bring modern dance and contemporary ballet companies as part of their season for public performances and artist residencies.Two South Carolina organizations, Ballet Spartanburg and Coker College Department of Dance in Hartsville, were chosen as participants for the initial cohort in 2009.
Image: Koresh Dance Company, one of three companies providing multi-day residencies for cohort participants during the 2014-2015 season.
About South Arts
South Arts, a nonprofit regional arts organization, was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to address the role of the arts in impacting the issues important to our region, and to link the South with the nation and the world through the arts. For more information, visit www.southarts.org.
Via: South Arts
Columbia City Ballet seeks marketing director
Columbia City Ballet is seeking a marketing director to join the team. This position includes designing all materials representing the company. The marketing director has responsibility for advertising production, news releases, photographs, posters, radio and television scripts, brochures, and Dancebills, as well as oversight and design of the website. Prior marketing and graphic design experience is required. Candidates must have an outgoing personality and the ability to work independently in a fast-paced, dynamic environment. Submit your resume, including salary requirements to: Columbia City Ballet, 1545 Main Street, Columbia, S.C. 29201, or via e-mail to JCobb@ColumbiaCityBallet.Com.
Find more details about the job duties on the Columbia City Ballet website.
About the Columbia City Ballet
Currently in its 54th season, Columbia City Ballet’s mission is to be a premier professional ballet company in the Southeast through the presentation of our art and expression to a constantly growing and diverse audience. Central to this mission are the following:
- Having and growing a repertoire of the highest quality dance, including traditional works by the legendary masters and new works by current, vibrant choreographers;
- Attracting, training and retaining a company of highly accomplished dancers;
- Maintaining a regular schedule of performances in the region and touring opportunities throughout the nation;
- Providing educational opportunities to regional companies through lectures, demonstration, open rehearsals and school performances.
Via: Columbia City Ballet
Reminder: Big Read grants available for community reading programs
Application deadline is Jan. 28, 2015.
The Big Read is accepting applications from nonprofit organizations to develop community-wide reading programs between September 2015 and June 2016. The Big Read is a national program designed to revitalize the role of literature in American culture and to encourage reading for pleasure and enrichment.
Organizations selected to participate in The Big Read receive a grant, educational and promotional materials, and access to online training resources and opportunities. Funding ranges from $2,500 to $20,000.
Approximately 75 organizations from across the country will be selected to read, discuss, and celebrate with their communities one of 36 selections from U.S. and world literature. In addition, The Big Read provides comprehensive information about the authors and their works in the Books & Guides section of The Big Read website.
Find the complete guidelines and application instructions online. For more information, contact Arts Midwest at (612) 238-8010 or email firstname.lastname@example.org
Via: Arts Midwest
Greensboro, N.C. museum invites residency applications for “Go Elsewhere 2015″
Elsewhere, a living museum, residency and creative laboratory inside a former thrift store in downtown Greensboro, N.C., invites emerging individual and collaborative teams to apply for research and project residencies using the museum's immense 58-year collection of cultural and material surplus. Elsewhere is accepting residency applications from artists and creatives working across all media, fields and disciplines.
Residencies offer creatives and researchers opportunities to explore the museum’s immense collection of cultural and material surplus through site-specific projects that contribute to Elsewhere’s concepts, collections, and communities. Residents develop projects in response to Elsewhere’s contexts, applying their talents and skills in site-specific and site-sensitive ways to developing a more dynamic, operative, and interactive museum and city content. Artists, musicians, curators, scholars, designers, writers, gardeners, urban agriculturalists, homesteaders, system-thinkers, game-makers, and other individuals and groups working across medias are encouraged to apply.
Find more information and application details online. Additional opportunities for artists are listed on the website.
Residency applications are due Jan. 11, 2015 at 11:59 p.m. est.
Gibbes Museum receives $150,000 grant for portrait miniatures installation
The Gibbes Museum of Art has received a grant award of $150,000 from the Gaylord and Dorothy Donnelley Foundation to support the installation of the museum’s miniature portrait collection in the renovated building. The Donnelley Foundation supports efforts to preserve and provide greater access to regionally significant collections. The Foundation's strategy is to support a range of specific projects including stabilization, cataloguing, preservation and restoration, digitization, enhanced opportunities for access by both the general public and scholars, and reinterpretation.
“We are thrilled to receive this grant from the Donnelley Foundation for the installation and preservation of the miniature collection," said Gibbes Museum of Art Executive Director Angela Mack. "The first-ever American miniatures were painted in Charleston, and today the Gibbes is home to one of the most prestigious American portrait miniature collections in the country."
A major highlight of the newly renovated museum will be a dedicated gallery space featuring the nationally acclaimed collection of portrait miniatures. With over 600 miniature portraits, the Gibbes collection is the third largest in the United States and ranks in quality among those of the Metropolitan Museum of Art, Yale University Art Gallery, and the Smithsonian American Art Museum. New state-of-the-art display cases featuring accessible open storage drawers will allow visitors to experience up-close nearly 300 portrait miniatures by some of America’s most significant painters while simultaneously providing custom microclimates to preserve this sensitive collection.
“Prior to the renovation, gallery conditions at the museum allowed for the exhibition of just 30-35 miniatures at a time—a fraction of the total collection. The new, dedicated miniature portrait gallery will introduce visitors to the refined colors and exquisite draftsmanship of these tiny treasures,” said Sara Arnold Gibbes, Museum of Art curator of collections. This unprecedented access to the collection will be accompanied by digitally enhanced interpretive materials that will offer visitors in-depth insight into painting techniques, materials, jeweled casework, conservation, and the social and cultural significance of these unique objects.
Image: American eye miniature, unknown, ca. 1830s, watercolor on ivory; 1 inch diameter. Gift of Mr. James Sellers in memory of James Nelson Sellers.
About the Gaylord and Dorothy Donnelley Foundation
Gaylord Donnelley was a former chairman of the R.R. Donnelley Company, a Chicago-based publishing company founded by his grandfather in 1864. Gaylord and his wife, Dorothy, were avid lovers of the outdoors. They contributed to numerous land conservation efforts in the Chicago region and their adopted home in the Lowcountry of South Carolina. They were equally devoted to the arts and preserving collections. The Donnelley’s legacy lives on in the Foundation they established in 1952. Today, the Foundation supports land conservation, artistic vitality and collections of regional significance in the Chicago region and the Lowcountry of South Carolina.
About the Gibbes Museum of Art
Established as the Carolina Art Association in 1858, the Gibbes Museum of Art opened its doors to the public in 1905. In the fall of 2014, the Gibbes temporarily closed for major renovations and will reopen in the spring of 2016. The renovation project is designed to showcase the museum's collection, provide visitors with a history of American art from the early colonial era to the present, and engage the public with a center for education, artist studios, lecture and event space, a museum café, and store. During the renovation the museum will offer programs such as the Insider Art Series, Art With a Twist, Art of Healing, events including the Art of Design and annual Gibbes on the Street Party, and educational offerings such as Art to Go and Eye Spy Art. Highlights of the Gibbes permanent collection can be viewed on Google Art Project at www.googleartproject.com.
The arts are key components in Burning of Columbia commemoration
Although often overshadowed in the popular imagination by the burning of Atlanta, Ga., the burning of Columbia, S.C. on the evening of February 17, 1865, was a major event in American history and a defining moment in the history of the state, city and the Civil War. Through a multi-disciplinary coalition of organizations and agencies, Columbia is launching a two-month-long initiative to commemorate the 150th anniversary of the burning through lectures, tours, films, exhibits, literature, public discussions and visual and performing arts.
“Sherman’s march through South Carolina, which culminated with the burning of Columbia on February 17, 1865, was the most traumatic event in the history of much of the state, and for 150 years it has shaped how South Carolinians viewed the past and their place in it,” said Eric Emerson, director of the South Carolina Department of Archives & History. “This commemoration provides us with an opportunity to look at history through a different lens and to seek out the voices of those whose stories have been left untold for one and a half centuries.”
“This commemoration is an opportunity for all of us not only to mark this important moment in our history but also to take stock in how far we’ve come as a city and as a people,” said Columbia Mayor Steve Benjamin. “Columbia has literally risen from ashes over the past 150 years to become a model progressive city of the new South, and we want everyone to come out and help us celebrate.”
Columbia, the site of the original Secession Convention and capital of the first seceding state, was seen by the Union army as a special political target to encourage the surrender of the remaining Confederate forces. Columbia surrendered to the Union Army under the command of General William Tecumseh Sherman on February 17, 1865, and while the soldiers’ arrival signaled the imminent emancipation of enslaved African Americans in the city, the city suffered widespread destruction. The legacy of this physical loss is a pillar of the city’s common folklore and memories of the Civil War, and it remains hotly debated today.
With funding from the South Carolina Arts Commission and The Humanities CouncilSC, commemoration organizers are receiving direction from a group of historians representing the South Carolina Department of Archives & History, South Carolina African American Heritage Foundation, University of South Carolina, Richland Library, Historic Columbia, South Carolina Confederate Relic Room and Military Museum, and the South Carolina State Museum.
"This commemoration presents a special opportunity for Columbia's cultural organizations to collaborate and create a wide-ranging, diverse series of events that explore our City's identity," said One Columbia for Arts & History Executive Director Lee Snelgrove. "It's wonderful that academics and artists, historians and visionaries have come together to explore the complexity of Columbia and its past through artistic expression."
Tuesday, February 17, 2015—the 150th anniversary of the burning of Columbia—will offer a full day of events. The University of South Carolina’s History Center, Institute for Southern Studies and Graduate School will present a symposium from 9 a.m. to 4 p.m. at the Columbia Museum of Art featuring prominent scholars who will shed fresh light on the meaning of the events 150 years ago. The symposium will also include a presentation on foodways of the 1860s, accompanied by a period-appropriate meal. At 4 p.m. that day, the S.C. Department of Archives & History will unveil an historical marker to commemorate the burning at the corner of Main and Gervais streets, and at 5 p.m., the official commemoration ceremony will begin in Boyd Plaza on the 1500 block of Main Street.
The ceremony will feature music from the Benedict College Concert Choir and the Sandlapper Singers, presentations by community leaders and historians, and the world premieres of two performance art pieces created for this commemoration. Following the ceremony, attendees are encouraged to explore exhibits, performances, tours, music, readings and more at venues along Columbia’s Main Street. More details about all commemoration events, as well as an overview of the history and significance of Columbia’s burning, are available on a new website, BurningofColumbia.com.
“We hope to encourage open dialogue with this project,” said Historic Columbia Executive Director Robin Waites. “The legacy of the burning is one of rebirth and reinvention. By reflecting on it, we can see how far we’ve come as a city and recognize how far we have still to go.”
About Columbia Commemorates:
Columbia Commemorates is a multi-disciplinary coalition comprised of Midlands and statewide organizations formed to plan and implement a citywide commemoration of this pivotal event. Through lectures; tours; film; visual, literary and performing arts; exhibits; public discussion; and large public gatherings, Columbia Commemorates will explore the events of February 17, 1865, as well as the immediate and long-term ramifications of the burning of South Carolina’s capital city. For more information about the commemoration and a calendar of events, please visit BurningofColumbia.com and follow on Facebook, Twitter and Instagram at @BurningofCola.
Image: Photographer George N. Barnard captured the desolation of Columbia, South Carolina’s Richardson (Main) Street shortly after the city’s burning in February 1865. Image courtesy National Archives and Records Administration.
Ragdale offers residency for visual artists and writers with spinal cord injury
Ragdale is now accepting applications for the 2015 Creative Access Residency program, which offers 12 visual artists and writers living with spinal cord injury the time, space, and supportive community of a month-long, funded residency at one of three host organizations: The Ragdale Foundation, Vermont Studio Center (VSC), and Santa Fe Art Institute (SFAI).
Included in the Creative Access Residency Award:
- month-long studio residency at either VSC, Ragdale, or SFAI
- $500 stipend to offset direct expenses, such as travel
- travel support ($250) and room & board for a personal assistant/caregiver, if needed
For eligibility requirements and guidelines, visit: http://artistcommunities.org/creativeaccess.
Apply online at vsc.slideroom.com. Applications must be received by Jan. 15, 2015.
"Being awarded this fellowship allowed me time for personal development, experimentation, and artistic growth. Not only did I have the space and tools to be productive, but having a personal assistant/caregiver with me made it possible for me to make the trip from Chicago. It was great spending weeks doing something I love and is meaningful to me. This program is definitely leading others in the development of artists with disabilities.
" -- Reveca Torres, painter/illustrator, Prospect Heights, IL