South Carolina Novel Prize opens submission window

Author Stephanie Powell Watts judging entries

Submission deadline: Monday, March 16, 2020 at 11:59 p.m.
Every other year, the South Carolina Novel Prize recognizes one of South Carolina’s exceptional writers. Submissions will be read anonymously by our readers at the College of Charleston Department of English and this year's judge, author Stephanie Powell Watts. The contest is highly competitive, and the winner is provided a book contract with Hub City Press, who will print no fewer  than 2000 copies to be nationally distributed to the trade in 2021. This can also bring recognition that may open doors to other resources and opportunities in the literary community. The S.C. Novel Prize is funded by the South Carolina Arts Commission, Hub City Press, and South Carolina Humanities. The College of Charleston and South Carolina State Library are also partners. The South Carolina Novel Prize (formerly the First Novel Prize) is open to any South Carolina writer, including those who have never had a novel published and those who have been published. Applicants’ works are reviewed anonymously by panelists who make their judgments on the basis of artistic merit and narrowed through two rounds of judging. Five novels will be judged in a third round by Watts. Find the eligibility and restrictions and link to submit on SouthCarolinaArts.com. The world-famous Hub Calls for Art Megaphone.

Citizen input to help form new long-range S.C. arts plan

In public meetings and survey, SCAC queries arts’ direction


COLUMBIA, S.C. – The South Carolina Arts Commission is fanning out across the state this fall and winter, gathering public input to help it form the next long-range plan for arts and culture in South Carolina. Every 10 years, dating back to 1980, the South Carolina Arts Commission (SCAC) conducts the Canvass of the People in public and private forums and through an anonymous online survey to gather South Carolinians’ impressions of the successes and challenges for the arts and culture scene in the state. They are also asked to look ahead and weigh in on what the next steps should be. Results culled from the Canvass of the People help the SCAC form its Long Range Plan for the Arts in South Carolina. “Public input is the cornerstone of this process. As we ask, ‘Where do we go from here?’ we need for our reach to be as far and wide as possible. There are several Canvass forums scheduled and more being planned, each chosen strategically for geographic diversity and, we hope, diversity of opinion and experience. The goal is to generate discussion about the arts to understand what South Carolinians envision for their communities,” SCAC Executive Director David Platts said. At present, seven public forums are on the calendar at locations throughout South Carolina. One occurred in mid-October, but the rest take place from November through February and more are in the planning stages. Two private forums have occurred, and more of those are expected as well, taking place during meetings of affinity groups in the state who work in or support the arts. The public forums on the calendar at this moment will take place in:
  • Rock Hill (Nov. 13, 2019)
  • Greenwood (Nov. 21, 2019)
  • Myrtle Beach (Dec. 9, 2019)
  • Pickens (Dec. 10, 2019)
  • Orangeburg (Dec. 12, 2019)
  • Sumter (Jan. 9, 2020)
  • Beaufort (Jan. 23, 2020)
  • Columbia (Feb. 12, 2020)
Updated listings and the link to take the anonymous survey can be found at SouthCarolinaArts.com/Canvass/. The SCAC is planning for the Canvass of the People to finish in March so work on the Long Range Plan for the Arts in South Carolina may begin. An estimated release of the plan is fall 2020.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Greenville writer wins NEA fellowship

More #SCartists good news before the weekend


Thursday, the National Endowment for the Arts announced a total of $1.2 million in fellowships to creative writers and translators, supporting both the development of new works of American literature and the translation into English of literary prose, poetry, and drama from writers around the world. “The National Endowment for the Arts is proud to support our nation’s writers and translators and their efforts to expand our literary landscape through their artistry, creativity, and dedication,” said Mary Anne Carter, chairman of the National Endowment for the Arts. Recently, the National Endowment for the Arts also announced the first round of FY 2020 grants for arts projects, which included 53 grants totaling $1,150,000 for literary publishing projects. Click here for The Hub's coverage and here for the NEA's announcement

Creative Writing Fellowships

Jodi Tevis headshotThe National Endowment for the Arts will award 36 Creative Writing Fellowships of $25,000 each, for a total of $900,000. Fellowships alternate each year between poetry and prose and this year’s fellowships are to support prose—works of fiction and creative nonfiction, such as memoirs and personal essays. The Arts Endowment received nearly 1,700 eligible applications, which were reviewed anonymously by a panel solely on the artistic excellence of the writing sample submitted. These fellowships allow recipients to set aside time for writing, research, travel, and general career advancement. Among them is Greenville writer Dr. Joni Tevis (right), an assistant professor of English at Furman University. Her bio on the Furman website says she is a creative writer with research interests in the essay, environmental writing, and atomic literature. Her first book of nonfiction, The Wet Collection, was published by Milkweed Editions. Since 1967, the National Endowment for the Arts has awarded more than 3,500 Creative Writing Fellowships totaling over $55 million. Many recipients have gone on to receive the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize in Poetry and Fiction, such as Anthony Doerr, Louise Erdrich, Tyehimba Jess, Jennifer Egan, and Juan Felipe Herrera.

Literature Translation Fellowships

In fiscal year 2020, the National Endowment for the Arts will award 24 Literature Translation Fellowships of $12,500 each, for a total of $300,000. These fellowships will support the English translation of works from 19 countries including Brazil, Egypt, and Japan. Most of these fellowships are to translate works of award-winning and bestselling authors, many of whom have not yet been represented in English. Supported projects include a translation by Bill Johnston of the first two books in the novel cycle Nights and Days by Polish writer Maria Dąbrowska and a translation by Nancy Naomi Carlson of two poetry collections by Congolese author Alain Mabanckou. Since 1981, the Arts Endowment has awarded 504 fellowships to 445 translators, with translations representing 70 languages and 86 countries. Past recipients include Natasha Wimmer, whose fellowship supported her translation of Roberto Bolaño’s 2666, and Jennifer Croft, whose fellowship supported her translation of Nobel Prize-winner Olga Tokarczuk’s Flights. Visit the Arts Endowment’s Literature Fellowships webpage to read excerpts by and features on past Creative Writing Fellows and Literature Translation Fellows.

About the National Endowment for the Arts

Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Visit arts.gov to learn more.

Mark Rapp to be featured in EngenuitySC’s Competitiveness Week

Standout musician to close out celebration

Mark Rapp playing his trumpet
EngenuitySC, the local nonprofit that works with area leaders to make the Columbia, S.C., region a standout choice for top talent and competitive companies, will close out its annual Competitiveness Week 2020 with a celebration of one of the city’s greatest levers of growth—its thriving arts community. EngenuitySC has partnered with one of the prime movers of the Midlands’ music scene, Mark Rapp, to support this month’s jazz dinner series, “Mark Rapp and the ColaJazz Little Big Band.” Featured as the closing celebration for EngenuitySC’s Competitiveness Week 2020, the event will be held on Friday, Jan. 31, 2020 from 7:30 p.m. to 10 p.m. Tickets are $10, and dinner will be available for purchase. Find info here: https://www.engenuitysc.com/competitiveness-week-2020/. EngenuitySC’s Competitiveness Week 2020 celebrates and investigates Columbia’s ability to attract talented individuals and impactful businesses through innovation, talent development, livability, a healthy entrepreneurial environment and high-impact industry clusters. When it’s time for a major corporation, a homegrown business, or even a recent graduate to choose a place to succeed, EngenuitySC — and the leaders in business, education and government that serve on its board — want to make it easy for them to choose the Columbia, S.C., region. “Columbia’s arts scene is where we see four of the five pillars of competitiveness — innovation, talent development, entrepreneurship and livability — fold together,” says EngenuitySC Executive Director Meghan Hickman. “Right now, one of the city’s most prolific artist entrepreneurs is Mark Rapp, and we are so excited to highlight his work as our culminating event of Competitiveness Week 2020.”
Rapp’s work as a creative entrepreneur is part of what makes for such high quality of life in Columbia. Viewed as a pioneer of arts entrepreneurship in the region, Rapp returned from a successful career in New York City’s music scene and has continually made moves to advance the Columbia jazz scene. With performance degrees from Winthrop and Tulane, and with big-name mentors (you may have heard of the Marsalis family), Rapp is a welcome bandleader and collaborator across the country. He had already released two acclaimed albums when he moved to Columbia in 2012 to be near family. As he ventured into the local performance world, he was impressed with the population of talented jazz musicians living in Columbia and disappointed in the lack of recognition they received. A visit to an Asheville restaurant that co-produced a giveaway CD with their house band sparked an idea that became 2015’s “Cola Jazz Volume 1,” a compilation CD of 13 of the city’s bandleaders and their ensembles. The release, and the subsequent Volume 2, are now staples in the gift shop at the Experience Columbia SC Visitors Center — a move that supports the career of local artists and drives tourism purchases. “When visitors take home our CD and play it for friends, we build the reputation of our musicians and the reputation of Columbia as a great jazz city,” he says. The collaborative relationships built through the compilation project led to new opportunities: Rapp launched ColaJazz.com to promote the CD and its players (which has become to go-to calendar for jazz performances throughout the city), and he holds ongoing jam sessions and club gigs with rotating ensemble players. He also teaches and runs an all-ages summer jazz camp, in addition to producing the annual Cola Jazz festival. In 2014, he forged a creative partnership with Columbia-based choreographer Stephanie Wilkins. The two created Woven, an original contemporary jazz ballet, as part of Harbison Theatre at Midlands Technical College’s Performance Incubator; they reunited for last season’s fresh take on The Great Gatsby at Trustus Theatre (a production that also featured Rapp’s wife, Columbia City Ballet Principal Dancer Claire Richards Rapp.) “When Mark chose me to choreograph his evening-length jazz ballet, Woven, in 2015, it led to a wonderful and creative partnership which has continued to flourish more than four years later,” says Wilkins. “Mark has a gift for finding opportunities that can be lucrative for both creative and business partners. I’m always grateful and excited to work with him. He is the ultimate collaborator: open, patient, always engaged, and encouraging.” Rapp recently re-homed the majority of his projects under a new ColaJazz nonprofit organization — the aptly named ColaJazz Foundation. The organization employs between one and two dozen musicians each month in its programs, which have expanded to include concerts in the lobby of Prisma Health Children’s Hospital and after-school programming using the Jazz at Lincoln Center curriculum. While Rapp has undeniably expanded paying opportunities for jazz musicians living in the Midlands, he says there are a few substantial improvements that could be made to the local entertainment ecosystem. Namely, he advocates for restaurants and bars charging a cover in order to pay their musicians wages. The standard pay rate for musicians in Columbia lags behind the rate in Charleston and Greenville, a problem he attributes to the absence of meaningful cover charges. “This can be a win-win,” he offers, “Musicians attract customers, customers help cover the cost of paying musicians a living wage and everyone gains the joy of making and listening to great music.” When asked about his professional goals for the next few years, Rapp focuses on three areas: Expanding the education work offered by the Cola Jazz organization, expanding the Cola Jazz Festival to a multi-day event, and turning his monthly event at Main Course, a venue on Main Street, into a subscription series. It is this event, “Mark Rapp and the ColaJazz Little Big Band,” that will be highlighted during EngenuitySC’s Competitiveness Week on Jan. 31. Says Rapp of the event, which charges diners a $10 cover charge to enjoy a full jazz concert over dinner (available for separate purchase from the menu), “It provides opportunities for musicians in and around Columbia and, as a ‘ticketed’ event, it begins to establish a model of value for our art.” To see the complete event lineup for EngenuitySC’s Competitiveness Week, presented by BlueCross BlueShield of South Carolina, visit https://www.engenuitysc.com/competitiveness-week-2020/.

About EngenuitySC

Governed by the highest-ranking regional leaders in education, government and business, EngenuitySC is a nonprofit that works to make the Columbia, S.C., region a standout choice for top talent and competitive companies. Structured as a neutral and independent project management team, EngenuitySC is known for achieving progress through partnerships using a unique, highly effective process. Whether it is equipping K-12 students with career-ready skills, elevating quality of life with the Midlands Business Leadership Group, or producing Competitiveness Week and the annual Midlands Regional Competitiveness Report, EngenuitySC is a trusted force, working behind the scenes to build a community cultivated for living, working, playing and learning. Learn more at www.engenuitysc.com.

Rucker, Twiggs headed to S.C. Hall of Fame

Induction ceremony is Feb. 7

Headshots of Darius Rucker, Dr. Leo Twiggs, and Evelyn Wright, the 2020 inductees of the South Carolina Hall of Fame. Photo courtesy of WPDE and the Official South Carolina Hall of Fame Board of Trustees.
Two winners of the state's highest arts award will further live in infamy as members of South Carolina's Hall of Fame in Myrtle Beach. Darius Rucker (above, left) received the Elizabeth O'Neill Verner Governor's Award for the Arts with his Hootie & the Blowfish bandmates in 2016. Dr. Leo Twiggs (above, center) received it in 2017. Both awards were special awards for lifetime achievement. They will be enshrined with Evelyn Wright (above, right) on Feb. 7, 2020, at 10:30 a.m. in the ballroom of the Myrtle Beach Convention Center (2101 North Oak St.). The event is free and open to the public. Fittingly, the accomplishments of all three inductees are almost too numerous to list, and neither Rucker nor Twiggs need to be introduced to Hub readers (but we'll provide brief ones anyway):

UofSC SVAD extends residency deadline

Application deadline: January 5, 2020 January 31, 2020


The School of Visual Art and Design (SVAD) at the University of South Carolina is accepting applications for its 2020 Artist Residency Program at Stormwater Studios in Columbia. SVAD hosts an Artist Residency Program through its studio space inside of Stormwater Studios, providing essential studio space for students, faculty members, and visiting artists and community members to develop new work, lead workshops, give educational talks, and host exhibitions. We’ve designed our studio to be an ideal working environment for visual artists to test new ideas and experiment with materials. The program is designed to provide a local or regional artist with the time and space to create new works within an established artist community, and the opportunity to engage with SVAD students, faculty, and staff, as well as the greater Columbia community. The participating artist-in-residence will be provided an honorarium of $1,000 to support their work and activity, but housing and transportation are not provided. Participation in Third Thursday Open Studios (March 19, 2020) and with the SVAD and Columbia communities is strongly encouraged. Dates of residency: March 2, 2020 – April 3, 2020

How to apply

Please send the following by email, as one PDF, to svadstrm@mailbox.sc.edu:
  • Digital portfolio (10–20 images)
  • Resume
  • Artist Statement describing the following:
    •  current work
    • proposed project while in residence
    •  how you will engage with SVAD’s students and the local community (workshop, presentation, etc.), a requirement of the residency
SVAD is accepting applications through Jan. 31, 2020. One artist will be chosen by a selection committee and contacted by Feb. 15, 2020. The full details can be found on their website. If you have additional questions, please reach out to Community Programs Coordinator Anna Toptchi, at toptchi@mailbox.sc.edu or 803.777.4184.

Deadline extended for S.C. Arts Foundation art call

Greenville gala to feature silent, live auctions

Submission deadline: Friday, January 17, 2020 Friday, January 31, 2020
The art sale at the 2017 S.C. Arts Awards Luncheon The South Carolina Arts Foundation (SCAF) invites South Carolina artists to participate in its 2020 Silent & Live Art Auction. The art auction takes place in conjunction with the South Carolina Arts Gala in Greenville on Thursday, April 16, 2020 at the Peace Center. The Art Auction is meant to serve as both a sales opportunity for South Carolina’s visual artists and as an opportunity to build and promote arts patronage. A five-member panel/selection committee will select artists whose work will be included in the auction. Artists will be notified of their inclusion in either the silent or live auction by mid-February 2020. Submission Guidelines
  • Artworks should be of high artistic quality.
  • Artworks should have a broad appeal.
  • Artworks must be original.
  • Artworks must be framed with appropriate hanging devices (in the case of wall-hung pieces).
  • Artworks should be representative of the artist’s style.
Size Restrictions
  • 2-D work must not exceed 24” height and 36” width (inclusive of frame) to conform to the size of the freestanding wall system.
  • 3-D work should be freestanding or should be able to fit on a pedestal that is 24” x 24.” We may be able to accommodate works that are larger.
  • Please note: The parameters for dimensions are meant to serve as a guide and not as absolute dimensions.
Application Process and Submission Requirements Minimum Bids Each artist will determine the retail price of the artwork which will be used as the minimum bid amount. South Carolina Arts Foundation will handle the sale with the agreed upon split of the minimum 75/25% (artist/SCAF). Anything over and above the minimum bid will go to the South Carolina Arts Foundation. If you have any questions, please contact South Carolina Arts Commission Visual Arts Director Harriett Green: 803.734.8762 or hgreen@arts.sc.gov. The world-famous Hub Calls for Art Megaphone.

Art & Soul of the Magic Valley wants #SCartists

$43,000 in cash prizes on the line in Idaho


In 2020 Art & Soul of the Magic Valley, the Northwest's largest cash-prize awarding public-vote art contest, will celebrate its 10th anniversary.  Taking place in Twin Falls, Idaho, this milestone anniversary will be April 10-25, 2020. Their dream is to have at least one artist enter for each of the 50 states. Who's it going to be, #SCartists? Featuring more than 300 artists from across the globe, Art & Soul of the Magic Valley is so much more than an art contest. It is an arts education/appreciation endeavor and we invite you to participate! This unique art contest/arts awareness initiative welcomes all artists to compete for $43,000 in prize money. Grand Prize will receive $12,000, 2nd Place will win $6,000, 3rd Place get $3,000 and 4th Place will take home $1,500, while 17 Best in Show winners will receive $1,000 each. Categories include:
  • Acrylic,
  • Ceramic,
  • Digital,
  • Drawing,
  • Fiber,
  • Glass,
  • Mixed Media,
  • Oil,
  • Photography,
  • Printmaking,
  • Quilt,
  • Sculpture: 3 ft and Under,
  • Sculpture: Over 3 ft,
  • Watermedia,
  • Wearable,
  • Woodwork,
  • and Uncategorized.
Art & Soul registration will close February 1, 2020. ​Fee for entry is $50 if entered by February 1, 2020 (an MVAC Artist membership is $25 and Art & Soul Entry Fee is $25). Show prospectus and official rules are at https://www.magicvalleyartscouncil.info/artandsoul-registration/ How 'bout them potatoes? The world-famous Hub Calls for Art Megaphone.

Eight NEA grants designated for South Carolina

Federal government to provide $155,000 in funding


Chairman Mary Anne Carter announced today that organizations in every state in the nation, as well as the District of Columbia and Puerto Rico, will receive federal funding for arts projects from the National Endowment for the Arts in this round of fiscal year 2020 funding. Overall, 1,187 grants totaling $27.3 million will provide Americans opportunities for arts participation, and this year include projects that celebrate the Women's Suffrage Centennial. “The National Endowment for the Arts is proud to support grants throughout the entire country that connect people through shared experiences and artistic expression,” said Arts Endowment Chairman Mary Anne Carter. “These projects provide access to the arts for people of all abilities and backgrounds in both urban centers and rural communities.” This funding announcement includes the Art Works and Challenge America grant programs.
  • Click here for a list of recommended grantees sorted by city and state.
  • Click here for a list of recommended grantees separated by category: Art Works (sorted by artistic discipline/field) and Challenge America.
  • Click here to use the Arts Endowment’s grant search tool to find additional project details for these and other agency-supported grants.
  • Click here for the lists of the panelists that reviewed the applications for this round of funding.
Eight arts organizations in South Carolina from Abbeville, Aiken, Charleston, Richland, and Spartanburg counties are getting a combined $155,000 to present varied arts programming. Examples include high-profile events like Spoleto Festival USA and smaller public performances at Joye in Aiken and the Abbeville Opera House, among others. The former Tapp's Arts Center, now known as Tapp's Outpost, in Columbia (in the news recently for losing its Main Street space) received $40,000—the largest South Carolina grant—for its Cultural Entrepreneurship Incubator Program. "The South Carolina Arts Commission (SCAC) is delighted to hear that federal support is coming to these organizations and programming, all of whom are supported this fiscal year by state funding through Arts Commission grants. The combined support will ensure South Carolina citizens have access to and benefit from the highest quality arts experiences," SCAC Executive Director David Platts said.

Art Works

Art Works grants support artistically excellent projects that celebrate our creativity and cultural heritage, invite mutual respect for differing beliefs and values, and enrich humanity. Cost share/matching grants range from $10,000 to $100,000. Art Works projects this round include:
  • A $30,000 award to Shreveport Regional Arts Council to support the new arts partnership with historically black universities Southern University at Shreveport and Grambling State University, documenting and celebrating the schools' artist alumni, who will be commissioned for artist talks, workshops, and residencies.
  • A $10,000 award to support the Bristol Bay Heritage Land Trust’s Yup'ik Dance Festival, where singers and dancers from villages in southwest Alaska will gather to exchange songs and dances, celebrating traditional dance in the region. The event will be the subject of a documentary film that will serve as an educational tool for future dancers.
  • A $45,000 award to support the 2020 Open Style Lab Summer Program in Great Neck, New York, which will bring together emerging fashion designers, product designers, engineers, and rehabilitation therapists to co-design adaptive clothing for people with disabilities.
For fiscal year 2020, the Arts Endowment encouraged Art Works applications for artistically excellent projects that honor the Women’s Suffrage Centennial, celebrating women’s voting rights in the United States. Among the many upcoming projects in this area are:
  • A $20,000 award to the Appalachian Artisan Center of Kentucky to support Metalworks for the Modern Muse. Master artists will offer metalworking and blacksmithing instruction, highlighting its relevance to Appalachian culture. Intended to serve girls ages 12-14, the project will recognize the contributions of women artists to the suffrage movement and the reforms that laid the groundwork for settlement schools in Kentucky.
  • A $15,000 award to the Chautauqua Institution to support Women’s Suffrage Centennial: Claiming a Voice, Claiming a Vote, a week-long summer opera festival that will highlight new works by a female composer-in-residence. The festival will be preceded by school performances addressing the centennial of women’s suffrage. Selected works will illustrate the challenges women have faced and the victories claimed throughout the past 100 years.

Challenge America

Challenge America grants offer support primarily to small and mid-sized organizations for projects that extend the reach of the arts to populations that have limited access to the arts due to geography, ethnicity, economics, or disability. Each grant is for a fixed amount of $10,000 and requires a minimum $10,000 cost share/match. Challenge America projects approved for funding include:
  • A series of multidisciplinary Latinx cultural heritage arts events at Rio Hondo College in Whittier, California, a first-time applicant for Arts Endowment funding. Artists will engage with the college’s largely Hispanic district population through workshops, school activities, dance, and music performances. Among the featured guest artists is National Heritage Fellow Ofelia Esparza and a culminating event will include a Dia de los Muertos panel discussion with guest artists.
  • NOMADstudio’s visual art program for incarcerated youth at Florida’s Pinellas Regional Juvenile Detention Center. Guest artists will work with youth to create a mural and provide instruction on how to produce art independently during studio time. Artworks will be displayed during culminating events at the center and a local art gallery.
  • Theatre for Young America’s production of the play Fair Ball: Negro Leagues in America, about the history of Negro League baseball, and corresponding educational activities that include in-school workshops for K-12 students in rural Kansas.
The next funding deadline for applications to the Grants for Arts Projects category is February 13, 2020. Note: Grant applications previously submitted to the Art Works category will now be submitted to the Grants for Arts Projects category. The next funding deadline for applications to Challenge America is April 9, 2020.

About the National Endowment for the Arts

Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Visit arts.gov to learn more.

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Martha Brim dances into new role at Richland Library

A local artist who has served as a Columbia College dance professor for nearly 35 years is ready to share her talents with Richland Library over the next four months. Martha Brim performing Columbia dancer Martha Brim. We’re excited to welcome Martha Brim as our next artist-in-residence, starting Jan. 13. With a background as choreographer, educator and arts professional, Brim has a rich legacy of creativity, mentoring multiple generations of dance students and artists across disciplines. Founder of The Power Company Collaborative in 2000, she continues to investigate large-scale performance installations that involve musicians, designers and artists as co-creators. Brim is the recipient of numerous choreographic commissions, awards and professional acknowledgements. Her work is described as “intelligently conceived… quirky with shrewd, robust humor.” During her residency, Brim plans to host weekly office hours at our Main location (1431 Assembly St.), answering questions while sharing her knowledge and experience with others. She’s coordinating with our arts librarian as well to offer an array of free programs for all ages, which focus on identity and transformation. In addition, Brim intends to work on a community performance installation that combines textiles, collage, printmaking and movement. Her residency lasts through mid-May 2020. Initially developed in September 2016, the concept behind Richland Library’s artist-in-residence is to connect the community with local, working artists and to provide creative and educational opportunities to local residents in a way that supports cultural and artistic exchange.


About Richland Library

Awarded the National Medal in 2017 by the Institute of Museum and Library Services, Richland Library is a vibrant, contemporary organization that provides resources and information that advance the Midlands. Offering state-of-the-art technology, a variety of literary and cultural programs and 13 bustling facilities located throughout the county, Richland Library provides a truly customizable, modern library experience for residents and visitors alike.

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Fellowship offers natural disaster relief for visual artists

Four-week Byrdcliffe Artist Residency in Woodstock, New York

Application deadline: Sunday, March 1, 2020 at 11:59 p.m. ET
The Byrdcliffe Art Community has received a generous grant from the Pollock-Krasner Foundation for visual artists living/working in North America (including Mexico and Puerto Rico) who have been displaced or otherwise affected by a natural disaster. The Pollock-Krasner grant will offer a full fellowship and stipends to attend the four-week residency in Woodstock, New York in Summer 2020 for up to 4 selected visual artists. The grant will cover all fees plus provide a stipend up to $500 to assist with travel to and from the residency and an additional materials reimbursement up to $500 to help compensate for lost and damaged materials. Eligible disciplines include painting, photography, printmaking, sculpture, weaving, ceramics, and other visual media.

2020 Session Dates

  • Session 1: Thurs, May 28 to Mon, June 22
  • Session 2: Thurs, June 25 to Mon, July 20
  • Session 3: Thurs, Aug. 6 to Mon, Aug. 31
  • Session 4: Thurs, Sept. 3 to Mon, Sept. 29
Deadline: Sunday, March 1, 2020 at 11:59 p.m. ET. However, if extensions are needed due to travel, limited internet access, etc. please let us know. Extensions can be provided on a case-by-case basis. Visit http://bit.ly/relief-byrd for more info and to apply. Please email us at air@woodstockguild.org with any questions or concerns.