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GCCA announces 2019/2020 Brandon Fellows

Fellowship launches artistic careers, promotes diversity


Greenville Center for Creative Arts announced the three 2019/2020 Brandon Fellows last week.
  • Nick Burns (above, left) is an up-and-coming visual artist and a Greenville native. He began his artistic journey as a performing artist at age 5 and has been teaching dance in the upstate for 13 years. In high school he started out as a street artist, drawing caricatures and custom graffiti art at farmers markets and city events. After years of training in graffiti he began creating murals for homes, businesses and communities and now has over 40 commissioned works in South Carolina. Nick is now as a visual arts educator at West Greenville school and plans to increase in artistic abilities to better serve the community and help make visual arts more attainable to less fortunate people.
  • Julius Ferguson (above, center) is a self-taught artist from Greenville. He’s not only a painter but also a storyteller who hopes to inspire others. Julius takes his life experiences and messages that he feels come from God and puts them in his paintings. Julius has been painting since 2015 and hopes to be able to for as long as his energy is needed in this world. He hopes that he can inspire the community and the world one day with his paintings that tell stories.
  • Jaz Henderson (above, right) is a native of Greer and a graduate of Claflin University where he earned a bachelor's in digital design. His dad is an artist as well, so it can be said that art runs in the family and has therefore played a major part in his life. Jaz has always dreamed about being more involved in the arts around his city and of meeting other artists as well. When he found out that he was selected into the Brandon Fellowship, he knew this was a great opportunity for him to showcase his artwork and continue his career as an artist.

About the Brandon Fellowship

The Brandon Fellowship is a 12-month program that aims to develop three emerging artists between the age of 21-30 by providing a supportive environment, mentoring, and art education. The three main goals of the Brandon Fellowship are:

  • to help young artists launch their art career in our community or prepare for formal arts studies

  • to foster a sense of community

  • to promote diversity at GCCA

Each fellow gets an university style studio space at GCCA. Brandon Fellows must spend a minimum of 25 hours per week in the studio. They also benefit from two $250 stipends for art supplies per fellowship period. They also get:

  • dedicated tutors, assigned based on interest and medium, who will guide them during their residency,

  • access to one 6-week class per Art School session,

  • support and mentoring from neighboring studio artists at the art center,

  • to participate in group exhibitions and community events,

  • and to participate in alumni events.

Learn more about the program by going here.

Just getting some ‘AIR’

Notable arts organizations announce artists-in-residents 


North Charleston

The City of North Charleston Cultural Arts Department is proud to announce the appointment of Katherine Hester as artist-in-residence (AIR) for FY2019/20. The city’s AIR serves as a key resource for the department’s outreach programs, especially in the area of art instruction. Katherine will share her unique skills, talents, and experiences by providing residencies and workshops to public schools, seniors, and various community groups in North Charleston through June 2020. Hester is a local artist working in oil and mixed media. She paints outdoors, onsite when painting landscapes in order to capture the changing light of the Lowcountry. Katherine also enjoys creating portraits, working in mixed media in order to put a modern twist to the classic genre. She is a Lowcountry native and graduate of the College of Charleston. She holds a master’s in education and worked as a studio art, art history, and science teacher before leaving the classroom in order to pursue her painting career full time. She's been represented by galleries in Charleston and exhibited her work throughout the region. Hester holds numerous awards and participates in the annual Piccolo Spoleto Outdoor Art Exhibition each spring. As North Charleston’s Artist-in-Residence, Katherine will offer instruction in painting and drawing. The North Charleston City Gallery will host an exhibition of Katherine’s work throughout December 2019 and January 2020. The gallery is located within the Charleston Area Convention Center (5001 Coliseum Dr., North Charleston). School liaisons, arts teachers, and the general public are invited to meet the artist at a free gallery reception on Thursday, Dec. 5, 2019, from 5-7 p.m.

Spartanburg

HUB-BUB, a division of Chapman Cultural Center, announced artists-in-Residence who will begin their 2019/2020 terms in September. The purpose of the HUB-BUB artist-in-residence program is to continue to build a vibrant and healthy artistic community through opportunities for cultural enrichment.

Masimba Hwati (left) is a mixed media artist living and working in Zimbabwe; Cape Town, South Africa; and Detroit. His work explores the transformation of indigenous knowledge systems and cultural resistance. He juxtaposes cultural objects and symbols with ephemeral mainstream symbols. His work is preoccupied with contemporary and historical themes working with found objects performance and sound he creates antennas, gadgets of memory and experiences. It has been shown in Germany, France, Canada, London, Australia,southern Africa, and in the U.S. In 2015 he represented Zimbabwe at the 56th edition of the Venice Biennale in Italy. Hwati has conducted research in Cape Town, Avignon, Nova Scotia , and Detroit.

Shuk Han Lui (right) is a multidisciplinary artist who works predominantly in mixed-media paintings and artist’s books. Her practice takes a meditative focus and explores relationships between drawing, painting, piano, and the use of space. She is the recipient of several research grants and fellowships, including the Don Bachardy Fellowship, the Wilson Center Graduate Research Award, and the Looney Foundation Graduate Fellowship. Lui earned her Master of Fine Arts in drawing and painting from the Lamar Dodd School of Art at the University of Georgia.

Mass shooting memorial wins outdoor sculpture competition for Doster

Decorated South Carolinian wins in North Carolina

The winning sculpture by Bob Doster, A Memorial
Bob Doster is no stranger to accolades, and now he has another. The Lancaster sculptor's all-too-timely entry in the 33rd Rosen Outdoor Sculpture Competition and Exhibition won first place in the late July. A Memorial 2014-2018 "is a memorial to those lost to senseless violence for the years 2014-2018. each figure represents a lost soul rising to the heavens," according to the artist statement. The tragedies this past weekend in Texas and Ohio render the work unfortunately relevant. In the High Country Press, competition juror Bill Brown from Anvil Arts said, “This is a strong thought-provoking piece created in stainless steel that addresses senseless gun violence as it memorializes victims of mass shootings. I believe it is a must-see piece of art.” If you want to do just that, head to Boone, North Carolina and the campus of Appalachian State University. The sculptures are to be displayed until May 2020.
Bob DosterDoster is an award-winning, nationally acclaimed artist who has been creating and teaching for more than 50 years. Prestigious awards include the Elizabeth O’Neill Verner Governor's Award for the Arts in 2006. Doster has been named Keeper of Culture by the York Heritage & Cultural Commission, Hero of the Child by SC First Steps, Small Business of the Years by Lancaster County Chamber of Commerce, CN2 Hometown Hero and received City of Lancaster Mayoral Proclamation. Doster has been featured in publications and broadcasts including Southern Living Magazine, Carolina Arts, Sandlapper, SCETV, Arts Hub, National Welders Magazine, and a myriad of newspapers and travel magazines. Works by Doster can be found in museums, galleries, public art, corporate and private collections worldwide.

On the passing of Larry Lebby

Former commissioner passed away July 21


Official Statement from the S.C. Arts Commission

The South Carolina Arts Commission notes with sadness the passing this week of Larry Lebby at age 69. Lebby was a former commissioner and an artist of note in our state. Among the many accolades and achievements in his career is his being chosen to memorialize slain State Sen. Clementa Pinckney with a painting that now hangs in that body's chamber of the South Carolina State House. A portrait of President Jimmy Carter completed and presented to the president in 1977 made its way to the White House for the remainder of Carter's term. Fittingly, the State Art Collection includes one of Lebby's works. The commission board of directors and staff offer our most sincere condolences to his family during this time. An obituary for Mr. Lebby is still not available online, but The Hub recommends reading this wonderful story by Rodney Welch of Free Times.

Who’s-who of female #SCartists headline new project

Home-grown historic women to be honored by home-grown talent

[caption id="attachment_40815" align="aligncenter" width="600"]Eartha Kitt placesetting by Mana Hewitt Eartha Kitt placesetting by Mana Hewitt for The Supper Table.[/caption]
The Jasper Project announced its most ambitious multidisciplinary arts project to date – The Supper Table – enlisting the talents of more than 50 of South Carolina’s most outstanding women artists from the fields of visual, literary, theatrical arts, and film. An homage to Judy Chicago’s iconic feminist art installation, The Dinner Party, and using Chicago’s project as a loose model, Jasper Project Executive Director Cindi Boiter conceived of The Supper Table as an innovative way of honoring some of South Carolina's largely un-celebrated, yet groundbreaking women in history. After consulting with experts like Marjorie Spruill, professor emeritus in women’s history at the University of South Carolina, Boiter selected 12 historic South Carolina women who, via their work in the arts, medicine, law, business, athletics, entertainment, and more, changed the course of human history. Using the model created by Chicago, Boiter commissioned Richland Library Maker Coordinator Jordan Morris to create a 12’ x 12’ x 12’ wooden table at which visual artists would create place-settings inspired by and honoring the historic women. In addition to the 12 visual artists, a dozen artists each from the literary, theatrical arts, and film were also invited to participate. The result is a multidisciplinary arts installation and performance which will premiere in September along with the release of:
  • a book Setting The Supper Table,
  • the premiere of a series of 12 looped 90-second films,
  • a staged oration by 12 women actors based on essays written by 12 literary artists,
  • and, of course, the installation of the table itself, complete with 12 place-settings.
Funded in part by a Connected Communities grant from Central Carolina Community Foundation, The Supper Table premiere begins Friday, Sept. 6 at Trustus Theatre with a celebration, performance, and panel presentation before moving Sunday, Sept. 8 to Harbison Theatre at Midlands Technical College for another premiere celebration and the installation of The Supper Table, complete with films and a collection of 12 original portraits of the honored women created by Artfields People’s Choice winner Kirkland Smith. After, it will travel to other venues in the state throughout 2020. In addition to the hand-crafted table with artisanal place-settings, the books, looped films, and portraits, the installation will also include three walls comprised of 120 hand-embossed tiles, each celebrating an additional history-making woman from South Carolina, some living and some deceased, called an "Array of Remarkable SC Women." These tiles were hand-painted this past spring by women and girls from the state's Midlands region. The women honored at The Supper Table range from indigo entrepreneur Eliza Lucas Pinckney to college founders Mary McLeod Bethune and Elizabeth Evelyn Wright to ground-breaking law professor Sarah Leverette, who died last August. The honored subjects also include Alice Childress, Septima Clark, Matilda Evans, Althea Gibson, Angeline and Sarah Grimke, Eartha Kitt, Julia Peterkin, and Modjeska Monteith Simkins. Eight of the 12 place-settings are devoted to women of color. Visual artists involved include Michaela Pilar Brown, Mana Hewitt, Eileen Blyth, Laurie Brownell McIntosh, Olga Yukhno, Flavia Lovatelli, Bohumila Augustinova, Lori Isom, Renee Roullier, Tonya Gregg, B. A. Hohman, and Heidi Darr-Hope. Jordan Morris created the actual table and Kathryn Van Aernum is the official photographer. The city of Columbia’s Brenda Oliver assisted with tiles along with Diane Hare. Literary artists include South Carolina Poet Laureate Marjory Wentworth, Eva Moore, Claudia Smith Brinson, Carla Damron, Candace Wiley, Christina Xan, Qiana Whitted, Meeghan Kane, Kristine Hartvigsen, and Jennifer Bartell. Boiter is also writing an introductory essay for the book. Film artists include Emmy award-winning filmmaker Betsy Newman, Laura Kissel, Roni Nicole, Faye Riley, Katly Hong, Ebony Wilson, Jordan Mullen, Steffi Brink, Carleen Maur, Lee Ann Kornegay, Lillian Burke, and Tamara Finkbeiner with Josetra Robinson. Kornegay is also creating The Making of the Supper Table, a full-length film that will premiere in spring 2020. Indie Grits Lab’s Mahkia Greene is overseeing the filmmakers. Vicky Saye Henderson is overseeing the casting and directing of the theatrical artists.
For more information about The Supper Table,visit its Kickstarter campaign at https://www.kickstarter.com/projects/thejasperproject/the-supper-table.

Submitted material

Warshauer symphony receives honors

Meira Warshauer's Symphony No. 1: Living Breathing Earth was awarded 3rd place in the 2018/2019 American Prize Competition's orchestra music division. [caption id="attachment_40667" align="alignright" width="250"]Composer Meira Warshauer holding musical score Composer Meira Warshauer[/caption] The work consists of four movements, Call of the Cicadas, Tahuayo River at Night, Wings in Flight and Living, Breathing Earth. Read more about the award here. The composer writes, “The title Living, Breathing Earth came to me in contemplating the image of the rainforests as lungs of the earth. I felt our planet, alive with all variety of creatures and plants living in symbiosis with each other, breathing in and out, and the planet as a whole, pulsing with breath. I also contemplated the earth rotating through space, a spinning orb of blue and green, at just the right distance from the sun to support life, and our protective blanket of air, the atmosphere of the earth, providing the medium for our breath.” She added, “I am grateful for time spent as a Hambidge Fellow at The Hambidge Center, Rabun Gap, Georgia, from fall 2005 to spring 2006, where I began and continued this composition.” The work was also supported by unrestricted funds from the South Carolina Arts Commission’s 2006 Fellowship in Music Composition. It was commissioned by Western Piedmont (NC) Symphony, South Carolina Philharmonic, and Dayton (OH) Philharmonic Orchestra, and premiered by each orchestra in spring 2007. It’s published by Keiser Southern Music and was released on the Navona CD label (NV5842). Hear Warshauer’s recent interview about the symphony with South Carolina Public Radio’s Bradley Fuller here and a profile by Aileen LeBlanc for PRI’s “Living on Earth” here.

New arts mag promotes Greenwood + S.C. art

Art Mill debuted this month


There's a brand-new outlet that intends to advance #SCartists and the state's arts scene out now online. Writer Damian Dominguez has the full story in the Index-Journal:

"With sharp, clean lines and a minimalist approach to design, the look of the magazine Art Mill is as deliberate and expressive as the art works depicted in it.

Art Mill is the brainchild of Spenser Weeks and James Elliott — a project inspired by their mutual love of the arts and born from an interest in seeing more people engage with art."
The inaugural issue is available at ArtMillMag.com, and its stewards are seeking ways to allow for print publication. Various Greenwood artists are featured, and the magazine wants to work with artists from all disciplines.

Tuning Up: Myriad opportunities for artists + grant writing

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


This one's for you, #SCartists...

[caption id="attachment_34666" align="aligncenter" width="563"] The world-famous Hub Calls for Art Megaphone.[/caption] A spate of calls for art and/or fellowship opportunities came through in recent days, so we're letting you know what we've seen (which, dear reader, is not to be assumed is an exhaustive list of opportunities). Please visit links for deadlines and requirements/restrictions/guidelines! And now, here they are:
  • Submissions are being sought for the 701 CCA South Carolina Biennial 2019, the center's fifth survey exhibition of work by contemporary South Carolina artists. The exhibition will be held at 701 Center for Contemporary Art in Columbia. The 701 CCA S.C. Biennial 2019 will be presented in two parts with openings in September and November. Artists working in all media and styles are encouraged to apply. Artists must be a current resident of South Carolina. Please visit the website for specific details regarding the submissions.
  • Greenville Center for Creative Arts announced that 2019/2020 Brandon Fellowship applications will open June 7, 2019. The Brandon Fellowship is a 12-month program that aims to develop three emerging artists between the ages of 21-30. Brandon Fellows receive a university style studio space at GCCA, a $250 stipend for art supplies per six-month period, an artist mentor, access to one 6-week class per session, and participation in group shows & community events. Please visit the GCCA website for Brandon Fellowship information.
  • Spartanburg/Upstate musicians are encouraged to sign up for live street performances in the Spartanburg Downtown Cultural District. Currently, performances are scheduled to be held near four street intersections: Liberty & East Main streets, Church & East Main streets, Magnolia & Dunbar streets, and W. Main St. Pocket Park by The Coffee Bar. The live performances will take place Wednesdays, Fridays, and Saturdays, concluding in October. You must be a Chapman Cultural Center registered musician to perform. A link to join the registry and more information is on this page.

Oh, yeah, grant writing

The Central Midlands Council of Governments and Grant Writing USA will present a two-day grants workshop in Columbia, June 17-18, 2019.  This training is applicable to grant seekers across all disciplines.  Attend this class and you'll learn how to find grants and write winning grant proposals. Beginning and experienced grant writers from city, county, and state agencies as well as nonprofits, K-12, colleges and universities are encouraged to attend. Multi-enrollment discounts and discounts for Grant Writing USA returning alumni are available.  Tuition payment is not required at the time of enrollment. Tuition is $455 and includes everything: two days of terrific instruction, workbook, and access to our Alumni Forum that's packed full of tools, helpful discussions and more than 200 sample grant proposals.  Seating is limited, online reservations are necessary. Click here for full event details.

Columbia’s Wideman Davis Dance selected for South Arts program

'Momentum' to help build touring capacity

[caption id="attachment_40193" align="aligncenter" width="600"]Momentum program director with Thaddeus Davis and Tanya Wideman-Davis. Momentum program director Nikki Estes (left) meeting with Thaddeus Davis (center) and Tanya Wideman-Davis (right) of Wideman Davis Dance in Columbia, South Carolina prior to "Migratuse Ataraxia," a multidisciplinary reimagining of antebellum homes[/caption]
South Arts, a regional nonprofit arts organization, has announced the five Southern dance companies selected to participate in Momentum. This new three-year project, funded with support from The Andrew W. Mellon Foundation, will allow the selected companies to build their capacity for regional and national touring. South Arts“There is remarkable dance occurring in our region,” said Nikki Estes, program director with South Arts. “Southern artists are pushing boundaries and telling important stories through this art form. Yet, they are often overlooked in favor of their counterparts in other parts of the US. Through Momentum, we aim to address that gap and raise the profile of Southern dance companies across the region and country.” Over the course of three years, each company will receive professional development, residency opportunities, and touring grants to fund their work. Participants will also showcase at the Performing Arts Exchange booking conference to share their work with arts presenters and programmers. The selected companies are:
  • Dimensions Dance Theater of Miami, Miami, Florida. Jennifer Kronenberg, Artistic Director.
  • Helen Simoneau Danse, Winston-Salem, North Carolina. Helen Simoneau, Artistic Director.
  • New Dialect, Nashville, Tennessee. Banning Bouldin, Artistic Director.
  • staibdance, Avondale Estates, Georgia. George Staib, Artistic Director.
  • Wideman Davis Dance, Columbia, South Carolina. Tanya Wideman-Davis and Thaddeus Davis, Artistic Directors.
The five companies were selected from an application pool of 37 companies by a national panel of leaders in the field of dance presenting and touring, and show exceptional promise both in their artistic quality and potential for expanded touring. The panel included:
  • Neil Barclay (CEO, Charles H. Wright Museum of African American History),
  • Christy Bolingbroke (Executive/Artistic Director, National Center for Choreography at The University of Akron),
  • Laurie Eisenhower (Founding Artistic Director, Eisenhower Dance),
  • Christopher Heacox (Executive Director, Auburn University Performing Arts Center),
  • Sophie Myrtil-McCourty (President, Lotus Arts Management),
  • Martin Wechsler (Former Director of Programming, The Joyce Theater),
  • and Ichun Yeh (Vice President/Director of Booking, Sozo Artists).
“Momentum is the next incarnation of our Dance Touring Initiative,” continued Estes. Through the Dance Touring Initiative, nearly 30 performing arts presenters throughout the Southern region have received professional development and funds to strengthen their work with touring modern dance and contemporary ballet companies over the last ten years. “We recognized that—even though we were working with Southern arts organizations—Southern dance companies were often not being engaged for tours. We began designing Momentum as soon as we identified this need.” The companies selected for Momentum will convene at the 2019 Performing Arts Exchange conference in Orlando, Florida to begin their professional development, and will participate in a series of webinars throughout the program addressing pertinent topics to the field. Additionally, they will be partnered with Dance Touring Initiative presenters for residencies to develop their work and touring capacity. South Arts will make grants available to present these companies in upcoming seasons. “Momentum is deeply informed by our new mission statement: advancing Southern vitality through the arts,” said Susie Surkamer, executive director with South Arts. “One of our goals is to support the artistic and professional growth and success of artists in the South, and Momentum represents new steps for our organization in that direction.” To learn more about Momentum as well as South Arts’ other programs supporting artists, arts organizations, and communities throughout the South, visit www.southarts.org.

About Wideman Davis Dance

Tanya Wideman Davis and Thaddeus Davis, Artistic Directors Wideman Davis Dance, founded in 2003, is deeply committed to revealing social and political issues through an African American perspective. They make work that is inspired by and engaged with current issues including race, social class, gender, and location. Viewing education as essential, Wideman Davis Dance connects with communities of all ages through residencies and by increasing their awareness of these social and political issues, and the ways in which those issues play out in today’s world. When designing residencies, they create environments for participants that cultivate their potential and empower them to change. The company works in an egalitarian way, in collaboration with artists, scholars, and students, implicitly shifting the traditional company model and leveling the hierarchical structures that typically exist within the arts field and its pedagogy. Wideman Davis Dance make dances that have the capacity to tell the truth and move the spirit, giving voice to the people who both perform and view them. They create a space for truths to be told, rupturing the silence of denial, and retelling history about the African American experience. Through their work, they catalyze an artistic ripple effect: their dances—and this shared history—resonate emotionally within the artists who perform it and ultimately within the audiences who view it. Ideally, artists and audiences are motivated to tell their own truths in their own voices: they remember and discover things about themselves and about their own history. Telling such truths can foster a range of reactions, from inspiration to discomfort, from inquiry to debate. In their artistic encounters, the company highly values the exchange that occurs with their audiences as they respond. The company draws from a strong lineage of dance forms they have studied, artists with whom they have worked, and socio-historical issues that they illuminate. Through both choreography and performance, they embody a range of aesthetics, including ballet and contemporary movement. They have created and performed with legendary companies and artists, including Dance Theater of Harlem, Alonzo King’s LINES Ballet, the Joffrey Ballet, Donald Byrd/The Group, Ballet NY, and Complexions Contemporary Ballet. Most influential is the lineage of ideas, history, and social structures that inspire their work and influence the world in which they—and their audiences—live. Artist Statement Wideman Davis Dance moves audiences, through the dances we create and perform, dialogues we lead, research we conduct, and movement experiences we share. We invite audiences and communities to engage: With ideas. With history. With the world around us. With honesty. Our artistic vision reflects truths from our shared lives. Our lineage draws from our long careers with leading professional companies in ballet and contemporary dance. Our model for working with audiences reflects decades of collaborating with communities around the country. Our track record of working with—and delivering to—presenters, colleges, and communities shows lasting results, as told through the stories from our collaborators.

About South Arts

South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org.

Tuning Up: Experience the arts this weekend

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


[caption id="attachment_40184" align="aligncenter" width="600"]Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute) Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute)[/caption]

Hey, look; we made it.

Friday is here. You've been looking forward to it since 8:30 or 9 a.m. Monday, and it's finally here. The Hub will be mowing and pitching in on some house cleaning for sure, but a good weekend has more to it than the mundane. We are here to help. BLACKVILLE The 8th Annual Blackville Music & Art Festival is bringing a weekend full of entertainment and activities to downtown Blackville this weekend, May 17-19. Organizers promise a carnival, parade, car & bike show, several live performances, art displays, vendors, and live artist demonstrations by South Carolina artists Edmon Glover Richburg, Ment Nelson, and Terrance Washington. CHARLESTON Not an exhibition per se, but how about something that keeps on giving? Halsey Institute of Contemporary Art is offering BOGO memberships (for all membership levels!) until May 31. It's part of their May giving campaign. Use this deal to enjoy Cry Joy Park—Gardens of Dark and Light from Jennifer Wen Ma (opens Saturday).  Ma helped design the stunning opening ceremony for the Beijing Olympics. COLUMBIA Your last chance to see Jackson Pollock: Mural is Sunday, when the exhibit at Columbia Museum of Art closes. The museum devoted two galleries not just to the mural that launched his fame but to the techniques and creation that made it what it is. LAKE CITY Join ArtFields in Lake City for a dual gallery opening on May 18th from 6-8 p.m. at TRAX Visual Art Center and Jones-Carter Gallery. On opening night, enjoy hors d'oeuvres and drinks while you view artwork from Beverly Buchanan, Jenny Fine, and Jerry Siegel. Additionally, Fine and Siegel will be present to talk about their work and the inspiration behind their pieces.