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New arts mag promotes Greenwood + S.C. art

Art Mill debuted this month


There's a brand-new outlet that intends to advance #SCartists and the state's arts scene out now online. Writer Damian Dominguez has the full story in the Index-Journal:

"With sharp, clean lines and a minimalist approach to design, the look of the magazine Art Mill is as deliberate and expressive as the art works depicted in it.

Art Mill is the brainchild of Spenser Weeks and James Elliott — a project inspired by their mutual love of the arts and born from an interest in seeing more people engage with art."
The inaugural issue is available at ArtMillMag.com, and its stewards are seeking ways to allow for print publication. Various Greenwood artists are featured, and the magazine wants to work with artists from all disciplines.

Tuning Up: Myriad opportunities for artists + grant writing

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


This one's for you, #SCartists...

[caption id="attachment_34666" align="aligncenter" width="563"] The world-famous Hub Calls for Art Megaphone.[/caption] A spate of calls for art and/or fellowship opportunities came through in recent days, so we're letting you know what we've seen (which, dear reader, is not to be assumed is an exhaustive list of opportunities). Please visit links for deadlines and requirements/restrictions/guidelines! And now, here they are:
  • Submissions are being sought for the 701 CCA South Carolina Biennial 2019, the center's fifth survey exhibition of work by contemporary South Carolina artists. The exhibition will be held at 701 Center for Contemporary Art in Columbia. The 701 CCA S.C. Biennial 2019 will be presented in two parts with openings in September and November. Artists working in all media and styles are encouraged to apply. Artists must be a current resident of South Carolina. Please visit the website for specific details regarding the submissions.
  • Greenville Center for Creative Arts announced that 2019/2020 Brandon Fellowship applications will open June 7, 2019. The Brandon Fellowship is a 12-month program that aims to develop three emerging artists between the ages of 21-30. Brandon Fellows receive a university style studio space at GCCA, a $250 stipend for art supplies per six-month period, an artist mentor, access to one 6-week class per session, and participation in group shows & community events. Please visit the GCCA website for Brandon Fellowship information.
  • Spartanburg/Upstate musicians are encouraged to sign up for live street performances in the Spartanburg Downtown Cultural District. Currently, performances are scheduled to be held near four street intersections: Liberty & East Main streets, Church & East Main streets, Magnolia & Dunbar streets, and W. Main St. Pocket Park by The Coffee Bar. The live performances will take place Wednesdays, Fridays, and Saturdays, concluding in October. You must be a Chapman Cultural Center registered musician to perform. A link to join the registry and more information is on this page.

Oh, yeah, grant writing

The Central Midlands Council of Governments and Grant Writing USA will present a two-day grants workshop in Columbia, June 17-18, 2019.  This training is applicable to grant seekers across all disciplines.  Attend this class and you'll learn how to find grants and write winning grant proposals. Beginning and experienced grant writers from city, county, and state agencies as well as nonprofits, K-12, colleges and universities are encouraged to attend. Multi-enrollment discounts and discounts for Grant Writing USA returning alumni are available.  Tuition payment is not required at the time of enrollment. Tuition is $455 and includes everything: two days of terrific instruction, workbook, and access to our Alumni Forum that's packed full of tools, helpful discussions and more than 200 sample grant proposals.  Seating is limited, online reservations are necessary. Click here for full event details.

Columbia’s Wideman Davis Dance selected for South Arts program

'Momentum' to help build touring capacity

[caption id="attachment_40193" align="aligncenter" width="600"]Momentum program director with Thaddeus Davis and Tanya Wideman-Davis. Momentum program director Nikki Estes (left) meeting with Thaddeus Davis (center) and Tanya Wideman-Davis (right) of Wideman Davis Dance in Columbia, South Carolina prior to "Migratuse Ataraxia," a multidisciplinary reimagining of antebellum homes[/caption]
South Arts, a regional nonprofit arts organization, has announced the five Southern dance companies selected to participate in Momentum. This new three-year project, funded with support from The Andrew W. Mellon Foundation, will allow the selected companies to build their capacity for regional and national touring. South Arts“There is remarkable dance occurring in our region,” said Nikki Estes, program director with South Arts. “Southern artists are pushing boundaries and telling important stories through this art form. Yet, they are often overlooked in favor of their counterparts in other parts of the US. Through Momentum, we aim to address that gap and raise the profile of Southern dance companies across the region and country.” Over the course of three years, each company will receive professional development, residency opportunities, and touring grants to fund their work. Participants will also showcase at the Performing Arts Exchange booking conference to share their work with arts presenters and programmers. The selected companies are:
  • Dimensions Dance Theater of Miami, Miami, Florida. Jennifer Kronenberg, Artistic Director.
  • Helen Simoneau Danse, Winston-Salem, North Carolina. Helen Simoneau, Artistic Director.
  • New Dialect, Nashville, Tennessee. Banning Bouldin, Artistic Director.
  • staibdance, Avondale Estates, Georgia. George Staib, Artistic Director.
  • Wideman Davis Dance, Columbia, South Carolina. Tanya Wideman-Davis and Thaddeus Davis, Artistic Directors.
The five companies were selected from an application pool of 37 companies by a national panel of leaders in the field of dance presenting and touring, and show exceptional promise both in their artistic quality and potential for expanded touring. The panel included:
  • Neil Barclay (CEO, Charles H. Wright Museum of African American History),
  • Christy Bolingbroke (Executive/Artistic Director, National Center for Choreography at The University of Akron),
  • Laurie Eisenhower (Founding Artistic Director, Eisenhower Dance),
  • Christopher Heacox (Executive Director, Auburn University Performing Arts Center),
  • Sophie Myrtil-McCourty (President, Lotus Arts Management),
  • Martin Wechsler (Former Director of Programming, The Joyce Theater),
  • and Ichun Yeh (Vice President/Director of Booking, Sozo Artists).
“Momentum is the next incarnation of our Dance Touring Initiative,” continued Estes. Through the Dance Touring Initiative, nearly 30 performing arts presenters throughout the Southern region have received professional development and funds to strengthen their work with touring modern dance and contemporary ballet companies over the last ten years. “We recognized that—even though we were working with Southern arts organizations—Southern dance companies were often not being engaged for tours. We began designing Momentum as soon as we identified this need.” The companies selected for Momentum will convene at the 2019 Performing Arts Exchange conference in Orlando, Florida to begin their professional development, and will participate in a series of webinars throughout the program addressing pertinent topics to the field. Additionally, they will be partnered with Dance Touring Initiative presenters for residencies to develop their work and touring capacity. South Arts will make grants available to present these companies in upcoming seasons. “Momentum is deeply informed by our new mission statement: advancing Southern vitality through the arts,” said Susie Surkamer, executive director with South Arts. “One of our goals is to support the artistic and professional growth and success of artists in the South, and Momentum represents new steps for our organization in that direction.” To learn more about Momentum as well as South Arts’ other programs supporting artists, arts organizations, and communities throughout the South, visit www.southarts.org.

About Wideman Davis Dance

Tanya Wideman Davis and Thaddeus Davis, Artistic Directors Wideman Davis Dance, founded in 2003, is deeply committed to revealing social and political issues through an African American perspective. They make work that is inspired by and engaged with current issues including race, social class, gender, and location. Viewing education as essential, Wideman Davis Dance connects with communities of all ages through residencies and by increasing their awareness of these social and political issues, and the ways in which those issues play out in today’s world. When designing residencies, they create environments for participants that cultivate their potential and empower them to change. The company works in an egalitarian way, in collaboration with artists, scholars, and students, implicitly shifting the traditional company model and leveling the hierarchical structures that typically exist within the arts field and its pedagogy. Wideman Davis Dance make dances that have the capacity to tell the truth and move the spirit, giving voice to the people who both perform and view them. They create a space for truths to be told, rupturing the silence of denial, and retelling history about the African American experience. Through their work, they catalyze an artistic ripple effect: their dances—and this shared history—resonate emotionally within the artists who perform it and ultimately within the audiences who view it. Ideally, artists and audiences are motivated to tell their own truths in their own voices: they remember and discover things about themselves and about their own history. Telling such truths can foster a range of reactions, from inspiration to discomfort, from inquiry to debate. In their artistic encounters, the company highly values the exchange that occurs with their audiences as they respond. The company draws from a strong lineage of dance forms they have studied, artists with whom they have worked, and socio-historical issues that they illuminate. Through both choreography and performance, they embody a range of aesthetics, including ballet and contemporary movement. They have created and performed with legendary companies and artists, including Dance Theater of Harlem, Alonzo King’s LINES Ballet, the Joffrey Ballet, Donald Byrd/The Group, Ballet NY, and Complexions Contemporary Ballet. Most influential is the lineage of ideas, history, and social structures that inspire their work and influence the world in which they—and their audiences—live. Artist Statement Wideman Davis Dance moves audiences, through the dances we create and perform, dialogues we lead, research we conduct, and movement experiences we share. We invite audiences and communities to engage: With ideas. With history. With the world around us. With honesty. Our artistic vision reflects truths from our shared lives. Our lineage draws from our long careers with leading professional companies in ballet and contemporary dance. Our model for working with audiences reflects decades of collaborating with communities around the country. Our track record of working with—and delivering to—presenters, colleges, and communities shows lasting results, as told through the stories from our collaborators.

About South Arts

South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org.

Tuning Up: Experience the arts this weekend

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


[caption id="attachment_40184" align="aligncenter" width="600"]Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute) Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute)[/caption]

Hey, look; we made it.

Friday is here. You've been looking forward to it since 8:30 or 9 a.m. Monday, and it's finally here. The Hub will be mowing and pitching in on some house cleaning for sure, but a good weekend has more to it than the mundane. We are here to help. BLACKVILLE The 8th Annual Blackville Music & Art Festival is bringing a weekend full of entertainment and activities to downtown Blackville this weekend, May 17-19. Organizers promise a carnival, parade, car & bike show, several live performances, art displays, vendors, and live artist demonstrations by South Carolina artists Edmon Glover Richburg, Ment Nelson, and Terrance Washington. CHARLESTON Not an exhibition per se, but how about something that keeps on giving? Halsey Institute of Contemporary Art is offering BOGO memberships (for all membership levels!) until May 31. It's part of their May giving campaign. Use this deal to enjoy Cry Joy Park—Gardens of Dark and Light from Jennifer Wen Ma (opens Saturday).  Ma helped design the stunning opening ceremony for the Beijing Olympics. COLUMBIA Your last chance to see Jackson Pollock: Mural is Sunday, when the exhibit at Columbia Museum of Art closes. The museum devoted two galleries not just to the mural that launched his fame but to the techniques and creation that made it what it is. LAKE CITY Join ArtFields in Lake City for a dual gallery opening on May 18th from 6-8 p.m. at TRAX Visual Art Center and Jones-Carter Gallery. On opening night, enjoy hors d'oeuvres and drinks while you view artwork from Beverly Buchanan, Jenny Fine, and Jerry Siegel. Additionally, Fine and Siegel will be present to talk about their work and the inspiration behind their pieces.

SCAC staffer named to role in Ga. + arts job opening

Change remains among life's constants*


Ask anybody who works in the arts and they'll tell you: the faces change a lot. That leads to a fair bit of upward mobility as the deck is reshuffled, and is definitely one of many benefits of working in the sector. For the second time in 2019, the South Carolina Arts Commission is losing a valued staff member to an arts leadership role in another state. Oconee (Ga.) Cultural Arts Foundation just named La Ruchala Murphy its new executive director. Murphy serves on the SCAC grants team and is a county coordinator for Abbeville, Calhoun, Cherokee, Greenwood, McCormick, and Newberry counties. She also stepped in to lead SCAC artist development initiatives earlier this year when Joy Young became executive director of the Cultural Council of Greater Jacksonville (Fla.). The Winthrop alumna is also an artist and an absolute treat with whom to work. She is completely deserving of this promotion, will do an amazing job, and will be sorely missed. Your SCAC team is proud of and happy for you!
Application deadline: May 30, 2019 The Arts Center of Clemson (ed. note: the town, not school) is searching for its next clay technician coordinator—the person who will run its clay studio and clay programs. Please note it is a 10-hour/week position. Does this, ahem, fire you up? Read more and apply via this link.
* With full self-awareness we acknowledge this might be the SCAC's unofficial theme of 2019, but we're being up-front about it.

Tuning Up: Blythewood poet laureate, mural SZN, SEPF

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Surprise poet laureate named in Blythewood. Perhaps known most for horses and signifying to I-77 southbound travelers that their sojourn through the back country from Rock Hill is transitioning to civilization, Blythewood is embracing arts and culture of late. The first Doko Film Fest was just last weekend, Doko Meadows Park features community concerts through the summer, and Tuesday the town named Sara Corn its first poet laureate. Never heard of her? It's probably because she's 11. Read more about Sara and her honor from ColaDaily. Congrats, Sara! Say it with us: #BecauseOfArtsEd (Post continues below image.) [caption id="attachment_39999" align="aligncenter" width="600"]McCormick mural Jeffrey Callaham mural in McCormick. Image by McCormick County Coordinator La Ruchala Murphy/SCAC.[/caption] Welcome to MURAL SZN. Murals are time-honored public art displays that community planners and citizenry in search of a rallying point enjoy in equal measure. Two new ones came across The Hub's radar:
  • "Lady Vista" now resides in the Congaree Vista (an official South Carolina Cultural District) courtesy of Columbia artist Cait Maloney.
  • Another official South Carolina Cultural District also has a new mural: Spartanburg Downtown checks in with a work by Lucy Boland (w/ an assist from Russel Bannan).
  • With help from an SCAC grant, the McCormick Chamber of Commerce, Willington on the Way, and McCormick Arts Council (MACK) debuted a mural (above) celebrating the history of the Willington area. This mural consists of a series of panels created by McCormick artist Jeffery Callaham and included the support and enthusiasm of more than 120 local elementary, middle, and high school students.
"Keys" to the kingdom? Piano lovers take note: tickets are now on sale to all events of the 2019 Southeastern Piano Festival. Artists known the world over will descend on South Carolina for concerts June 16-22. Artists the world will soon know compete in the Arthur Fraser International Piano Competition and give a recital on the 22nd.

Submitted material

Four S.C. musicians selected for the National Youth Orchestra (NYO2)

Students among 80 selected, will perform in Miami & NYC

[caption id="attachment_39994" align="aligncenter" width="600"] Image by Jason Rapp/SCAC[/caption]
Carnegie Hall this week announced the names of the 80 young musicians selected from across the country for NYO2, a three-week, intensive summer orchestral training program for outstanding American instrumentalists ages 14–17. The members of NYO2 2019—coming from 30 U.S. states plus Puerto Rico—have been recognized by Carnegie Hall as exceptionally talented musicians who not only embody a very high level of artistry, but who also come from a wide range of backgrounds, representing a future for American orchestral music that includes communities which have often been underserved by and underrepresented in the field. 20 musicians are returning to NYO2 from previous seasons. The four South Carolina students are:
  • Violinist Payton Jin-Hyun Lee, 10th grade, Duncan (S.C. Governors School for the Arts and Humanities)
  • Violist Ansley Moe, 11th grade, Spartanburg (S.C. Governors School for the Arts and Humanities)
  • Violist Jeremiah Moultrie, 12th grade, Charleston (S.C. Governors School for the Arts and Humanities)
  • Violist Hailey Xu, 12th grade, Greer (Riverside High School)
For the second consecutive year, the musicians of NYO2 will travel to Miami Beach for a week-long residency, made possible through a continued partnership with the New World Symphony, America’s Orchestral Academy (NWS). As part of their training, NYO2 players have the opportunity to work with NWS Fellows leading up to a performance at the New World Center on Saturday, July 27 at 8:30 p.m. led by conductor Carlos Miguel Prieto. The program includes
  • Stravinsky’s Pétrouchka,
  • selections from Falla’s The Three-Cornered Hat,
  • and Gabriela Montero’s Piano Concerto No. 1, “Latin,” featuring the composer as soloist.
The New World Center concert will be made available to the community for free via WALLCAST®, with the full performance viewable outdoors in SoundScape Park on the 7,000-square-foot projection wall of the building. During their time in Miami, the NYO2 members will also have opportunities to interact with local young musicians in the South Florida area through NWS community partner organizations, playing and learning side-by-side with one another. Following their Miami residency, NYO2 returns to New York for a culminating performance at Carnegie Hall on Tuesday, July 30 at 7:30 p.m. Tickets for the Carnegie Hall concert, priced at $25 for adults and $10 for students, are on sale now in person and over the phone through the Carnegie Hall Box Office by calling 212.247.7800 and at CarnegieHall.org. Discounted student tickets are available online for verified Student Insiders only – all other youth tickets must be purchased at the box office or over the phone. The NYO2 program begins with an intensive training residency at Purchase College, State University of New York in mid-July. The young musicians work with NWS Fellows as well as other professional players from top orchestras, and also have opportunities to make music side-by-side with members of NYO-USA and NYO Jazz. Joseph Young, artistic director of Ensembles at the Peabody Institute, returns as NYO2’s resident conductor, and the students also have the opportunity to work with James Ross, music director of the Alexandria Symphony Orchestra in Virginia. The faculty leads private lessons, master classes, chamber music readings, and other seminars on essential music skills in preparation for the culminating concerts in Miami Beach and New York.

Madden ‘beyond excited’ by new laureate fellowship

Academy of American Poets further validates Ed Madden

He's Columbia's poet laureate (since 2015) and he is a previous S.C. Arts Commission fellow for prose (2010). He is further expanding his influence with a new accolade.
[caption id="attachment_17625" align="alignright" width="200"]Ed Madden Photo by Forrest Clonts[/caption] Ed Madden was just awarded the Academy of America Poets Laureate Fellowship along with 12 other poets laureate of states, cities, and counties across the U.S. receiving a combined, historic $1 million in recognition of their literary merit and to support civic programs, which will take place over the next 12 months.  (See news release here.) “Poets have an important role in our culture and in communities all across the country. By supporting Poets Laureate at the state and local level, we hope to ensure that more people become acquainted with poets and poetry where they live and have an opportunity to benefit from innovative and groundbreaking programming close to home,” said Michael Jacobs, Chairman of the Academy of American Poets. These new fellowships are made possible by The Andrew W. Mellon Foundation and, in total, are believed to be the largest awards provided to poets in the U.S. at any one time by a charitable organization. They are also in keeping with this spring’s national poetry programming theme of Poetry & Democracy offered by the Poetry Coalition, an alliance of more than 20 organizations working together to promote the value poets bring to our culture and the important contribution poetry makes in the lives of people of all ages and backgrounds. Columbia's Free Times has an interview with Madden, who already has plans to put the $50,000 he received to use in Columbia. According to Free Times, they will fit in with his "other initiatives [that] have put poetry on Main Street banners and coffee sleeves. On April Fool’s Day 2017, random cars were tagged with fake parking tickets, no doubt baffling drivers who found on not an official summons but a few lines of verse. Last year, little free poetry boxes — similar to little free library kiosks — sprang up in yards throughout the city. There’s also been 'rain poetry,' where short local poems, stenciled onto sidewalks with hydrophobic paint, magically appear when it rains."

S.C. Arts Awards: Tyrone Geter

2019 Recipient Feature Series

As the day nears for the 2019 South Carolina Arts Awards, The Hub is taking 15 days to focus on this year's recipients: nine receiving the Elizabeth O'Neill Verner Governor's Awards for the Arts and five receiving the Jean Laney Harris Folk Heritage Award, which are managed jointly by the South Carolina Arts Commission and McKissick Museum at UofSC. In between the two groups, we'll run a special feature on S.C. Arts Awards sponsor Colonial Life.

Tyrone Geter

Artist Category [caption id="attachment_39226" align="alignright" width="200"] Photo by Drew Baron[/caption] In a career that spreads across two continents, Tyrone Geter has built an international reputation as a world-class artist, painter, sculptor, illustrator, and teacher. Recently retired associate professor of art at Benedict College in Columbia, Geter grew up in Anniston, Ala., during a time defined by strict segregation laws and social injustice. Anniston was a site of numerous acts of racial violence during the Civil Rights Era. The immediacy of these events and an inherited legacy of spiritual strength and fortitude against all the odds inform and shape Geter’s work. He received his Master of Fine Arts from Ohio University in 1978 with an emphasis on painting and drawing. An exceptional draftsman, his portraits are sensitive, timeless, and masterfully executed. Their power, displayed through their expression, gesture and adornments, seem often suspended in an otherworldly environment. Equal to the history his figures embody, they also speak of a spiritual world overflowing with compassions and empathy. In this regard his work is uniquely distinctive. In 1979, Geter relocated to Zaria, Nigeria.  For seven years he lived, drew and painted among the Fulani and other local peoples of Northern Nigeria. During this period, he created numerous paintings that captured the richness and depth of the cultures of the region. He describes the experience as an experience that taught him “to understand the nature of life in a society where life was nature and sometimes both hard and cruel.” Further, he experienced “a lesson in the creative process that no art school would ever teach me.” Those years in Nigeria proved to be a turning point in his development and the most important influence in his life and art. In 1987 he returned to the U.S. and a teaching position at the University of Akron, where he transformed his experience in Nigeria into the most powerful work of his career. His work has been exhibited at the Columbia Museum of Art, Florence County Museum, and WaterFront Gallery (Charleston) in South Carolina, and Center for Afro-American Artists (Boston), Butler Institute for American Art (Youngstown, Ohio), Hampton Institute College Museum (Hampton, Va.), and Museum of Fine Art (Boston) to name a few. His honors include placing first at Moja Arts Festival and in the Robert Duncanson Award from Taft Museum (Cincinnati), and he received an artist fellowship grant from Foundation for the Arts and Humanities (Boston) and a grant from Columbus (Ohio) Arts Council. For more, visit TyroneGeter.com.
South Carolina Arts Awards Day is Wednesday, May 1, 2019. The festivities begin at 10 a.m. with a reception that leads up to the awards ceremony at the UofSC Alumni Center (900 Senate St., Columbia). The event is free and open to the public. Following the ceremony, the South Carolina Arts Foundation honors the recipients and the arts community at the S.C. Arts Awards Luncheon and Art Sale. Tickets are $50. Please go here for more information and reservations.

Tuning Up: In the news

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


A handful of S.C. Arts Awards recipients have made it into various publications recently, so we thought we'd share:
PS: We're hiring ICYMI! SCAC recently posted a new job opening. You have through April 19 to apply to be the artist services program director.