Jason Rapp

From The State: Sweetgrass basketry fighting for survival

A tradition in peril


Sweetgrass basketry intertwines with South Carolina heritage in the same way that the grasses come together to form the renowned finished product.

But for how much longer will it be part of the present? Today, Caitlin Byrd of The State tries to get a grasp on the situation (subscription possibly required):

Also driving up the price of baskets is the increased development in the coastal region, which continues to cut off access to the very plants Black families use to make sweetgrass baskets. And then there’s the concern about time itself, as a generation of sewers worry that this craft, which can trace its origins to the 17th century, will not be carried on in the way it once was.

This traditional art form is no stranger to The Hub or the South Carolina Arts Commission.
  • Sweetgrass basketmakers have been Jean Laney Harris Folk Heritage Award recipients many times since the first in 1990, and the most recent was in 2018. (The Folk Heritage Award is presented annually by the SCAC and its partner the University of South Carolina McKissick Museum.)
  • A basket by Mary Jackson, one of the most decorated artisans, is included in the State Art Collection and is included in The State's story.

Jason Rapp

Is tech a creative medium for artists?

NEA + Knight, Ford foundations report says yes


The National Endowment for the Arts announces the release of the report Tech as Art: Supporting Artists Who Use Technology as a Creative Medium, the result of a two-year field scan, an initiative of the Arts Endowment in collaboration with the John S. and James L.  Knight Foundation and the Ford Foundation.

The field scan and report explore the multi-faceted practices of artists who engage with digital technologies in both the creative and functional aspects of their work. The report also looks at the training and exhibition infrastructure that tech-centered artists have developed to pursue their creative practices, and diagnoses a critical need for funding to advance the field. A key finding of the study is that even with the willingness of audiences to move to digital spaces for arts and cultural programming during the pandemic, many cultural organizations lack capacity and the resources to adequately support the growing needs of tech-centered artists and their audiences. At the same time, these artists have demonstrated their unique ability to respond creatively to the challenges of the COVID-19 pandemic by engaging with audiences and responding to calls for greater equity and inclusion. “Tech-centered artists can be invaluable partners for leaders in the arts and non-arts sectors alike,” said National Endowment for the Arts Acting Chairman Ann Eilers. “Not only are equity and inclusion increasingly embedded in their artistic practice, but they also explore ethical issues around technology, such as data privacy and artificial intelligence, presenting complex ideas through a creative and accessible lens.”

A virtual launch event celebrating the culmination of this work featured arts funders and artist/technologists discussing key findings of the report. Panelists for the virtual event were Refik Anadol, Amelia Winger Bearskin, Stephanie Dinkins, Ruby Lerner, Omari Rush, and Eleanor Savage with moderator Hrag Vartanian. The event will be archived and available on the Media Arts impact page.


In addition to featuring more than a hundred artists and organizations in the report, Tech as Art includes nine case studies offering a more in-depth look at leading tech-focused artists and practitioners. Case study artists are 3-Legged Dog, Refik Anadol, Design I/O, Stephanie Dinkins, Darcy Neal, Processing Foundation, Scatter/DepthKit, Lance Weiler, and Amelia Winger-Bearskin. Videos created from the case studies are in a YouTube playlist.  Finally, the recommendations in the report are expanded upon by ten commissioned essays. Key findings from the report include:
  • Code, computation, data, and tool-building are fundamental to tech-centered artists, enabling them to create works across artistic forms and contexts.
  • Because the field is so diverse and dynamic, more traditional arts organizations and funders often have trouble engaging with tech-centered artistic practicesSince these artists create projects within and between virtual and physical spaces, they require distinct approaches to presentation, public engagement, accessibility, and archiving.
  • Tech-centered artists have successfully established peer organizations, regional hubs, exhibition spaces, festivals, information networks, and academic departments across the United States. However, there are also significant resource gaps which inhibit the growth of artistic and professional development.
  • Career pathways for tech-centered artists are highly varied, though as a group these workers encounter many of the same obstacles as artists in general. Despite formal education, tech-centered artists describe themselves as largely self-taught and reliant on artist-founded organizations, community hubs, and online resources.
The report’s recommendations include:
  • Expanding technical expertise and capacity among cultural organizations working with tech-centered artists.
  • Reviewing programs and outreach plans from grant makers, arts service or presenting organizations, and traditional arts institutions to ensure that funding program guidelines and documentation requirements align with, and welcome, tech-focused artists and projects.
  • Lifting barriers to collaboration across arts and non-arts sectors to encourage relationships to exchange information, seed partnerships, and launch initiatives.
  • Embedding technology assets in the broader arts and cultural infrastructure to address the lack of funding for digital capacity-building; existing digital divides across geography, ethnicity, race, and gender; and inadequate access to high-speed internet.
  • Increasing project development, presentation, and exhibition opportunities.
  • Deepening public understanding of the value and impact of tech-focused artists by conducting further research and education that supports greater public recognition of artists’ creative approaches, innovations, and contributions.
In addition to publishing this report, the Arts Endowment has deepened its commitment to supporting activities at the intersection of arts and technology through the agency’s major funding program, Grants for Arts Projects. In the Media Arts discipline, organizations from any artistic discipline can apply for support of arts projects that use new media, creative code, and emergent forms. The Arts Endowment also provides technical assistance to prospective applicants and connects tech-centered artists with other grant makers, arts organizations, policymakers, educators, and tech companies.

About the National Endowment for the Arts

Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Visit arts.gov to learn more.

About the Ford Foundation

The Ford Foundation is an independent, nonprofit grant-making organization. For more than 80 years it has worked with courageous people on the frontlines of social change worldwide, guided by its mission to strengthen democratic values, reduce poverty and injustice, promote international cooperation, and advance human achievement. With headquarters in New York, the foundation has offices in Latin America, Africa, the Middle East, and Asia.

About the John S. and James L. Knight Foundation

Knight Foundation is a national foundation with strong local roots. We invest in journalism, in the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy. For more, visit www.kf.org

Jason Rapp

Announcing the FY22 SCAC Fellows

for immediate release


Four South Carolina artists exhibiting hard work and exceptional ability in visual art, craft, and media production and screenwriting are recipients of fiscal year 2022 South Carolina Arts Commission fellowships.

The South Carolina Arts Commission (SCAC) Board of Directors approved four $5,000 fellowships among several other FY22 grant awards to be announced on a later date. The SCAC’s four fellows are:
  • Kristi Ryba of Charleston County in visual art,
  • Clay Burnette of Richland County for craft,
  • Sherard “Shekeese” Duvall of Richland County for media production,
  • and Triza Cox of Florence County for media screenwriting.
Individual artists residing in South Carolina full-time were invited to apply last fall for a fellowship in any of the four categories represented in this cycle. Out-of-state panelists were recruited from each of those disciplines to review applications. Starting with this cycle and going forward, applications are no longer anonymous and awards no longer made solely on artistic merit. The panelists also considered achievements and commitment to the discipline in which artists apply, which can be more than one if separate applications are submitted. Panelists then recommend recipients of each $5,000 fellowship. “Fellowships recognize and reward the artistic achievements of exceptional South Carolina individual artists. Recognition from a fellowship lends artistic prestige and can often open doors to other resources and employment opportunities,” SCAC Executive Director David Platts said. “We will no doubt hear more from these amazing artists, and we congratulate them on this honor.”

About the FY22 Individual Artist Fellowship Recipients

Kristi Ryba | Visual Arts | Charleston County Winner of the 2020 South Arts State Fellowship for South Carolina and a 2018 ArtFields second place award, Ryba’s work has been touring the Southeast in painting and printmaking exhibitions since 1990.  A Magna cum laude graduate of the College of Charleston, Ryba also studied at Vermont Studio School and Studio Camnitzer in Valdotavvo, Lucca, Italy, and has her Master of Fine Arts from Union Institute and University, Vermont College. She has won various awards and scholarships. A founding organizer of Print Studio South, Inc., she served as its president and on its board and has taught locally in both adult and children's programs. Ryba was one of 10 artists featured in a 2002 Piccolo Spoleto exhibit and was invited to exhibit in Contemporary Charleston 2004 and in Helping Hands: an artist's debut among friends in 2005. Her work was featured in the 2018 Biennial in Columbia. Ryba also exhibited at Silo in New York City and her work was in the 2007 SOHO20 Chelsea show honoring The Feminist ART Project. Clay Burnette | Craft | Richland County Clay Burnette is a self-taught pine needle basketmaker who has been coiling longleaf pine needles with waxed linen thread since 1977. Burnette’s work is included in numerous public and private collections—including the State Art Collection—and has been included in more than 250 exhibition venues throughout the U.S. and abroad for 40-plus years. He has also been published in numerous international, national, and regional magazines, catalogs, and fine craft publications. Burnette has taught at Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee since 2015. Images of his work are available at www.clayburnette.com. Sherard Duvall | Media: Production | Richland County Sherard “Shekeese” Duvall is a film and messaging professional from Columbia, S.C. He specializes in visual storytelling, film education, media strategy, diversity consulting and is an advocate of Hip-Hop culture. He’s produced commercial and documentary projects for VH1, Oxygen, and more. A 2021 Liberty Fellow, a 2016 Riley Fellow, a Leo Twiggs Arts Leadership Scholar and one of the founders of Columbia’s Hip-Hop Family Day: Love Peace & Hip-Hop. A 2001 University of South Carolina grad, Sherard is a product of Richland District One schools. Sherard is the Founder and Executive Producer at OTR Media Group, and the proud dad of his son, Cairo. Triza Cox | Media: Screenwriting | Florence County Triza Cox is a playwright, screenwriter, and theatre artist. She is currently the South Carolina Ambassador for the Dramatists Guild and is an associate member of the Society of Stage Directors and Choreographers. Her research and creative work center on playmaking using Jungian archetypes, motifs, and symbols of the collective unconscious. Triza holds an MFA in Theatre Performance from the University of Louisville and has trained with Dell’Arte International School of Physical Theatre and the Mandala Center for Change as a Theatre of the Oppressed Facilitator. Her original plays include A Last Supper; The Willing, which recently received a staged reading with Triad Stage in Greensboro, North Carolina; God in the Midst of it All; and Lil’ Bard which was a semi-finalist in NYU’s New Plays for Young Audience 2018 and premiered at Charlotte’s Children Theatre in a staged reading. Triza has received a Kentucky New Voices grant for her playwriting.
A diverse group of panelists reviewed applications from the discipline in which they work. The visual art and craft panelists were Kesha Bruce, a curator and artist programs manager for the Arizona Commission on the Arts; arts consultant and curator Mark Leach based in St. Louis; and Holly Blake, residency manager for Headlands Center for the Arts in Sausalito, California. Reviewing media production applications were panelists Eleanor Savage, activist and program director with the St. Paul, Minnesota-based Jerome Foundation; and Bill Gaskins, (re)director of the Maryland Institute College of Art’s photographic and electronic media graduate program. Writer and producer April Turner of Charlotte was the media screenwriting panelist.
Four fellowships per year are awarded to artists working in rotating disciplines. One artist from each of these fields: prose, poetry, and theatre acting and playwriting will be honored in fiscal year 2023. To be eligible, artists must be at least 18 years old and a legal U.S. resident with permanent residence in the state for two years prior to the application date and throughout the fellowship period. Applications will be accepted later this summer following announcement by the SCAC. For more on discipline rotation, eligibility requirements, and the application process, please visit https://www.southcarolinaarts.com/grant/fel/.
About the South Carolina Arts Commission The mission of the South Carolina Arts Commission (SCAC) is to promote equitable access to the arts and support the cultivation of creativity in South Carolina. We envision a South Carolina where the arts are valued and all people benefit from a variety of creative experiences. A state agency created by the South Carolina General Assembly in 1967, the SCAC works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas: arts education, community arts development, and artist development. Headquartered in Columbia, S.C., the SCAC is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts, and other sources. Visit SouthCarolinaArts.com or call 803.734.8696, and follow @scartscomm on Facebook, Instagram, and Twitter.

Jason Rapp

Tell your rural innovation story

South Carolina's rural and small communities have countless stories of innovation.

As it creates a new exhibit called "Spark! Places of Innovation," the Smithsonian Institution Museum on Main Street program is gathering technology, culture and heritage, social, economic and business innovation stories (and more).

The SCAC's Community Arts Development team partners with Museum on Main Street, and is encouraging YOU to submit South Carolina stories, particularly if they involve:
  • creativity,
  • makers,
  • the arts,
  • folklife,
  • or a community/placemaking aspect!
If you have one (and we know you do!), visit this link to pitch in.

Jason Rapp

Meet the SCAC’s Catherine Ntube

Specialist for Arts Organizations and Education


2020. What a time to start a new job.

In the midst of the pandemic, Catherine Ntube joined the South Carolina Arts Commission as its specialist for arts organizations and education. Those are big pieces of the SCAC pie, so there's sure to be a learning curve as you acclimate. Except pandemic. Except the entirety of your new team is working virtually as a result of said pandemic. Except the people you were hired to serve were mostly (at the time) doing likewise. Except... it didn't matter. Ntube (that's EN-too-bay) hit the ground running anyway and has been ably serving in any way she's needed. She's instituted new Think Tank conversations for S.C. arts organizations and pitches in often to advise current and potential grantees working in arts ed or community-based arts. Now that state agencies are back in the office, she is finally in hers and finally getting (distanced) face-time with her new colleagues. Need her help? Try reaching her via cntube@arts.sc.gov or 803.734.8694.

About Catherine Ntube

Catherine Ntube comes to the SCAC from eight years in the classroom, where she taught 4th grade general ed, 6th grade writing, and college-level English. While teaching, she maintained a writing practice and passion for the literary arts, serving as poetry editor of Yemassee Journal, receiving fellowships from The Watering Hole and Cave Canem, and serving as a contracted grant writer for small arts organizations with Red Olive Creative Consulting. She earned an master of fine arts in creative writing from the University of South Carolina, an master of arts in teaching from Relay Graduate School of Education, and a bachelor's in history & literature from Harvard University.    

Jason Rapp

New poster series promotes vaccine effort

Creativity + Public Health from the SCAC


Plan your vaccine—that’s the latest message on a series of public health posters created over the last 12 months in response to the COVID-19 pandemic.

As part of the cross-sector initiative of the South Carolina Arts Commission (SCAC) called The Art of Community: Rural SC, a community of artists, makers, organizations and local voices have helped support and advance what it means to be healthy and safe through quarantine, closing and opening schools, restaurants, offices and more.
  • BONUS CONTENT: Lea esta historia en español a continuación.
Working with artist Amiri Farris of Bluffton, the SCAC team has used artful and timely messaging to remind people to social distance, wash hands, cover sneezes and coughs, make self-care a priority, uplift and thank essential workers, and love community. “These posters use the full spectrum of ‘rainbow colors’ that get people’s attention,” Farris said. Having empathy for one another is something Farris stresses. “I really want to hug people but we can’t do that, so these posters are a way to reach out to people; to thank workers who are all keeping us all safe and healthy; and to remind us to maintain healthy protocols during times of crisis.” With the expansion of the vaccine eligibility to include a wider array of individuals, this latest poster is just in time. “Special thanks to our internal team who has worked behind the scenes to get these posters created and out—Laura Marcus Green, Abigail Rawl and Jason Rapp,” said Community Arts Program Director Susan DuPlessis. “And to our public health partners who value the role of arts and culture in our state—including the Department of Health and Environmental Control, the South Carolina Office of Rural Health, UofSC schools of public health and medicine.” “And an extra thanks to Maribel Acosta of Art Pot in Berkeley County who helped us create Spanish-language versions of these posters so they have an impact with even more people in our state,” Green said. “We know there is an intersection with the arts and everything in our lives, but it’s especially gratifying in times like these to see how arts and creativity can help our public health experts promote important messages so many people need to hear,” SCAC Executive Director David Platts said. “Partnerships like these further the public value of arts and creativity to all South Carolinians.” The Art of Community: Rural SC is a place-based initiative working in 14 rural communities and the Catawba Indian Nation. “Using arts and culture strategically to advance local places is the essence of our approach. These posters are a great example of what it means to lift local voices and amplify creative spirits for the good of everyone,” DuPlessis said. “We are truly in this moment together.”

The latest statistics on COVID-19 in South Carolina

  • 455,495 total cases
  • 7,851 confirmed deaths
  • as of March 16, 2021
Source: South Carolina Dept. of Health & Environmental Control

Creatividad + Salud Pública del SCAC

Planifique su vacuna- Este es el mensaje más reciente de una serie de carteles de salud pública creados durante los últimos 12 meses en respuesta a la pandemia de COVID-19.

Como parte de la iniciativa intersectorial de la Comisión de Artes de Carolina del Sur llamada The Art of Community: Rural SC (El arte de la comunidad: Rural SC), una comunidad de artistas, creadores, organizaciones y voces locales han ayudado a apoyar y promover lo que significa estar sano y seguro a través de la cuarentena, con el cierre y apertura de escuelas, restaurantes, oficinas y más. En colaboración con la artista Amiri Farris de Bluffton, Carolina del Sur, el equipo de la Comisión de las Artes ha utilizado mensajes ingeniosos y oportunos para recordar a las personas la distancia social, lavarse las manos, cubrirse los estornudos y la tos, hacer del cuidado personal una prioridad, animar y agradecer a los trabajadores esenciales y el amor a la comunidad. “Estos carteles utilizan el espectro completo de los colores del arco iris que llaman la atención de la gente,” dijo Farris. Tener empatía el uno por el otro es algo que Farris enfatiza. “Tengo muchas ganas de abrazar a la gente, pero no podemos hacer eso, así que estos carteles son una forma de llegar a las personas; agradecer a los trabajadores que nos mantienen a todos seguros y saludables; y recordarnos que debemos mantener protocolos saludables en tiempos de crisis.” Con la expansión de la elegibilidad de la vacuna para incluir una gama más amplia de personas, este último cartel llega justo a tiempo. “Un agradecimiento especial a nuestro equipo interno que ha trabajado entre bastidores para crear y publicar estos carteles: Laura Marcus Green, Abigail Rawl y Jason Rapp,” dijo la directora del programa de artes comunitarias, Susan DuPlessis. “Y a nuestros socios de salud pública que valoran el papel de las artes y la cultura en nuestro estado, incluido el Departamento de Salud y Control Ambiental, la Oficina de Salud Rural de Carolina del Sur, la Escuela de Salud Pública de la Universidad de Carolina del Sur y la Escuela de Medicina de la Universidad de Carolina del Sur.” “Y un agradecimiento adicional a Maribel Acosta de Art Pot, en el condado de Berkeley, que nos ayudó a crear una versión en español de estos carteles para que tengan un impacto a más personas en nuestro estado,” dijo Green. "Sabemos que hay una intersección con las artes y todo en nuestras vidas, pero es especialmente gratificante en tiempos como estos ver cómo las artes y la creatividad pueden ayudar a nuestros expertos en salud pública a promover mensajes importantes que muchas personas necesitan escuchar", dijo el Director Ejecutivo de SCAC, David Platts. "Asociaciones como estas mejoran aún más el valor público de las artes y la creatividad para todos los carolinos del sur." El arte de la comunidad: Rural SC es una iniciativa de educación basada en la región, que trabaja en 14 comunidades rurales y la nación indígena Catawba. “Usar el arte y la cultura de manera estratégica para promover los lugares locales es la esencia de nuestro enfoque.  Estos carteles son un gran ejemplo de lo que significa levantar las voces locales y amplificar las mentes creativas por el bien de todos,” dijo DuPlessis. "Realmente estamos juntos en este momento."
  • 455,495 casos totales
  • 7,851 muertes
  • 16 de marzo de 2021
Fuente: South Carolina Dept. of Health & Environmental Control

Submitted material

Lend your leadership to the creative industry

Winthrop University Master of Arts in Arts Administration Degree Program

APPLICATION DEADLINE: Saturday, May 1, 2021 (in-seat program)
The Arts Administration program prepares individuals interested in contributing to the creative industry as innovative leaders. Through in-depth preparation, these arts leaders learn how to inspire audiences and their organizations, increase financial support, manage resources, and create innovative strategies that sustain organizations and enable them to prosper, even in challenging times. The two-year program is offered in two formats: online and in-seat (one weekend a month only). Both formats are perfect for working professionals. Admission Deadlines: May 1, 2021 for the in-seat program and rolling admission for the online program. For more information and to discuss which format best serves your schedule and learning style, contact Program Director Robert Wildman at wildmanr@winthrop.edu.

Jason Rapp

Love at first arc for S.C. welder

New direction leads to arts entrepreneurship


The Hub was honestly not expecting a don't-miss story from The Welder.

Shame on us. Do yourself a favor and read the story of Kristen Albro of Charleston from the Illinois-based trade publication. Writer Amanda Carlson does a terrific profile of the unexpected blacksmith. Here's a small excerpt:

As a veteran of the Air Force, Albro spent her time in service as an aircraft mechanic. Later she earned a degree in criminal justice with a minor in intelligence and homeland security from The Citadel. Seeing the writing on the wall about a white-collar desk job, the lifelong artist did a little soul-searching about what exactly would make her happy. Working with your hands can lead to many pathways, but she landed on welding because she wondered if she could somehow incorporate that into her art.

Carlson mentions Albro's techniques and inspiration and how the two came together to form her entrepreneurial artistic venture. We'll stop there, because you should just go read it right now (TheFabricator.com).
Photo by Kateryna Babaieva from Pexels

Jason Rapp

Tuning Up: NFL features S.C. artist, new Orangeburg Co. FAC website

Good morning! 

"Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...
It's a cold damp morning, and more coffee is in order. Grab yourself a cuppa and check out these tidbits:
  • New Year, New You Website. The Hub got word yesterday that Orangeburg County Fine Arts Center just introduced a new-look OrangeburgArts.com for the new year. If you have ever been involved with such a project, you know that they deserve kudos for this undertaking (IYKYK, as the kids say). The home page uses eye-catching images to drive home their mission and uses other pages to highlight 14 area communities and artists who call the area home. Great work!
  • Game recognize game. The NFL playoffs began this past weekend (and abruptly ended for The Hub Sunday night). Maybe not the most important thing on most Hub readers' radars, but the NFL rolled out a new program, NFL Artist Replay, to bring recognition to BIPOC artists. One happened to be Ija Charles, whom the league asked to contribute to Artist Replay. #SCartists' Charles is known around the Midlands for mural work in Cayce, West Columbia and the Richland Library Main branch. Her work for the NFL is below, and you can read more and watch video from WLTX TV 19.
Ija Charles' work for NFL Artist Replay. Ija Charles' work for NFL Artist Replay. Image courtesy of WLTX.com.

Jason Rapp

Six emerging artists to receive inaugural SCAC grant

Up to $1,500 grant includes mentorship, more


Visual artists working in ceramics, sculpture, and photography and performing artists working in dance and music are inaugural recipients of the South Carolina Arts Commission’s new Emerging Artist Grant.

For the purpose of the grant, emerging artists were defined as being at an early stage in their artistic career development with no basis in age. The six South Carolina artists each receive an up to $1,500 Emerging Artist grant from the South Carolina Arts Commission (SCAC) in the current fiscal year (2021). They are:
  • Luke Hodges of Columbia (photography)
  • Chris Jenkins of Irmo (performing musician)
  • Kimberly Washburn Motte of Florence (visual artist, sculpture)
  • Kela Portee of Ravenel (film photography and multimedia artist)
  • Sonny Sisan of North Charleston (craft artist, ceramics)
  • Ashlea Sovetts of Myrtle Beach (performing dance and choreographer)

In addition to financial support, the artists will benefit from mentorship and professional support facilitated by the SCAC and Artist Services Director Ce Scott-Fitts. The combined benefits are intended to deepen artistic practice and foster artistic excellence; encourage career growth, advancement, and sustainability; and provide professional development and opportunities for collaboration. “It means a lot to be recognized as an artist in your state. Programs like this will not only propel our next generation of artists, but also provide the fuel for them to keep the legacy alive for years to come,” Jenkins said. “As a full-time professional and mother of two children, my own art making is often pushed to the back burner. To have the opportunity to build community with a group of talented artists and to meet regularly with a mentor allows me to prioritize my own artistic process,” Motte said. While the mentorship and networking components of the program begin next month and run through June 2021, several of the artists expect the benefits to last well beyond that. Sovetts is eager for the additional insight from the group to help her grow, and Hodges points to the validation the program provides. “This opportunity is so much more than a confidence booster—it's an affirmation that my creative work matters,” he said. Portee foresees the opportunity to be challenged, while Jenkins added that he hopes other South Carolina artists will see they no longer have to travel or leave altogether for the knowledge he hopes to gain. The application period for the next round of the Emerging Artist Grant is to begin in Fall 2021. The SCAC will announce it here on The Hub, on its social media at @scartscomm (Facebook, Instagram, and Twitter), and other channels.
About the South Carolina Arts Commission The mission of the South Carolina Arts Commission (SCAC) is to promote equitable access to the arts and support the cultivation of creativity in South Carolina. We envision a South Carolina where the arts are valued, and all people benefit from a variety of creative experiences. Created by the South Carolina General Assembly in 1967, the SCAC works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.