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Five artists to receive 2019 Folk Heritage Awards from state

Awards to be presented May 1 at S.C. Arts Awards

Four artists and one advocate selected

S.C. Arts Commission and McKissick Museum at UofSC manage program


COLUMBIA, S.C. – The General Assembly is to honor five recipients with the Jean Laney Harris Folk Heritage Award, presented annually to recognize work that keeps the state’s traditional art forms alive. Four artists and one advocate are to be recognized as practitioners and advocates of traditional arts significant to communities throughout the state. Their traditions embody folklife’s dynamic, multigenerational nature, and its fusion of artistic and utilitarian ideals. The 2019 recipients are:
  • John Andrew (Andy) Brooks (Liberty): Old-Time Music
  • Dorothy Brown Glover (Lincolnville): Quilting
  • Julian A. Prosser (Columbia): Bluegrass Music
  • Voices of Gullah Singers (St. Helena Island): Gullah Singing
  • Dale Rosengarten, Ph.D. (McClellanville): Advocacy, African-American Lowcountry Basketry & Southern Jewish Heritage
Print and web images of recipients available here. The Jean Laney Harris Folk Heritage Award is named for the late State Rep. Jean Laney Harris of Cheraw, respected as an outspoken advocate and ardent supporter of the arts and cultural resources of the state. Up to four artists or organizations and one advocate may receive awards each year. The program is managed jointly by the South Carolina Arts Commission and McKissick Museum at UofSC. Community members make nominations to recognize exemplary artistic achievement/advocacy. An independent advisory panel appointed by the Lieutenant Governor and Speaker of the House selects the recipients, who must be living and practicing in the state. “The work of proliferating our state’s unique cultural heritage is an important one in an age of constant change,” South Carolina Arts Commission Executive Director Ken May said. “The intrinsic value of these treasured art forms is the story each tells of where and who we’ve been, and are, as a culture. We should all be grateful for the work these award recipients do on our behalf.” The Jean Laney Harris Folk Heritage Award and Elizabeth O’Neill Verner Governor’s Awards are to be presented at the South Carolina Arts Awards sponsored by Colonial Life on Wednesday, May 1 in a morning ceremony at the UofSC Alumni Center (900 Senate St., Columbia). The S.C. Arts Foundation will honor the recipients afterward during a fundraising luncheon where South Carolina artists’ work will be on sale, all to support the programs of the S.C. Arts Commission. Luncheon tickets are $50 per person and available for purchase through SouthCarolinaArts.com or by calling 803.734.8696. McKissick Museum will host a mixer to celebrate this year’s Jean Laney Harris Folk Heritage Award recipients on Tuesday, April 30 from 6-8 p.m., at the Blue Moon Ballroom in West Columbia (554 Meeting St, West Columbia). Admission is free with a McKissick membership, or $5 for non-members. Please RSVP or purchase your ticket by going here. For more information, or to RSVP or purchase a ticket over the phone: 803.777.2876. Guests are encouraged to buy/reserve their tickets by Friday, April 26. Only a limited number of tickets will be available at the door on the evening of the event, and admission will be on a first-come, first served basis. For more information about the Folk Heritage Awards, visit the McKissick Museum website at http://artsandsciences.sc.edu/mckissickmuseum or the S.C. Arts Commission website, SouthCarolinaArts.com.

About the Folk Heritage Award Recipients

John Andrew (Andy) Brooks (Artist Category, Old-Time Music) first plucked the strings of a banjo when he was 4 years old. Since, he’s picked up guitar and fiddle and gone so far as to win the 2016 S.C. Fiddle Championship while placing second in banjo that year. His passion for traditional Southern music has resulted in a collection of hundreds of tunes he knows and plays by heart. An avid educator, Brooks has taught for the Young Appalachian Musicians After School Program and the Oconee Heritage Center, and this summer will teach Appalachian banjo at the John C. Campbell Folk School in North Carolina. Brooks plays for dances and hosts jams where musicians of different skill levels and repertoires share and learn from one another. In 2016, he co-founded the Old Keowee Contra Dance to benefit the Oconee Heritage Center’s music progra Brooks’ art form, old-time music, blends historic influences from Africa and the British Isles and features sacred and secular songs. Brooks, who calls Liberty, S.C. home, considers old-time music a community-based tradition, in which everyone contributes to the music, through dancing, playing or singing. Dorothy Brown Glover (Artist Category, Quilting) is well-known for her distinctive use of traditional quilt design elements and patterns from the late 19th and early 20th centuries. Born in 1925, Glover creates exquisite quilt tops incorporating improvisational design methods that were popular among quilters whose social and economic status did not allow for the purchase of store-bought fabric for use in quilt making. Glover gracefully transforms thoughts and visions onto fabric and encourages other quilters, regardless of skill level, to experiment with patterns, colors, and designs. She generously shares her knowledge with all who want to learn and makes herself available to younger artists who seek out her experience and guidance. Glover lives in Lincolnville, S.C. Julian A. Prosser (Artist Category, Bluegrass Music) loved the sound of music played by his grandfather and uncles, growing up on the family farm. When he was 11, Prosser earned the money to buy his first guitar and was soon also playing banjo and guitar. By 1938, Prosser and some friends put together The Carolina Hillbillies, but it never reformed after World War II claimed several of the band. Prosser later took up bluegrass again, and in 1978 he, his son, and some friends formed The Carolina Rebels bluegrass band, and they’ve been playing ever since. Prosser has mentored many younger local musicians, including three fellow Jean Laney Harris Award recipients. Prosser remains a passionate advocate for bluegrass music and is recognized as both a pioneer and master of his craft by many local bluegrass performers. Now 93, he continues to be a driving force to keep local bluegrass alive and well in the Palmetto State. Prosser lives in Columbia, S.C. Voices of Gullah Singers (Artist Category, Gullah Singing) is made up of Gracie “Minnie” Gadson, Rosa Mae Chisholm Murray, and Deacon Joseph Murray. Each singer has a long and distinguished performing career, with deep roots in the praise house tradition. As a trio over the past 5 years, Voices of Gullah have performed at many events including Penn Center’s annual Heritage Days, The Original Gullah Festival, and local praise house services. Recently, the Arts Center of Coastal Carolina presented the trio to seven schools in Beaufort and Jasper counties as part of their program, Reach: A Gullah Musical Journey. The singers truly enjoy singing for students and teaching the next generation their rich legacy of Gullah-Geechee spirituals. The Voices of Gullah Singers are based in St. Helena Island, S.C. Dale Rosengarten, Ph.D. (Advocacy Category, African-American Lowcountry Basketry & Southern Jewish Heritage) has been researching the sweetgrass basketry tradition for over 30 years. Her fieldwork with basket makers and archival research on the tradition’s evolution have culminated in landmark projects like McKissick Museum’s 1986 exhibit, Row upon Row, Sea Grass Baskets of the South Carolina Lowcountry and Grass Roots: African Origins of an American Tradition (2008), both of which toured nationally. Rosengarten coordinated a 1988 conference in Charleston which resulted in agreements between basketmakers and elected officials on land concerns and the importance of the tradition. She has authored numerous publications on Lowcountry baskets and their history. Her knowledge and connections to basketmakers have been essential to numerous cultural institutions, including the Smithsonian, the National Endowment for the Arts, and the National Underground Railroad History Museum. In 1995, Rosengarten was hired as a historian and curator at the College of Charleston Addlestone Library in recognition of her work on South Carolina and Southern Jewish traditional life. She has dedicated her professional and personal life to advocating for the ways traditional arts link us to a shared human experience greater than our singular activities, thereby enriching contemporary society. Rosengarten lives in Charleston, S.C.

About the Folklife and Traditional Arts Program

The Folklife and Traditional Arts Program is designed to encourage, promote, conserve and honor the diverse community-based art forms that make South Carolina distinct. The major initiatives of the program serve both established and emerging cultural groups that call South Carolina home.

About McKissick Museum

The University of South Carolina’s McKissick Museum tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30am – 5:00pm Monday through Friday, 11:00am – 3:00pm Saturdays. The Museum is closed Sundays and University holidays. For more information, please call at 803-777-7251 or visit http://www.sc.edu/study/colleges_schools/artsandsciences/mckissick_museum/.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing services, grants, and leadership initiatives in three areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Grants Roundup: Deadlines for the Week of March 18

Though far from the only thing, grants are certainly among the main things we do here. And because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of people who say, "If only we'd known about X grant!" We can't reach everybody, but we can try. On Mondays with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.


GrantsThis week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult your county or discipline coordinator with questions.

Next week

Next 30(ish)

Rolling Deadlines

Important Notes

  • You are encouraged to also consult the SCAC grants page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
  • For next steps, grant guidance, and more information, consult your county coordinator if you are an artist or represent local organizations, businesses, or educational institutions.

Extension announced for folklife project grants

Furthering South Carolina's living traditions

Application deadline now Friday, March 22
The S.C. Arts Commission's Folklife & Traditional Arts (FLK) Grants support non-profit organizations that seek to promote and preserve the traditional arts practiced across the state. Traditional arts are expressions of shared identity that are learned as a part of the cultural life of a particular group. This shared identity may be rooted in family, geographic, tribal, occupational, religious, ethnic or other connections. As expressions of a living culture, traditional arts have been handed down from one generation to the next and reflect the shared experience, aesthetics and values of a group. The purpose of the FLK Grant is to ensure that South Carolina’s living traditions remain vibrant and visible parts of community life. To this end, we fund projects that may include the following:
  • Presentation of Traditional Artists through workshops, concerts, festivals, exhibitions, radio programs, recordings, etc.
  • Documentation of Traditional Arts and/or Folklife of S.C. (Such a project must result in some form of public presentation.)
  • Cultural Survey – Fieldwork done to identify traditions and traditional artists
  • Production, Documentation and/or Distribution of a traditional artist’s work; for example, the production of publicity materials
  • Acquisition of difficult-to-obtain materials or equipment needed to create traditional art
  • Conservation – Projects, such as apprenticeships, that serve to keep a traditional art form vibrant and visible
Projects can receive funding up to and including $6,000. These grants go to non-profit organizations and government entities and must be matched 1:1. Priority for funding is given to projects that provide recognition and support for South Carolina’s traditional art forms and their practitioners. Read more about FLK Grants from the S.C. Arts Commission here.
The Folklife and Traditional Arts Program is a partnership with McKissick Museum at the University of South Carolina. 
The main image on The Hub's home page is 2018 Folk Heritage Award recipient J. Michael King of Greenville.

Grants Roundup: Deadlines for the Week of March 11

Though far from the only thing, grants are certainly among the main things we do here. And because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of people who say, "If only we'd known about X grant!" We can't reach everybody, but we can try. On Mondays with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.


GrantsThis week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult your county or discipline coordinator with questions.

Next week

  • n/a

Next 30(ish)

Rolling Deadlines

Important Notes

  • You are encouraged to also consult the SCAC grants page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
  • For next steps, grant guidance, and more information, consult your county coordinator if you are an artist or represent local organizations, businesses, or educational institutions.

Grants Roundup: Deadlines for the Week of March 4

Though far from the only thing, grants are certainly among the main things we do here. And because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of people who say, "If only we'd known about X grant!" We can't reach everybody, but we can try. On Mondays with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.


GrantsThis week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult your county or discipline coordinator with questions.
  • n/a

Next week

Next 30(ish)

  • n/a

Important Notes

  • You are encouraged to also consult the SCAC deadline page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
  • For next steps, grant guidance, and more information, consult:
    • your county coordinator if you represent local organizations, businesses, or educational institutions, or
    • your discipline coordinator if you're an individual artist or serve the statewide population.

Grants Roundup: Deadlines for the Week of Feb. 25

Though far from the only thing, grants are certainly among the main things we do here. And because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of people who say, "If only we'd known about X grant!" We can't reach everybody, but we can try. On Mondays with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.


GrantsThis week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult your county or discipline coordinator with questions.
  • n/a

Next week

  • n/a

Next 30(ish)

Important Notes

  • You are encouraged to also consult the SCAC deadline page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
  • For next steps, grant guidance, and more information, consult:
    • your county coordinator if you represent local organizations, businesses, or educational institutions, or
    • your discipline coordinator if you're an individual artist or serve the statewide population.

Grants Roundup: Deadlines for the Week of Feb. 18

Though far from the only thing, grants are certainly among the main things we do here. And because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of people who say, "If only we'd known about X grant!" We can't reach everybody, but we can try. On Mondays with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.


GrantsThis week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult your county or discipline coordinator with questions.
  • n/a

Next week

  • n/a

Next 30(ish)

Important Notes

  • You are encouraged to also consult the SCAC deadline page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
  • For next steps, grant guidance, and more information, consult:
    • your county coordinator if you represent local organizations, businesses, or educational institutions, or
    • your discipline coordinator if you're an individual artist or serve the statewide population.

Grants Roundup: Deadlines for the Week of Feb. 11

Though far from the only thing, grants are certainly among the main things we do here. And because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of people who say, "If only we'd known about X grant!" We can't reach everybody, but we can try. On Mondays with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.


GrantsThis week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult your county or discipline coordinator with questions.

Next week

  • n/a

Next 30(ish)

Important Notes

  • You are encouraged to also consult the SCAC deadline page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
  • For next steps, grant guidance, and more information, consult:
    • your county coordinator if you represent local organizations, businesses, or educational institutions, or
    • your discipline coordinator if you're an individual artist or serve the statewide population.

Alonzo Williams visits ‘Well Suited’ exhibit at McKissick Museum

McKissick Museum is excited to host costume designer Alonzo V. Wilson (right) for two open gallery talks today and tomorrow as part of its "WELL SUITED: The Costumes of Alonzo V. Wilson for HBO's® Treme" exhibit:

  • Monday, March 26th: 2-5 p.m.
  • Tuesday, March 27th: 4:30-6 p.m.
Don’t miss this opportunity to learn more about the making of Treme, its costumes and Mardi Gras Indian culture from the man behind the magic. The drop-in gallery talk is free, informal and open to the public. "WELL SUITED" features nine exquisitely crafted Mardi Gras Indian suits specially designed by Alonzo V. Wilson and his team for the award-winning TV show. Treme takes its name from one of the oldest neighborhoods in New Orleans that continues to be an important center of the city's African-American and Créole culture. The series begins four months after Hurricane Katrina as the residents of New Orleans, including musicians, chefs, and Mardi Gras Indians, try to rebuild their lives, their homes and their unique culture in the aftermath of the 2005 hurricane. Support for Alonzo V. Wilson’s visit to Columbia has been generously provided by HBO’s Corporate Social Responsibility Program. "WELL SUITED" was organized by the Cameron Art Museum, Wilmington, North Carolina, and originated at the Ogden Museum of Southern Art, New Orleans, Louisiana.

State to honor five with 2018 Folk Heritage Awards

FOR IMMEDIATE RELEASE 19 March 2018

  • Four artists and one advocate selected
  • Program managed jointly by McKissick Museum at USC and South Carolina Arts Commission
  • Awards to be presented May 2 at South Carolina Arts Awards Day
COLUMBIA, S.C. – Five South Carolina recipients are to be honored by the General Assembly with the Jean Laney Harris Folk Heritage Award, presented annually to recognize work that keeps the state’s traditional art forms alive. The following five recipients – four artists and one advocate – are being recognized as practitioners and advocates of traditional arts significant to communities throughout the state. Their traditions embody folklife’s dynamic, multigenerational nature, and its fusion of artistic and utilitarian ideals. The 2018 recipients are:
  • The Blackville Community Choir (Blackville): A Capella Spiritual and Gospel Singing
  • Michael King (Greenville): Piedmont blues
  • Henrietta Snype (Mount Pleasant): Sweetgrass basketry
  • Deacon James Garfield Smalls (St. Helena Island): Traditional spirituals
  • Dr. Stephen Criswell (Lancaster): Folklife & Traditional Arts Advocacy
“The work of proliferating our state’s unique cultural heritage is an important one in an age of constant change,” South Carolina Arts Commission Executive Director Ken May said. “The intrinsic value of these treasured art forms is the story each tells of where and who we’ve been, and are, as a culture. We should all be grateful for the work these award recipients do on our behalf.” [caption id="attachment_2612" align="alignright" width="150"]Jean Laney Harris Jean Laney Harris[/caption] The Jean Laney Harris Folk Heritage Award is named for the late State Rep. Jean Laney Harris of Cheraw, respected as an outspoken advocate and ardent supporter of the arts and cultural resources of the state. Up to four artists or organizations and one advocate may receive awards each year. The program is managed jointly by the South Carolina Arts Commission and McKissick Museum at USC. Community members make nominations to recognize exemplary artistic achievement/advocacy. An independent advisory panel appointed by the lieutenant governor and house speaker selects the recipients, who must be living and practicing in the state. The Jean Laney Harris Folk Heritage and Elizabeth O’Neill Verner Governor’s awards, sponsored by Colonial Life, are presented at South Carolina Arts Awards Day on Wednesday, May 2 in a morning ceremony at the State House. The S.C. Arts Foundation will honor the recipients afterward during a fundraising luncheon at the USC Alumni Center (900 Senate St., Columbia). South Carolina artists’ work will be on sale to support the programs of the S.C. Arts Commission. Luncheon tickets are $50 per person and available for purchase through SouthCarolinaArts.com or by calling 803.734.8696. For more information about the Folk Heritage Awards, visit the McKissick Museum website at http://artsandsciences.sc.edu/mckissickmuseum or the S.C. Arts Commission website, SouthCarolinaArts.com.
ABOUT THE FOLK HERITAGE AWARD RECIPIENTS
  • Blackville Community Choir (Artist Category) was formed in 1965 as the Macedonia Tabernacle Choir. In 1976, the choir changed its name to The Blackville Community Choir. The group expanded to include members from different congregations and continued to sing at churches, festivals, funerals, weddings, banquets, public schools, and college graduations. Choir members have been advocates for the arts, organizing an annual program featuring visual and performing artists, collectors, crafters, entrepreneurs, culinary artists, and storytellers.
  • J. Michael King (Artist Category) is a composer, writer, teacher, and accomplished Piedmont blues musician with an insatiable love of traditional South Carolina music. The Piedmont blues, a unique regional distillation of the blues, blossomed in Georgia, the Carolinas, and Virginia near the beginning of the 20th century. Influenced by ragtime music and early banjo techniques, Piedmont blues involves a light, finger-picking style and steady rhythms. A popular instructor, King teaches the Piedmont blues throughout the region. For over 30 years, he has mentored musicians of all ages in and around upstate South Carolina.
  • Even at 98, Deacon James Garfield Smalls (Artist Category) sings songs dating back to the mid-19th century and stands as one the most important active Gullah singers and cultural ambassadors. Smalls received musical training from B.H. Washington, a member of the St. Helena Quartet and music director at St. Joseph Baptist Church. Smalls sang in Washington’s renowned community choir The Hundred Voices, and later led the ensemble. He also served for many years as director of the senior choir at St. Joseph Baptist Church. Beyond his early musical career, Smalls served in the Pacific with the U.S. Navy’s Seabees during World War II. Over the past three decades, Deacon Smalls has led the singing at Penn Center Community Sings, various island churches, and music festivals.
  • Henrietta Snype (Artist Category) is a Mount Pleasant native and third generation sweetgrass basket maker. Snype’s work has been featured at venues in the Lowcountry and in museums throughout the U.S., including the Smithsonian Institution's National Museum of African Art. Schools, museum shops, business owners, and private art collectors have commissioned works from her. She conducts workshops for public and private schools throughout Charleston, Berkeley, and Dorchester counties and does countless demonstrations for all ages.
  • Dr. Stephen Criswell (Advocacy Category) has worked in folklore and anthropology for more than 20 years. His most prominent contribution is his advocacy work for Native American culture, focusing on Catawba potters and contemporary expressive traditions. In 2005, the University of South Carolina Lancaster hired Criswell and challenged him to build and direct its Native American Studies program. After 13 years, the Native American Studies Center (NASC) houses the largest fully intact collection of Catawba pottery in existence and an extensive archival collection. Its new facility has welcomed 30,000 visitors from all over the world since 2012, raising awareness of the history, culture and traditions of Native people of the South.

ABOUT THE FOLKLIFE AND TRADITIONAL ARTS PROGRAM The Folklife and Traditional Arts Program is designed to encourage, promote, conserve and honor the diverse community-based art forms that make South Carolina distinct. The major initiatives of the program serve both established and emerging cultural groups that call South Carolina home. ABOUT MCKISSICK MUSEUM The University of South Carolina’s McKissick Museum tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30 a.m. – 5 p.m. Monday through Friday, 11 a.m. – 3 p.m. Saturdays. The Museum is closed Sundays and university holidays. For more information, please call at 803.777.7251 or visit http://www.sc.edu/study/colleges_schools/artsandsciences/mckissick_museum/. ABOUT THE SOUTH CAROLINA ARTS COMMISSION The South Carolina Arts Commission is the state agency charged with creating a thriving arts environment that benefits all South Carolinians, regardless of their location or circumstances. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing services, grants, and leadership initiatives in three areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.