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Jason Rapp

It’s time to honor stewards of S.C.’s folklife and traditional arts

Nominations sought for Jean Laney Harris Folk Heritage Awards


FOR IMMEDIATE RELEASE

COLUMBIA, S.C. – The South Carolina Arts Commission and McKissick Museum at the University of South Carolina want to honor exceptional practitioners and advocates working in the Palmetto State’s folklife and traditional arts.

Eligible artists and advocates fitting those descriptions can now be nominated for the Jean Laney Harris Folk Heritage Award. Created by the South Carolina General Assembly in 1987 to recognize lifetime achievement in the traditional arts, the Folk Heritage Award is presented annually by the General Assembly to honor the work of stewarding and furthering the traditional arts significant to communities throughout the state. The South Carolina Arts Commission and UofSC’s McKissick Museum jointly manage the awards. Up to four artists and one advocate may receive awards each year. Nominations are accepted in two categories:
  • Artists: South Carolina artists who have dedicated their lives to the practice of art forms that have been passed down through their families and communities and who have demonstrated a commitment to keeping their tradition alive. Past awards have recognized art forms such as basket making, gospel singing, bluegrass and old-time fiddling, hammock making and boat building, among many others.
  • Advocates: South Carolina individuals and groups who have worked to further traditional culture in the state. Those who are not traditional artists, but who have provided service that helps to sustain and promote South Carolina traditions, are eligible for the advocacy award.
The deadline to submit nominations is Friday, Nov. 6, 2020 at 11:59 p.m. ET. Before submitting a nomination, you are strongly advised to contact Program Specialist for Community Arts & Folklife Dr. Laura Marcus Green to determine whether your nominee is eligible: lgreen@arts.sc.gov or 803.734.8764. For program guidelines and nomination instructions for the Jean Laney Harris Folk Heritage Award, visit SouthCarolinaArts.com. The Jean Laney Harris Folk Heritage Award, along with the Governor’s Awards for the Arts, will be presented at the 2021 South Carolina Arts Awards ceremony in the spring. This year, the COVID-19 pandemic resulted in the first virtual South Carolina Arts Awards ceremony, which occurred in July rather than May. A decision on how and when the 2021 South Carolina Arts Awards will be presented is to be announced at a later date.
About the South Carolina Arts Commission With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.
About McKissick Museum The University of South Carolina’s McKissick Museum tells the story of southern life: community, culture, and the environment. The Museum, located on the University of South Carolina’s historic Horseshoe, has more than 140,000 objects in its collection, including one of the most extensive natural science collections in the Southeast. For visitation information, online exhibits, and more, please visit sc.edu/mckissickmuseum.

Jason Rapp

Get started on those Folk Heritage Award nominations


Your new weekend assignment is posted.

Last week it was the Governor's Awards for the Arts. Starting today, you can also nominate exceptional folk and traditional arts practitioners and advocates... but for the 2021 Jean Laney Harris Folk Heritage Awards. Nominations are open until Friday, Nov. 6, 2020 at 11:59 p.m. Get all the details and begin your nomination(s) here. We can't wait to see which deserving individuals and organizations get one of these statues next spring at the South Carolina Arts Awards.

Jason Rapp

FY21 S.C. Arts Commission grants to fuel state’s creative sector

$4.1 million to support arts, cultural work in at least 41 counties

[caption id="attachment_45056" align="aligncenter" width="600"]Group picture with big, colorful cutout letters spelling "thank you." The Allendale Rural Arts Team, led by Maven Lottie Lewis, celebrated its Hometown Heroes June 19 with recognition of front line workers in the face of COVID 19; and the unveiling of a community mural by Hampton County artist Sophie Docalavich. Photo credit: Xavier Blake.[/caption]
For Immediate Release

COLUMBIA, S.C. – The South Carolina Arts Commission is announcing grants totaling $4.1 million awarded in at least 41 South Carolina counties to support arts and culture work in the new fiscal year.

The grants, approved by votes of the South Carolina Arts Commission (SCAC) board of directors on June 18, will be distributed during the July 1, 2020 to June 30, 2021 grant period to artists and organizations who applied for grants that support the agency’s work to further arts education, artist development, and community arts development across South Carolina. “This is a significant investment of public funds that will further the work of South Carolina’s creative sector. It will support quality arts education programming for South Carolina students. It will support many of the 115,000 jobs in and supported by our $9.7 billion arts and creative sector. It will also help make arts programming that is more representative and more accessible to all South Carolinians and our visitors,” SCAC Executive Director David Platts said. “The South Carolina Arts Commission is proud and excited to help provide those benefits for the people of South Carolina.”
Individual Artist Fellowship grants, announced earlier this month, and Artist Ventures Initiative grants further the agency’s artist development work by enabling creatives in South Carolina to focus on the creation of art. In the case of the Artist Ventures Initiative, those grants help an artist turn the art into sustainable income as they give artist entrepreneurs seed money to create an arts-based business or strengthen an existing one with needed materials or training. Four grants of each type, totaling just less than $37,000, were awarded. Arts education grants are heading to 76 schools and seven districts across the state, strengthening arts in school curriculum with a combined investment of $896,000. Education Pilot Project grants use $295,000 to help South Carolina organizations provide musical learning, summertime STEAM (science, technology, engineering, arts, and mathematics) camps, and professional development. Grants totaling $85,400 supporting the SCAC’s community arts development work are going to the 15 counties where The Art of Community: Rural SC is addressing local issues with arts and culture. These grants also keep unique South Carolina arts and cultural traditions alive by funding eight Folklife & Traditional Arts Apprenticeships for artists and folklife work done by four organizations. Also funded is the SCAC’s folklife partnership with the University of South Carolina’s McKissick Museum. Additional grants to be awarded throughout the year offer potential for impact in all counties. Among them are Arts Project Support grants, which offer funding for projects by artists and arts organizations. Both grants have rolling deadlines, and project support grants are designed to be accessible, streamlining the application process to remove barriers often faced by small organizations and individual artists.

Amounts awarded to programs in primary grant categories

Arts in Education: $1,463,832 Grants help fund curriculum planning and implementation, artist residencies, performances, professional development for teachers and summer and afterschool arts programs.
  • Arts in Basic Curriculum (ABC) Advancement: $770,000  Awarded to 83 schools and school districts that are participating in the Arts in Basic Curriculum Project, which works to ensure every child in South Carolina has access to a quality, comprehensive education in the arts. The ABC Project is cooperatively directed by the SCAC, the S.C. Department of Education, and the College of Visual and Performing Arts at Winthrop University.
  • Education Pilot Projects: $295,000 Grants initiated by the agency for partners who carry out education initiatives.
  • Arts in Basic (ABC) Curriculum: $272,832 One grant to support management of the ABC Project partnership.
Operating Support: $2,040,978 Grants help strengthen arts organizations that bring ongoing arts experiences and services to individuals, other organizations and communities throughout the state.
  • General Operating Support: $1,908,066 One hundred twenty-nine grants for arts organizations.
  • Operating Support for Small Organizations: $111,972 Forty-six grants for arts organizations with annual expense budgets of less than $75,000.
  • Statewide Organizations: $20,940 Six grants for arts organizations operating statewide.
The Art of Community: Rural SC: $85,400 Using arts and culture to address issues in rural communities with the help of local partners. Folklife and Traditional Arts: $104,033 Grants support programs that promote a greater understanding and visibility of South Carolina’s many cultures through documentation and presentation of traditional art forms, their practitioners and their communities.
  • Organization grants: $23,000 Four grants to support nonprofit organizations that seek to promote and preserve the traditional arts practiced across the state.
  • Apprenticeships: $10,000 Eight grants that support a partnership between a master artist, who will share artistic and cultural knowledge, and a qualified apprentice, who will then continue to pursue the art form.
  • Partnerships: $71,033 One grant to support management of the Folklife and Traditional Arts Partnership.
Subgranting: $69,000 Seven awards to local arts councils that distribute quarterly grants to organizations and artists in their regions. This program is funded in part by an award from the John and Susan Bennett Memorial Arts Fund of The Coastal Community Foundation of South Carolina. Artists Ventures Initiative: $16,700 Four grants to individual artists for projects designed to help them develop the knowledge and skills to build satisfying, sustainable careers.  Individual Artist Fellowships: $20,000 Four grants to individual artists to recognize and reward their artistic achievements. These were announced in July 2020 after approval by the SCAC Board of Directors.
About the South Carolina Arts Commission With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Submitted material

Kristi Ryba named S.C.’s South Arts State Fellow

South Arts awarding more than $160,000 to 18 artists


South Arts, the nonprofit regional arts service organization advancing Southern vitality through the arts, announces the recipients of two fellowship programs.

Southern PrizeNine visual artists (one per state from its nine-state service area) will each receive a $5,000 State Fellowship; additionally, they are now in competition for the $25,000 Southern Prize with a residency at The Hambidge Center for Creative Arts and Sciences as well as the $10,000 Southern Prize Finalist awards.

The other 2020 State Fellowship recipients are:

  • Carlton Nell. Drawing. Opelika, Alabama.
  • Alba Triana. Experimental. Miami, Florida.
  • Fahamu Pecou. Painting. Decatur, Georgia.
  • Letitia Quesenberry. Multidisciplinary. Louisville, Kentucky.
  • Karen Ocker. Painting. New Orleans, Louisiana.
  • Ashleigh Coleman. Photography. Jackson, Mississippi.
  • Sherrill Roland. Multidisciplinary. Morrisville, North Carolina.
  • Bill Steber. Photography. Murfreesboro, Tennessee.

Additionally, another nine traditional artists and culture-bearers from Central Appalachian counties in KY, NC, and TN will each receive $9,000 Folk & Traditional Arts Master Artist Fellowships to continue their lifelong learning and practice. The 2020 Folk & Traditional Arts Master Artist Fellowship recipients are:

  • Roger Cooper. Old-time music. Garrison, Kentucky.
  • Charlene Long. Willow & honeysuckle basket making. Upton, Kentucky.
  • Octavia Sexton. Storytelling. Orlando, Kentucky.
  • Janet Calhoun. Pottery. Lenoir, North Carolina.
  • Susan Leveille. Handweaving. Webster, North Carolina.
  • Bobby McMillon. Ballad singing. Burnsville, North Carolina.
  • Meredith Goins. Violin luthiery. Dunlap, Tennessee.
  • Jordan Hughett. Ballad singing. Winfield, Tennessee.
  • Mark Newberry. Chair-making. Red Boiling Springs, Tennessee.

“South Arts is immensely proud to support every one of these artists, craftspeople, and tradition-bearers,” says Susie Surkamer, executive director of South Arts and a former executive director of the South Carolina Arts Commission. “Especially as our country enters the economic disruption caused by COVID-19, artists are among those most vulnerable to losing income. Yet their creativity, work, and stories are what carry us forward and will be integral to rebuilding our communities.”


Applications were open for both fellowship programs in the fall of 2019. The State Fellowships application pool was reviewed by a panel of experts including Ndubuisi C. Ezeluomba of the New Orleans Museum of Art, Edward Hayes, Jr. of The McNay Art Museum, independent art historian and consultant David Houston, and Marilyn Zapf of the Center for Craft. The panel made their recommendations based on the artistic excellence of their work and inclusiveness of the diversity of the Southern region. The Folk & Traditional Art Master Artist Fellowship applications were reviewed by a panel including Native American potter and storyteller Beckee Garris, Zoe van Buren of the North Carolina Arts Council, Mark Brown of the Kentucky Arts Council, and Evangeline Mee of the Tennessee Arts Commission. The panel made their recommendations based on the artists’ history and mastery of their respective tradition as well as the proposed lifelong learning opportunity.

The nine State Fellowship recipients will be featured in an exhibition that is scheduled to open at the Bo Bartlett Center at Columbus State University in Columbus, Georgia in May 2020; due to the current closures of facilities, this date may be postponed. The announcement of which State Fellowship recipients will also be named as the Southern Prize winner and finalist will be announced at a ceremony surrounding the opening of this exhibition.

“I would like to thank each and every one of our donors and sponsors,” continues Surkamer. “Their support and investment in the arts, culture, and tradition of our region is vital even in the best of times, and their ongoing generosity is more important than ever before.”

To view the work by each of these fellowship recipients and read more about the artists and tradition-bearers, visit www.southarts.org.


About Kristi Ryba

[caption id="attachment_44630" align="aligncenter" width="600"]Kristi Ryba's Chapel Of Perpetual Adoration II Chapel Of Perpetual Adoration II ; 2018 ; Egg Tempera & 22k Gold leaf on panel ; 3 panels each 18.75 x 15.25[/caption]

Kristi Ryba enchants viewers with her narrative works as she combines the elaborate skill of handmade egg tempera painting with subjects that explore contemporary events and messages of morality. Museum visitors will experience the different stages of a painting; how the artist lays out the composition, prepares the painting supports, grinds the pigment, and applies gold leaf to envelop the final piece in regalia.

Kristi Ryba holds an MFA from Vermont College, Montpelier, Vermont and most recently won 2nd place in the esteemed annual visual art competition ArtFields (2018). The artist is represented by Corrigan Gallery in Charleston and is in numerous private collections including the Medical University of South Carolina.

Artist Statement

Over the last several years, my interest in the study of Medieval and Renaissance art has informed my work. This series of paintings is taken from images from centuries ago and serve as a vehicle to simplify an urgent message by providing the symbolic and instructional imagery to illustrate and illuminate the leadership crisis we are in. All the gold, elaborate surroundings and messages of morality and ethics corresponded with what is happening in our government; the gutting of our social safety net and health care, eliminating environmental protections, the lack of restraint in spending money on personal enrichment and pleasure and the build-up of military spending and deficit in international diplomacy to name a few.

For more on the other 2020 State Fellows and the 2020 Folk & Traditional Arts Master Artist Fellowship recipients, please visit those links to content on SouthArts.org.

About South Arts

South Arts

South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org.

Jason Rapp

Grants Roundup: Deadlines for the Week of March 16

Though far from the only thing, grants are among the main things we do here. Because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of times people say, "If only we'd known about (X or Y) grant!"

We can't reach everybody, but we can try. On Mondays* with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.

*The Roundup might run on Tuesdays when state holidays occur on a Monday.


This week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult an appropriate member of our team with questions.

Next week

  • n/a

Next 30(ish)

Rolling Deadlines

Important Notes


[caption id="attachment_43154" align="aligncenter" width="600"]Canvass of the People 2020 promo graphic Click image to participate in short survey![/caption]

Jason Rapp

SCAC, McKissick Museum announce 2020 Folk Heritage Award recipients

Four artists & one advocate receive awards May 6


  For Immediate Release COLUMBIA, S.C. – The General Assembly is to honor five recipients with the Jean Laney Harris Folk Heritage Award, presented annually to recognize work that keeps the state’s traditional art forms alive. Four artists and one advocate are to be recognized as practitioners and advocates of traditional arts significant to communities throughout the state. Their traditions embody folklife’s dynamic, multi-generational nature and its fusion of artistic and utilitarian ideals. The 2020 recipients are:
  • Kristin Scott Benson (Boiling Springs): Bluegrass Banjo
  • David Galloway (Seneca): Spiritual Gospel Singing
  • Voices of El Shaddai (Hilton Head Island/Bluffton area): Lowcountry Gospel Music
  • Judy Twitty (Gilbert): Quilting
  • Vennie Deas Moore (Georgetown): Folklore and Cultural Preservation
The Jean Laney Harris Folk Heritage Award is named for the late State Rep. Jean Laney Harris of Cheraw, respected as an outspoken advocate and ardent supporter of the arts and cultural resources of the state. Up to four artists or organizations and one advocate may receive awards each year. The program is managed jointly by the South Carolina Arts Commission and the University of South Carolina McKissick Museum. Community members make nominations to recognize exemplary artistic achievement/advocacy. An independent advisory panel appointed by the speaker of the House and president of the Senate select the recipients, who must be living and practicing in the state. “In the face of nonstop change, these recipients are to be commended for keeping South Carolina’s traditional art forms alive and thriving,” South Carolina Arts Commission Executive Director David Platts said. “The value of these art forms is that they tell who we are as South Carolinians. They do exceptional work on our behalf, and we all are grateful for what these award recipients do.” The Jean Laney Harris Folk Heritage Award will be presented along with the Elizabeth O’Neill Verner Governor’s Awards for the Arts at the South Carolina Arts Awards on Wednesday, May 6 at the Pastides Alumni Center at UofSC (900 Senate St., Columbia). A ticketed celebratory luncheon will begin the festivities at 11:30 a.m. before the free, public ceremony at 1 p.m. Luncheon tickets are $50 per person and available for purchase through SouthCarolinaArts.com or by calling 803.734.8696. The UofSC McKissick Museum will host a mixer to celebrate this year’s Jean Laney Harris Folk Heritage Award recipients on Tuesday, May 5, 2020, from 6-8 p.m., at the Blue Moon Ballroom in West Columbia (554 Meeting St.). Admission is free with a McKissick membership, or $5 for non-members. Please RSVP or purchase your ticket via Eventbrite here or by phone at 803.777.2876. Guests are encouraged to buy/reserve their tickets by Friday, May 1. Only a limited number of tickets will be available at the door on the evening of the event, and admission will be on a first-come, first-served basis.For more information about the Folk Heritage Awards, visit the S.C. Arts Commission website, SouthCarolinaArts.com.
ABOUT THE FOLK HERITAGE AWARDS RECIPIENTS Kristin Scott Benson (Artist Category, Bluegrass Banjo) was first nourished in her music tradition by her musician father and her grandfather, Orval Hogan, who played mandolin with the WBT Briarhoppers. Growing up in South Carolina’s Upstate region, where bluegrass was part of the local culture, she started on the mandolin at five years old, and by age ten was drawn to the banjo. Her mentor, Al Osteen, a revered banjo picker and teacher, taught Benson to not only play, but how to “think and listen.” She passes this solid foundation, along with her extensive experience, on to her own students. Benson first appeared on the Grand Ole Opry at age 19 and has since played there over 100 times. She has been recognized as the International Bluegrass Music Association's (IBMA) Banjo Player of the Year four times, and in 2018 received the Steve Martin Prize for Excellence in Banjo and Bluegrass. She has played with the Grammy-nominated bluegrass band, The Grascals, since 2008. David Galloway (Artist Category, Spiritual Gospel Singing) has spent his life in the Pendleton and Sandy Springs communities. His musical influence rests largely with his mother, who was a pastor, and her siblings, who used to sing “shape notes.” Galloway’s elders also instilled a passion for the negro spiritual. As teenagers, he and his brothers sang gospel at revivals and church services throughout the Upstate. Galloway served as Superintendent of the Sunday School at the King’s Chapel AME Church in Pendleton, where he was also an inspiration for the Junior Choir, the Young Adult Choir, the Senior Choir, the Gospel Choir, and the Male Chorus. Galloway and the KCs—a group upholding the roots of traditional spirituals, shape-note music and contemporary gospel—have sung at local churches, revivals, AME Conventions, and hosted gospel programs. Galloway remains a member of the Kings Chapel AME church choirs and as a soloist, participates in special programs, revivals, and anniversaries. For over 27 years, Voices of El Shaddai (Artist Organization Category, Lowcountry Gospel Music) choir have come together to sing. Most Voices members are native South Carolina Sea Islanders from a variety of local church choirs. Transcending geographic and musical boundaries, their music stems from oral traditions within the Lowcountry African-American religious experience. Repetition, a call-and-response pattern, and strong vocals are musical elements historically based in 19th-century African American spirituals, with melodic connections to West Africa. The Voices’ unique repertoire includes both traditional spirituals and contemporary gospel. The group’s knowledge of indigenous Gullah-Geechee musical traditions is passed down through generations of family and community members. Committed to raising the visibility of and appreciation for Lowcountry Gospel and Gullah music and culture, the Voices perform regularly at programs presented by such organizations as the Arts Center of Coastal Carolina, the Gullah Museum, and the Coastal Discovery Museum, as well as at community celebrations and various churches and congregations. Judy Twitty (Artist Category, Quilting) has spent a lifetime immersed in the art of patchwork quilting. As a girl in New Brunswick, Canada, she spent time with her grandmother, enjoying the camaraderie of quilting circles. After marrying and moving to South Carolina, Twitty took a patchwork quilting class in 1972 at the Columbia YWCA, where she soon began teaching. Over the years, Twitty has made quilts for friends, family, and as donations to community members. She has taught classes and workshops throughout the state, written articles for diverse publications, and helped found the statewide guild, Quilters of South Carolina (QSC). Twitty’s love of innovation has inspired her and others to explore the limits of their imagination, from a revival of the 19th-century Victorian crazy quilt technique, to creating embroidered, eco-dyed fabric books. Twitty’s quilting has garnered awards at local quilt shows, the South Carolina State Fair, the QSC Quilters’ Expo, and the prestigious American Quilters Society annual show. Vennie Deas Moore (Advocacy Category, Folklore & Cultural Preservation) is a folklorist and cultural preservationist. Born and raised in South Carolina’s Lowcountry, she has witnessed firsthand the community’s ever-changing cultural landscape. Her thirty-year career is informed and inspired by her ancestors, particularly her mother, Eugenia Deas, a 2005 Jean Laney Harris Folk Heritage Award recipient. Deas Moore’s extensive freelance career encompasses oral history, folklore research, documentary photography, and medical history. Through her research, writing, documentary photography, and public lectures, she has created a body of impactful and powerful stories as a vehicle for education and cultural preservation. Her work focuses on Lowcountry people, places, work, traditions, and foodways, with an enduring specialty in the heritage of coastal fisherman. Her research has led to collaborations with diverse state and national historical sites and institutions, including the University of South Carolina’s McKissick Museum, the South Carolina State Museum, Historic Columbia, and Richland County Library, among many others. Deas Moore is currently a cultural historian and curator at the Rice Museum in Georgetown.
ABOUT THE FOLKLIFE AND TRADITIONAL ARTS PROGRAM The Folklife and Traditional Arts Program is designed to encourage, promote, conserve and honor the diverse community-based art forms that make South Carolina distinct. The major initiatives of the program serve both established and emerging cultural groups that call South Carolina home.
ABOUT MCKISSICK MUSEUM The University of South Carolina’s McKissick Museum tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30 a.m. to 5 p.m. Monday through Friday, 11 a.m. to 3 p.m. Saturdays. The Museum is closed Sundays and University holidays. For more information, please call at 803.777.7251 or visit sc.edu/mckissickmuseum.
ABOUT THE SOUTH CAROLINA ARTS COMMISSION With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Jason Rapp

Grants Roundup: Deadlines for the Week of March 9

Though far from the only thing, grants are among the main things we do here. Because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of times people say, "If only we'd known about (X or Y) grant!"

We can't reach everybody, but we can try. On Mondays* with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.

*The Roundup might run on Tuesdays when state holidays occur on a Monday.


This week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult an appropriate member of our team with questions.

  • n/a

Next week

Next 30(ish)

Rolling Deadlines

Important Notes


[caption id="attachment_43154" align="aligncenter" width="600"]Canvass of the People 2020 promo graphic Click image to participate in short survey![/caption]

Jason Rapp

Grants Roundup: Deadlines for the Week of March 2

Though far from the only thing, grants are among the main things we do here. Because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of times people say, "If only we'd known about (X or Y) grant!"

We can't reach everybody, but we can try. On Mondays* with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.

*The Roundup might run on Tuesdays when state holidays occur on a Monday.


This week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult an appropriate member of our team with questions.

  • n/a

Next week

  • n/a

Next 30(ish)

Rolling Deadlines

Important Notes


[caption id="attachment_43154" align="aligncenter" width="600"]Canvass of the People 2020 promo graphic Click image to participate in short survey![/caption]

Jason Rapp

Grants Roundup: Deadlines for the Week of Feb. 24

Though far from the only thing, grants are among the main things we do here. Because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of times people say, "If only we'd known about (X or Y) grant!"

We can't reach everybody, but we can try. On Mondays* with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.

*The Roundup might run on Tuesdays when state holidays occur on a Monday.


This week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult an appropriate member of our team with questions.

  • n/a

Next week

  • n/a

Next 30(ish)

Rolling Deadlines

Important Notes

Grants Roundup: Deadlines for the Week of Feb. 17

Though far from the only thing, grants are among the main things we do here. Because of their importance in our work, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of times people say, "If only we'd known about (X or Y) grant!"

We can't reach everybody, but we can try. On Mondays* with deadlines on the horizon, "Grants Roundup" highlights first what grants are due that week and then includes what's coming later in increments.

*The Roundup might run on Tuesdays when state holidays occur on a Monday.


This week

These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult an appropriate member of our team with questions.

Next week

  • n/a

Next 30(ish)

Rolling Deadlines

Important Notes