Tuning Up: Creative Placemaking, Gullah Geechee in Philadelphia, more
"Tuning Up" is a morning post series where The Hub delivers quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...
- You'll be hearing more from us about this, but we have to start somewhere. South Arts is presenting the "Beyond Big Cities" Southern Creative Placemaking Conference in Chattanooga, Tenn. next month. This is the place to be for civic/arts leaders interesting in leveraging the creative assets in rural communities and small towns to attract and retain residents, creatives and businesses, and bring visitors to experience the unique nature of your place.
- The Gullah Geechee remain in the spotlight, this time as Aunt Pearlie Sue and the Gullah Kinfolk take the story of Gullah Geechees to the City of Brotherly Love for a free performance at Villanova University. The performance will recognize the important link between Philadelphia and the Sea Islands of S.C. during slavery and Reconstruction. Group leader Anita Singleton-Prather is a Jean Laney Harris Folk Heritage Award winner and an acclaimed musician, storyteller, and actress.
- Verner Award recipients Jonathan Green (2010) and William Starrett (2002) rekindle a collaboration that took Green's paintings (right) Off the Wall and Onto the Stage with Columbia City Ballet when they reprise the critically acclaimed ballet at Township Auditorium in Columbia this Friday and in Charleston Saturday, March 3.
- And finally, a hearty congratulations to Arts Commission Chairman Henry Horowitz for receiving the Buck Mikel Leadership Award from the Greenville Chamber of Commerce.
South Carolina Ballet production to celebrate human spirit in response to Emanuel AME shootings
From the Charleston Post and Courier
Article by Adam Parker
When William Starrett, artistic director of the Columbia City Ballet, received in 2002 an Elizabeth O’Neill Verner Award, artist Jonathan Green delivered the remarks at the ceremony. Green was impressed enough by Starrett’s accomplishments to offer the ballet director a painting to auction as a fundraiser.
Starrett was speechless and grateful. Once he gathered himself, he said he wanted to make a ballet based on Green’s art.
Three years and $1.2 million later, the ballet company presented "Off the Wall and Onto the Stage: Dancing the Art of Jonathan Green." At the end of each vignette, dancers formed a tableau mimicking one of Green’s paintings, then a huge screen dropped to the stage revealing an enlarged reproduction of the original piece of art.
Arguably, the show is to Columbia City Ballet what “Revelations” is to the Alvin Ailey American Dance Theater: a beloved cornerstone of its repertoire that helps define the company.
Now the dance troupe is working again with Green and several others to produce a new work that honors the victims of the Emanuel AME Church shooting, their families and the broader community, whose members continue to grapple with the significance and aftermath of a terrible crime.
“Emanuel: Love is the Answer” will be presented at 7:30 p.m. April 1 at the Sottile Theatre, 44 George St., with support from the Patrick Family Foundation and the South Carolina Arts Commission.
The ballet will include a series of danced vignettes involving 22 of the company’s 32 dancers, Starrett said.
“This is my effort to make sense of all this, and to heal from it,” he said.
The multimedia production is by the South Carolina Ballet, an enterprise of Columbia City Ballet. It will include projected videos and images: Green’s colorful Gullah-inspired paintings, Jenny Horne’s now-famous General Assembly speech calling for the removal of the Confederate battle flag from the Statehouse grounds, comments from great spiritual and political leaders such as Martin Luther King Jr. and Mother Theresa, and more.
The 90-minute ballet will be organized into three parts, beginning with an exploration of “how we are here and why,” continuing with a survey of the social progress we’ve made in South Carolina and concluding with a rumination on love, fraternity, forgiveness and acceptance, Starrett said.
“Dance is a great art form to help unify and bring us together,” he said.
Starrett grew up in California, danced professionally with the Royal Winnepeg Ballet, Geoffrey Ballet and American Ballet Theater, then settled in South Carolina 30 years ago to run the Columbia-based ballet company.
He said “Emanuel: Love is the Answer” surely has a spiritual dimension, thanks in part to its use of paintings.
“All art, especially visual art, is a form of prayer,” he said.
Charles “Bud” Ferillo, coordinator of the South Carolina Collaborative for Race and Reconciliation, a project of the University of South Carolina, said his organization endorses the ballet project. Ferillo is helping to promote it.
“This ballet is poetry in motion and will be the basis for further healing,” the Charleston native said. "Every citizen, of every race, will benefit from this performance.”
Horne said she was driven to deliver her heartfelt speech, credited with pushing reluctant lawmakers to agree to the flag’s removal, because the banner was an offense to her friends. “It was personal.”
She had known the Rev. Clementa Pinckney first as a young page at the Statehouse and later as a senator, and his death at the hands of a white supremacist on June 17, 2015, was devastating. When she witnessed many thousands of people enduring the summer heat and hoping to gain access to Pinckney’s funeral, she was especially moved, she said.
“The image of young and old, black and white, American and people here to tour the city from other countries” — this array of grieving people gave her hope. So in a last-minute, Hail-Mary attempt to convince her colleagues to take down the flag, she delivered her fiery, from-the-heart speech.
Though she is no longer serving in the Legislature, her speech continues to reverberate. And now it is part of a work of art.
“I’m so grateful to be part of this beautiful tribute to the families, the victims, this church and this city and all of South Carolina,” Horne said.
Tickets for the ballet are $25-$45 and available at http://columbiacityballet.com/production/emanuel9/. The company will perform "Emanuel" at the Camden Fine Arts Center on April 4 and at Columbia's Koger Arts Center on April 7 and 8.