Grants Roundup: Deadlines for the Week of March 27
SCAC Deadlines and Coaching Opportunities
Though not the only way, grants are among the main ways the SCAC accomplishes its work.
Because of their importance to that, and what they mean to so many of you, The Hub wants to help keep Arts Commission grants top-of-mind and reduce the number of times we hear people say, "If only we'd known about (X or Y) grant!"
We can't reach everybody, but we can try. On Mondays*, "Grants Roundup" highlights:
- what grants are due that week, then what's due later (in increments) before
- providing a rundown on open grant opportunities and then
- upcoming grants coaching sessions.
*The Roundup might run on Tuesdays when state holidays occur on a Monday.
SCAC Grant Deadlines
The state of South Carolina and South Carolina Arts Commission fiscal year runs July 1-June 30 each year. We are currently in FY23.
THIS WEEK
These are to serve mainly as final reminders to finish in-progress applications. Most grant applications simply cannot be undertaken well in this short a time frame. Consult an appropriate member of our team with questions.
- Term Arts Education Projects (application deadline March 28, 2023)
NEXT WEEK
- n/a
NEXT 30(ish) DAYS
- Emerging Artist grants (application deadline April 12, 2023)
OPEN ROLLING/MONTHLY DEADLINE GRANT APPLICATIONS
These grants offer convenient deadlines, but you are advised to apply at least six weeks before your project for some. Always consult the guidelines for specific instructions.
- The deadline to apply for FY23 funding was Monday, March 6, 2023. Applications expect to reopen around July 1.
MORE OPEN GRANT APPLICATIONS
- n/a
Important Notes
- Consult the SCAC grants page for up-to-date information on all grant deadlines (subject to change) and deadlines for non-grant programs.
- Always read the grant guidelines in full.
- For next steps, grant guidance, and more information, consult the appropriate member of our team if you are an artist or represent local organizations, an educational institution, or a non-arts business or organization offering arts programming.
Grants Coaching
Learn the ins and outs of the South Carolina Arts Commission grant application process and how to manage one of our grants from the professionals on the Grants Team and program directors! Monthly topical sessions are held the first Thursday of every month. Up next is...
- Next call TBA
The free topical discussion is held via Zoom. Registration is required. Need to get some assistance with something else? Try a one-on-one call. The Grants Team is available to answer your questions about the grants process with 15- or 30-minute sessions, Tuesdays from 10:30 a.m. to 12:30 p.m. and Wednesdays from 2-4:30 p.m. Advance registration required. Visit the Grants Coaching page for further information and registration links.
OPEN COACHING CALLS FOR ARTIST GRANTS
Deputy Director Ce Scott-Fitts and the SCAC Grants Team are using Zoom to host open coaching calls on artist development grants to better enable artists to make competitive applications for our competitive grants. The sessions are free, but you must register in advance.
- Next call TBA
APPLICANT COACHING CALLS
SCAC program directors are hosts of periodic informational sessions using Zoom about currently-available grant opportunities. Each session reviews a grant's guidelines and application and includes a Q&A session. Sessions are free, but you must register in advance by visiting the link below to a grant's guidelines page.
- Next call TBA
SCAC grants experts are here to help!
Meet the experts serving you on the SCAC Grants Team. Need assistance? Send an email to grants@arts.sc.gov!
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Catherine Wooten. Provided photo.[/caption]
Catherine Wooten, a junior who attends Westgate Christian School in Spartanburg, returned to the state finals and earned first prize over five other finalists in the first in-person competition since 2019.
As state winner, Wooten will receive a $200 prize and get to represent South Carolina in the national finals competition among a total of 55 state and jurisdictional finalists for the chance to win the $20,000 first prize. The 2023 national finals will also be held from May 8-10 in Washington and 
FOR IMMEDIATE RELEASE
Provided photo.[/caption]
Emily Meggett | Edisto Island | Artist, Gullah Geechee Chef
Gullah Geechee chef Emily H. Meggett, known by many as “M.P.,” was born in 1932 on Edisto Island, a place she calls “heaven on earth.” Meggett grew up on her grandparents’ farm, where they grew a wide variety of vegetables and kept livestock for butchering. Meggett learned traditional Gullah Geechee dishes standing next to her grandmother using ingredients grown on the farm. She honed her skills in the kitchen of wealthy white family’s Edisto Island house. Miss Julia, the Gullah head chef, had a mantra of “You do it right or you do it over.” Anything that wasn’t up to Ms. Julia’s standards went straight to the trash. Meggett married Edisto native Jessie Meggett and they built a four-room home on one acre of land for their 11 children. From there, she cooked for everyone in her family and, as she recalls, likely more than a hundred area children. Meggett’s family and friends long encouraged her to share her recipes in a cookbook, a novel concept to someone who never used one herself. She eventually relented, and a friend visited her daily to work on one recipe at a time. In April of 2022, Gullah Geechee Home Cooking was published and quickly became a New York Times bestseller. Among Meggett’s accolades is the President’s Lifetime Achievement Award from President Joe Biden. To this day, she wakes around two in the morning with inspiration of what to cook that day for all comers. When the door to her kitchen is open, you know you’ll be fed—no money needed, and no questions asked.
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Credit: Amanda Malloy/McKIssick Museum[/caption]
Hampton Rembert | Bishopville | Artist, Gospel Singing
Raised on a sharecropper farm in Bishopville, 85-year-old Hampton Rembert has been singing gospel from a very young age. He learned with his family who would sing on Sundays and during family reunions. When he and 10 living siblings were younger, they formed a gospel choir of up to 21 members at one point that would sing at a different church every Sunday evening in Lee and Sumter counties. Rembert worked hard at his professions throughout his life. From working at his church to driving trucks through 28 states, and the lawn services he performs today, he always sang. Singing is one of his greatest joys and an experience that connects him to his family and his faith. His talent was threatened in 1998 with a prostate cancer diagnosis. Rembert had surgery in February, but one month after leaving the hospital, he was diagnosed with oral cancer and went back immediately for mouth and throat surgery. He knew that there was a possibility that he would never talk or sing again, a fear confirmed by his doctors. But Rembert credits the power of prayer from his friends and family for allowing him to testify at his church three months after surgery, and while that might be true, his attitude and tenacity played no small part. It has been 25 years since that diagnosis, and he still sings twice a month at his church and as often as he can with his siblings.
FOR IMMEDIATE RELEASE
Nigel Redden (Special Award) retired as the general director of Spoleto Festival USA in 2021 having rejoined the festival in October 1995 after having previously served as its general manager from 1986 to 1991. Redden was director of the Lincoln Center Festival from 1998 to 2017. He has also served as executive director of the Santa Fe Opera (1991-1995), artistic consultant to Philadelphia’s American Music Theater Festival (1992-1994), and consultant to the chairperson of the New York International Festival of the Arts (1991-1992). He was director of the National Endowment for the Arts’ dance program from 1981 to 1986 and has served on numerous panels for the NEA, regional arts organizations, and various foundations. He is president of the Spaulding-Paolozzi Foundation and serves on the board of South Arts. In 2001 he was awarded the Chevalier of the Order of Arts and Letters and was promoted to Commandeur in 2019. He has received honorary doctorates from the College of Charleston and the University of South Carolina. He is currently the project leader for the Anson African Burial Memorial in Charleston which will honor 36 Africans/African Americans buried in the late 18th century whose bodies were disinterred during the renovation of the Charleston Gaillard Center.
Born and raised in Lexington County, Ray McManus (Artist Category) is frequently active in poetry initiatives across the state. He serves as the writer-in-residence at the Columbia Museum of Art. McManus founded Split P Soup, a creative writing outreach program that places writers in schools and communities across South Carolina, and former director of the creative writing program at the Tri-District Arts Consortium that serves Columbia area schools. He coedited a collection of writing responding to historical photographs from South Carolina archives. He is the author of five collections of poetry. His first was selected for the S.C. Poetry Book Prize and published in 2007 and a fifth, Last Saturday in America, will be published by Hub City Press in 2024. His poems and prose have appeared in numerous journals and anthologies of Southern and Irish-American writers. McManus earned his master’s in poetry and his doctorate in rhetoric and composition from the University of South Carolina. Now an English professor at USC Sumter, he teaches creative writing, Irish literature, and Southern literature. He is division chair of both arts and letters and humanities and social sciences and director of the school’s Center for Oral Narrative.
Carlos Agudelo (Individual Category) has been Ballet Spartanburg’s artistic director since 1991. Among his choreography are classic and contemporary favorites; some of these have been performed at Piccolo Spoleto Festival, Columbia, Greenville, Greenwood, and Rutherford County, North Carolina. Under Agudelo’s direction in 2012, Ballet Spartanburg formed a resident professional company comprised of a diverse group of dancers from across the world. For 10 years, it has performed from Spartanburg to North Carolina, Texas, and Las Vegas, in the process staging more than 85 presentations of his choreography. The native of Colombia, Agudelo began his training in Florida under the direction of Ruth Petrinovic. He received a scholarship to study at the Harkness Ballet School in New York City and danced with the Israel Classic Ballet in Tel Aviv and the International Ballet de Caracas. Alvin Ailey coached him in Ailey’s ballet, The River. He also danced with Ballet Hispanico of New York. Mr. Agudelo received the 2021 Civitan Servant’s Heart Award for the community of Spartanburg and the 2022 Spartanburg Citizen of the Year awarded by the Spartanburg Kiwanis Club. In 2018, Ballet Spartanburg was awarded the S.C. Governor’s Award for the Arts in the organization category.
Real-world implications led Charleston’s School of Building Arts to become the American College of the Building Arts (Arts in Education Category) in 2003. A 1968, a warning came that American artisans in the traditional building arts were aging out of the job market. As school systems cut traditional crafts training, no new generation was being trained to create or repair, restore, and preserve American architectural, historic, and cultural treasures. Then, owners of historic Lowcountry properties had to look to Europe to find artisans who could repair and restore damage after Hurricane Hugo. A group of Charleston’s preservation leaders created ABCA as a unique higher education experience that fills a gap. ACBA was the first to combine old-world apprenticeship training with a liberal arts core curriculum. ACBA students graduate with the skills to practice their trade and broad liberal arts foundation that allows them to design while leading their fields. They understand not only how to do something, but to think critically within the context of their specialization, manage a business, and communicate effectively with clients. ACBA students have trained through a wide range of community service projects, restoring or creating from the Oval Office back to the Lowcountry.
Making art more inclusive and accessible is a high priority for Aiken Center for the Arts (Organization Category). Staff and board of directors use this lens to make the vision a reality for the 40,000 people who come through its doors yearly. Three galleries change exhibitions every six weeks. ACA staff work to incorporate each exhibition into their ongoing educational programs, making a cohesive experience for the community. ACA provides instruction from local artists and musicians, enabling community members to find a creative voice through lessons, camps, workshops, and classes—with scholarships available. ACA works closely with the Aiken County public schools. A program brings Aiken Head Start 4K students into the gallery, and ACA places authors and artists in schools as the arts that are integrated to connect learning and life. Further, ACA serves individuals with cognitive and physical disabilities in its community. Youth summer workshops and year-round adult workshops provide for the development of communication skills, teamwork, and decision making at no cost to participants, and art experiences relating movement and painting reach the Alzheimer’s/dementia community.
Tell them you bought it with Arts Project Support funding![/caption]