Nominate S.C.’s best artists, advocates for arts awards now!
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COLUMBIA, S.C. – Nominations are now open to honor persons or organizations in South Carolina who exhibit the highest levels of achievement, influence, or support of arts and folklife with the South Carolina Arts Awards.
South Carolina Governor’s Awards for the Arts
The South Carolina Arts Commission is accepting nominations for the South Carolina Governor’s Award for the Arts, which recognizes persons or organizations in South Carolina who exhibit outstanding achievement or support of the arts. The Governor’s Awards use a simple, online nomination process, and all it takes to begin a nomination is one letter, which should describe the nominee's exemplary contributions to the arts in South Carolina in these categories: Artist, Individual, Arts in Education, Government, Business/Foundation, and Organization. A nomination letter should address any characteristics included in the category descriptions. The nomination letters are due Sunday, Nov. 6, 2022 at 11:59 p.m. ET.
For complete nomination guidelines or more information about the South Carolina Governor's Awards for the Arts, visit SouthCarolinaArts.com or contact Communications Director Jason Rapp: jrapp@arts.sc.gov or 803.734.8899.
Jean Laney Harris Folk Heritage Awards
The SCAC, with McKissick Museum at the University of South Carolina, honors the state’s exceptional folklife and traditional arts practitioners and advocates with the Jean Laney Harris Folk Heritage Awards. The South Carolina General Assembly created the awards in 1987 to recognize lifetime achievement in the traditional arts and presents them annually to honor the work of stewarding and furthering the traditional arts significant to communities throughout the state.
McKissick Museum is collecting nominations until Sunday, Nov. 6, 2022 at 11:59 p.m. ET. For additional information and advisement, contact museum Executive Director Jane Przybysz: jprzybys@mailbox.sc.edu or 803.777.7251.
The 2023 recipients of South Carolina Governor’s Awards for the Arts and Jean Laney Harris Folk Heritage Awards are to be featured on the South Carolina Arts Awards broadcast next spring on SCETV. In June 2022, seven distinguished recipients were recognized for exceptional achievements in, support of, or advocacy for the arts on the first South Carolina Arts Awards broadcast. That partnership remains in place. A specific air date, anticipated in May, will be announced in spring 2023.About the South Carolina Arts Commission
About the University of South Carolina McKissick Museum
As the day nears for the 2022 South Carolina Arts Awards, The Hub is focusing on this year's recipients: four receiving the 
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From his roots in the Trenton area of Edgefield County, JUSTIN GUY has achieved acclaim as a potter after working in the craft more than 30 years. Fascinated by the pottery from a young age, he graduated from the University of South Carolina, earning a Bachelor of Fine Arts with a focus on ceramics. After school he was artist-in-residence at Taiwan’s Tainan National University for the Fine Arts, where he learned Taiwanese and other Asian ceramic processes, specifically as they relate to the tea cultures in Japan, Korea and Taiwan. Additional travels across the U.S. and Europe yielded further revelations a professional ceramicist should know. Guy returned to South Carolina and began a teaching career in higher education institutions, serving multiple times at UofSC Aiken with stops at Columbia College, and Piedmont Technical College in between. Additional artist residencies during his career include the McKissick and South Carolina State museums, the Columbia Museum of Art, and area schools. His works have received honors in multiple instances of the Palmetto Hands Fine Craft Competition and Exhibition and the South Carolina State Fair. Guy is currently the master potter of the Phoenix Factory’s Old Edgefield Pottery, which has produced pottery in South Carolina for more than 200 years.
Ann Phillips | Sumter | Artist, Quiltmaking
For centuries, South Carolina women have contributed to their communities artistically, culturally, and socially through the making of quilts. Though Alabama born, ANN PHILLIPS of Sumter is a 40-year contributor herself. As a child, seated under her mother’s quilt frame, she threaded needles and learned to make a secure knot. However, she didn’t begin quilting until her husband’s military job landed the Phillipses in Sumter; Phillips felt their new country home needed quilts. Central to her approach is taking a traditional quilt block pattern and using it in a new way to great visual effect. Phillips has shown immense creativity and elevated the artistry of quiltmaking. She will change the set of a block, put it on point, or frame it with multiple borders or use non-traditional fabrics and colors with the same pattern. Quilting groups in South Carolina invite her for trunk shows and presentations to demonstrate taking a traditional, simple quilt block design and doing something new with it. Phillips’ work is regularly included at the South Carolina State Fair, and she shares her skill in her community: Through partnerships at her church, she assists in making quilts for a Sumter pregnancy center, all babies born to Shaw Air Force Base families, and for area assisted living centers.
Duncan Rutherfurd | Aiken | Advocacy, Custom knifemaking
The gift of a knife to elementary-aged DUNCAN RUTHERFURD sparked an interest that resulted in tireless dedication to raising public awareness and appreciation of South Carolina’s knifemaking tradition. Rutherfurd is an encyclopedia of information on knifemakers in the state, though he is not one himself, and today’s knifemakers have him to thank for advocacy efforts that keep the tradition strong. Knifemaking, though specialized, has roots in blacksmithing—an essential trade for the farmers of a state dominated by agriculture. Though blacksmithing is no longer widespread anywhere, knifemaking proliferates in South Carolina because of Rutherfurd’s modernizing influence. In late 1970’s he helped organize and promote a knife show for the Aiken Arms Collectors Association. At the time, such shows were the primary way makers reached large audiences. At one of those early shows, while exhibiting his vast collection of South Carolina knives (which he still does today), he conceived of what became the South Carolina Association of Knifemakers (SCAK), a network of support and learning as makers and marketers during the pre-internet 1980’s and 1990’s. As internet usage exploded, Rutherfurd used his IT background to mentor SCAK members on using it to market their wares and themselves as makers. SCAK members recognized Rutherfurd’s tremendous contributions to South Carolina’s knifemaking community with an honorary membership. He served as an advisor to McKissick Museum’s curatorial team on the exhibition Carolina Knives: The Roots of a Revival in 2021. Rutherfurd’s collection was core to one of its storylines and provided a bridge between the older generation of knifemakers and a new generation, which recently organized the South Carolina Custom Knifemakers’ Guild.
COLUMBIA, S.C. – The South Carolina Arts Commission (SCAC) is happy to announce four recipients who are to be honored in 2022 with South Carolina’s highest award for exceptional achievement in practicing or supporting the arts.
The SCAC presents the South Carolina Governor’s Awards for the Arts annually each spring. The appointed members of the agency’s board of directors vote on panel recommendations for the award. In 2022, the SCAC board approved the recommendations of the following honorees from their respective categories to be recognized for outstanding achievement and contributions to the arts in South Carolina:
DARION MCCLOUD (Artist Category) is an actor, director, storyteller, educator, arts activist, and children’s literature advocate from Columbia. He is also the founder and creative director both of NiA Theatre Company and Story Squad. McCloud is a Riley Institute Diversity Fellow and the 2019 recipient of the Theatre Artist of the Year Award from The Jasper Project. A formally trained visual artist with a bachelor’s in art studio from the University of South Carolina, he found his way to the stage via telling stories and stayed, acting and teaching there for more than 20 years. He enjoys crafting theatre, storytelling, and art experiences for old and young and the initiated and the un-initiated in environments as varied as classrooms, corporate settings, libraries, campfires and, of course, theatres; he is a company member for Columbia-based Trustus Theatre and the South Carolina Shakespeare Company. McCloud has numerous statewide partnerships to his credit in higher education, the humanities, and the arts. He considers himself as having committed his life to the transforming power of art.
ED MADDEN (Individual Category) is a poet, activist, and a professor of English, with a focus on Irish literature, at the University of South Carolina. There, he is also director of the women’s and gender studies program. His academic areas of specialization include Irish culture; British and Irish poetry; LGBTQ literature, sexuality studies, and history of sexuality; and creative writing and poetry. In 2019 he was named a Poet Laureate Fellow of the Academy of American Poets and a visiting artist fellow at the Instituto Sacatar in Bahia, Brazil. In 2015, Madden was named Columbia’s first poet laureate, a post he maintains today. Madden has been a South Carolina Academy of Authors Fellow in poetry twice and was South Carolina Arts Commission Prose Fellow in 2011. He has been writer-in-residence at the Riverbanks Botanical Garden and at Fort Moultrie in Charleston as part of the state’s African American Heritage Corridor project. He also was 2006 artist-in-residence for South Carolina State Parks. His numerous publishing and editing credits include four of his own: Nest, Ark, Prodigal: Variations, and Signals, and his chapbook So They Can Sing won the 2016 Robin Becker Chapbook Prize. Photo by Forrest Clonts.
CARRIE ANN POWER (Arts in Education Category) has been an arts educator and advocate in South Carolina for more 30 years. Beginning in 2004 she was the fine arts department chair, grant manager, and visual arts teacher at East Aiken School of the Arts (EASOA) until 2015. During that time, she transformed EASOA by adding full-time dance and theatre programs, developed and implemented all aspects of the EASOA after-school arts program, and secured donations to fund scholarships providing low-income families access to programs. During that tenure she coordinated the Curriculum Leadership Institute in the Arts, which improves and enhances arts lesson plans based on the 2010 S.C. Visual and Performing Arts Academic Standards. She then served as the education associate for visual and performing arts at the South Carolina Department of Education from 2015 until 2019, where she oversaw the development of K-12 Design Standards for visual and performing arts and later coordinated their revisions. Power served an active role on notable state arts or arts education boards and, in her community, supports educational outreach programs that bring professional artists into schools.
Founded as a non-profit in January 2012, ONE COLUMBIA FOR ARTS AND CULTURE (OC) (Organization Category) served as de facto office of cultural affairs for Columbia until being officially named as such earlier this year. Its mission is to “advise, amplify and advocate for strengthening and unifying the cultural community of Columbia” and does so by promoting cultural activities taking place in the city through various means. In 2014, OC facilitated the formalization of Columbia’s public art program, which has resulted in the creation of more than 60 public artworks and an online directory of public art throughout the city of Columbia. The organization facilitates other projects related to tactical urbanism, creative placemaking and enhancing public space. When Columbia established the honorary position of city poet laureate in 2015, it tasked OC with creating the selection committee that resulted in Dr. Ed Madden being awarded the title. OC is responsible for Amplify, a comprehensive cultural plan approved by city council in 2020. In recent years, it undertook the lengthy process of developing of a modern flag for the city adopted by city council in 2020.
