The man of steel: Lancaster artist shaping heavy metal and young artistic minds
Walk into Bob Doster’s Lancaster studio and you could see sparks fly. The 68-year-old artist shapes sheets of steel into furniture and sculptures that can be seen throughout York and Lancaster counties, regionally and around the world.
“I’ve got work in lots of places I’ve never been,” said Doster, listing places like Japan, South America, the Caribbean, Italy and Canada.In the Carolinas, he has permanent installations at city main streets, museums and other places. “He has lots of his artwork around town, it’s a real source of pride,” said Debbie Jaillette, executive director of Lancaster Arts Council, which is a block away from Doster’s Backstreet Studio on Gay Street. “We all get the benefit of looking at and enjoying his artwork. I think it’s terrific his footprint is all over Lancaster County, but he does tremendous work in our schools.” Looking out her second-story office window, she sees a huge cube resting on a point. “It’s really remarkable to be up here and see huge displays of public art designed and painted by kids in our schools,” she said. “Bob coordinated all that.” His sculptures, she said, also are used as awards for teachers and other businesses and organizations, which is “really meaningful.” But perhaps his greatest craft is working with children.
Art lessonThe blue jeans and denim shirt clad Doster leads 16 high school students one block from his studio to West Chestnut Street to see what he called a “provocative” piece of his artwork. “Any questions?” he asks. “Why is it on fire? a student asks. Three crosses -- all over 6 feet -- stand before them. The figures on the crosses represent the people who died, he says referring to two crosses made of regular carbon and stainless steel flanking an even larger, plain polished steel cross. Doster explains. “The flames represent hate, and hate will consume you.” The center cross, he says, represents the families of the people who died in Charleston’s Emanuel African Methodist Church. “It represents the purity of faith, and the way they gave forgiveness,” he said. “Faith supports the cross.” “The two crosses represent the evil of the two men who were crucified with Christ, and the center His purity,” Doster said. The piece, called Southern Cross, “represents the horrors of Christianity, and the goodness,” he said. Allen Lowery, 17, was awed by the meaning and symbolism in the crosses -- God, the KKK, slave boats, Native Americans and more. “Wow, he’s really good,” the 11th-grader said. Doster said the idea was sparked by the Confederate flag controversy in 1999. While it took 15 years to conceptualize, he said it only took a couple weeks each to shear, cut and fit the crosses. The piece has been accepted in the ArtFields competition and will be displayed April 21-29 in Lake City. “Art affects people differently,” he said. “You’ll see something in there I won’t have seen and you’ll be right.” Teresa Fields, art educator at Lancaster High, said learning from an internationally known artist and at his private studio is a motivating lesson. “The art is in the process that you go through producing that piece,” she said.
Melding mindsDoster has worked with more than 60,000 students across more than 40 years as a visiting artist throughout the Carolinas. Students design and build sculptures in in clay, wood and steel, as well as paint murals and banners. Doster said “it’s an opportunity for students to see art is not just drawing on paper.” Back in the studio, Alexis Truesdale, 16 and 10th grader at Lancaster High, looked around the room, pointing out art projects she’d like to try. “I like the fact that I get to express myself and it’s neat to work with an international artist,” she said. Ninth-grader Emily Tindal, 15, tried her hand at cutting stainless steel with Doster’s help. Donning a long-sleeved denim shirt backward, a helmet and gloves, with a leather apron dropped over her shoes, she jumped as the blade touched metal and sparks flew. The piece: a cut out of the comedy and tragedy theater masks. “It was cool. I’ll tell my dad about it tonight,” she said. Her father, Conner, worked as Doster’s apprentice from age 15 through college, learning to weld, paint cars, and understanding fine art. “(Doster) was a mentor and second dad,” he said. “He would guide you to make you think about what you’re doing.” For 20 years, the 44-year-old Conner has been working in historic preservation and restoration. He specializes in masonry, but also in painting -- making the new look old. “All the things he taught me helped in allowing me to be able to do this,” he said. “He made a pretty good impression on me.” Fields talked about the pieces every age level has helped create with permanent installations at many area schools from Indian Land and Fort Mil to Clover and, of course, Lancaster. “He always does a really good job with students and gets their creative abilities out them,” she said.
About the artistDoster picked up his first blow torch at age 8 with his father, also a sculptor. The eldest of six with five sisters, Doster said his dad “Always encouraged us to do what we wanted to do. He let us learn and do.” Doster hasn’t always been a professional artist. In the 1970s, he owned a grocery store. He also was a truck driver, which has come in handy when moving his large sculptures. In college, majoring in fine arts at University of South Carolina, is when he decided “I want to do this.” After earning a Master of Arts from Clemson University, he launched his career as a professional artist in 1977, he said. He opened his studio in his hometown, Lancaster, to be near his two sons. Both now live in Raleigh. Doster entered shows, lots of shows. In the 1980s, the S.C. Arts Commission took his pieces to a show in Italy. As his artwork was being seen around the world, he also was an adjunct professor at Newberry College. The No. 1 rule for success as a professional artist is to not give up -- “be stubborn,” he said. Even with success, Doster remains humble. He said his wife of 16 years, Cherry Doster, is “a better artist than I am” pointing to her sculptures and paintings in the studio. The couple met when she took his college class. “She was the best student I ever had,” he said. He also gives high praise to James Utz, 39, who came to work with Doster 15 years ago, with a print making degree from Winthrop University. Doster designs the pieces, and Utz puts them together. “He can see better than I can see,” Doster said. Professionally and personally the duo say their bond is as strong as the steel they work with. “He gets us into things we might not pursue otherwise,” Utz said. “I’m not going to say I’m a better welder than he is, but I’m a better welder than him. But he gets the big picture.” Doster takes care of the business end and is the social one, Utz said. “I would not be able to keep it going as a business and be this successful at it,” Utz said. “He’s gregarious, fun, easy going, messy, very messy, loyal. We’re like family at this point.”
The art studioThe former 1930s brick pool hall is now a 7,000-square-foot studio. The exterior front wall is covered in dinner plates. The entrance opens to space where Doster’s and other artists’ works are displayed. Studio visitors can take a piece of his artwork home. The price may be anywhere from $5 to $200,000, or more. There’s a wall lined with newspaper and magazine clippings. The headlines: “Doster named hero of S.C. 2001 Year of Child,” “Keeper of Culture,” “Doster wins state’s top award,” and “Sculptor helps mold students.” Walk up the ramp on the left side of the bricked wall into a space for working. On any given weekday, there are 12-18 students at work creating their art projects that will be displayed on their city streets. Out the back door is a garden with more sculptures, including some by his father. A space used for bridal showers, rehearsal dinners, weddings, art crawls and other gatherings. But to the right of the main front door is another door into the welding workshop. Doster’s rescue dog Muddy, greets visitors, as does Utz’s rescue dog, Bailey, It looks and smells like an auto shop. Lancaster High senior Chasity Ellis, 18, said, “Everything is everywhere.” But Doster knows where everything goes, showing the class how he cuts and works with the metal to form a heart. “That’s amazing,” a student says.
Caldwell Arts Council (N.C.) seeks sculpture for outdoor sales gallery
[caption id="attachment_28645" align="alignright" width="200"] Raymond Giddens (Simpsonville), Cage Spinner[/caption] The Caldwell Arts Council and the City of Lenoir, North Carolina, seek sculptors interested in participating in the outdoor sculpture sales gallery located on pedestals throughout downtown Lenoir. Tucker’s Gallery is a public/private partnership project between the city and the arts council. This is an ongoing call; sculptures are placed in the gallery for one year. Details and the application are available online, along with photos and prices of current sculptures. To learn more about the Caldwell Arts Council, call 828-754-2486, email email@example.com or visit www.caldwellarts.com. Image above: David Q. Sheldon (Asheville, NC), Arcane Mechanism
Sculpture by the late Mac Boggs on display at Chapman Cultural Center
Chapman Cultural Center has received the modern stainless steel sculpture, Chariot (pictured above), made by the late Mayo Mac Boggs, one of Spartanburg and South Carolina’s most noted artists. It is now displayed on Chapman’s campus, thanks to the artist’s widow, Ansley Boggs, Ed.D., an education professor at Converse College. Created in 2005, the piece was first named Constellation. However, in 2010, during Boggs’s 40th year Retrospective Exhibition on the college campuses of Converse, Wofford, and USC-Upstate, he redubbed it Chariot. In recent years, the piece has been showcased at USC-Upstate’s library. Boggs passed away in March 2014. Boggs had a long and celebrated career in the arts, after humble beginnings as the son of a welder in a Kentucky industrial city. In addition to his more than 40 years of teaching art at Converse College, he kept an active and productive career in creating art. Some of his noted achievements include receiving the 2013 Elizabeth O'Neill Verner Governor's Award for arts education, the highest arts award given in South Carolina; being named “Professor Emeritus of Art” by Converse College in 2013; and being named “Honorary Artist of Spartanburg” in 1991. Boggs’s art is included in the Presidential Libraries of Gerald Ford and Jimmy Carter. His work is located internationally in permanent collections of numerous corporations. In addition, he received many sculpture commissions for city parks, public libraries, college campuses, schools, local businesses, and private residences, one of which was for the home of author Lillian Jackson Braun. Regarding his inspiration and preferred medium, Boggs once said: “The welded steel sculpture has remained a constant as my medium of expression. I love the look, feel, taste, smell and sound of steel. My great-grandfather was a blacksmith in Kentucky; both my grandfathers and my father were welders and steelworkers. I grew up watching steel pouring from the blast furnaces and the nightly spectacular display of slag being dumped from huge, railroad-sized crucibles. I walked the railroad tracks and picked up scrap metal that had fallen from freight cars. The ironworker’s material and process were an everyday part of my childhood in Ashland, Kentucky. I have taken this material and its process and made art, continuing a family tradition of ironwork.” In his artist statement, dated March 2011, he wrote: “There are many things one can do to occupy his time while on this earth. I prefer to have non-verbal conversations with my soul. My art is the residue.” Chariot can be viewed daily at Chapman Cultural Center. Via: Chapman Cultural Center
Anderson Arts Center call for art – 41st Annual Juried Show and Partnership for Public Art: SculpTOUR
Beginning March 31, the Anderson Arts Center will accept entries for the 41st Annual Juried Show and Partnership for Public Art: SculpTOUR. Entries may be delivered between 10 a.m. to 4 p.m. until April 2. This year the event will offer more than $27,000 in prize money representing 50 awards. “Besides our regular juried show we’re really excited to partner with the City of Anderson in having the public art sculpture component again this year,” explained Executive Director Kimberly Spears. "We hope to have at least six pieces installed in downtown Anderson in time for Art on the Town. The public art outdoor sculptures will chosen by a selection committee and will remain on view for a year.” The show will open with a reception and awards ceremony beginning at 5:30 p.m. on Saturday, April 16. The show and month-long celebration of the arts offer several opportunities for artists' works to be seen and purchased, beginning with the Arts Center Members Preview and the M•ART•ket and concluding with the Art on the Town Gallery Crawl April 29. The gallery crawl will include outlets throughout downtown Anderson where additional pieces not in the juried show will be presented. Art on the Town’s Friday night events will include a party at Wren Park with music and entertainment and a children’s event on Saturday. “Last year we had 270 artists and 500 submissions from South Carolina, Georgia, North Carolina, and Missouri artists and, hopefully, we’ll surpass that number this year," said Spears. "We’re always astonished at not only the variety of submissions, but also the quality of the work. It’s a real highlight of the Arts Center year. As always, we want the greater Anderson community to see the show and share the excitement!” The juror for the annual show is Sandra Rupp, president and owner of Hampton III Gallery in Greenville. Rupp works with and/or represents more than 25 artists and organizes five to six gallery exhibitions a year. Hampton III Gallery focuses mostly on Southern artists, particularly those with a South Carolina connection. In addition to her gallery work, she assists museums in their programming and works with private and corporate collections. Vist the Anderson Arts Center's website or call 864.222.2787 for a show prospectus or additional information. Via: Anderson Arts Center
Visual art exhibition opportunities offered in North Charleston
Accepting applications for North Charleston City Gallery, City Hall, and other City sites. The City of North Charleston Cultural Arts Department offers exhibition opportunities for serious visual artists, photographers, fine craft artisans, sculptors, and installation artists. Applications are now being accepted from individuals and groups to display original works at the North Charleston City Gallery, North Charleston City Hall, and other public sites for the July 2016 through June 2017 program calendar. There is no fee to apply. Selections are made by a review panel appointed by the department. Artists must apply online at www.northcharlestonculturalartsdpartment.slideroom.com by Monday, November 30, 2015 in order to be considered. The North Charleston City Gallery, located in the common areas of the Charleston Area Convention Center Complex, offers great exposure for artists seeking to reach thousands of local patrons and out-of-state visitors to the multi-use facility. Exhibits are rotated on a monthly basis and may feature two or more artists concurrently. This exhibition opportunity is open to visual artists and artist groups creating two-dimensional works or three-dimensional works suited to hang on display rods provided. Pedestal and freestanding pieces cannot be accommodated in the venue. Exhibits are open to the public daily and admission is free. The gallery desk is managed by a Cultural Arts staff member on Thursdays, Fridays, and Saturdays for the express purpose of promoting the exhibit and sale of artwork, prints, note cards, and gift items. As a civic venue, North Charleston City Hall allows for great visibility among residents and visitors. In addition to showcasing the City’s Public Art Collection along the atrium areas of three floors, the building is equipped to display two-dimensional works as well as pedestal or free standing pieces in an enclave on the second floor. Exhibits in this space are rotated on a monthly or bi-monthly basis and may be viewed by the public daily with no admission fee. Cultural Arts staff maintains offices on the same floor of the exhibit space and are available to assist visitors. In addition to the City Gallery and City Hall, other indoor and outdoor display spaces are available throughout North Charleston. Applicants can propose a location or may contact the Cultural Arts Department to discuss possible exhibition or installation sites. Options will be reviewed with the artist prior to distribution of acceptance notifications. For additional information about these and other exhibition opportunities or to learn more about programs and services offered by the City of North Charleston Cultural Arts Department, visit the Arts & Culture section of the City’s website at northcharleston.org, email firstname.lastname@example.org, or call 843-740-5854. Via: City of North Charleston Cultural Arts Department
“Influential, less-familiar” blues singer Josh White to be honored with sculpture in Greenville
From The Greenville News Article by Donna Isbell Walker
[caption id="attachment_21551" align="alignright" width="250"] Josh White on the CBS radio show “Back Where I Come From,” October, 1940. Photo: CBS Photo Archive/Getty Images[/caption] Blues singer Josh White’s influence spanned continents and generations. Before he became a musical innovator and civil rights activist, White was singing on the streets of Greenville to help ease his family’s desperate poverty. He left the Upstate as a teenager in the early 1930s. A decade later he became the first African-American entertainer to give a command performance at the White House. Despite his million-selling single “One Meatball” and the postage stamp that bears his face, White’s name isn’t as familiar as those of other blues musicians. His impact, though, is undeniable. Musicians like Bob Dylan, John Fogerty and Jack White all were influenced by his Piedmont style of blues. And now, a committee of Greenville residents is determined to keep White’s memory alive in his hometown. Soon, White, who died in 1969, will join such luminaries as Charles Townes, Joel Poinsett, “Shoeless” Joe Jackson and Peg Leg Bates with his own statue in downtown Greenville. The same group that spearheaded the Bates statue is raising money to create a bronze sculpture depicting the phases of White’s life and career. When it’s completed, the three-paneled piece will be located on River Street, in the third phase of the Riverplace development. The Peg Leg Bates sculpture, located at Spring and Washington streets, inspired the group to look for other artists whose impact extended far beyond the South Carolina border, but who were underrated or unsung, said committee member Dale Perry. “We were trying to come up with names of people who had made contributions; who, to many people, are footnotes in history,” Perry said. “Rather than doing the headline historians, we wanted people who contributed to Greenville, although much of it, like Peg Leg Bates, was done from New York and around the world. ... And Josh White was a name that people kept talking about.” White also is a subject of artist Jacob Lawrence’s “The Migration Series,” now on exhibit at New York’s Museum of Modern Art; his work linked with that of author Richard Wright and singer Billie Holiday. But closer to home, White will be memorialized on a bronze-relief triptych, six feet tall by eight feet wide, on a base of black granite. The city’s Arts in Public Places Commission has pledged $25,000 in matching funds for the project, estimated to cost between $122,000 and $125,000. Organizers hope to unveil the sculpture in early 2017. Sculptor Joseph Thompson, chairman of the visual arts department at the South Carolina Governor’s School for the Arts and Humanities, designed the piece. Each panel will represent a phase of White’s life and career. The left panel will be dedicated to the White’s early years in Greenville. The center panel focuses on “the apex of his career,” particularly White’s years in Europe, Thompson said. And the right-hand panel will explore White’s activism and civil rights work, including his blacklisting by the anti-Communist House Un-American Activities Committee. Flowing through each panel is a ribbon-like image, connecting the phases of White’s life and calling to mind the Reedy River as a symbol of Greenville. “I have been interested in some time in relief sculpture, and we don’t have a great deal of relief sculpture in Greenville,” Thompson said. “The relief sculpture is useful because it has an opportunity to create a narrative and to use imagery in an artistic and poetic way and relate that to the person you want to commemorate.” The components are linked by a nuts-and-bolts structure that connects the piece to Greenville’s textile history and “the grittiness of Greenville in the early 20th century,” Thompson said. The rear of each panel will feature more text exploring Piedmont blues, as well as the role of blues in the evolution of rock ’n’ roll. “We’re able to see how the richness of the black community has contributed to the richness of the culture that we have today,” Thompson said. “And that’s why I’m excited about it.” Sean Scoopmire, vice chairman of the city’s Arts in Public Places Commission, is excited that such an influential yet less-familiar person will be honored. “It’s really wonderful that the citizens committee is working so hard to remember Josh White,” Scoopmire said. “This is a story that I didn’t know about until they presented it to me. I think it’s a story that a lot of people didn’t know about. And it is something that’s an incredible part of Greenville’s past. “Really, Josh White overcame an incredible amount of adversity in his life, growing up in the Sterling community, and he rose to international fame as a musician in the mid-20th century.” FOR MORE For information about contributing to the non-profit organization raising money for the Josh White sculpture, call 864-282-3694
Mauldin announces first public art trail installation
The City of Mauldin’s Office of Cultural Affairs announces the selection of the first installation along the Mauldin Public Art Trail. Central, S.C., artist Joey Manson’s sculpture,“The Depot” has been selected by the Mauldin Cultural Council and approved by the city. The steel sculpture, which will measure 12 feet tall, eight feet wide and eight feet deep, will be fabricated and installed in the next few months. Manson developed the sculpture concept by combing through the history of Mauldin and embracing the theme for this year’s program, “Crossroads." Manson's description of the artwork:
The theme of ‘Crossroads’ led me to research the history of the area and the origins of Mauldin. I discovered a map describing Mauldin’s historical borders drawn as a circle with a 1/2 mile radius centered on the original train depot. I became interested in this circular border and the crossroads formed by 107 [East Butler Road] intersecting with 276 & the railroad. The resulting shape I also found to resemble that of an impeller or a propeller, an object of great importance to the economy of Mauldin over the years. They were first found producing power from the river at nearby mills and then during WWII powering airplanes at [Donaldson Center] Air Force Base. The theme of crossroads thus led me from the roads and railway that first gave rise to Mauldin to the modern industry and development that encircles Mauldin and drives today’s economy. I added the curved, green beams to symbolize these dynamic forces that surround and connect Mauldin today. The grey beam I see as the railroad, still present, running straight through town and still working today.The artwork is the first iteration of a new public art program in Mauldin approved in December 2014. The Mauldin Public Art Trail is an annual program that will feature nine unique pieces of public art around the perimeter of the Mauldin Cultural Center’s outdoor amphitheater that are replaced every 10 years. Each year the Mauldin Cultural Council, a nonprofit arts organization that supports artistic efforts around the community and at the Mauldin Cultural Center, will select a new work to fill one of nine predetermined slots around the amphitheater. Each selection is guided by a special theme for that year, and the program is open only to South Carolina artists. After all slots are filled, the oldest piece gets replaced every year and the “retired” artwork is relocated to another area in the community permanently. “It’s a really unique program that allows us to work with numerous artists from across the state and have them interact with our community,” says George Patrick McLeer, administrator for the Office of Cultural Affairs. “We were very impressed by Manson’s interpretation of this year’s theme and the way he incorporated our community’s history into his work. We’re very proud and excited to have this piece be the first of many artwork installations to come." The deadline for installation is April 2016, although McLeer expects the sculpture to be in place as early as late fall 2015. The City of Mauldin is located in the Upstate of South Carolina and in the heart of Greenville County. It is the 17th largest city in South Carolina and one of the fastest growing cities in the state. Mauldin was first charted in 1820 and has grown to a population of almost 25,000. More information about the City of Mauldin can be found online at www.cityofmauldin.org. Via: City of Mauldin Office of Cultural Affairs
Exhibition opportunities for fine artists and photographers during North Charleston Arts Festival
The 2015 North Charleston Arts Festival, taking place May 1-9, offers excellent exhibition opportunities for fine artists and photographers ages 18 and up, including the annual North Charleston Arts Festival Art Walk and Judged Fine Art and Photography Competitions & Exhibitions. The Art Walk, set for Wednesday, May 6, in the Olde Village area of North Charleston, provides a fun and casual setting for artists to both display and sell their work. Entries for the judged competitions may compete for ribbons and cash prizes and will be on display throughout the festival at the Charleston Area Convention Center Complex, located at 5001 Coliseum Drive in North Charleston. Complete details and entry instructions for all exhibition opportunities are available for download at NorthCharlestonArtsFest.com/apply. Art Walk Local fine artists, fine craft artisans, photographers, and sculptors are invited to exhibit and sell their original works during the Arts Festival's Art Walk. From 5 - 8 p.m. on Wednesday, May 6, paintings, photography, pottery, jewelry, sculpture, and more in a full range of styles will be displayed along the sidewalks and within a number of local businesses and restaurants in the Olde Village area of North Charleston. Other Art Walk offerings include live music, art demos, and kid’s activities, creating a festive evening of art and culture for the whole family to enjoy. Artists are selected to participate in the Art Walk through a juried application process. There is no fee to apply. Sales of originals, prints, notecards, and other small works are welcome and selected artists may also offer their own original brochures, business cards, and supplemental handouts. Display screens can be furnished by the Cultural Arts Department at no charge to assist the artist in presenting his/her work. Display equipment for 3D artwork is available on a limited basis. The deadline for submission of applications for the Art Walk is April 20, 2015. Applications may be emailed to email@example.com, mailed to the City of North Charleston Cultural Arts Department at PO Box 190016, North Charleston, SC 29419, or hand-delivered to the Cultural Arts office on the 2nd floor of North Charleston City Hall, located at 2500 City Hall Lane in North Charleston. Judged Fine Art Competition & Exhibition Fine artists are invited to enter original work into the annual North Charleston Arts Festival Judged Fine Art Competition & Exhibition and compete for cash prizes totaling up to $4,675. Submissions are accepted in five categories: acrylic, oil, drawing/pastel, watercolor, and mixed media. Awards will be at the sole discretion of the judge, Wim Roefs, an independent curator, author, art consultant, exhibition designer, and owner of The if ART Gallery in Columbia, SC. Roefs is the chairman of the board of Columbia's 701 Center for Contemporary Art (701 CCA) and was the organization's founding volunteer executive director from 2008-2013. He chairs the curatorial team for 701 CCA and has curated dozens of exhibitions for his own gallery and art institutions throughout South Carolina and beyond. Fine art entries will be accepted at the Charleston Area Convention Center on Wednesday and Thursday, April 29 and 30, from noon to 7 p.m., as well as Friday, May 1, from 9 a.m. to noon. Artists may enter any combination of categories with a maximum of four entries in one or more categories. A non-refundable fee of $10 per entry is due at drop-off. Judged Photography Competition and Exhibition Professional and amateur photographers are invited to enter original prints into the annual North Charleston Arts Festival Judged Photography Competition & Exhibition and compete for cash prizes totaling up to $2,175. Submissions will be accepted in the Professional/Advanced division or Amateur division under the categories of color, monochrome, or digitally enhanced. Judging and awards will be based on the Photographic Society of America Print Guidelines. Three competent judges in the field of photography will score entries using the 3-9 range of scores. Each judge will evaluate each entry as a whole, considering the areas of impact, composition, and technique. However, there is no specific weighting or allotment of points for each category. This system is used efficiently and effectively by many arts councils, at international exhibitions, and by camera clubs. It allows an adequate qualitative separation of entries while lessening the potential for a large number of the higher scoring entries having identical scores. In the event of a tie-breaker, judges will choose the winning entry. Photography entries will be accepted at the Charleston Area Convention Center on Wednesday and Thursday, April 29 and 30, from noon to 7 p.m. Artists may enter any combination of categories with a maximum of four entries in one or more categories. A non-refundable fee of $5 per entry is due at drop-off. The Judged Fine Art and Photography Exhibitions are free and open to the public throughout the North Charleston Arts Festival. Viewing times are Saturday, May 2, 10 a.m.–4 p.m.; Sunday, May 3, 2 –5 p.m.; Monday through Friday, May 4-8, 9 a.m.–5 p.m.; and Saturday, May 9, 9 a.m. – noon. Awards for 1st place, 2nd place, 3rd place, and Honorable Mentions in each division and category for both the Judged Fine Art and Judged Photography Competitions will be announced at an artist reception on Friday, May 1, from 6 - 7 p.m. at the Charleston Area Convention Center. Musical entertainment will be provided by David Archer and Abe White and the public is welcome to attend. The North Charleston Arts Festival, scheduled May 1-9, is one of the most comprehensive arts festivals in the state, providing thousands of residents and visitors with an array of nearly 200 performances, exhibitions, and activities. The Main Event, held May 2 and 3 at the North Charleston Performing Arts Center and Charleston Area Convention Center, offers free admission and parking to more than 40 performances on four stages, exhibitions, a gem and mineral show, an antique show, children’s activities, art and crafts booths, and a food courtyard. The Arts Festival continues with free and moderately priced ticketed events throughout the week at various locations and concludes with fireworks over the Cooper River at the Grand Finale at North Charleston Riverfront Park. For more information about the North Charleston Arts Festival, or to download the Art Walk application or entry instructions for the Judged Fine Art and Photography Competitions & Exhibitions, visit NorthCharlestonArtsFest.com. For more information about other exhibition opportunities offered by the City of North Charleston Cultural Arts Department, visit the Arts & Culture section of the City’s website, northcharleston.org, or call 843-740-5854. Via: City of North Charleston Cultural Arts Department
Winthrop University faculty create public art for downtown Columbia, S.C.
[caption id="attachment_18349" align="alignright" width="224"] Shaun Dargan Cassidy and Tom Stanley, "Moments"[/caption] One Columbia for Arts and History and the city of Columbia announce the installation of a second sculpture resulting from the public art pilot program. Commissioned with a donation from Agapé Senior, "Moments” was created by artists Shaun Dargan Cassidy and Tom Stanley. Both artists are faculty members in the College of Visual and Performing Arts at Winthrop University. The stainless steel sculpture is composed of an open box structure with an attic above and a tree root system below evoking memory and a collected lifetime of stories. These elements combine into a new sapling that grows up from these symbols of one’s life moments. Artist Shaun Cassidy explains, "'Moments' was designed to use recognizable imagery as triggers to provoke associations with memory, decay, growth, the past and the future. The sculpture is intended to be both contemplative and aspirational and to provide a quiet moment of beautiful visual poetry on Main Street.” “Agapé Senior is pleased to support the city and One Columbia’s public arts initiative by funding this sculpture," says Scott Middleton, founder and CEO of Agapé Senior. "Our company works to improve the communities in which we serve through local chambers and Rotary clubs, as well as nonprofit support, and now with our corporate headquarters on Main Street, this opportunity just seemed like a great fit for us. Plus, I am a graduate of Winthrop University, so having the artists from my alma mater create the piece made this project came full circle for me personally.” “Not only is this a great addition to Main Street, it also serves to demonstrate public art’s power to transform Columbia into a true city of creativity,” said Columbia Mayor Steve Benjamin. “None of this would be possible without strong public/private partnerships with great businesses like Agapé, and we’re very excited about what the future holds.” A public announcement ceremony will be held Feb. 5 at 10 a.m. at the sculpture on the 1600 block of Main Street. Artists interested in submitting their qualifications for consideration for future projects can find the call for artists on the One Columbia for Arts and History website at onecolumbiasc.com. About One Columbia for Arts and History One Columbia for Arts and History is a nonprofit corporation that works to promote collaboration among citizens, the cultural community, and city government through celebrations of Columbia’s arts and historic treasures. Its goal is to enhance the quality of life for our residents, attract tourist dollars to our city, and further build our vibrant community. In short, it serves as the promotional arm of the City for Columbia’s cultural community. Visit the One Columbia website (onecolumbiasc.com) for a continuously updated master list of art and cultural activities occurring throughout the city. Via: One Columbia