Charleston art call for wall-mounted, outdoor sculpture
Help brighten up new retirement community
SUBMISSION DEADLINE: Monday, July 19, 2021
Art Expressions invites artists to submit work for consideration for a retirement community located in the Charleston area that offers independent living, assisted living, skilled/nursing care, and memory care. Please review the guidelines and submission instructions below.
The following types of artwork will be considered:
- Wall-mounted sculpture (ceramic, acrylic, wood, metal, glass) - cannot project off wall more than 4”
- Outdoor sculpture – freestanding something that is suitable for a courtyard.
- Reflective of the local vernacular including the low country, coastal, and marsh environments
- Avoid cliché/touristy beach themed pieces
- Nature-based abstraction
- Non-figurative and figurative will be considered
- Conveys positivity
- Joyful & uplifting
- Community oriented
- Avoid red and black in concentrated amounts
- Artists must include their current location or hometown. This is a local sculptural open call for indoor and outdoor artworks. We are seeking artists within the states of South Carolina, North Carolina, Georgia, and Florida.
- Artist must be able to ship or deliver the artwork. We will discuss logistics once we have selected the art with our client.
- All art will be reviewed by Art Expressions for project suitability, and we reserve the right to accept or reject any submission at our discretion.
- Please include a brief written description for each piece submitted.
- If an artist does not currently have a piece that fits the size of these locations, they can provide examples of their work and state that they are available for commission requests.
- Project install for indoor sculpture estimated for December 2021, outdoor sculpture estimated for an early spring 2022 install.
How to Submit
Please visit https://artist.callforentry.org/festivals_unique_info.php?ID=7856
Art exhibit spreads wings in the Upstate
'Wings of the City' on display in Greenville
[caption id="attachment_46737" align="aligncenter" width="600"]
'Wings of the City' on display in San Antonio, Texas.[/caption]
It's no secret that Greenville has really taken off...
As further evidence, the city is first East Coast landing spot of a famed art exhibit called Wings of the City. The traveling exhibition of Mexican sculptor Jorge Marin
's work has giant bronze wings outdoors in Falls Park and on the Peace Center campus. His "Alas de Mexico" sculpture, shown above, is part of the fun and obviously 'gram-worthy if you're so inclined.
The Hispanic Alliance of Greenville, a partner of the S.C. Arts Commission, helped make the exhibition a reality. Bank of America, a Governor's Award recipient in 2018
, is sponsor.
Read more about this from Fox Carolina
New Augusta Sculpture Trail issues national call for art
10 works to be exhibited for two years
Cross-river Augusta, Georgia is joining a national array of cities that bring new art into public spaces through the temporary lease of outdoor sculptures.
Local artists and artists from across the country are invited to submit images and physical specifications for their ready-to-install, original sculptures.
As the public art agency for the city of Augusta, the Greater Augusta Arts Council is seeking 10 leasable, pre-existing, outdoor sculptures to be installed for a duration of two years in Downtown Augusta as part of the new Augusta Sculpture Trail. These sculptures will be placed at intervals downtown that will create a fun and easy outdoor walking trail. The 10 selected locations use city of Augusta sidewalks for access, making them fully accessible for everyone to enjoy. The Arts Council will produce a digital walking tour that can be accessed from any mobile device which will help visitors learn specifics about each work of art and artist while they explore the Sculpture Trail. There will also be fun monthly Sculpture Trail events tied to the public artwork locations.
About the call for art
All sculpture sites will have a 4’x4’ concrete base and are spaced in a manner to promote walking from one sculpture to another, creating a trail to follow. Some basic requirements include that the work must be structurally sound and must be of a scale large enough to be clearly visible from a distance. It also must be capable of withstanding adverse weather conditions common to the Augusta River region. The work must be safe for public display and not include sharp or easily scalable parts.
Selected artists will receive a stipend of $3,000 for the 2-year lease of their work ($1,500 upon installation, $1,500 upon de-installation). One piece of art will be purchased at the end of the installation to add to the city's permanent art collection.
The call for entries is open now through Oct. 8, 2020. Selected artists will be notified by Oct. 30 and installations will begin January 15-30, 2021. Artists may apply up to three (3) times with separate works. For questions regarding applications email firstname.lastname@example.org
. The application is online at https://artist.callforentry.org/festivals_unique_info.php?ID=8041
The Augusta Sculpture Trail is part of a larger Public Art Master Plan for the City of Augusta. It is intended to create a walkable art trail designed for promotion to attract local and regional visitors to the Downtown Augusta area.
Caldwell Arts Council (N.C.) seeks sculpture for outdoor sales gallery
[caption id="attachment_28645" align="alignright" width="200"] Raymond Giddens (Simpsonville), Cage Spinner[/caption]
The Caldwell Arts Council and the City of Lenoir, North Carolina, seek sculptors interested in participating in the outdoor sculpture sales gallery located on pedestals throughout downtown Lenoir. Tucker’s Gallery is a public/private partnership project between the city and the arts council.
This is an ongoing call; sculptures are placed in the gallery for one year.
Details and the application are available online, along with photos and prices of current sculptures.
To learn more about the Caldwell Arts Council, call 828-754-2486, email email@example.com or visit www.caldwellarts.com.
Image above: David Q. Sheldon (Asheville, NC), Arcane Mechanism
Sculpture by the late Mac Boggs on display at Chapman Cultural Center
Chapman Cultural Center has received the modern stainless steel sculpture, Chariot (pictured above), made by the late Mayo Mac Boggs, one of Spartanburg and South Carolina’s most noted artists. It is now displayed on Chapman’s campus, thanks to the artist’s widow, Ansley Boggs, Ed.D., an education professor at Converse College.
Created in 2005, the piece was first named Constellation. However, in 2010, during Boggs’s 40th year Retrospective Exhibition on the college campuses of Converse, Wofford, and USC-Upstate, he redubbed it Chariot. In recent years, the piece has been showcased at USC-Upstate’s library. Boggs passed away in March 2014.
Boggs had a long and celebrated career in the arts, after humble beginnings as the son of a welder in a Kentucky industrial city. In addition to his more than 40 years of teaching art at Converse College, he kept an active and productive career in creating art. Some of his noted achievements include receiving the 2013 Elizabeth O'Neill Verner Governor's Award for arts education, the highest arts award given in South Carolina; being named “Professor Emeritus of Art” by Converse College in 2013; and being named “Honorary Artist of Spartanburg” in 1991. Boggs’s art is included in the Presidential Libraries of Gerald Ford and Jimmy Carter. His work is located internationally in permanent collections of numerous corporations. In addition, he received many sculpture commissions for city parks, public libraries, college campuses, schools, local businesses, and private residences, one of which was for the home of author Lillian Jackson Braun.
Regarding his inspiration and preferred medium, Boggs once said: “The welded steel sculpture has remained a constant as my medium of expression. I love the look, feel, taste, smell and sound of steel. My great-grandfather was a blacksmith in Kentucky; both my grandfathers and my father were welders and steelworkers. I grew up watching steel pouring from the blast furnaces and the nightly spectacular display of slag being dumped from huge, railroad-sized crucibles. I walked the railroad tracks and picked up scrap metal that had fallen from freight cars. The ironworker’s material and process were an everyday part of my childhood in Ashland, Kentucky. I have taken this material and its process and made art, continuing a family tradition of ironwork.”
In his artist statement, dated March 2011, he wrote: “There are many things one can do to occupy his time while on this earth. I prefer to have non-verbal conversations with my soul. My art is the residue.”
Chariot can be viewed daily at Chapman Cultural Center.
Via: Chapman Cultural Center
Anderson Arts Center call for art – 41st Annual Juried Show and Partnership for Public Art: SculpTOUR
Beginning March 31, the Anderson Arts Center will accept entries for the 41st Annual Juried Show and Partnership for Public Art: SculpTOUR. Entries may be delivered between 10 a.m. to 4 p.m. until April 2. This year the event will offer more than $27,000 in prize money representing 50 awards.
“Besides our regular juried show we’re really excited to partner with the City of Anderson in having the public art sculpture component again this year,” explained Executive Director Kimberly Spears. "We hope to have at least six pieces installed in downtown Anderson in time for Art on the Town. The public art outdoor sculptures will chosen by a selection committee and will remain on view for a year.”
The show will open with a reception and awards ceremony beginning at 5:30 p.m. on Saturday, April 16. The show and month-long celebration of the arts offer several opportunities for artists' works to be seen and purchased, beginning with the Arts Center Members Preview and the M•ART•ket and concluding with the Art on the Town Gallery Crawl April 29. The gallery crawl will include outlets throughout downtown Anderson where additional pieces not in the juried show will be presented. Art on the Town’s Friday night events will include a party at Wren Park with music and entertainment and a children’s event on Saturday.
“Last year we had 270 artists and 500 submissions from South Carolina, Georgia, North Carolina, and Missouri artists and, hopefully, we’ll surpass that number this year," said Spears. "We’re always astonished at not only the variety of submissions, but also the quality of the work. It’s a real highlight of the Arts Center year. As always, we want the greater Anderson community to see the show and share the excitement!”
The juror for the annual show is Sandra Rupp, president and owner of Hampton III Gallery in Greenville. Rupp works with and/or represents more than 25 artists and organizes five to six gallery exhibitions a year. Hampton III Gallery focuses mostly on Southern artists, particularly those with a South Carolina connection. In addition to her gallery work, she assists museums in their programming and works with private and corporate collections.
Vist the Anderson Arts Center's website or call 864.222.2787 for a show prospectus or additional information.
Via: Anderson Arts Center
Visual art exhibition opportunities offered in North Charleston
Accepting applications for North Charleston City Gallery, City Hall, and other City sites.
The City of North Charleston Cultural Arts Department offers exhibition opportunities for serious visual artists, photographers, fine craft artisans, sculptors, and installation artists. Applications are now being accepted from individuals and groups to display original works at the North Charleston City Gallery, North Charleston City Hall, and other public sites for the July 2016 through June 2017 program calendar. There is no fee to apply. Selections are made by a review panel appointed by the department. Artists must apply online at www.northcharlestonculturalartsdpartment.slideroom.com by Monday, November 30, 2015 in order to be considered.
The North Charleston City Gallery, located in the common areas of the Charleston Area Convention Center Complex, offers great exposure for artists seeking to reach thousands of local patrons and out-of-state visitors to the multi-use facility. Exhibits are rotated on a monthly basis and may feature two or more artists concurrently. This exhibition opportunity is open to visual artists and artist groups creating two-dimensional works or three-dimensional works suited to hang on display rods provided. Pedestal and freestanding pieces cannot be accommodated in the venue. Exhibits are open to the public daily and admission is free. The gallery desk is managed by a Cultural Arts staff member on Thursdays, Fridays, and Saturdays for the express purpose of promoting the exhibit and sale of artwork, prints, note cards, and gift items.
As a civic venue, North Charleston City Hall allows for great visibility among residents and visitors. In addition to showcasing the City’s Public Art Collection along the atrium areas of three floors, the building is equipped to display two-dimensional works as well as pedestal or free standing pieces in an enclave on the second floor. Exhibits in this space are rotated on a monthly or bi-monthly basis and may be viewed by the public daily with no admission fee. Cultural Arts staff maintains offices on the same floor of the exhibit space and are available to assist visitors.
In addition to the City Gallery and City Hall, other indoor and outdoor display spaces are available throughout North Charleston. Applicants can propose a location or may contact the Cultural Arts Department to discuss possible exhibition or installation sites. Options will be reviewed with the artist prior to distribution of acceptance notifications.
For additional information about these and other exhibition opportunities or to learn more about programs and services offered by the City of North Charleston Cultural Arts Department, visit the Arts & Culture section of the City’s website at northcharleston.org, email firstname.lastname@example.org, or call 843-740-5854.
Via: City of North Charleston Cultural Arts Department
“Influential, less-familiar” blues singer Josh White to be honored with sculpture in Greenville
From The Greenville News
Article by Donna Isbell Walker
[caption id="attachment_21551" align="alignright" width="250"] Josh White on the CBS radio show “Back Where I Come From,” October, 1940. Photo: CBS Photo Archive/Getty Images[/caption]
Blues singer Josh White’s influence spanned continents and generations.
Before he became a musical innovator and civil rights activist, White was singing on the streets of Greenville to help ease his family’s desperate poverty. He left the Upstate as a teenager in the early 1930s. A decade later he became the first African-American entertainer to give a command performance at the White House.
Despite his million-selling single “One Meatball” and the postage stamp that bears his face, White’s name isn’t as familiar as those of other blues musicians. His impact, though, is undeniable. Musicians like Bob Dylan, John Fogerty and Jack White all were influenced by his Piedmont style of blues.
And now, a committee of Greenville residents is determined to keep White’s memory alive in his hometown. Soon, White, who died in 1969, will join such luminaries as Charles Townes, Joel Poinsett, “Shoeless” Joe Jackson and Peg Leg Bates with his own statue in downtown Greenville.
The same group that spearheaded the Bates statue is raising money to create a bronze sculpture depicting the phases of White’s life and career. When it’s completed, the three-paneled piece will be located on River Street, in the third phase of the Riverplace development.
The Peg Leg Bates sculpture, located at Spring and Washington streets, inspired the group to look for other artists whose impact extended far beyond the South Carolina border, but who were underrated or unsung, said committee member Dale Perry.
“We were trying to come up with names of people who had made contributions; who, to many people, are footnotes in history,” Perry said. “Rather than doing the headline historians, we wanted people who contributed to Greenville, although much of it, like Peg Leg Bates, was done from New York and around the world. ... And Josh White was a name that people kept talking about.”
White also is a subject of artist Jacob Lawrence’s “The Migration Series,” now on exhibit at New York’s Museum of Modern Art; his work linked with that of author Richard Wright and singer Billie Holiday.
But closer to home, White will be memorialized on a bronze-relief triptych, six feet tall by eight feet wide, on a base of black granite.
The city’s Arts in Public Places Commission has pledged $25,000 in matching funds for the project, estimated to cost between $122,000 and $125,000. Organizers hope to unveil the sculpture in early 2017.
Sculptor Joseph Thompson, chairman of the visual arts department at the South Carolina Governor’s School for the Arts and Humanities, designed the piece.
Each panel will represent a phase of White’s life and career. The left panel will be dedicated to the White’s early years in Greenville. The center panel focuses on “the apex of his career,” particularly White’s years in Europe, Thompson said. And the right-hand panel will explore White’s activism and civil rights work, including his blacklisting by the anti-Communist House Un-American Activities Committee.
Flowing through each panel is a ribbon-like image, connecting the phases of White’s life and calling to mind the Reedy River as a symbol of Greenville.
“I have been interested in some time in relief sculpture, and we don’t have a great deal of relief sculpture in Greenville,” Thompson said. “The relief sculpture is useful because it has an opportunity to create a narrative and to use imagery in an artistic and poetic way and relate that to the person you want to commemorate.”
The components are linked by a nuts-and-bolts structure that connects the piece to Greenville’s textile history and “the grittiness of Greenville in the early 20th century,” Thompson said.
The rear of each panel will feature more text exploring Piedmont blues, as well as the role of blues in the evolution of rock ’n’ roll.
“We’re able to see how the richness of the black community has contributed to the richness of the culture that we have today,” Thompson said. “And that’s why I’m excited about it.”
Sean Scoopmire, vice chairman of the city’s Arts in Public Places Commission, is excited that such an influential yet less-familiar person will be honored.
“It’s really wonderful that the citizens committee is working so hard to remember Josh White,” Scoopmire said. “This is a story that I didn’t know about until they presented it to me. I think it’s a story that a lot of people didn’t know about. And it is something that’s an incredible part of Greenville’s past.
“Really, Josh White overcame an incredible amount of adversity in his life, growing up in the Sterling community, and he rose to international fame as a musician in the mid-20th century.”
For information about contributing to the non-profit organization raising money for the Josh White sculpture, call 864-282-3694
Mauldin announces first public art trail installation
The City of Mauldin’s Office of Cultural Affairs announces the selection of the first installation along the Mauldin Public Art Trail. Central, S.C., artist Joey Manson’s sculpture,“The Depot” has been selected by the Mauldin Cultural Council and approved by the city. The steel sculpture, which will measure 12 feet tall, eight feet wide and eight feet deep, will be fabricated and installed in the next few months.
Manson developed the sculpture concept by combing through the history of Mauldin and embracing the theme for this year’s program, “Crossroads." Manson's description of the artwork:
The theme of ‘Crossroads’ led me to research the history of the area and the origins of Mauldin. I discovered a map describing Mauldin’s historical borders drawn as a circle with a 1/2 mile radius centered on the original train depot. I became interested in this circular border and the crossroads formed by 107 [East Butler Road] intersecting with 276 & the railroad. The resulting shape I also found to resemble that of an impeller or a propeller, an object of great importance to the economy of Mauldin over the years. They were first found producing power from the river at nearby mills and then during WWII powering airplanes at [Donaldson Center] Air Force Base. The theme of crossroads thus led me from the roads and railway that first gave rise to Mauldin to the modern industry and development that encircles Mauldin and drives today’s economy. I added the curved, green beams to symbolize these dynamic forces that surround and connect Mauldin today. The grey beam I see as the railroad, still present, running straight through town and still working today.
The artwork is the first iteration of a new public art program in Mauldin approved in December 2014. The Mauldin Public Art Trail is an annual program that will feature nine unique pieces of public art around the perimeter of the Mauldin Cultural Center’s outdoor amphitheater that are replaced every 10 years.
Each year the Mauldin Cultural Council, a nonprofit arts organization that supports artistic efforts around the community and at the Mauldin Cultural Center
, will select a new work to fill one of nine predetermined slots around the amphitheater. Each selection is guided by a special theme for that year, and the program is open only to South Carolina artists. After all slots are filled, the oldest piece gets replaced every year and the “retired” artwork is relocated to another area in the community permanently.
“It’s a really unique program that allows us to work with numerous artists from across the state and have them interact with our community,” says George Patrick McLeer, administrator for the Office of Cultural Affairs. “We were very impressed by Manson’s interpretation of this year’s theme and the way he incorporated our community’s history into his work. We’re very proud and excited to have this piece be the first of many artwork installations to come."
The deadline for installation is April 2016, although McLeer expects the sculpture to be in place as early as late fall 2015.
The City of Mauldin is located in the Upstate of South Carolina and in the heart of Greenville County. It is the 17th
largest city in South Carolina and one of the fastest growing cities in the state. Mauldin was first charted in 1820 and has grown to a population of almost 25,000. More information about the City of Mauldin can be found online at www.cityofmauldin.org
Via: City of Mauldin Office of Cultural Affairs