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Examining the life and artistry of enslaved S.C. potter David Drake

On Sunday, Feb. 19, the Peace Center will host what may be the year’s best opportunity to celebrate the art and lives of South Carolina’s most distinguished Black artists, both living and deceased.

S.C. Governor’s Award recipient and poet Glenis Redmond, joined by MacArthur Fellow and literary historian P. Gabrielle Foreman, will lead a discussion of the collaborative book, Praise Songs for Dave the Potter. Featuring the art of internationally acclaimed Gullah painter Jonathan Green and Redmond’s poetry, Praise Songs for Dave the Potter examines how South Carolina slave David Drake has inspired visual artists and poets who claim him as an artistic ancestor. One of the country’s most accomplished 19th century potters, David Drake was a South Carolina slave in the Edgefield District. His pots—many inscribed with song and verse—are treasured artifacts by collectors and museum curators across the U.S. Redmond and Foreman will lead a discussion of Praise Songs, and books will be available for purchase and signing afterward. Tickets are $15 and all are welcome. Click here for more information.

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The Met announces exhibition of Black S.C. potters this fall

Manhattan to get look at 19th-century Edgefield pottery

While we're talking Edgefield potters today, The Hub has learned exciting news: the exhibition Hear Me Now: The Black Potters of Old Edgefield, South Carolina opens at The Metropolitan Museum of Art on Sept. 9, 2022.

(Yes, that Met.) Focusing on the work of African American potters in the 19th-century American South, in dialogue with contemporary artistic responses, the exhibition presents approximately 50 ceramic objects from Old Edgefield District, South Carolina, a center of stoneware production in the decades before the Civil War. It will include monumental storage jars by enslaved and literate potter and poet David Drake alongside rare examples of the region’s utilitarian wares, as well as enigmatic face vessels whose makers were unrecorded. Considered through the lens of current scholarship in the fields of history, literature, anthropology, material culture, diaspora, and African American studies, these 19th-century vessels testify to the lived experiences, artistic agency, and material knowledge of enslaved peoples. The exhibition is made possible by Kathryn Ploss Salmanowitz, The Met’s Fund for Diverse Art Histories, the Terra Foundation for American Art, Anthony W. and Lulu C. Wang, The Peter Jay Sharp Foundation, and the Henry Luce Foundation. It is organized by The Metropolitan Museum of Art and the Museum of Fine Arts, Boston. The exhibition is to run until Feb. 5, 2023. From personal experience, fall and the holidays are wonderful times to visit the Big Apple. For the record, you can get direct flights to New York from CAE (LGA), CHS (JFK, LGA), CLT (JFK, LGA), GSP (LGA), and MYR (LGA). (Yes, we know EWR is a thing. Don't @ us.)
Exhibition overview from The Met While predominant explorations of American enslavement focus on agricultural production, this project offers a novel view of slavery in the industrial context by highlighting and celebrating works by African American potters from the period. Featuring many objects never before seen outside of the South, Hear Me Now is the first exhibition of its kind to originate in the Northeast that focuses on the contributions of enslaved potters, shining a light on one of the most brutal periods in American history. Augmented by a scholarly publication, robust audio content, and new scientific research, Hear Me Now represents a critical contribution to the field of American art. It aspires to link past to present, in part by including the work of leading contemporary Black artists who have responded to or whose practice resonates with the Edgefield story, such as Simone Leigh, Adebunmi Gbadebo, Woody De Othello, Theaster Gates, and Robert Pruitt.
  • The catalogue is made possible by the William Cullen Bryant Fellows of The Metropolitan Museum of Art.
  • Additional support is provided by Bridget and Al Ritter.
  • The Audio Guide is supported by Bloomberg Philanthropies.
  • Education programs are made possible by Thelma and AC Hudgins.
Following the exhibition’s debut at The Met, it will travel to:
  • the Museum of Fine Arts, Boston (March 6-July 9, 2023),
  • the University of Michigan Museum of Art, Ann Arbor (Aug. 26, 2023-Jan. 7, 2024),
  • and the High Museum of Art, Atlanta (Feb. 16-May 12, 2024).
The exhibition is co-curated by Adrienne Spinozzi, associate curator of American Decorative Arts at The Met; Ethan Lasser, John Moors Cabot chair of the Art of the Americas at the MFA; and Jason Young, associate professor of history at the University of Michigan. A group of artists and scholars were engaged in the planning of the exhibition. Learn more on The Met's website and it's social media channels: FacebookInstagram, and Twitter.

Jason Rapp

S.C. Arts Awards Spotlight Series: Justin Guy

Folk Heritage Award: Artist Category

As the day nears for the 2022 South Carolina Arts Awards, The Hub is focusing on this year's recipients: four receiving the South Carolina Governor's Awards for the Arts and three receiving the Jean Laney Harris Folk Heritage Award, which are managed jointly by the South Carolina Arts Commission and McKissick Museum at the University of South Carolina.

From his roots in the Trenton area of Edgefield County, Justin Guy has achieved acclaim as a potter after working in the craft more than 30 years.

Fascinated by the pottery from a young age, he graduated from the University of South Carolina, earning a Bachelor of Fine Arts with a focus on ceramics. After school he was artist-in-residence at Taiwan’s Tainan National University for the Fine Arts, where he learned Taiwanese and other Asian ceramic processes, specifically as they relate to the tea cultures in Japan, Korea and Taiwan. Additional travels across the U.S. and Europe yielded further revelations a professional ceramicist should know. Guy returned to South Carolina and began a teaching career in higher education institutions, serving multiple times at UofSC Aiken with stops at Columbia College, and Piedmont Technical College in between. Additional artist residencies during his career include the McKissick and South Carolina State museums, the Columbia Museum of Art, and area schools. His works have received honors in multiple instances of the Palmetto Hands Fine Craft Competition and Exhibition and the South Carolina State Fair. Guy is currently the master potter of the Phoenix Factory’s Old Edgefield Pottery, which has produced pottery in South Carolina for more than 200 years. [caption id="attachment_50262" align="aligncenter" width="849"] Justin Guy, center, receives the Folk Heritage Award May 18, 2022 from David Platts of the SCAC and Jane Przybysz of McKissick Museum at UofSC. Click image to enlarge. SCAC photo.[/caption]
The South Carolina Arts Awards are coming live to SCETV on Monday, June 13, 2022 at 9 p.m. ET. South Carolina ETV, the state’s public educational broadcasting network, will broadcast the awards ceremony through its 11-station TV network that spans the state. Viewers can access the broadcast via livestream on the homepage of SCETV.org; by using a digital antenna; or through cable, satellite, and streaming live TV providers. Further information about accessing SCETV is available here.

Jason Rapp

Announcing three 2022 Folk Heritage Awards recipients

for immediate release

COLUMBIA, S.C. – In 2022, the Jean Laney Harris Folk Heritage Awards will be presented by the General Assembly to three recipients being honored for work keeping the state’s traditional art forms alive.

Two practicing artists and one arts advocate will be recognized as ambassadors of traditions significant to communities throughout the state. Their traditions embody folklife’s dynamic, multigenerational nature and its fusion of artistic and utilitarian ideals. The 2022 recipients are:
  • Justin Guy (Edgefield): Artist, Traditional alkaline-glazed stoneware pottery
  • Ann Phillips (Sumter): Artist, Quiltmaking
  • Duncan Rutherfurd (Aiken): Advocacy, custom knifemaking
The Jean Laney Harris Folk Heritage Award is named for the late State Rep. Jean Laney Harris of Cheraw, respected as an outspoken advocate and ardent supporter of the arts and cultural resources of the state. Up to four artists or organizations and one advocate may receive awards each year. The program is managed jointly by the South Carolina Arts Commission (SCAC) and the University of South Carolina McKissick Museum. Community members make nominations to recognize exemplary artistic achievement/advocacy. An independent advisory panel appointed by the lieutenant governor and president of the Senate select the recipients, who must be living and practicing in the state. As McKissick Museum Executive Director Jane Przybysz notes, “This year’s recipients in the artist category have become masters of longstanding South Carolina traditional arts. The practice of turning stoneware from local clays dates to the first decade of the 19th century in Edgefield, South Carolina. And we know that—by the time the Sumter Agricultural Association was offering a premium of $2 for the best patchwork quilt in 1852—quiltmaking was a well-established craft in South Carolina communities. For centuries, South Carolina’s blacksmiths kept alive the knowledge of metalworking that enabled them to craft knives among the myriad of other tools famers relied upon. This year’s folklife advocate has worked to amplify the revival of custom knifemaking that arose in response to our citizens’ continued love of the outdoors.” “The recipients of this year’s Folk Heritage Awards embody not only South Carolina’s rich artistic traditions, but also our broad diversity as a people and society,” South Carolina Arts Commission Executive Director David Platts said. “Their crafts – now recognized as art forms in their own right – represent an important connection to, and recognition of, South Carolina’s cultural past. At the same time, they remain an integral and vibrant part of communities across the Palmetto State today. These artists do exceptional work that enriches the lives of all South Carolinians, and for that we are all fortunate and grateful.” Recipients of the Jean Laney Harris Folk Heritage Awards and South Carolina Governor’s Awards for the Arts are honored during a video presentation of the South Carolina Arts Awards. The SCAC and McKissick Museum are finalizing plans for the 2022 awards and will announce details on a later date.

About the 2022 Jean Laney Harris Folk Heritage Award Recipients

Justin Guy | Edgefield | Artist, Traditional alkaline-glazed stoneware pottery From his roots in the Trenton area of Edgefield County, JUSTIN GUY has achieved acclaim as a potter after working in the craft more than 30 years. Fascinated by the pottery from a young age, he graduated from the University of South Carolina, earning a Bachelor of Fine Arts with a focus on ceramics. After school he was artist-in-residence at Taiwan’s Tainan National University for the Fine Arts, where he learned Taiwanese and other Asian ceramic processes, specifically as they relate to the tea cultures in Japan, Korea and Taiwan. Additional travels across the U.S. and Europe yielded further revelations a professional ceramicist should know. Guy returned to South Carolina and began a teaching career in higher education institutions, serving multiple times at UofSC Aiken with stops at Columbia College, and Piedmont Technical College in between. Additional artist residencies during his career include the McKissick and South Carolina State museums, the Columbia Museum of Art, and area schools. His works have received honors in multiple instances of the Palmetto Hands Fine Craft Competition and Exhibition and the South Carolina State Fair. Guy is currently the master potter of the Phoenix Factory’s Old Edgefield Pottery, which has produced pottery in South Carolina for more than 200 years. Ann Phillips | Sumter | Artist, Quiltmaking For centuries, South Carolina women have contributed to their communities artistically, culturally, and socially through the making of quilts. Though Alabama born, ANN PHILLIPS of Sumter is a 40-year contributor herself. As a child, seated under her mother’s quilt frame, she threaded needles and learned to make a secure knot. However, she didn’t begin quilting until her husband’s military job landed the Phillipses in Sumter; Phillips felt their new country home needed quilts. Central to her approach is taking a traditional quilt block pattern and using it in a new way to great visual effect. Phillips has shown immense creativity and elevated the artistry of quiltmaking. She will change the set of a block, put it on point, or frame it with multiple borders or use non-traditional fabrics and colors with the same pattern. Quilting groups in South Carolina invite her for trunk shows and presentations to demonstrate taking a traditional, simple quilt block design and doing something new with it. Phillips’ work is regularly included at the South Carolina State Fair, and she shares her skill in her community: Through partnerships at her church, she assists in making quilts for a Sumter pregnancy center, all babies born to Shaw Air Force Base families, and for area assisted living centers. Duncan Rutherfurd | Aiken | Advocacy, Custom knifemaking The gift of a knife to elementary-aged DUNCAN RUTHERFURD sparked an interest that resulted in tireless dedication to raising public awareness and appreciation of South Carolina’s knifemaking tradition. Rutherfurd is an encyclopedia of information on knifemakers in the state, though he is not one himself, and today’s knifemakers have him to thank for advocacy efforts that keep the tradition strong. Knifemaking, though specialized, has roots in blacksmithing—an essential trade for the farmers of a state dominated by agriculture. Though blacksmithing is no longer widespread anywhere, knifemaking proliferates in South Carolina because of Rutherfurd’s modernizing influence. In late 1970’s he helped organize and promote a knife show for the Aiken Arms Collectors Association. At the time, such shows were the primary way makers reached large audiences. At one of those early shows, while exhibiting his vast collection of South Carolina knives (which he still does today), he conceived of what became the South Carolina Association of Knifemakers (SCAK), a network of support and learning as makers and marketers during the pre-internet 1980’s and 1990’s. As internet usage exploded, Rutherfurd used his IT background to mentor SCAK members on using it to market their wares and themselves as makers. SCAK members recognized Rutherfurd’s tremendous contributions to South Carolina’s knifemaking community with an honorary membership. He served as an advisor to McKissick Museum’s curatorial team on the exhibition Carolina Knives: The Roots of a Revival in 2021. Rutherfurd’s collection was core to one of its storylines and provided a bridge between the older generation of knifemakers and a new generation, which recently organized the South Carolina Custom Knifemakers’ Guild.
About the University of South Carolina McKissick Museum The University of South Carolina’s McKissick Museum tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30 a.m. to 5 p.m. Monday through Friday, 11 a.m. to 3 p.m. Saturdays. The Museum is closed Sundays and university holidays. For more information, please call at 803.777.7251 or visit https://sc.edu/study/colleges_schools/artsandsciences/mckissick_museum/.
About the South Carolina Arts Commission The mission of the South Carolina Arts Commission (SCAC) is to promote equitable access to the arts and support the cultivation of creativity in South Carolina. We envision a South Carolina where the arts are valued and all people benefit from a variety of creative experiences. A state agency created by the South Carolina General Assembly in 1967, the SCAC works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in four areas: arts learning, community and traditional arts, artist development, and arts industry. Headquartered in Columbia, S.C., the SCAC is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts, and other sources. Visit SouthCarolinaArts.com or call 803.734.8696, and follow @scartscomm on Facebook, Instagram, and Twitter for #Arts4SC and #SCartists content.
South Carolina Arts Commission News Release, Media Contact: Jason L. Rapp, Communications Director. jrapp@arts.sc.gov or 803.734.8899

Jason Rapp

Edgefield County pottery studio seeks new members

Get fired up.


Ridge Clay Arts is a new pottery studio located in Johnston. The studio currently has spaces available for new members who need a studio in which to create pottery. Studio memberships provide a shared space in which to create, a happy pottery community, kilns, glazes, slab rollers, pottery wheels and tools. Our studio also has a gallery that members can sell their wares, as well as an online store. Interested experienced potters can call the studio for more information: 803.334.7060.

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Tuning Up: SCAC fellow’s new play to debut + Camden gallery’s season opens

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


SCAC fellowship recipient to debut new play. “Boy About Ten” will debut Aug. 17 and run until Aug. 25 on the Thigpen Main Stage at Columbia’s Trustus Theatre. It is playwright Dr. Jon Tuttle's sixth world premier at Trustus, where he is resident playwright. Tuttle received the SCAC's fellowship for playwriting in 2000. Read more on "Boy About Ten" and Tuttle from the Morning News/SC Now. Bassett Gallery opens new season. "Tuning Up" is happy for a quick check-in just up U.S. 1 in Camden, where grantee the Fine Arts Center is set to open the 2018/2019 Bassett Gallery season on Thursday night. Camden artist Dot Goodwin's exhibition "Life with HeART" is first up. Spartanburg 1 touts ABC Project grants. Spartanburg School District 1 scored the largest percentage of ABC — Arts in Basic Curriculum — grant funding of any district in the state, according to the Herald-Journal. The total amount headed to the district is $67,000 distributed among seven district schools. Thanks for promoting your grant!
[caption id="attachment_34666" align="alignright" width="251"] The world-famous Hub Calls for Art Megaphone.[/caption] ICYMI: Calling all potters! The Macon (Ga.) Arts Alliance would like to share with you Fired Works 2019 Regional Ceramics Exhibition and Sale featuring 60 potters from Georgia and the Southeast to be held April 5-14, 2019 in ... Macon, Georgia. The entry fee and exhibition are free to the exhibitors. Get, ahem, fired up! Hard details here. Let's show them what #SCArtists can do! (The deadline is Dec. 1, so we'll remind you once or twice between now and then.)

Tuning Up: Theatre company grants + call for potters + PAE

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Theatre company grant opportunities. Southeastern Theatre Conference is offering two grants for non-academic professional theatre companies – one for current SETC organizational members and one for non-member organizations. Applications for 2018/2019 grants are being accepted from now through Aug. 3, 2018. Click here for more information. [caption id="attachment_34666" align="alignright" width="251"] The world-famous Hub Calls for Art Megaphone.[/caption] Calling all potters! The Macon (Ga.) Arts Alliance would like to share with you Fired Works 2019 Regional Ceramics Exhibition and Sale featuring 60 potters from Georgia and the Southeast to be held April 5-14, 2019 in ... Macon, Georgia. The entry fee and exhibition are free to the exhibitors. Get, ahem, fired up! Hard details here. Let's show them what #SCArtists can do! (The deadline is Dec. 1, so we'll remind you once or twice between now and then.) Performing Arts Exchange. The early-bird registration deadline for South Arts' Performing Arts Exchange (Oct. 1-4, Orlando, Fla.) is a week away. They've got a solid Juried Showcase lineup, and are adding a folk and traditional arts American Sounds showcase. Don't miss out!

Making art to feed the hungry: Hub City Empty Bowls 2016

Hub City Empty BowlsHub City Empty Bowls is gearing up for Soup Day, its annual arts-based fundraiser to feed hungry people in Spartanburg County. Each year, the public is invited to make the hand-crafted pottery bowls that are featured on Soup Day. Three bowl-making events are scheduled:

  • Saturday, July 16, 10 a.m.-noon and 1-3 p.m. in Spartanburg Art Museum’s studios at Chapman Cultural Center
  • Thursday, July 21, 6-8:30 p.m. at West Main Artists Co-Op
  • Saturday, Aug. 27, 10 a.m.-noon and 1-3 p.m. in Spartanburg Art Museum’s studios at Chapman Cultural Center.
These free, family-friendly events provide the experience of working with clay at any level of experience, including no experience. The clay, facilities, and instruction are all donated. Members of Carolina Clay Artists and volunteers will be on hand to instruct participants in bowl-making techniques. “People look forward to our bowl-making events every year,” said Nancy Williamson, publicity leader for Carolina Clay Artists. “I see some of the same faces and families come back each year. It’s fun, easy, creative, free, and, of course, it is for a good cause. I am truly amazed at some of the raw talent I see. Even more amazing is to see all the finished bowls laid out on Soup Day for the public to take home. It’s almost like an art exhibit – a huge art exhibit with every color of the rainbow and shape imaginable.” Soup Day takes place Oct. 15 from 11 a.m. to 4 p.m. at the Chapman Cultural Center. For every $15 donation, a donor gets to keep a bowl of his or her choice and enjoy a simple meal of soup, bread, and tea. Patrons can enjoy soup donated by some of the best restaurants in Spartanburg, listen to live music and share in the fellowship of helping to feed local citizens. A silent auction of donated items and a drum circle are part of the event. TOTAL Ministries will receive the proceeds to help feed the needy in Spartanburg County. Last year’s campaign allowed Hub City Empty Bowls to make an all-time high donation of $26,000 to TOTAL Ministries. Empty Bowls was started by a high school teacher in Michigan in 1990 as a student project to help feed the needy and has grown into an international phenomenon. There are hundreds of Empty Bowls projects around the world, raising millions of dollars to feed the hungry. Each Empty Bowls organization is independent and self-governed. 2016 marks the eighth year that Carolina Clay Artists has spearheaded the Spartanburg effort. Thus far, this year’s sponsors are Spartanburg Regional Foundation Healing Arts Fund, Carolina Clay Artists, West Main Artists Co-Op, Action Printing, Milliken & Company, Wheresville Productions, Chapman Cultural Center, Spartanburg Art Museum, and Chris Williams. The project is seeking more sponsors: companies and individuals willing to donate funds; restaurants to donate soup, bread, and tea; other businesses to donate eating utensils; individuals and businesses to donate silent auction items; and potters to make the bowls. Those willing to donate should contact Traci Kennedy at Director@TotalMinistries.org or (864) 585-9167. For more information about TOTAL Ministries, visit TotalMinistries.org. Hub City Empty Bowls, a component fund of the Spartanburg County Foundation, was established to increase awareness about the issues of hunger and food insecurity and to help local organizations fight hunger. For more information, visit HubCityEmptyBowls.com or Hub City Empty Bowls on Facebook. Via: Hub City Empty Bowls  

All levels of ability and experience welcome at 2016 S.C. Clay Conference

Registration deadline is Feb. 5. SC Clay ConferenceMaking Clay Personal is the theme of the second annual South Carolina Clay Conference, taking place Feb, 26-28, 2016, at the Newberry Firehouse Conference Center in Newberry, S.C. Presenters Michael Sherrill, Glenda E. Guion and Bill Griffith will take attendees through the journey of creating objects in clay that are uniquely personal and expressive of the individual artist. All levels of ability and experience are invited to attend. “I hope that the topic of making clay personal will open a dialogue about sorting out what is important to the clay artist when, at times, the choices seem endless,” says Guion. “We are bombarded with visual images and fragmented thoughts on a daily basis, either through our physical experiences or the new 'virtual realities.' Regardless of the clay material resources or the artist experience, trusting your gut instincts to develop a personal visual language for your work can be the most challenging part of creating the work.” Sherrill and Guion will take the stage on Friday and Saturday to demonstrate their work while interacting with attendees, answering questions and offering inspiration for finding a personal clay voice. On Sunday, Griffith will introduce attendees to the personal journeys of many well-known clay artists. “As makers, we often can reach a point when we become disengaged with our work and feel a need to change technically or aesthetically using new materials, forms and or content,” says Griffith. “Why and when does this occur and how and where do we find inspiration and motivation to make this meaningful shift? My lecture will include images and testimonials from several well-known ceramic artists who have experienced this transition, along with their personal thoughts and perhaps some helpful suggestions." The conference is presented by the Newberry Arts Center, which is a part of the City of Newberry Parks, Recreation and Tourism Department. “Our goal in having a yearly conference is to bring together clay artists and potters from across South Carolina in an effort to build a stronger clay community," says conference organizer Marquerite Palmer. "By joining together once a year, we gain knowledge from collaborative conversations, share upcoming workshop information statewide, and discuss individual challenges and successes. Through interaction, communication and education, we hope to move clay forward for the benefit of all S.C. clay artists and potters.” All conference attendees, amateur and professional, are encouraged to bring pottery and sculpture to sell at the 2016 S.C. Clay Conference Pottery Sale. The sale is open to the public and advertised throughout the state. A small percentage of sales is used to support the Newberry Arts Center and the conference. Art work from this year’s presenters will also be available for sale. Some of Newberry’s top restaurants will provide food for meals, the reception and the Saturday night barbecue. Coffee, drinks, snacks and more are also included in the registration fee. Several vendors will be displaying their pottery-related items as well as offering demonstrations and information. Registration is $225 for attendees and $125 for students. For more information and or to register, visit www.southcarolinaclayconference.com or contact Marquerite Palmer, mpalmer@cityofnewberry.com, (803) 321-1015. The South Carolina Clay Conference’s purpose is to assist in the growth and direction of South Carolina potters through presentation, demonstration, and networking opportunities. Conference organziers seek to create a flourishing clay community in the state of South Carolina, with the aspiration to move clay forward. Via: S.C. Clay Conference  

Exhibition opportunities for fine artists and photographers during North Charleston Arts Festival

The 2015 North Charleston Arts Festival, taking place May 1-9, offers excellent exhibition opportunities for fine artists and photographers ages 18 and up, including the annual North Charleston Arts Festival Art Walk and Judged Fine Art and Photography Competitions & Exhibitions. The Art Walk, set for Wednesday, May 6, in the Olde Village area of North Charleston, provides a fun and casual setting for artists to both display and sell their work. Entries for the judged competitions may compete for ribbons and cash prizes and will be on display throughout the festival at the Charleston Area Convention Center Complex, located at 5001 Coliseum Drive in North Charleston. Complete details and entry instructions for all exhibition opportunities are available for download at NorthCharlestonArtsFest.com/apply. Art Walk Local fine artists, fine craft artisans, photographers, and sculptors are invited to exhibit and sell their original works during the Arts Festival's Art Walk. From 5 - 8 p.m. on Wednesday, May 6, paintings, photography, pottery, jewelry, sculpture, and more in a full range of styles will be displayed along the sidewalks and within a number of local businesses and restaurants in the Olde Village area of North Charleston. Other Art Walk offerings include live music, art demos, and kid’s activities, creating a festive evening of art and culture for the whole family to enjoy. Artists are selected to participate in the Art Walk through a juried application process. There is no fee to apply. Sales of originals, prints, notecards, and other small works are welcome and selected artists may also offer their own original brochures, business cards, and supplemental handouts. Display screens can be furnished by the Cultural Arts Department at no charge to assist the artist in presenting his/her work. Display equipment for 3D artwork is available on a limited basis. The deadline for submission of applications for the Art Walk is April 20, 2015. Applications may be emailed to culturalarts@northcharleston.org, mailed to the City of North Charleston Cultural Arts Department at PO Box 190016, North Charleston, SC 29419, or hand-delivered to the Cultural Arts office on the 2nd floor of North Charleston City Hall, located at 2500 City Hall Lane in North Charleston. Judged Fine Art Competition & Exhibition Fine artists are invited to enter original work into the annual North Charleston Arts Festival Judged Fine Art Competition & Exhibition and compete for cash prizes totaling up to $4,675. Submissions are accepted in five categories: acrylic, oil, drawing/pastel, watercolor, and mixed media. Awards will be at the sole discretion of the judge, Wim Roefs, an independent curator, author, art consultant, exhibition designer, and owner of The if ART Gallery in Columbia, SC. Roefs is the chairman of the board of Columbia's 701 Center for Contemporary Art (701 CCA) and was the organization's founding volunteer executive director from 2008-2013. He chairs the curatorial team for 701 CCA and has curated dozens of exhibitions for his own gallery and art institutions throughout South Carolina and beyond. Fine art entries will be accepted at the Charleston Area Convention Center on Wednesday and Thursday, April 29 and 30, from noon to 7 p.m., as well as Friday, May 1, from 9 a.m. to noon. Artists may enter any combination of categories with a maximum of four entries in one or more categories. A non-refundable fee of $10 per entry is due at drop-off. Judged Photography Competition and Exhibition Professional and amateur photographers are invited to enter original prints into the annual North Charleston Arts Festival Judged Photography Competition & Exhibition and compete for cash prizes totaling up to $2,175. Submissions will be accepted in the Professional/Advanced division or Amateur division under the categories of color, monochrome, or digitally enhanced. Judging and awards will be based on the Photographic Society of America Print Guidelines. Three competent judges in the field of photography will score entries using the 3-9 range of scores. Each judge will evaluate each entry as a whole, considering the areas of impact, composition, and technique. However, there is no specific weighting or allotment of points for each category. This system is used efficiently and effectively by many arts councils, at international exhibitions, and by camera clubs. It allows an adequate qualitative separation of entries while lessening the potential for a large number of the higher scoring entries having identical scores. In the event of a tie-breaker, judges will choose the winning entry. Photography entries will be accepted at the Charleston Area Convention Center on Wednesday and Thursday, April 29 and 30, from noon to 7 p.m. Artists may enter any combination of categories with a maximum of four entries in one or more categories. A non-refundable fee of $5 per entry is due at drop-off. The Judged Fine Art and Photography Exhibitions are free and open to the public throughout the North Charleston Arts Festival. Viewing times are Saturday, May 2, 10 a.m.–4 p.m.; Sunday, May 3, 2 –5 p.m.; Monday through Friday, May 4-8, 9 a.m.–5 p.m.; and Saturday, May 9, 9 a.m. – noon. Awards for 1st place, 2nd place, 3rd place, and Honorable Mentions in each division and category for both the Judged Fine Art and Judged Photography Competitions will be announced at an artist reception on Friday, May 1, from 6 - 7 p.m. at the Charleston Area Convention Center. Musical entertainment will be provided by David Archer and Abe White and the public is welcome to attend. The North Charleston Arts Festival, scheduled May 1-9, is one of the most comprehensive arts festivals in the state, providing thousands of residents and visitors with an array of nearly 200 performances, exhibitions, and activities. The Main Event, held May 2 and 3 at the North Charleston Performing Arts Center and Charleston Area Convention Center, offers free admission and parking to more than 40 performances on four stages, exhibitions, a gem and mineral show, an antique show, children’s activities, art and crafts booths, and a food courtyard. The Arts Festival continues with free and moderately priced ticketed events throughout the week at various locations and concludes with fireworks over the Cooper River at the Grand Finale at North Charleston Riverfront Park. For more information about the North Charleston Arts Festival, or to download the Art Walk application or entry instructions for the Judged Fine Art and Photography Competitions & Exhibitions, visit NorthCharlestonArtsFest.com. For more information about other exhibition opportunities offered by the City of North Charleston Cultural Arts Department, visit the Arts & Culture section of the City’s website, northcharleston.org, or call 843-740-5854. Via: City of North Charleston Cultural Arts Department