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Jason Rapp

#SCartists: Make a living with your art form

Introducing the Artist Entrepreneur Incubator

Image of a tandem skydive, midflight as the parachute deploys. Text says, Take the leap. You can make a living with your art. Introducing the Artist Entrepreneur Incubator.

The Artist Entrepreneur Incubator (AEI) is a series of monthly discipline-based interactive workshops for artists who are interested in transitioning their craft into a business.

Workshops are led by artists of all disciplines, arts consultants, and educators. They’ll include information on basic business, licensing, marketing, contracts, and identifying resources for support and sustainability. Nominal fees apply, but there are exceptions. Learn more here.
The AEI virtual series is a collaboration between the South Carolina Arts Commission and One Columbia for Arts and Culture. It’s available to artists across disciplines who live and work throughout South Carolina.

AEI Dates and topics

  • 9/21/21: Better Business for Creatives In conjunction with the Columbia Office of Business Opportunities. This workshop is a prerequisite for any further participation. Sign up today!
  • 10/5/21: Hit the Right Notes: Music
  • 11/9/21: Going Public: Public Art
  • 12/7/21: Become a Media Darling: Multimedia
And more to come!

Submitted material

Office manager arts job open in Columbia

APPLICATION DEADLINE: Friday, July 31, 2021


One Columbia for Arts and Culture is hiring for the position of office manager.

  • Location: Columbia, SC
  • Employee Type: Full Time
  • Salary Range: $32,000-35,000 based upon experience

Position Scope and Objectives

One Columbia for Arts and Culture, a 501(c)3 organization that promotes collaboration and celebrates the arts and historic preservation community in Columbia, seeks an office manager for a paid, full-time position. The selected candidate will perform administrative duties including email messaging, social media, daily financial and organizational record keeping, event calendar moderation, project administration and volunteer coordination. Other duties may be required as assigned by the executive director. This is a moderately supervised position and supervisor will provide on-the-job training regarding specific duties.

Necessary Skills and Expertise

  • Bachelor’s degree, Associate’s degree and 2 years of experience, or a high school diploma and 4 years of experience
  • Strong administrative skills including typing, writing, and editing
  • Ability to effectively communicate with the general public and provide positive customer service
  • Excellent verbal presentation, written communication and organizational skills
  • Experience with Microsoft office, including Word and Excel required.
  • Email messaging, social media, HTML, Adobe Creative Suite and Quickbooks experience required
  • Experience in non-profit organizational operations preferred
  • Grant writing and grant administration experience is a plus
  • Ability to manage multiple projects simultaneously and to thoughtfully respond to shifting priorities
  • Respect for and ability to maintain confidentiality of sensitive information
  • Availability to work some evenings and weekends
  • An understanding of and appreciation for art and history

Application process

Send cover letter and resume to jobs@onecolumbiasc.com by July 31, 2021. One Columbia for Arts and Culture does not discriminate on the basis of age, race, religion, color, sex, national origin, marital status, sexual orientation, class, creed, physical or mental disability.

Submitted material

Columbia-area artist directory opens

If you're interested in learning more about or connecting with other creatives in the Midlands region, there's a new resource.

Thanks to a partnership with former Richland Library artist-in-residence (AiR) Crush Rush and One Columbia for Arts & Culture, Richland Library is excited to announce the launch of the Local Artist Directory. It provides an online platform for local artists to share a brief biography, indicate their art medium or area of focus, and exhibit some of their work. They can also add ways to communicate by listing a personal or business website, social media channels, and contact information. You can view the Local Artist Directory through our website at richlandlibrary.com/art and One Columbia for Arts & Culture's website at https://www.onecolumbiasc.com/artist. The Local Artist Directory was part of Rush's final project as the library's artist-in-residence at the end of 2020. He proposed working with One Columbia for Arts & Culture to offer a free online resource that features working artists and allows local residents to engage with or hire artists in our community. If you're interested in becoming part of the Local Artist Directory, you can create an artist profile by visiting https://www.onecolumbiasc.com/artist/. For questions, please contact Emily Stoll at 803.587.3637 or estoll@richlandlibrary.com.

About Richland Library

Awarded the National Medal in 2017 by the Institute of Museum and Library Services, Richland Library is a vibrant, contemporary organization that provides resources and information that advance the Midlands. Offering state-of-the-art technology, a variety of literary and cultural programs and 13 bustling facilities located throughout the county, Richland Library provides a truly customizable, modern library experience for residents and visitors alike.

Jason Rapp

Tuning Up: Arts people news + down to the wire

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


South Arts names two from S.C. to Emerging Leaders of Color program

The Hub helped promote South Arts' Emerging Leaders of Color opportunity once, twice, or three times, so it's only right that we let you know how it all shook out. Two leaders from South Carolina were named to the cohort: Melanie Colclough of Sumter (executive director of Patriot Hall/Sumter County Cultural Center) and Jemimah Ekeh of Columbia (freelance designer + administrator with One Columbia for Arts & Culture). There is more about the program and see who was accepted from other states right here.

State's arts community loses two beacons

We pause to note with sadness the passing of two members of South Carolina's tight-knit arts community:

It's down to the wire

No. Not that. This is your two-weeks' two-day notice that nomination time is coming to a close for the South Carolina Governor's Awards for the Arts and the Jean Laney Harris Folk Heritage Award. Nominations for both are due by 11:59 p.m. ET THIS FRIDAY, Nov. 6.

Jason Rapp

One Columbia to provide Columbia artist relief

$100,000 fund goes live today


Columbia area artists may apply starting today for a new potential source of relief. The Artists’ Emergency Fund was created to provide 40 emergency grants of $2,500 each to support professional artists in the Columbia area. By providing these funds, the partners hope to provide assistance for artists facing hardships caused by the loss of events, performances, and sales. The program serves the mission of the three partner organizations by supporting an ecosystem for professional artists to live, work and remain in and around Columbia. The funds provided by this program can be used to assist artists with any relevant professional needs including artist supplies and materials, rent or mortgage, health insurance, or another professional purpose. This fund was developed out of a partnership among the Knight Foundation, Central Carolina Community Foundation and One Columbia for Arts and Culture. The Knight Foundation has committed $100,000 to assist artists in the Columbia area in order to temper the impacts of the COVID-19 pandemic and resulting emergency shutdowns. Go here to learn more and apply.

Jason Rapp

Six findings from Amplify Columbia

From ColaToday (10/1/2018):

Back in January, the City + One Columbia announced that they were enacting a cultural arts planning process called Amplify in Columbia: an 18-month project that would kick off with focus groups + surveys to discover how the arts could better serve our city – and vice versa – and end with a formalized draft of a cultural section of the City Planning Department’s Comprehensive Plan in-the-making, Columbia Compass: Envision 2036.

...

Now, Amplify is in its tenth month of its 18-month planning process. So – what has the Amplify team found out about cultural needs, wants, barriers + opportunities in Columbia? And how can that be written into Columbia Compass as future public policy for our city?


Data collected from 70 public meetings in 59 places across Columbia has uncovered a few things, and identified six themes that have come from people who attended. (The S.C. Arts Commission was the site of one such meeting, and Amplify's lead consultant served on the panel that reviewed applicants to our biggest grant program: General Operating Support for Organizations.)
  • 96% of survey-takers feel Columbia needs more arts activities and events
  • 50% feel that increasing public space for interactive experiences is a top priority
  • Other top priorities included focusing on the preservation and support of Columbia history and continuing to add more public art 
  • Columbia has artists who are willing to teach in their communities
  • Columbia's citizens define culture + art beyond visual creationsincluding food, festivals and more
Additionally, six themes emerged from the public hearings, discussions + forums:
  • Leadership
  • Investment
  • Spaces
  • Valuing Artists
  • Art Learning and Mastery
  • History
Head over to ColaToday to read more about the process and the findings to this point.  

The rise of public art in South Carolina

From the Charleston Post and Courier Article by Adam Parker; photos by Brad Nettles and Adam Parker (Image above: This mural is located at the corner of Huger and Hanover streets in Charleston.)

In West Ashley’s Avondale neighborhood, an alley behind the shops and bars near Magnolia Street has become an outdoor exhibition space filled with large and small murals. Artists have painted images ranging from an enormous turkey vulture to small cartoon-like figures on the sides of the buildings. On the Charleston peninsula, three murals by Shepard Fairey and several more on Huger Street by a variety of artists can be viewed. David Boatwright’s work — part art, part commercial signage — is scattered throughout the downtown area. In Columbia, a growing number of murals and sculptural pieces are adding a colorful dimension to a city so enthusiastic about public art that it has a dedicated nonprofit organization whose main purpose is to facilitate more of it.
This deliberate approach adopted by Columbia now is taking hold in the Holy City where efforts are underway to introduce more curated public art to the shared environment, and not just downtown. One advocate is even calling for a “1 percent for art” program that would set aside money in every public building construction budget for the purpose of procuring artwork. “I love public art,” said Mark Sloan, director of the Halsey Institute for Contemporary Art. “It does serve a vital role in terms of meeting people where they are. It’s in the public way; you have no choice.” Sloan thinks public art is important enough to warrant more consistent support from patrons, civic leaders and private interests. Mostly recently he helped arrange the public display of five Fairey works in conjunction with a 2014 Halsey exhibition. (Three of those pieces remain.) Sloan also curated a big 2016 project in the Upstate called “Seeing Spartanburg” which featured nine outdoor light installations by Erwin Reidl. “Innovative, temporary public art can spur creative thought,” Sloan said. “That has unintended positive consequences.” It democratizes art, giving residents a chance to appreciate it outside the often rarified museum or gallery environment, he said. It also inspires dialogue about the urban landscape, city life, acute issues confronting the community and more. “The role of public art is to help us formulate better questions,” he said. In Columbia, a nonprofit established in 2012 that is almost entirely funded by the city has worked to cultivate public art, commission projects and establish a procurement and review process. One Columbia typically partners with private donors (individuals and companies) on these projects, according to its director Lee Snelgrove. To date, it has been involved in about 24 mural, sculpture and installation projects, 15 of which have come to fruition just this year. [caption id="attachment_31853" align="alignright" width="400"] A mural in Columbia by the Milagros Collective, made for the Indie Grits Festival earlier this year. (Adam Parker/Staff)[/caption] Several murals and sculptures are located downtown near Main Street, providing an important dimension to the city’s ongoing revitalization, Snelgrove and other civic leaders said. Public art also is helping to connect the Main Street area with the Vista neighborhood across Assembly Street, and it's being embraced by the Richland County Library, too. “It’s kind of all coming to a point where people want more coordination,” Snelgrove said. When an opportunity comes along, One Columbia hashes out some basic details with the organization sponsoring the art; helps to identify an appropriate location, coordinating with city planners; then assembles its public art selection committee. The committee, which consists of an artist, architect, developer, curator and others, meets quarterly, Snelgrove said. They issue a call for artists, assess submissions and determine a short list of candidates. They flesh out the project plan and budget, which includes a 20 percent earmark that goes into an art maintenance fund for use by the city. Each project takes about a year to fully implement on average. The process can be adapted for art projects on private property, Snelgrove said. The response has been positive. One Columbia might receive a few complaints about the aesthetics or design of a particular work, but no one has expressed any dissatisfaction about the concept itself, the process or the fact that the cityscape now includes numerous artistic landmarks, Snelgrove said. The city has been an essential partner, helping with site preparation, installations, safety issues and more. When one project required the creative painting of crosswalks, the city balked at first. Would it endanger pedestrians? But when they witnessed the results (no one was confused about where and how they trod), city officials became enthusiastic supporters of the quirky crosswalk initiative. “There is an appetite for (public art), but they don’t always know they have an appetite for it until they see it,” Snelgrove said. Lately, One Columbia has turned its attention to places outside the downtown area, such as the Five Points neighborhood, the Vista neighborhood and the Columbia Bethlehem Community Center a mile and a half north of downtown. It's also involved in the "Southern Lights" project, a laser installation at the Congaree River. [caption id="attachment_31854" align="alignleft" width="400"] An installation at the Richland Library (Provided)[/caption] Meanwhile, the Richland County Public Library has embraced Sloan’s concept of a “1 percent for art” program. Currently in the midst of an extensive facilities improvement project, funded by a $59 million bond referendum passed in 2013, the library network is ensuring that each of 11 branches has at least one commissioned work of art, according to Emily Stoll, media relations specialist. The four-story central library on Assembly Street includes a gallery space temporarily showcasing the works that will eventually find a permanent place in each of the branches. Most of the artists are local, Stoll said. The art project is part of a larger effort to transform the library system into a robust public space. “It’s a hub of information, but also a conversation hub, a place where people can learn and share,” Stoll said. And they do. The main branch soon will include a new department of studio services where artists and writers can work. Another floor will be devoted to children and teenagers. Another level will have research and career materials. Think of it as a community center, Stoll said, one in which art plays a central role. Art also plays a central role for nine days each April in Lake City, the small town in Florence County that hosts the big — and growing — Artfields event, a multifaceted, multidiscipline showcase and competition. And in Myrtle Beach, an effort was launched a few years ago to improve the area with public art. "The Myrtle Beach Downtown Public Art Initiative was created to lead the process of establishing physical and performing arts in the (Downtown Redevelopment Corporation) District," its website states.

Public art evolves

In Charleston, public art efforts so far have been ad hoc. The Halsey Institute coordinated Fairey’s mural-making. The nonprofit Enough Pie, which is concerned with responsible development and arts advocacy on the upper peninsula, arranged for the murals on Huger Street. There are a couple of remnants of Spoleto Festival USA’s landmark 1991 public art show called “Places with a Past,” the most prominent being David Hammons’ odd-shaped “House of the Future” on America Street. [caption id="attachment_31855" align="alignright" width="400"] Some of the mural art in Avondale is graffiti-like, some fantastical, some representative. (Brad Nettles/staff)[/caption] The murals in Avondale were largely facilitated by the chART Outdoor Initiative & Gallery and include an enormous turkey vulture by the well-known Italian street artist Hitnes. Hitnes happens to be in town working on an exhibition to be mounted at the Halsey in the fall of 2018. He said he got his start 20 years ago making rogue art — unauthorized graffiti, but after a few years graduated to street art that required more planning and cooperation with others. He has painted large murals all over the world and gained a reputation as a leader of the street art movement. In recent years, Hitnes’ work has taken a naturalistic turn. His Halsey show is called “The Image Hunter: On the Trail of John James Audubon.” Hitnes spent three months traveling through the eastern half of the United States, following the ornithological trail Audubon forged in 1820-22. He collected bird samples (photographic), make a video documentary and created art along the way. One of the murals he painted was the Charleston turkey vulture. Another was a barn owl at a friend’s residence.
Hitnes said the nature of painted public art — which is clearly divided into two categories, graffiti and street art — has changed significantly in the past 20 years. Graffiti is unauthorized yet relies on strict codes and rules, he said. It’s the same everywhere. Street art is illustrative, comprehensible, often commissioned. With the advent of social media, the availability of digital tools like Photoshop, the emphasis on graphic design and the introduction of moneyed interests, the public art enterprise changed, and along with it the way galleries work, the way street artists are treated and the way art is perceived. “Street art became curated, desirable, more like contemporary art,” he said. Now, one local nonprofit is seeking to become a public art facilitator, not unlike One Columbia. The Charleston Parks Conservancy has been awarded a $50,000 National Endowment for the Arts “Our Town” grant for the purpose of installing artwork along the West Ashley Greenway and Bikeway. Think of it as a pilot program, said Harry Lesesne, executive director of the Parks Conservancy. The organization, now 10 years old, has worked closely with the city to improve its greenspaces. Its last big capital project was the renovation of Colonial Lake. The Parks Conservancy remains dedicated to this kind of work, Lesesne said. “But we felt it was time for us to expand our horizons a bit,” he said. He and his colleagues hope to become standard-bearers for public art, facilitators akin to One Columbia, advocates who argue that engagement with art enhances the park experience and improves quality of life, he said. “It’s kind of a void in our city, so that was something we thought we could catalyze some attention around,” Lesesne said. Half of the NEA grant will be spent on planning, the other half on art. “Number one, we want to incorporate an artist into the master-planning process and have that artist help us with the design,” as well as identifying other artists who might participate, good sites and necessary infrastructure, he said. “Number two is to install pieces of art along the greenway.” The effort should take less than a year, Lesesne said. It is meant “to show people what can be done and that more is coming, both on the bikeway and all over the city.” For example, Lesesne said, one other piece of public art —coming to Hampton Park in the fall — is a sculpture by Joe Dreher of Decatur, Georgia, whose work was featured in Lake City's Artfields this year. Scott Watson, executive director of the city’s Office of Cultural Affairs, said his goal is to define a sustainable public art process based on the Parks Conservancy project and other models, such as One Columbia’s. It’s useful, he said, to take into account the recent dustup in Mount Pleasant over a Sergio Odeith mural at Moe’s Southwest Grill that some town officials initially took to be a sign and therefore not allowed. Watson said public art is a good way for communities to express their aspirations and initiate change, especially in areas in need of improvement, such as West Ashley. “Why wouldn’t we want public art to be a crucible for how revitalization can happen?” And not everything needs to be a mural, he added. “We could have light installations, sound installations, an eclipse-related project — if we had a process to get it done,” Watson said. “We (at the Office of Cultural Affairs) would like to help frame out and organize a structure that’s sustainable and scalable. We don’t want it to be arbitrary. At end of the day, it should be something that pushes boundaries.”

Nine students ready to compete for state Poetry Out Loud championship

Congratulations to the nine high school students advancing to the state finals in the South Carolina Arts Commission's Poetry Out Loud: National Recitation Contest. The students will compete for South Carolina's spot in the Poetry Out Loud national finals and a shot at a $20,000 scholarship. State finals take place March 11, from 1 - 3 p.m. at the Columbia Museum of Art in Columbia, S.C. The public is invited to attend.

Finalists:

Region 1: Upstate
  • Jamie Montagne, Spartanburg Day School, Spartanburg County
  • Simone Rice, Dorman High School, Spartanburg County
  • Livia Salle, NEXT High School, Greenville County
Region 2: Midlands
  • Taylor Wade, Andrew Jackson High School, Lancaster County
  • Emilie Martin, Fox Creek High School, Edgefield County
  • Alyssa Williams, Spring Valley High School, Richland County
Region 3: Lowcountry
  • Janae Claxton, First Baptist Church School, Charleston County
  • Abby Edwards, Charleston County School of the Arts, Charleston County
  • Julie Crosby, Goose Creek High School, Berkeley County
Nearly 4,000 South Carolina students participated this year, advancing from school-wide competitions to one of three regional competitions held in Spartanburg, Columbia and Charleston. The state champion will compete in the national finals April 24-26 in Washington, D.C. The state champion receives $200, a $500 stipend to purchase poetry books for their school library, and an all-expense paid trip to the national finals. The runner-up receives $100 and a $200 poetry book stipend for their library. [caption id="attachment_29712" align="aligncenter" width="560"]POLcollage2017 Top row, l to r: Alyssa Williams; Region 3 participants. Bottom row, l to r: Region 2 finalists Taylor Wade, Emilie Martin, & Alyssa Williams; Region 1 finalists Jamie Montagne, Livia Salle & Simone Rice; Region 2 judges[/caption] Poetry Out Loud, a program created in 2005 by the National Endowment for the Arts and the Poetry Foundation, builds on the resurgence of poetry as an oral art form, as seen in the slam poetry movement. Students master public speaking skills, build self-confidence and learn about their literary heritage while gaining an appreciation of poetry. Last year more than 365,000 students nationwide competed. The winner received a $20,000 scholarship. Statewide partners include the Columbia Museum of Art, the South Carolina Department of Education and South Carolina ETV Radio's “Speaking of Schools” Program with Doug Keel. Regional partners include Hub City Writers Project in Region 1; One Columbia, Richland Library and S.C. Center for Oral Narrative at USC Sumter in Region 2; and the College of Charleston School of Humanities and Social Sciences in Region 3.

For more information, contact Frances Kablick Keel at FMKablick@arts.sc.gov.

Public invited to Poetry Out Loud competitions

[caption id="attachment_25675" align="alignright" width="250"]Nicole Sadek Nicole Sadek, 2016 S.C. Poetry Out Loud champion[/caption] Since school began in the fall, high school students around the state have been memorizing poetry, practicing recitation skills and polishing performances to compete in Poetry Out Loud school-level competitions. School-based winners are competing in three regional competitions taking place January 21 and 22 in Spartanburg, Columbia and Charleston. Winners from each regional competition will advance to the state finals taking place March 11 in Columbia. The competitions are free and open to the public. Regional competition schedule:

  • Region 1 (Upstate) Jan. 21, from 2 - 4:30 p.m. Spartanburg Community College Downtown Campus, 220 E. Kennedy St., Spartanburg, SC 29302 (Please use entrance at back of building.) Counties: Oconee, Pickens, Greenville, Spartanburg, Cherokee, York, Lancaster, Chesterfield, Anderson, Laurens, Union, Chester, Abbeville, McCormick and Greenwood Partner: Hub City Writers Project
  • Region 2 (Midlands) Jan. 21 from 2 - 4:30 p.m. Richland Library Main (second floor), 1431 Assembly St., Columbia, S.C. 29201 Counties: Edgefield, Saluda, Newberry, Fairfield, Kershaw, Lee, Darlington, Marlboro, Aiken, Lexington, Richland, Sumter, Florence, Marion, Dillon and Calhoun Partners: One Columbia, South Carolina Center for Oral Narrative-USC Sumter and Richland Library Main
For 11 years, the South Carolina Arts Commission has partnered with the National Endowment for the Arts and the Poetry Foundation to bring the Poetry Out Loud National Poetry Recitation Contest to South Carolina. The Arts Commission engages regional partners to promote participation and to manage regional competitions. Nearly 4,000 South Carolina students participated this year. The state champion will compete in the national finals April 24-26 in Washington, D.C. About Poetry Out Loud Poetry Out Loud, a program created in 2005 by the National Endowment for the Arts and the Poetry Foundation, builds on the resurgence of poetry as an oral art form, as seen in the slam poetry movement. Students master public speaking skills, build self-confidence and learn about their literary heritage while gaining an appreciation of poetry. Last year more than 365,000 students nationwide competed. The national winner received a $20,000 scholarship.  

One Columbia gives Terrance Henderson the 2016 Steve Morrison Visionary Award

From The Free Times Article by Kyle Peterson

Terrance HendersonThe arts and history non-profit One Columbia has announced its 2016 Steve Morrison Visionary Award winner is Terrance Henderson, a dynamic creative presence in Columbia as an actor, dancer, educator and choreographer. The annual award, now in its third year, is presented to an individual who is a true leader in driving the artistic growth and vitality of the city. Born in Newberry and a Columbia resident since 1996, Henderson has served as a long-term artist in residence at both Logan and A.C. Moore Elementary Schools where he teaches dance and drama, but his role in the arts community extends far beyond that. He has long focused on art that illuminates provocative societal issues in both his theatrical work and original creations, while also striving to provide opportunities for those not formally trained in either dance or theatre. Along the way he’s won awards from the Jazz Dance World Congress in Chicago, the South Carolina Arts Commission’s Fellowship in Performance, Broadway World and Jasper magazine (where, full disclosure, I serve as assistant editor). Some of his more recent creations include The Black Man … Complex at Trustus Theatre, Ruins as part of Harbison Theatre’s MTC Performance Incubator, and Blank Page Poetry: Words and Shadows at the 701 Center for Contemporary Art. Henderson’s selection marks a turn from past award winners like Columbia City Ballet Artistic and Executive Director William Starrett and Riverbanks Zoo Director Satch Krantz, both of whom are more senior figures in the community. As a vital and contemporary artistic force in the, and one explicitly engaged in political and social issues, this perhaps indicates a shift towards more daring and cutting-edge figures that are being celebrated for their work in the moment and their future potential, rather than people with long histories in the Columbia arts scene. Henderson will be formally presented with his award Nov. 12 on Main Street in Columbia during the Jam Room Music Festival.