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One ‘Big Read’ grant from NEA awarded to S.C. community

The National Endowment for the Arts (NEA), in partnership with Arts Midwest, announced support yesterday for 62 nonprofit organizations to hold NEA Big Read programming in 2022/2023.

In total, the NEA is investing $1,071,140 to support programming centered around one of 15 different contemporary books, with the aim of inspiring meaningful conversations, artistic responses, and new discoveries and connections in participating communities. MOJA Arts Festival in Charleston will receive a $17,500 grant to bring the book Homegoing to its community. Homegoing is a "novel about the legacy of chattel slavery by African-born writer Yaa Gyasi spanning eight generations." It shows the parallel lives of two 18th-century Ghana-born half-sisters and follows their descendants through historical periods such as the American Civil War and the great Harlem Jazz Age. “It is inspiring to see how NEA Big Read grantees utilize these books as launchpads for their own programming, often creating opportunities for community conversations, new partnerships, and encouraging participants to incorporate art into their daily lives,” said Maria Rosario Jackson, chair of the National Endowment for the Arts. “All across America, in communities small and large, the NEA Big Read connects neighbors and inspires creativity,” said Torrie Allen, president & CEO of Arts Midwest. “We're excited to support this year’s grantees as they bring the pages of these wonderful books to life through inventive programming.” Each NEA Big Read grantee is receiving a matching grant ranging from $5,000 to $20,000 to support programming around one of 15 contemporary books, 12 of which are new for the 2022/2023 NEA Big Read. Examples of 2022/2023 grantee programming include:
  • Arts Connection’s (San Bernardino, California) programming around Tommy Orange’s There, There will include guided tours hosted by the Native American Land Conservancy of the Oasis of Maará, first settled by the Serrano people and later the Chemehuevi. Cultural resource tribal representatives will share the historical significance of the site and discuss its present-day and continued vibrancy and relevance.
  • Delta State University’s (Cleveland, Mississippi) programming around Yaa Gyasi’s Homegoing will include a scheduled presentation by culinary historian Adrian Miller about Black culinary history and a conversation about the culinary traditions, knowledge, and goods enslaved Africans brought to the United States and their rich culinary contributions.
  • Eastern Connecticut State University’s (Willimantic, Connecticut) programming around Charles Yu’s Interior Chinatown will include an online virtual exhibition with creative responses (visual arts, graphic design, new media, and literary texts) to the book’s study of stereotypes.
  • Maryland Public Television’s (Owings Mills, Maryland) programming around Ross Gay’s Catalog of Unabashed Gratitude, will hold a ten-day challenge of gratitude. Participants will be encouraged to reflect and look for elements of challenging experiences that will help them experience gratitude.
  • Quincy Public Library’s (Quincy, Illinois) programming around Rebecca Taussig’s Sitting Pretty will include events for patrons to learn more about and participate in adaptive sports and learn conversational/basic American Sign Language. Library programming will be adapted to meet a wider range of our communities' needs through sensory-friendly story times and resource kits to provide additional support to community members who would like to experience the library and the NEA Big Read.
  • Wichita Public Library Foundation (Wichita, Kansas) will kick off its programming around Roz Chast’s Can’t We Talk About Something More Pleasant? with a community event featuring a photo slideshow, The Beauty of Aging, with images submitted by community members depicting their family and friends in the later stages of life.

About the National Endowment for the Arts Big Read

The National Endowment for the Arts Big Read, a partnership with Arts Midwest, broadens our understanding of our world, our communities, and ourselves through the joy of sharing a good book. Since 2006, the National Endowment for the Arts has funded more than 1,700 NEA Big Read programs, providing more than $24 million to organizations nationwide. In addition, NEA Big Read activities have reached every Congressional district in the country. Over the past 16 years, grantees have leveraged more than $56 million in local funding to support their NEA Big Read programs. More than 5.9 million Americans have attended an NEA Big Read event, over 97,000 volunteers have participated at the local level, and over 40,000 community organizations have partnered to make NEA Big Read activities possible. Visit arts.gov/neabigread for more information about the NEA Big Read. Organizations interested in applying for an NEA Big Read grant in the future should visit Arts Midwest’s website for more information.
  • Established by Congress in 1965, the National Endowment for the Arts is an independent federal agency that is the largest funder of the arts and arts education in communities nationwide and a catalyst of public and private support for the arts. By advancing equitable opportunities for arts participation and practice, the NEA fosters and sustains an environment in which the arts benefit everyone in the U.S. Visit arts.gov to learn more.
  • Arts Midwest believes that creativity has the power to inspire and unite humanity. Based in Minneapolis, Arts Midwest grows, gathers, and invests in creative organizations and communities throughout the nine-state region of Illinois, Indiana, Iowa, Michigan, Minnesota, North Dakota, Ohio, South Dakota, and Wisconsin. One of six nonprofit United States Regional Arts Organizations, Arts Midwest’s history spans more than 30 years. For more information, visit artsmidwest.org.
 

Jason Rapp

Art Gilliard optimistic about his theater company, MOJA, and Baldwin play

From The Post and Courier Article by Adam Parker

Arthur Gilliard, 67, began performing while in high school, and he spent the 1970s as a fledgling actor in New York City. When he returned to his hometown of Charleston, he helped run the MOJA Arts Festival and he produced plays in the basement of Emanuel AME Church. Before long, city officials asked him to form a theater company that would emphasize African-American playwrights and works that shed light on the black experience in America. It was to fill a void, he said. Twenty-one years later, Art Forms & Theatre Concepts is still going. It has survived ups and downs, fundraising struggles, space challenges and more, but Gilliard seems unstoppable. Q: Tell me a little about yourself. How did you first get interested in the theater? When did you start directing plays?  A: I’m a native Charlestonian who started life “back da green” on the Charleston peninsula, and attended A.B. Rhett Elementary School and Simonton Junior High School before graduating in 1967 as senior class president from Burke High School. A scholarship to Bishop College in Dallas, Texas, allowed me to build on what I had learned growing up in Charleston, and joining the college choir allowed me to tour the East Coast and the West Coast every other year. After graduating from Bishop College in 1971 and after a brief stay in the U.S. Navy where I served as a yeoman, I accepted a (public relations) position ... on Wall Street. During this time, I decided that theater was going to be my profession; I did not like being in management on Wall Street. Q: You have run Art Forms & Theatre Concepts for many years, mounting productions in every Piccolo Spoleto Festival and MOJA Festival. Do you think the local market could support a year-round regular season in which Art Forms presents several plays highlighting aspects of the African-American experience? A: In short, yes. There is an abundance of talent here in the Lowcountry, and many are readily available once they realize you value them and their contributions to the world of art. I have found many diamonds in the rough locally that didn’t know how talented they were — and are. Art Forms simply offers a slice of the African-American experience, using whatever talents are available on our stages. We have an abundance of stories to tell, and I believe with the community’s support we’ll continue to tell those stories. That’s our mission. We are also preparing 30-minute vignettes that can tour the schools and other community (venues). Like many other nonprofits, a major challenge we face is our need for additional supporters and donors. We have not found that “theatre angel” yet, but I keep hoping. Q: Expanding the work of Art Forms would require that the company find a stable venue and enlarge its annual budget. What's the status of the organization? A: Short-term, we are again looking for a space to call home, or at least a space where we can conduct workshops, classes and rehearsals while handling day-to-day operations with the assistance of volunteers and interns. The board of directors is actively seeking a space right now. Long-term, the new budget has increased to reflect the need for an executive director and securing and operating that new space. Fortunately, we do receive great support from Mayor John Tecklenburg, city council and numerous supporters, including the South Carolina Arts Commission and the Gaylord and Dorothy Donnelley Foundation and others throughout the Lowcountry. ... Finding an affordable space to mount additional productions and keep the tickets affordable is the challenge. ... In the meantime, we have added a production in December at Christmas for visitors and residents, and in February as a salute to Black History Month. Q: For years, you have been heavily involved in organizing (and participating in) the MOJA Festival, even serving as chairman for a while. If you could wave a magic wand and change something about MOJA, what would it be? A: I think, conceptually, MOJA is an absolutely wonderful festival. I would like to see it focus more on its core mission of celebrating more African-American and Caribbean Arts, and making it more national and international in scope, working more closely with embassies and ambassadors from African and Caribbean countries and showing their connections to the Lowcountry. It would also be a great opportunity to highlight some of the talent that at one time resided in the Lowcountry, since there are many out there making it. It would also be great to move the festival dates to a part of the year when more tourists are in town on vacations, family reunions are planned and schools are out. Q: For Piccolo Spoleto Festival, Art Forms is presenting James Baldwin's play "The Amen Corner," which considers the role of religion and racial prejudice in the life of a black family. Tell me about your approach to the play, about the particulars of this production and about the message you hope the show will deliver to Piccolo audiences. A: For me, the play shows that true love never really dies. It’s just that sometimes we don’t know how to handle it so we find ways to escape, without considering others' feelings, even the ones we claim to love. Though Baldwin was treated harshly in America, and criticized terribly, he never gave up on himself or his beliefs. And in “The Amen Corner,” Margaret, I believe, really loves Luke, and Luke really loves Margaret, but they didn’t become one as they thought they would. The story is so unencumbered, so simple and straightforward. All of the characters are so clear, and I’m sure we all know some of them. But, like Maya Angelou says, “When someone shows you who they are, believe them the first time." That is all I ask of the actors in the play. Stay in the moment. Be believable and let us experience your emotions.

City of Charleston Office of Cultural Affairs seeks interns

The City of Charleston Office of Cultural Affairs is seeking internship applicants for spring, summer and fall semesters and for the Piccolo Spoleto Festival. The Cultural Affairs Office recruits and trains more than 50 college and master’s degree candidates to serve as interns leading up to and working during the Piccolo Spoleto Festival, MOJA Arts Festival and other special events. These students go on to careers in the nonprofit sector, business, law, medicine and other areas after learning skills in marketing, logistics, communications, production and management. Students work 120 hours and are generally eligible for three hours of college credit. All internships are unpaid unless a stipend is available. Internship start and end dates are flexible. Application deadlines for internships are ongoing. Find out more and apply online. Via: City of Charleston Office of Cultural Affairs

MOJA Arts Festival celebrates 30 years

2013 marks Charleston’s 30th annual MOJA Arts Festival: A Celebration of African-American and Caribbean Arts. Scheduled for Sept. 26 - Oct. 6, this year's event promises an exciting line-up of activities with a rich variety of traditional favorites. MOJA, a Swahili word meaning “one,” is the appropriate name for this celebration of harmony among all people. The festival highlights the many African-American and Caribbean contributions to Western and world cultures. MOJA events include visual arts, classical music, dance, gospel, poetry, R&B music, storytelling, children’s activities, traditional crafts, ethnic food and more. Nearly half of MOJA’s events are admission-free, and the remainder are offered at modest ticket prices ranging from $5 – $35. Visit the MOJA Arts Festival website for the complete schedule. Via: MOJA Arts Festival

MOJA Arts Festival accepting submissions for juried exhibition

Submission deadline is Aug. 22. The 30th Annual MOJA Arts Festival Juried Art Exhibition is open to all artists residing in Florida, Georgia, North Carolina and South Carolina. The festival takes place in Charleston, S.C. Sept. 26 - Oct. 6, 2013. Art work is accepted in these categories: oils, acrylics, watercolors, pastels, printmaking, drawing, graphics, fiber, sculpture, metals, ceramics, photography, basketry and mixed media. Submitted work should reflect the mission of the MOJA Arts Festival, must have been produced within the last two years and not previously exhibited in the City Gallery, Piccolo Spoleto or MOJA Arts Festivals. Cash prizes are $1,250, $750 and $500. Submission deadline is Thursday, Aug. 22 at 5 p.m. Read the complete guidelines and view application (PDF). The MOJA Arts Festival: a Celebration of African-American and Caribbean Art is the City of Charleston's multi-disciplinary festival, which celebrates the rich heritage of African-American and Caribbean cultures. MOJA, a Swahili word meaning "one," is the appropriate name for this celebration of harmony among people. Offering theatre, dance, music, visual arts, films and lectures, the MOJA Arts Festival is produced and directed by the City of Charleston Office of Cultural Affairs and the all-volunteer MOJA Planning Committee. Via: MOJA Arts Festival

MOJA Arts Festival call for artist submissions

January 10, 2013, is the deadline for artists to apply to participate in the 2013 MOJA Arts Festival: A Celebration of African-American and Caribbean Arts, scheduled for Sept. 26 through Oct. 6. MOJA is an annual 11-day festival in Charleston, South Carolina, that features  a variety of artistic disciplines including visual arts, classical music, theater, poetry, storytelling, dance, jazz, gospel, rhythm and blues, children's activities and traditional crafts for an audience of 58,000+ people. MOJA celebrates cultural harmony within the community and encourages participation in a rich variety of traditional arts and cultures, as well as educational programs. MOJA's mission is built around the concept of building bridges of understanding and respect for the beauty of artistic and cultural expression among all parts of the community. To download the artist and performer application, visit the MOJA website. Photo: The 2012 poster image was created by artist James Denmark, who resides in Yemessee. Via: MOJA Arts Festival

MOJA Arts Festival a celebration of harmony

2012 marks Charleston’s 29th annual MOJA Arts Festival: A Celebration of African-American and Caribbean Arts. Scheduled for Sept. 27 - Oct. 7, this year's event promises an exciting line-up of activities with a rich variety of traditional favorites. MOJA, a Swahili word meaning “one,” is the appropriate name for this celebration of harmony among all people. The festival highlights the many African-American and Caribbean contributions to Western and world cultures. MOJA events include visual arts, classical music, dance, gospel, poetry, R&B music, storytelling, children’s activities, traditional crafts, ethnic food and more. Nearly half of MOJA’s events are admission-free, and the remainder are offered at modest ticket prices ranging from $5 – $35. Visit the MOJA Arts Festival website for the complete schedule.   The 2012 poster image was created by artist James Denmark, who resides in Yemessee. MOJA Arts Festival Via: MOJA Arts Festival

Milly