Gullah Geechee chef and gospel singer to receive 2023 Folk Heritage Awards
FOR IMMEDIATE RELEASE
COLUMBIA, S.C. – For 2023, the Jean Laney Harris Folk Heritage Awards will be presented by the General Assembly to honor a Gullah Geechee chef and a gospel singer whose talents keep the state’s traditional art forms alive.
The two practicing artists and are to be recognized as ambassadors of traditions significant to communities throughout the state. Their traditions embody folklife’s dynamic, multigenerational nature and the way it fuses artistic and utilitarian ideals. The Folk Heritage Awards are managed jointly by the South Carolina Arts Commission and the University of South Carolina McKissick Museum. The 2023 recipients are:- Emily Meggett: Artist, Gullah Geechee Chef (Edisto Island)
- Hampton Rembert: Artist, Gospel Singing (Bishopville)
About the 2023 Jean Laney Harris Folk Heritage Award Recipients
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Emily Meggett | Edisto Island | Artist, Gullah Geechee Chef
Gullah Geechee chef Emily H. Meggett, known by many as “M.P.,” was born in 1932 on Edisto Island, a place she calls “heaven on earth.” Meggett grew up on her grandparents’ farm, where they grew a wide variety of vegetables and kept livestock for butchering. Meggett learned traditional Gullah Geechee dishes standing next to her grandmother using ingredients grown on the farm. She honed her skills in the kitchen of wealthy white family’s Edisto Island house. Miss Julia, the Gullah head chef, had a mantra of “You do it right or you do it over.” Anything that wasn’t up to Ms. Julia’s standards went straight to the trash. Meggett married Edisto native Jessie Meggett and they built a four-room home on one acre of land for their 11 children. From there, she cooked for everyone in her family and, as she recalls, likely more than a hundred area children. Meggett’s family and friends long encouraged her to share her recipes in a cookbook, a novel concept to someone who never used one herself. She eventually relented, and a friend visited her daily to work on one recipe at a time. In April of 2022, Gullah Geechee Home Cooking was published and quickly became a New York Times bestseller. Among Meggett’s accolades is the President’s Lifetime Achievement Award from President Joe Biden. To this day, she wakes around two in the morning with inspiration of what to cook that day for all comers. When the door to her kitchen is open, you know you’ll be fed—no money needed, and no questions asked.
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Hampton Rembert | Bishopville | Artist, Gospel Singing
Raised on a sharecropper farm in Bishopville, 85-year-old Hampton Rembert has been singing gospel from a very young age. He learned with his family who would sing on Sundays and during family reunions. When he and 10 living siblings were younger, they formed a gospel choir of up to 21 members at one point that would sing at a different church every Sunday evening in Lee and Sumter counties. Rembert worked hard at his professions throughout his life. From working at his church to driving trucks through 28 states, and the lawn services he performs today, he always sang. Singing is one of his greatest joys and an experience that connects him to his family and his faith. His talent was threatened in 1998 with a prostate cancer diagnosis. Rembert had surgery in February, but one month after leaving the hospital, he was diagnosed with oral cancer and went back immediately for mouth and throat surgery. He knew that there was a possibility that he would never talk or sing again, a fear confirmed by his doctors. But Rembert credits the power of prayer from his friends and family for allowing him to testify at his church three months after surgery, and while that might be true, his attitude and tenacity played no small part. It has been 25 years since that diagnosis, and he still sings twice a month at his church and as often as he can with his siblings.
About the University of South Carolina McKissick Museum
The University of South Carolina’s McKissick Museum tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30 a.m. to 5 p.m. Monday through Friday, 11 a.m. to 3 p.m. Saturdays. The Museum is closed Sundays and university holidays. For more information, please call at 803.777.7251 or visit https://sc.edu/mckissickmuseum.About the South Carolina Arts Commission
The mission of the South Carolina Arts Commission is to promote equitable access to the arts and support the cultivation of creativity in South Carolina. We envision a South Carolina where the arts are valued and all people benefit from a variety of creative experiences. A state agency created by the South Carolina General Assembly in 1967, the SCAC works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in four areas: arts learning, community and traditional arts, artist development, and arts industry. Headquartered in Columbia, S.C., the SCAC is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts, and other sources. Visit SouthCarolinaArts.com or call 803.734.8696, and follow @scartscomm on Facebook, Instagram, and Twitter for #Arts4SC and #SCartists content.
Application deadline: Friday, July 15, 2022
As the day nears for the 2022 South Carolina Arts Awards, The Hub is focusing on this year's recipients: four receiving the 
for immediate release
From his roots in the Trenton area of Edgefield County, JUSTIN GUY has achieved acclaim as a potter after working in the craft more than 30 years. Fascinated by the pottery from a young age, he graduated from the University of South Carolina, earning a Bachelor of Fine Arts with a focus on ceramics. After school he was artist-in-residence at Taiwan’s Tainan National University for the Fine Arts, where he learned Taiwanese and other Asian ceramic processes, specifically as they relate to the tea cultures in Japan, Korea and Taiwan. Additional travels across the U.S. and Europe yielded further revelations a professional ceramicist should know. Guy returned to South Carolina and began a teaching career in higher education institutions, serving multiple times at UofSC Aiken with stops at Columbia College, and Piedmont Technical College in between. Additional artist residencies during his career include the McKissick and South Carolina State museums, the Columbia Museum of Art, and area schools. His works have received honors in multiple instances of the Palmetto Hands Fine Craft Competition and Exhibition and the South Carolina State Fair. Guy is currently the master potter of the Phoenix Factory’s Old Edgefield Pottery, which has produced pottery in South Carolina for more than 200 years.
Ann Phillips | Sumter | Artist, Quiltmaking
For centuries, South Carolina women have contributed to their communities artistically, culturally, and socially through the making of quilts. Though Alabama born, ANN PHILLIPS of Sumter is a 40-year contributor herself. As a child, seated under her mother’s quilt frame, she threaded needles and learned to make a secure knot. However, she didn’t begin quilting until her husband’s military job landed the Phillipses in Sumter; Phillips felt their new country home needed quilts. Central to her approach is taking a traditional quilt block pattern and using it in a new way to great visual effect. Phillips has shown immense creativity and elevated the artistry of quiltmaking. She will change the set of a block, put it on point, or frame it with multiple borders or use non-traditional fabrics and colors with the same pattern. Quilting groups in South Carolina invite her for trunk shows and presentations to demonstrate taking a traditional, simple quilt block design and doing something new with it. Phillips’ work is regularly included at the South Carolina State Fair, and she shares her skill in her community: Through partnerships at her church, she assists in making quilts for a Sumter pregnancy center, all babies born to Shaw Air Force Base families, and for area assisted living centers.
Duncan Rutherfurd | Aiken | Advocacy, Custom knifemaking
The gift of a knife to elementary-aged DUNCAN RUTHERFURD sparked an interest that resulted in tireless dedication to raising public awareness and appreciation of South Carolina’s knifemaking tradition. Rutherfurd is an encyclopedia of information on knifemakers in the state, though he is not one himself, and today’s knifemakers have him to thank for advocacy efforts that keep the tradition strong. Knifemaking, though specialized, has roots in blacksmithing—an essential trade for the farmers of a state dominated by agriculture. Though blacksmithing is no longer widespread anywhere, knifemaking proliferates in South Carolina because of Rutherfurd’s modernizing influence. In late 1970’s he helped organize and promote a knife show for the Aiken Arms Collectors Association. At the time, such shows were the primary way makers reached large audiences. At one of those early shows, while exhibiting his vast collection of South Carolina knives (which he still does today), he conceived of what became the South Carolina Association of Knifemakers (SCAK), a network of support and learning as makers and marketers during the pre-internet 1980’s and 1990’s. As internet usage exploded, Rutherfurd used his IT background to mentor SCAK members on using it to market their wares and themselves as makers. SCAK members recognized Rutherfurd’s tremendous contributions to South Carolina’s knifemaking community with an honorary membership. He served as an advisor to McKissick Museum’s curatorial team on the exhibition Carolina Knives: The Roots of a Revival in 2021. Rutherfurd’s collection was core to one of its storylines and provided a bridge between the older generation of knifemakers and a new generation, which recently organized the South Carolina Custom Knifemakers’ Guild.
This is the third grant from Ford to the museum since 2017, and it brings the foundation’s total gifts to nearly $1 million. With opening set for late 2022, this investment comes at a crucial time. IAAM President and CEO Dr. Tonya Matthews called 2022 a "momentum year."
“As we head down the finish line of artifact and exhibition installation, we are also launching several programs and beginning to connect with educators across the country while we design our K-12 curriculum,” Matthews said. “We are only able to do this with the vision and support of organizations like the Ford Foundation. We are incredibly grateful for their continuing support.”
Exhibitions will explore the real human cost and suffering of slavery, but they will also honor ancestors; celebrate cultures, like Gullah Geechee, that were forged in the crucible of the antebellum South; explore the cultural impact that began in Charleston and spread across the U.S. and the Caribbean; and then connect descendants to their ancestors through an award-winning genealogical research center.
“We are honored to work with the International African American Museum and ensure that the history of enslaved Africans is preserved for years to come,” said Margaret Morton, director of creativity and free expression for the Ford Foundation. “The museum will be a critical resource for researchers and visitors alike, and we look forward to seeing the lasting impact its programming will provide.”
Ford’s support for the International African American Museum will provide visitors—nationally and internationally—an opportunity to experience the African American journey at one of the most historic sites in the nation: the former Gadsden's Wharf, the point of disembarkation for so many enslaved Africans.
Matthews is eager to open the museum doors to visitors.
"The International African American Museum is excited to have the Ford Foundation among its partners. Both institutions strive to ensure that all individuals, and their stories, receive just and equitable treatment. The stories and artifacts within the museum, alongside the connections made because of them, are being intentionally curated with this understanding. The International African American Museum will prompt difficult conversations, tell a complete history, and spark action to build a more perfect union,” she said.
