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S.C. Phil readies for first sensory-friendly concert

Concert experience for persons with sensory sensitivities and all families

The South Carolina Philharmonic looks forward to its inaugural Sensory Friendly Family Concert Sunday, Feb. 19, 2023 at 3 p.m. at the Koger Center for the Arts in Columbia.

This concert event is designed especially for persons with sensory sensitivities and their families. As a component of the SCP's educational and outreach programs, this inclusive concert gives audience members the ability to fully experience orchestral music without any of the constraints of a standard performance. During this 60-minute program, audience members are free to move about, dance, speak, sing, vocalize or move between the auditorium and the lobby if desired. The SCP is also dedicated to accessible ticketing for this event, with prices ranging from $10-$20. Half-price student tickets are available in all sections. The South Carolina Philharmonic is partnering with various organizations to present the Sensory Friendly Family Concert. Current partners are The Unumb Center for Neurodevelopment, the S.C. Commission for the Blind, Family Connections of S.C., Key Changes Therapy Services, Carolina Autism and Neurodevelopment Research Center, and Palmetto Animal Assisted Life Services. The orchestra is passionate about working with these partners to provide resources to the families that attend the event, and to continue positioning the SCP to provide opportunities that welcome all audiences by removing barriers. Education and Community Engagement Director Susan Cafferty dreamed of creating a concert program that would serve persons with sensory sensitivities and their families. “This concert is something that I’m personally passionate about,” said Cafferty. “As a mother who struggles to find arts events that are welcoming to audiences with neurodiversity, I felt our orchestra was positioned to create something special in Columbia.” Cafferty and the SCP staff have been working with the Koger Center to create a concert experience that sensory sensitive listeners and family members can enjoy without the constraints of a standard performance. The hope is that audiences will delight in the discovery of orchestral experiences that invite and welcome all to the world of classical music. This 60-minute concert has been programmed by Music Director Morihiko Nakahara to feature an array of repertoire that will entertain families. Audiences will be welcome to move around the space freely, vocalize and provide special needs care. This concert is for all families and audiences. As the orchestra’s accessibility endeavors continue, the organization intends to work closely with the Koger Center to provide more opportunities that abolish barriers to attending live music performances. Tickets may be purchased at scphilharmonic.com or by calling the Koger Center Box Office at 803.251.2222.
The South Carolina Philharmonic is committed to performing live symphonic music and providing dynamic educational opportunities in the Midlands. We carry forward a legacy of passion for the music and embrace our responsibility to be a vibrant part of the cultural fabric of our diverse community.

Jason Rapp

President’s Committee on the Arts and the Humanities gets new leader

Tsione Wolde-Michael, most recently the founding director of the Smithsonian’s Center for Restorative History, has been named executive director of the President’s Committee on the Arts and the Humanities.

Under a new Executive Order issued by President Biden, PCAH has been established to engage the nation’s artists, humanities scholars, and cultural heritage practitioners on ways to promote excellence in the arts, the humanities, and museum and library services and demonstrate their relevance to the country’s health, economy, equity, and civic life. Wolde-Michael, the youngest and first Black individual to direct PCAH, will lead a high-profile committee of 25 non-federal leaders in the arts, humanities, and museum and library services, expected to be named by the White House in the coming weeks. Under her direction, the committee will advise the president on policy objectives, public/private partnerships, and programs to enhance support for the arts, humanities, and museum and library services across the country—a first, since 2017. “I’ve spent my career as a public historian launching large-scale projects from the ground up and working to transform understandings of our nation’s past,” said Wolde-Michael. “President Biden’s new executive order supports telling a fuller, more expansive American story through the arts and humanities; it recognizes that these areas are essential to the vitality of our democracy while centering equity, accessibility, and the inclusion of historically underserved communities in an unprecedented way. I look forward to applying my experience to ensure that PCAH reflects that strong vision.” Wolde-Michael will use her vast experience bringing marginalized voices into public dialogue to lead strategy and engagement for PCAH, while working with the Institute of Museum and Library and Services (IMLS) Director Crosby Kemper, National Endowment for the Arts (NEA) Chair Dr. Maria Rosario Jackson, and National Endowment for the Humanities (NEH) Chair Shelly C. Lowe. “The National Endowment for the Arts is pleased to welcome Tsione Wolde-Michael to the federal arts and humanities family,” said NEA Chair Jackson. “We look forward to working with her and PCAH to strengthen our nation’s arts and cultural ecosystems, ensuring that the arts continue to contribute to the health and well-being of individuals and communities.” Wolde-Michael began her career at the Smithsonian National Museum of African American History and Culture, where she was part of a team that produced the landmark inaugural exhibition Slavery and Freedom–the nation’s first comprehensive exhibit on the history of enslavement. Her international projects include “The Slave Wrecks Project” and working with national and local museums to reinterpret colonial collections. Most recently as the curator of African American Social Justice History, she developed a theory and method for museum practice grounded in the principles of restorative justice. This work helped the Smithsonian National Museum of American History diversify its collections and exhibitions and establish long-term community partnerships and led to the establishment of the Center for Restorative History—the Smithsonian’s first center dedicated exclusively to community-based redress work. She holds a bachelor’s degree in women and gender studies from Macalester College and a master’s degree in history from Harvard University. Her position will be hosted at IMLS.

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Know a young musician with a disability?

APPLICATION DEADLINE: Wednesday, January 18, 2023 at 11:59 p.m. ET.

Know a musician (ages 14-25) with disabilities who would like to perform at the Kennedy Center in Washington, D.C.? Encourage them to apply for the VSA International Young Musicians Award Program.

Disability is a broad umbrella that covers a variety of lived experiences. Eligible musicians may have visible, physical, and/or sensory conditions as well as less visible conditions like anxiety, ADHD, depression, chronic illness/pain, PTSD, OCD, dyslexia, dysgraphia, neurodivergence, and more. This program is open to soloists and ensembles of all genres (classical, jazz, hip hop, bluegrass, rock, and more). Winners receive $2,000 and perform live at the Kennedy Center in July 2023. Review full eligibility requirements and application details on the VSA website.  

Jason Rapp

Donnelley Foundation grants to help tell underrepresented stories

The Gaylord and Dorothy Donnelley Foundation (the Foundation)—which supports land conservation, artistic vitality, and regional collections for the people of the Lowcountry region of South Carolina and Chicago—announced the 11 recipients of the its groundbreaking “Broadening Narratives” initiative, which aims to fund specific collections projects that bring forward underrepresented stories.

This announcement represents the second round of organizations to receive the Broadening Narratives grant. The projects collectively illustrate BIPOC communities, LGBTQ+ perspectives, working-class narratives, small community experiences, as well as other underrepresented groups and viewpoints.  The three Lowcountry-based projects or organizations are Clemson University, the Gibbes Museum of Art, and The Educational Foundation of the University of South Carolina Lancaster’s Native American Studies Center. The eight Chicago-based organizations are the Bronzeville Black Chicagoan Historical Society, Chicago History Museum, Chicago Public Art Group, Lewis University, Muslim American Leadership Alliance, Puerto Rican Arts Alliance, South Side Community Art Center, and Trickster Cultural Center. Additionally, the foundation renewed its $25,000 grant to each of the five Broadening Narratives advisory groups that assisted with the formation of that funding initiative: the College of Charleston’s Lowcountry Digital Library, Southeastern Museums Conference, Black Metropolis Research Consortium, Chicago Collections Consortium, and the Chicago Cultural Alliance. “While the purpose of collections is to ensure that stories are preserved, many narratives are often overlooked because of decisions based on race, gender, sexual identity, educational background, economic or social status, or because they are perceived to be outside the conventional thinking of the day,” said David Farren, foundation executive director. “We are thrilled to announce these grant recipients and want to thank these organizations for being part of this new way forward in collections thinking that shifts focus from the processing of material objects to the telling of broader and more inclusive narratives.” The Lowcountry-based organizations and projects to be funded by Broadening Narratives:
  • Clemson University will partner with the nationally registered Seashore Farmers’ Lodge and the Sol Legare community to provide collections management training; conduct conservation assessment, treatment, and interpretation for objects in the collection; and develop manuals for ongoing care and management. The project will shed light on the site, which was once the heart and backbone of the early African-American community providing farmers aid and insurance in a time of need in the late 1800s and early 1900s.
“The historic African American community of Sol Legare in the Lowcountry of South Carolina is unique in the measures that community members have taken to interpret and preserve their history in the built environment and cultural objects,” says Dr. Jon Marcoux, director of Clemson's Historic Preservation program.  “The community’s historical importance has gone unrecognized in broader narratives of the Civil War, Reconstruction, Jim Crow, and Civil Rights eras. The project has the authenticity of fourth-generation residents playing an intricate role in protecting hundreds of donated objects that represent the full 150-year-old history of Sol Legare. We are honored to partner with the Gaylord and Dorothy Donnelley Foundation to preserve and share this significant collection.”
  • The Gibbes Museum of Art will create an exhibition drawing parallels between noted Charleston Renaissance artist Ned Jennings and British Aesthete and artist Aubrey Beardsley, re-contextualizing the Renaissance by examining the historically taboo topic of LGBTQIA+ contributions to the art world, still largely untold in the South. In particular, the exhibit will consider the role of queer artists in the Charleston arts community and the influence of queer aesthetics on the Charleston Renaissance via an exploration of Jennings’ works and life.
“By considering the impact of the British Aestheticism movement of the late 19th century on one of Charleston’s most original artistic minds, Edward “Ned” I.R. Jennings, we’re able to engage in a long overdue conversation about the LGBTQIA+ influences, histories, and kinship networks that existed between World Wars I and II when the visual arts flourished; a period that would become known as the Charleston Renaissance,” Gibbes Museum of Art Executive Director Angela Mack said. “Thanks to the Gaylord and Dorothy Donnelley Foundation’s commitment to telling this story, we are able to reengage with the work of an artist whose life was tragically cut short and whose originality and impact for too long has been marginalized.”
  • The Educational Foundation of the University of South Carolina Lancaster’s Native American Studies Center (NASC) will continue its study of South Carolina’s Native American peoples, their histories, and their cultures by gathering oral histories, artifacts, and conducting research related to Lowcountry tribes. The Lowcountry was a significant site for Native American tribes across the region for trade and was a nexus for interaction with European settlers and enslaved Africans.
“Very little scholarly work has been done to document and preserve the living traditions of South Carolina Native Americans, particularly in the Lowcountry. The small, often isolated but vibrant Native communities have existed largely under the radar of outside scholars. Some members of these communities were enslaved by European colonists; others found their tribal communities driven to near extinction. Some identified, at times, as white; others were labeled as African American. With the generous support of the Gaylord and Dorothy Donnelley Foundation, the NASC will help document, preserve, and share these rich cultural traditions maintained by the life experiences and in the memories of the elders and leaders of these communities,” said Dr. Stephen Criswell, NASC Director. Criswell, Hub readers might remember, is a 2018 recipient of the Jean Laney Harris Folk Heritage Award. The Gibbes Museum is a 2019 recipient of the South Carolina Governor's Award for the Arts. Readers curious about the Chicago-based grant recipients can read more about them here.
About Gaylord and Dorothy Donnelley Foundation The Gaylord and Dorothy Donnelley Foundation supports land conservation, artistic vitality, and regional collections for the people of the Chicago region and the Lowcountry of South Carolina. For over five years, the Gaylord and Dorothy Donnelley Foundation has convened five advisory groups to assist with the formation and execution of the Broadening Narratives funding initiative by providing important feedback, keeping the Foundation apprised of trends in the field, and serving as valuable connectors and conveners. The groups include Black Metropolis Research Consortium, Chicago Collections Consortium, Chicago Cultural Alliance, College of Charleston’s Lowcountry Digital Library, and the Southeastern Museums Conference. For more information on the Gaylord and Dorothy Donnelley Foundation, visit www.gddf.org.

Jason Rapp

Charleston poet Linda Joy Walder debuts with Free Verse Press

Running Naked in the Snow, the debut collection of poems by Linda Joy Walder, was just released by Free Verse Press.

The poet describes her works as “word paintings,” deeply rooted and inspired by the magical and mournful circumstances of her lifetime. “Six decades in, it is the exact right time to share my poetic journey. We ‘evolve’ throughout our lives, and I hope that my personal achievement inspires others, no matter their age, to fulfill their own dreams,” Walder said. Running Naked in the Snow (ISBN: 978-1734673791, 57 pages, $13.99 U.S.) is available on Amazon and at fine book sellers throughout Charleston and select cities across the U.S. It also will be available as an e-book and audio book in 2022. Evelyn Berry, an award-winning Aiken-based poet, novelist, editor, and podcast host, has worked closely with Walder as a mentor, and is excited about her debut collection of poems. “Linda’s work is deeply invested in not just truth-telling, but truth-sharing. Such radical candor invites the reader to feel and reflect deeply,” she said. Free Verse Press is a new publishing company started by Charleston Poet Laureate Marcus Amaker. In the introduction of Walder’s book, Amaker says that readers will "experience a wildly creative book from a writer who has confidence in what makes her unique. ‘Running Naked in the Snow’ gives you short poems about seasons, rhythm word experiments, gentle pieces about family, and more.”

About Linda Joy Walder

Linda’s creativity blossomed in early childhood, and she began writing poetry in elementary school. Her artistic bent continued throughout her education, studying art, literature, and history. After graduating from Vassar College, Linda thrived in the creative world of art and fashion public relations. Then, after graduating from The Benjamin N. Cardozo School of Law, Linda continued her focus on the arts as an attorney for artists. For the past 20 years, she has been a visionary and activist in the field of adult Autism. Her internationally recognized Foundation (The Daniel Jordan Fiddle Foundation) has led the global community in accepting, valuing, and supporting the diversity of adults diagnosed with Autism Spectrum Disorders. Linda’s own story is one of courage and heart. She is the mother of an adult daughter and a son (who died of an Autism-related seizure at age 9, and in whose memory the foundation is named). She is also a recent widow, navigating the crushing loss of her cherished husband. Linda resides in Charleston with her beloved family of human and furry beings. Her website, LindaJWalderC.com, is sparking a creative revolution, inviting visitors to share her personal journey and to spark their own innate creativity by exploring imaginative new ways to cope with challenging times. Follow Linda on Instagram @lindajwalderc.

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Tuning Up: Senate confirms new NEA chair + Black music

Good morning! 

"Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...
Dr. Maria Rosario Jackson to head NEA. On Saturday, the U.S. Senate confirmed President Joe Biden's nominee to chair the National Endowment for the Arts. Jackson is a 2013 appointee to the National Council on the Arts and is a tenured Institute Professor in the Herberger Institute for Design and the Arts (HIDA) at Arizona State University where she also holds an appointment in the Watts College of Public Service and Community Solutions. A full bio is here. S.C. art museums take up Black music:
  • In conjunction with its Romare Bearden: Abstraction exhibition, Gibbes Museum of Art in Charleston is set to present Improvised: A Hip Hop Experience. "Many artists are influenced by the music of their time. In the case of the abstract expressionists of the mid 20th century that music was Jazz. Improvisational and expressive, it inspired Jackson Pollack and Romare Bearden alike. At the Gibbes, we see Hip Hop as an extension of that improvisational tradition and are excited to partner with on air personality Kris Kalyn to host Improvised: A Hip Hop Experience that will have local and emerging Hip Hop artists responding to works in Romare Bearden: Abstraction." Tickets are available now. $35. Student pricing available.
  • Later in the month, Columbia Museum of Art will launch of More Than Rhythm: A Black Music Series, hosted by ethnomusicologist Dr. Birgitta Johnson on Saturday, Jan. 15, 2022, during the closing weekend of the 30 Americans exhibition. The series premieres (two additional dates are scheduled) with a sampling of diverse sacred choral textures that exist in the Black sacred music tradition. "Black music represents one of the oldest and broadest rivers that pours into America’s sonic ocean. Whether it be in pop or rock, classical or hip-hop, the history that the music of Black Americans affirms is key to its enduring popularity and influence across lines of race, gender, age, class, and even language," per a release.
The Hub is pleased to see leading arts institutions offering inclusive programming that further validates why they are both recipients of the Governor's Award for the Arts.

Jason Rapp

South Arts announces $6 million for ‘Southern Cultural Treasures’

A new program with help from the Ford Foundation

Text graphic that reads "Southern Cultural Treasures: A program of South Arts"

South Arts is pleased to announce Southern Cultural Treasures: a $6,000,000, four-year initiative funding Black, Indigenous, and People of Color-led and -serving arts and cultural organizations throughout the Southeast.

The application process opens today, and cohort members will be announced in May 2022.The initiative is presented in partnership with the Ford Foundation, which is supporting this project with a $3,000,000 matching gift. To maximize the impact of Southern Cultural Treasures, South Arts is currently seeking additional funding partners. Designed to foster lasting stability and resiliency of arts communities throughout the region, Southern Cultural Treasures will support a cohort of 12-15 organizations between May 2022 and March 2025 by offering:
  • general operating grants of up to $300,000;
  • project grants of up to $7,500;
  • and a variety of networking and development opportunities designed to elevate and champion arts communities throughout South Arts’ nine-state region. By providing critical funding and a roadmap for future growth, Southern Cultural Treasures is an exciting new opportunity for the arts in the region.
“Southern Cultural Treasures is a turning point for the arts in the South,” South Arts’ President and CEO Susie Surkamer said“The initiative allows for a more equitable art community throughout the nine states in which South Arts operates, and furthers our mission of advancing Southern vitality through the arts.” Southern Cultural Treasures is a complementary program to America’s Cultural Treasures, a Ford Foundation-led initiative to acknowledge and honor the diversity of artistic expression and excellence in America and provide critical funding to organizations that have made a significant impact on America’s cultural landscape, despite historically limited resources. As Ford’s regional partner for the U.S. South, South Arts brings five decades of arts stewardship throughout Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee. “The Ford Foundation is proud to join South Arts to honor and celebrate the rich diversity of artistic excellence across the region and advance our shared vision for a just South,” said Darren Walker, president of the Ford Foundation. “We’re grateful for South Arts’ expertise and intimate knowledge of the Southeast and look forward to working with them over the coming years.” Southern Cultural Treasures is designed to have far-reaching, lasting benefits. By providing BIPOC-led and -serving organizations with financial resources alongside a framework that establishes long-term sustainability and institution-building, the initiative will encourage growth throughout the South—not only in arts circles, but in the surrounding communities as well. “BIPOC arts organizations are integral to communities throughout the region, no matter their size, history, or area of focus. By funding them, not only are we working to correct historic disparities, we’re empowering the next generation of singers, dancers, media artists, painters, writers—and everyone else,” South Arts Vice President of Programming Joy Young, Ph.D. said. “Only by creating a more equitable landscape can we truly unlock the potential of the arts, and the South.” Organizations throughout South Arts’ nine-state region are strongly encouraged to apply. To apply, eligible organizations should submit a Letter of Intent to participate by December 10, 2021 through the South Arts website. South Arts will hold a webinar discussing the program on November 12, 2021. After review, those most closely aligned with the program goals will be invited to submit a full application. Eligibility information, webinar registration, and application guidelines can be accessed by visiting southarts.org/sct or calling 404.874.7244.
South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org.

Jason Rapp

Black artists focus of new SCAC program

for immediate release

COLUMBIA, S.C. – The needs of South Carolina’s entrepreneurial Black artists are the focus of a new program announced by the South Carolina Arts Commission (SCAC).

[caption id="attachment_48308" align="alignright" width="225"] The SCAiA logo, by Amiri Geuka Farris.[/caption] Together, the SCAC and South Carolina Artists in Action (SCAiA) envision a South Carolina where Black artists have essential support for sustainable careers. The mission of SCAiA is to identify and implement best practices enabling Black artist to artist and Black artist to institutions to advance, support and sustain equitable, inclusive working relationships. “The needs of Black artists are different in that they often require a targeted level of support to get started. SCAiA wants to help navigate access and other systemic challenges. It will also provide a network of peers with similar backgrounds and experiences who either overcame those challenges or are working through them,” SCAC Director of Artist Services Ce Scott-Fitts said. Scott-Fitts is chairperson of the SCAiA committee, serving with Triza Cox, Michael Murray, and Kathryn Van Aernum. SCAiA released a survey this week to gather critical input from Black South Carolina artists (#SCartists). The observations, thoughts, and feedback will help SCAiA’s committee set program goals. The survey can be accessed from the program’s SCAC webpage: https://www.southcarolinaarts.com/artist-development/programs/south-carolina-artists-in-action/

About the South Carolina Arts Commission

The mission of the South Carolina Arts Commission (SCAC) is to promote equitable access to the arts and support the cultivation of creativity in South Carolina. We envision a South Carolina where the arts are valued and all people benefit from a variety of creative experiences. A state agency created by the South Carolina General Assembly in 1967, the SCAC works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas: arts education, community arts development, and artist development. Headquartered in Columbia, S.C., the SCAC is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts, and other sources. Visit SouthCarolinaArts.com or call 803.734.8696, and follow @scartscomm on Facebook, Instagram, and Twitter for #Arts4SC and #SCartists content.

Jason Rapp

South Arts opens applications for Emerging Leaders of Color

New cycle for development program

APPLICATION DEADLINE: Wednesday, December 1, 2021

South Arts announced that applications are open for its Emerging Leaders of Color program.

They anticipate finding 18 cultural leader from across their nine-state region to form a cohort and participate in professional development and networking opportunities. Emerging Leaders of Color (ELC) is a free multi-day professional development program for early- to mid-career arts administrators of color. This partnership program between South Arts and our colleague Regional Arts Organization WESTAF (Western States Arts Federation) provides tools, continued learning opportunities, and a growing professional network to administrators of color who seek to move into leadership positions in the arts and culture sector. This second Southern cohort will build on the success of South Arts’ first cohort and WESTAF’s ELC program which has been attracting, training, networking, and promoting a new generation of diverse arts leaders since 2010. Here's a quick video: ELC promotes representative leadership and equity in the arts by:
  • Building a cohort of cultural leaders of color in the southern United States who are committed to the advancement of the arts.
  • Engaging diverse emerging leaders in coursework and activities designed to strengthen competencies and prepare participants for leadership positions in the field.
  • Providing opportunities for promising arts professionals to establish networks that support their careers.
  • Advocating for the cultural interests of the communities participants represent and serve.
  • Deepening participants’ understanding of the arts in the United States and how public support sustains the vibrancy of the sector.
The second Southern cohort of this program will occur online in late January or early February 2022. At least one participant from each of South Arts’ nine-state region will be chosen to participate, with participation expenses paid. Selected participants will also be invited to join program alumni for continued leadership development. The faculty has distinct SCAC connections: Joy Young (star of the video above) served at the agency several years until leaving in 2019, and Margie Johnson Reese was a one-time grant panelist who also consulted on the One Columbia cultural plan for Columbia. Basically, The Hub is telling you that selected participants are in impeccable hands. Applications are due December 1, 2021.

Jason Rapp

Tuning Up: Arts and the economy + SCAC equity work

Good morning! 

"Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...  
[caption id="attachment_48026" align="aligncenter" width="600"] Click image to enlarge.[/caption] As we mentioned last week, this October is National Arts and Humanities Month! The Hub is helping drive the conversation about the cultural sector’s role in our economy, equity, education, health and wellness, and military communities. Join the conversation with #NAHM21 and #NAHM. Today we’re focusing on how the arts and humanities positively impact the economy. Before the pandemic, it was approaching a $1 trillion industry that directly employed 5.2 million people and indirectly supported millions more. Due to COVID-19, unemployment rates for the cultural community soared to among the highest in the nation. A thriving cultural sector is essential to America’s economy and its recovery, which is on the way thanks to CARES and ARP Act funds.

SCAC featured by NASAA for equity work

How do state arts agencies ensure their practices and policies are equitable and inclusive? The National Assembly of State Arts Agencies invites you to read about how four agencies—California Arts CouncilMaryland State Arts CouncilMass Cultural Council and of course, BAE: the South Carolina Arts Commission—have integrated equity principles across multiple aspects of their work. Click here for the story.

Jason Rapp