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International Association of Blacks in Dance seeks CEO

APPLICATION DEADLINE: Thursday, March 31, 2022

IABD's next President and CEO will be the 4th leader in the organization's 30-year history.

They will have the opportunity to be at the forefront of activating change that sustains the future of Black dance.  This leader will build consensus informed by new and varied perspectives. They will partner with all staff to oversee the implementation of our leadership development programs, funding opportunities, and annual conferences. As the most public-facing ambassador of the organization, the right candidate will have the opportunity to represent IABD in the dance community and the broader performing arts and philanthropic communities nationally and internationally.

The president and CEO will report to and be championed by a 21-person Board of Directors representing an intergenerational mix of artistic voices and leaders in the dance world. In this partnership, the President and CEO will strategize and collaborate to establish vivid goals to advance the organization's mission. They will work with and oversee a full-time staff of 7 employees. As President and CEO, they will have operational responsibility and oversight of IABD's programs, membership, fundraising, events, finances, and staff. IABD projects revenue for the fiscal year ending June 30, 2022, at $3 million. The association's diverse revenue platform includes programming, membership dues, sponsorships, grants, and a fiscal sponsorship program.

Key roles and responsibilities

The president and CEO will focus their efforts on four primary areas: strategic leadership and advocacy, fiscal management, capacity building and sustainability, and staff engagement. In this capacity, this leader will establish internal and operational priorities, cultivate meaningful and impactful relationships, and advance strategic partnerships to elevate IABD's impact and initiatives. This person will develop new and unique opportunities to serve the mission and bring innovation to spark organizational growth. They will be an assertive advocate for Black dance and effectively represent all dance professionals irrespective of the size, tenure and genre of the organization. The next president and CEO will understand the importance, potential, and plurality of ways that art and dance can connect, engage, and transform individuals and communities alike. The new president and CEO will understand and advocate for the organization's vision, history, and philosophy supporting its mission.

Learn more an apply by clicking here.

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Grand Jeté returns with opportunities for S.C. dancers, dance teachers

REGISTRATION DEADLINE: Tuesday, February 1, 2022

 

Dance students from across the state will gather together to connect, compete, and cultivate their skills during the third annual Grand Jeté Student Ballet and Contemporary Dance Competition.

The now week-long event offers master classes led by guest artists, audition and recruitment events with national dance programs and teacher workshops for private studio and public school dance teachers. “This is not just a competition,” said Josée Garant, Grand Jeté director. “This is an opportunity for the dance community to come together, learn together and showcase the exceptional talent our state has to offer. Dance is such a competitive field, which is why we feel it is so important to host an event where dancers can get to know each other, support each other and consider their future in dance at the collegiate level.” Dance students, ages 10-19, who choose to compete have the chance to win prizes, totaling $5,250, in the categories of classical ballet, modern/contemporary and student choreography. They will also gain valuable feedback from the competition’s esteemed, out-of-state, adjudicators—Jorden Morris, Akua Noni Parker and Sarah Wroth. Morris is a retired principal dancer, choreographer and the current guest artistic director of the Orlando Ballet. Parker has performed as a leading company member with prestigious dance companies such as Alvin Ailey American Dance Theater, Dance Theatre of Harlem, Cincinnati Ballet and Ballet San Jose. Wroth is an associate professor of music in ballet and the chair of the ballet department at the Indiana University Jacobs School of Music. Competitors and noncompetitors can attend virtual information sessions and in-person audition classes with university and trainee dance program recruiters from Dean College, New World School of the Arts, Ohio State University, Royal Winnipeg Ballet, Texas Christian University, University of North Carolina Charlotte, University of Oklahoma, University of South Florida, University of Utah and others. They can also participate in in-person master classes in ballet and modern/contemporary. “Grand Jeté is the only event in South Carolina where high school juniors and seniors can share their talents with so many recruiters in one place,” Garant said. “This is an amazing opportunity for students seeking a summer intensive or university dance program with the potential to earn scholarships.” South Carolina dance instructors can also participate in Grand Jeté which offers in-person teacher workshops. Classes in beginner ballet, intermediate/advanced contemporary and intermediate/advanced ballet will be held for private studio teachers. K-12 public school teachers can register for workshops in historical dance, world dance, ballet fundamentals and modern/contemporary free of charge. Grand Jeté will be held March 1-6, 2022 with the competition occurring on March 6. Participants can choose to only attend their preferred events and are not required to attend for the full week. In-person events will be held on the Governor’s School’s campus in downtown Greenville. Interested individuals can register online at scgsah.org/grand-jete until February 1, 2022. Sponsorship opportunities are available. Contact the S.C. Governor’s School for the Arts and Humanities Foundation at 864.282.1570 for more details.

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SCAC selects five for Emerging Artist grant

Up to $1,500 grant includes mentorship, more


FOR IMMEDIATE RELEASE COLUMBIA, S.C. – A ceramicist, a dancer, a painter and fiber and installation artists make up the five #SCartists receiving South Carolina Arts Commission Emerging Artist Grants in FY2022. The South Carolina Arts Commission (SCAC) defines emerging artists as being at an early stage in their artistic career development with no basis in age. Five South Carolina artists were selected to each receive an up to $1,500 Emerging Artist grant from the SCAC in the current fiscal year (2022). They are, left to right:
  • Robyn Arnold of Central (dance)
  • Evelyn Beck of Anderson (fiber)
  • Jordan Sheridan of Columbia (installation)
  • Adrian Smith of Darlington (painting)
  • Jordan Winiski of Greenville (ceramics)
In addition to financial support, the artists will benefit from mentorship and professional support facilitated by the SCAC and Artist Development Director Ce Scott-Fitts. The combined benefits are intended to deepen artistic practice and foster artistic excellence; encourage career growth, advancement, and sustainability; and provide professional development and opportunities for collaboration. The SCAC awarded an inaugural class of emerging artists in 2021. Work resulting from their grant can be explored in an online exhibition on SouthCarolinaArts.com. An online exhibition of works by the new class of emerging artists is expected to be available in late summer 2022. “It means a lot to be considered an ‘emerging artist’ in my 60s,” fiber artist Evelyn Beck of Anderson said. “Art is a second career for me, and I’ve devoted myself to it completely. This recognition and support for my project spurs me forward and makes me feel that I’m heading in the right direction.” “Funding for emerging artists is crucial for cultivating a community of young creators who are able to discover their artistic voice. I am so thankful for this opportunity,” ceramicist Jordan Winiski of Greenville said. Beyond funding support, Arnold, Sheridan, and Smith expressed that they anticipate benefit from the mentorship provided by the Emerging Artist program, summed up by Arnold: “I am amazed by how comprehensive and engaging the emerging artist program is. The other grant recipients and I not only receive funding to create, but we also get to meet once a month as a group and meet individually with Ce (Scott-Fitts), the artist development director. That means receiving an incredible support group of other artists as well as personalized insight and direction into our emerging journeys.” The application period for the next round of the Emerging Artist Grant is to begin in Fall 2022. The SCAC will announce it on The Hub (https://www.scartshub.com/), on its social media at @scartscomm (Facebook, Instagram, and Twitter) and other channels.

About the South Carolina Arts Commission

The mission of the South Carolina Arts Commission (SCAC) is to promote equitable access to the arts and support the cultivation of creativity in South Carolina. We envision a South Carolina where the arts are valued and all people benefit from a variety of creative experiences. A state agency created by the South Carolina General Assembly in 1967, the SCAC works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas: arts education, community arts development, and artist development. Headquartered in Columbia, S.C., the SCAC is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts, and other sources. Visit SouthCarolinaArts.com or call 803.734.8696, and follow @scartscomm on Facebook, Instagram, and Twitter for #Arts4SC and #SCartists content.

Jason Rapp

Dance/USA announces new round of fellowships

30 'Fellowships to Artists' available

LETTER OF INQUIRY DEADLINE: Wednesday, December 8, 2021 at 6 p.m. ET

Dance/USA announced a new round of Dance/USA Fellowships to Artists (DFA).

As our society grapples with unprecedented challenges and increasingly recognizes the inequity and injustice of our systems, Dance/USA is reaffirmed that the work of supporting artists who engage in art for social change is pivotal and overdue. DFA offers direct support to individual artists who have a sustained and intentional practice of working through dance or movement-based modalities to address social change. DFA will award 30 Fellowships of a minimum of $30,000 per artist by August of 2022. Fellowship funds may be used at the artist’s discretion. Artists are invited to submit a Letter of Inquiry by December 8, 2021 at 6:00pm EST. Find the DFA program overview and guidelines here.

Information for Artists

Dance/USA is committed to accessibility and places Black, Indigenous, People of Color (BIPOC), LGBTQ+ individuals, and people with disabilities at the center of its decision-making. All artists may apply to DFA regardless of Dance/USA membership status. DFA offers alternative formats and translation services necessary so that all individuals can participate in the program. Dance/USA shares the belief that proposal writing should not be a barrier to artists accessing funding. DFA offers applicants several support options during the application period. For questions, please contact Haowen Wang, Dance/USA Director of Regranting, at fellowships@danceusa.org or 202.725.4028.

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Dancer emergency grants announced

APPLICATION DEADLINE: Friday, January 7, 2021


New York Foundation for the Arts (NYFA), in partnership with the Robert Rauschenberg Foundation, has announced the launch of Rauschenberg Dancer Emergency Grants, a new program that will provide one-time grants of up to $5,000 to professional dancers in need, who have a dire financial emergency due to the COVID-19 pandemic. You must demonstrate an urgent and critical need for emergency support in order to apply. ​​Dire financial emergencies include the lack or imminent endangerment of essentials such as housing, medicine/healthcare, utilities, and food. If you were displaced due to COVID, expenses to enable you to return to your working home base are eligible. You can request funding for eligible expenses for up to a three-month period, ranging from four months before the grant deadline through four months after the grant deadline. 

CYCLE 1

  • For Emergency Expenses between September 1, 2021 and April 30, 2022
  • Applications Open: November 9, 2021, 10:00 AM EST
  • Applications Close: January 7, 2022, 11:59 PM EST

CYCLE 2

  • For Emergency Expenses between December 1, 2021 and July 31, 2022
  • Applications Open: March 1, 2022, 10:00 AM EST
  • Applications Close: April 1, 2022, 11:59 PM EST

CYCLE 3

A third cycle will be implemented before June 2022. If you have any questions, please do not hesitate to reach out to the NYFA Grants team at emergencyfunds@nyfa.org or 212.366.6900 x 239.

Jason Rapp

Midlands school’s dance team receives honors

Brings home 8 awards from international competition


From ColaDaily.com:

Dancers from East Point Academy competed in the virtual Taoli World Dance Competition in December, earning a total of eight awards. East Point competed against more than 600 nationwide performers in the competition.

“I feel their performances were outstanding," said dance teacher, Yihao Chen. "I am proud to teach them.”

In addition to winning eight awards, the team also earned the opportunity to compete in the final round of the competition in California in the upcoming summer.

Read more and see a list of dancers receiving awards in Meera Bohnslé's ColaDaily.com story here.

Jason Rapp

Charleston arts community loses ‘Big Buddha’

Don Cantwell passes away at 85


The week is closing on a somber note in the Lowcountry.

Don CantwellThe Post & Courier is reporting this morning that Don Cantwell, Charleston Ballet Theatre's longtime artistic director, passed away from complications of cancer. From Maura Hogan:

Acclaimed for raising the bar of dance throughout his native Charleston and beyond, Cantwell for decades served as the visionary, yet strikingly unassuming leader of Charleston Ballet Theatre, working alongside his wife, dancer and dance instructor Patricia Cantwell, and the company’s choreographer Jill Eathorne Bahr.

Known for both his quiet nature and outsize imagination, Cantwell is remembered for cutting a towering, elegant figure. However, even with such stature and presence, the lifelong disciple of dance was said to possess a humility that at times belied the magnitude of his artistry. Those attributes, as well as his twinkling humor, compelled many who knew him to refer to him as “Big Buddha.” 

Read Hogan's full report on the Post & Courier website here. (Subscription might be required.)

Jason Rapp

Tuning Up: COVID claims S.C. shag master + awards + more

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Columbia Film Society welcomes Dr. Thaddeus Jones

From a CFS email:

Meet Thaddeus Jones, our new CFS Director of Programming! Dr. Jones will direct film programming for the Nick and lead the Indie Grits Fellowship and media education programs. He has 15 years experience in filmmaking, media instruction and writing and for the last ten years, has managed his own media production company, fanatikproductions. He has been connected to CFS as a film curator and Indie Grits Fellow.

Jeppy McDowell dies at 76

Jeptha Joseph McDowell, better known as “Jeppy,” made North Myrtle Beach home and worked his way into being a legend in the local shag dancing scene. (Confused? You see, the shag is South Carolina's state dance.) The State reports "McDowell died due to complications from COVID-19 on Oct. 17. He was 76. COVID-19 is hitting the Grand Strand shag community hard. More on his passing from The State:

McDowell’s passing comes as others in the North Myrtle Beach shag community have fallen ill and died. In late September, several North Myrtle Beach clubs and restaurants participated in an unofficial Shaggin’ On Main event. In the days and weeks that followed, at least 14 people tested positive for COVID-19, the illness caused by the novel coronavirus.

Two others connected to the shag community have also died, though, like McDowell, it remains unclear if their deaths are related to the events. According to data from the South Carolina Department of Health and Environmental Control, 210 people in the North Myrtle Beach zip code tested positive for COVID-19 in the two weeks following the events.

Read the full story from The State here (subscription possibly required).

Two weeks' notice

This is your two-weeks' notice that nomination time is coming to a close for the South Carolina Governor's Awards for the Arts and the Jean Laney Harris Folk Heritage Award. Nominations for both are due by 11:59 p.m. ET Friday, Nov. 6.

Jason Rapp

SCAC announces four 2021 fellowship recipients

Individual excellence in writing, dance honored


for immediate release

COLUMBIA, S.C. – Hard work and exceptional abilities are earning four South Carolina artists practicing in the dance and writing disciplines fellowships from the South Carolina Arts Commission for fiscal year 2021.

The South Carolina Arts Commission (SCAC) Board of Directors approved four $5,000 fellowships among several other FY21 grant awards to be announced at a later date. The SCAC’s four fellows are:
  • Sarah Blackman of Greenville County in prose,
  • John Pursley III of Greenville County for poetry,
  • Erin Bailey of Richland County for dance choreography,
  • and Tanya Wideman-Davis of Richland County for dance performance.
Individual artists residing in South Carolina full-time whose work covers prose, poetry, dance choreography, and dance performance were invited to apply last fall for fiscal year 2021 awards. Out-of-state panelists from each discipline reviewed applications and, based solely on blind reviews of anonymous work samples, recommend recipients of each $5,000 fellowship. “Fellowships recognize and reward the artistic achievements of exceptional South Carolina individual artists. Recognition from a fellowship lends artistic prestige and can often open doors to other resources and employment opportunities,” SCAC Executive Director David Platts said. A diverse group of panelists judged the nominees applying to the FY21 disciplines in which they work. The poetry panelists were Joseph Bathanti, writer-in-residence at Appalachian State University in Boone, North Carolina; author Sandra Beasley, an instructor with the University of Tampa who lives in Washington; and publisher Lucinda Clark, principal with the Poetry Matters Project in Augusta, Georgia. Author/educator Catherine Reid of Burnsville, North Carolina and Charlie Vazquez, a consultant in New York City, judged the prose applicants. Panelists of the dance performance applicants were Laurel Lawson of Atlanta, Georgia with Full Radius Dance and Tamara Nadel of Minneapolis, Minnesota with Ragamala Dance Company. Maura Garcia, principal of Maura Garcia Dance in Chapel Hill, North Carolina; and Patrick Makuakane of San Francisco, California with Nā Lei Hulu i ka Wēkiu Dance Company served as panelists of the dance choreography applicants. Four fellowships per year are awarded to artists working in rotating disciplines. One artist from each of these fields: visual arts, craft, media: production, and media: screenwriting will be honored in fiscal year 2022. To be eligible, artists must be at least 18 years old and a legal U.S. resident with permanent residence in the state for two years prior to the application date and throughout the fellowship period. Applications will be accepted later this summer following announcement by the SCAC. For more on discipline rotation, eligibility requirements, and the application process, please visit https://www.southcarolinaarts.com/grant/fel/.

About the FY21 Individual Artist Fellowship Recipients

Sarah Blackman | Prose | Greenville County Sarah Blackman is the director of creative writing at the Fine Arts Center, an arts-centered public high school in Greenville, South Carolina. Her poetry and prose have been published in a number of journals, magazines, and anthologies and she has been featured on the Poetry Daily website. Blackman is the co-fiction editor of Diagram, the online journal of experimental prose, poetry and schematics; and the founding editor of Crashtest, an online magazine for high school age writers she edits alongside her Fine Arts Center students. Her story collection Mother Box, published by FC2 in 2013, was the winner of the 2012 Ronald Sukenick/American Book Review Innovative Fiction Prize. Her novel, Hex, was published by FC2 in April 2016 and in 2018 she joined its board. John Pursley III | Poetry | Greenville County John Pursley III teaches contemporary literature and poetry at Clemson University, where he also directs the annual Clemson Literary Festival. He is the author of the poetry collection, If You Have Ghosts (Zone 3 Press), as well as the chapbooks, A Story without Poverty (South Carolina Poetry Initiative) and A Conventional Weather (New Michigan Press), among others. In addition, he works as the poetry editor of Burnside Review and is an assistant editor for the South Carolina Review. His poems and reviews have appeared in Poetry, AGNI, Colorado Review, Kenyon Review, and elsewhere. Erin Bailey | Dance: Choreography | Richland County Erin Bailey is a South Carolina native who discovered her passion for dance at the Fine Arts Center in Greenville. She has degrees from Columbia College (BFA) and Texas Women’s University (MFA) and has her certification and licensure in massage. She is an adjunct dance professor at Columbia and Coker colleges and the University of South Carolina. Bailey has worked and performed with Columbia area dance companies since 2004 and has performed nationally and internationally at festivals like Piccolo Spoleto in Charleston. In 2018 she founded and remains artistic director of Moving Body Dance Company. She has twice received awards for her choreography work. Photo by Jesse Scroggins. Tanya Wideman-Davis | Dance: Performance | Richland County Tanya Wideman-Davis is the co-director of Wideman Davis Dance and is on faculty as associate professor at the University of South Carolina in the Department of Theatre and Dance and African American Studies. With an extensive career as a dancer, choreographer, and teacher, she completed her Master of Fine Arts from Hollins University/ADF (2012). Tanya has danced with many world-renowned companies, including Dance Theatre of Harlem, Joffrey Ballet, Complexions Contemporary Ballet, Alonzo King Lines Ballet, Spectrum Dance Theater, Ballet NY, and as guest artist with Ballet Memphis, Cleveland San Jose Ballet, and Quorum Ballet (Portugal).  She received international acclaim as “Best Female Dancer of 2001-2002” from Dance Europe magazine. Photo by Sammy Lopez.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Jason Rapp

Hub E-vents: April 30

You want art. You crave art.

#SCartists and arts organizations want to fill that void. They live for that. It’s a calling. Yet in times of social distancing, that’s hard to do. Through the wonders of modern technology, many are trying and succeeding. So while we’re all staying home to protect vulnerable family, friends, and neighbors,  The Hub is stepping up to fill the void between artists and arts lovers. (Learn more about Hub E-vents here.)

So this is it for April.

The Hub doesn't know about you, but it felt only about half as long as March's approximately 250 days. Progress! (Right?) Let's dance into a new month, and get closer to returning to the people, places, and things we miss.

Here are some events for today. (Or anytime.)

Your event not here? Here's a little more on how Hub E-vents works.

Jason Rapp