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CMA posts education + engagement job opening

The Columbia Museum of Art is seeking an education and engagement coordinator to facilitate and support the daily operational, administrative, and programmatic functions of the Education & Engagement Department.

According to the job description, the person in the role serves that department in three primary areas:
  1. support for and work developing education programs and interpretation projects,
  2. general departmental administrative functions, and
  3. assistance with assigned EE program(s).
Major job areas include:
  • 75% Coordinate logistical and technical aspects of CMA’s tours, trainings, and education programs and assist with development of educational and interpretive initiatives, in concert with the Curator of Education
  • 15% Manage general departmental administrative functions
  • 10% Provide support for assigned Education & Engagement program(s)
This is a full-time, 40 hours per week, non-exempt position. Occasional evening and weekend hours required. A bachelor's degree or equivalent experience is required. For the full job description and other information about the role, please visit this link. (Ed. note: A deadline to apply was not provided.) Please email cover letter and resume to Jeanna Dixon-McCray, at JDixon-McCray@columbiamuseum.org with “Education & Engagement Coordinator Position” in the subject line.

Submitted material

Curator job posted by Columbia Museum of Art

The Columbia Museum of Art (CMA) is seeking a collaborative curatorial leader with a strong academic background, a vision for embracing new cultural trends and technologies, and who understands and embraces programming for diverse audiences.

The curator will work with CMA staff and leadership to help define and implement fresh presentations of our permanent collection, and create exhibitions and programming that inform, engage, and expand our audiences to promote the CMA as a leading fine arts museum. The curator will share management of the curatorial department including, but not limited to, oversight of staff roles and responsibilities, the museum’s annual exhibition program and collection research, writing, presentations, acquisitions, patron relations, and networking. Executive Director Della Watkins leads the museum's commitment to be welcoming, community-centered, vibrant, and inspiring. In addition to these values, the CMA staff and board eagerly embrace diversity, equity, accessibility, and inclusion to contribute to an open environment for the communities we serve. The person selected to fill this curatorial position will have demonstrated the capacity to promote these attributes.

Scope of Work

  • Collaboratively conceptualize and research an exhibition and collection strategy that supports the museum’s vision, mission, and core values for discussion with the executive director, director of art and learning, and presentation to the board of trustees
  • Encourage and facilitate a culture of collaboration by serving as a Lead Manager across programmatic and supporting departments to ensure effective communication, efficiencies, and accountability
  • Co-Lead the annual planning of the exhibition schedule, including those exhibitions initiated by the CMA, traveling exhibitions, artist installations, private collections, and loans
  • Initiate and manage relations with assigned institutions, collectors, and/or businesses in developing exhibition loan contracts, check lists, and schedules.
  • In concert with a curatorial team of six team members, oversee coordination of exhibition installation design, layout, graphics and shipping/handling.
  • Show commitment to the positive development of curatorial team through leadership, management, and supervisory duties, including but not limited to, annual performance appraisals and professional development.
  • Review exhibition proposals and ideas for artistic merit, mission fit, budget and scheduling factors.
  • Actively solicit, cultivate, and steward relations with colleagues, donors, members, lenders, staff and guests.
  • Champion the museum as a welcoming place by serving as a positive museum representative through participation with programs, development, and publicity marketing and networking activities.
  • Develop, maintain, and strengthen relationships with members of the broader arts community including artists, curators, educators, writers, journalists, collectors, and cultural institutions both nationally and internationally
  • Provide expertise and information for collections committee meetings, collections management policy and strategy, assigned grant applications, and general fundraising activities as requested.
  • In collaboration with Development staff, help identify potential donors, collectors, and sponsors for the collection and designated exhibitions.
  • Ensure proper dissemination of exhibition schedule, visual materials, content and text for exhibition promotion, and related information to CMA departments.
  • Responsible as assigned for coordination, development, and monitoring of the curatorial departmental annual budget.
  • Serve on curatorial and cross-departmental special project teams as assigned to foster collaboration and communication.

Requirements

  • MA in art history or related field, PhD preferred
  • 8+ years of increasingly applied curatorial experience
  • 5+ years of growth in management-level museum experience
  • Demonstrated excellence in conceiving and organizing successful exhibitions for new audiences
  • Demonstrated level of knowledge in the museum’s collecting areas including American, Asian, European and Contemporary art
  • Proven ability to foster and encourage innovation around new models for partnering (both internally and externally), and for exploring new creative relationships with artists central to the CMA mission
  • Demonstrated experience developing, communicating, and managing department projects, staff, budgets, and goals
  • Effectively navigate through the complexity of key issues, challenges, and opportunities to affect actions; guide staff to proactively build and align stakeholders, capabilities, and resources to achieve institutional objectives
  • Proactively model the importance of timely collegial interaction, personal accountability, maturity, professionalism, communication, and exchange across disciplinary boundaries
  • Demonstrated experience in donor cultivation and stewardship
  • Self-directed and motivated work with curatorial team to ensure care and conservation of works
  • Mastery of English language and the ability to plan and deliver oral and written communications that make an impact, persuade, and inform their intended audiences
  • Knowledge of research tools and methodologies
  • Monthly evening and weekend time and occasional travel
  • This position requires a criminal background check
  • A considerable amount of time sitting, standing, walking, climbing stairs, and reaching
  • Experience handling objects and tools
  • The ability to lift up to 30 pounds

Contact

The Columbia Museum of Art is an Equal Opportunity Employer, committed to diversity, accessibility, equity, and inclusion. Confidential inquiries, applications, and recommendations are welcome. Please email cover letter and resume to Mrs. Jeanna Dixon-McCray, at JDixon-McCray@columbiamuseum.org with “Curator” in the subject line. Salary range is commensurate with experience.

About the Museum

The CMA is the largest international art museum in the state of South Carolina, located a short distance to Charleston, SC, Greenville, SC and Charlotte, NC. Columbia is the state capital and the second largest city in the state. In the heart of South Carolina at the convergence of three rivers, the area is home to thriving colleges and universities, award-winning hospital systems, and diverse and charming neighborhoods to suit any lifestyle. Several business and retail districts with outdoor cafés, coffee shops, art galleries, and shops present year-round opportunities for entertainment, socializing, and enjoying the outdoors. The city includes historic architecture of a bygone era while high-tech start-ups and artist venues make up Columbia’s diverse downtown areas. Established in 1950, the CMA is exceptional in its impact, attracting both national and state recognition, and is distinguished by its innovative exhibitions and creative educational programs. The museum now welcomes more than 135,000 visitors annually—including more than 28,000 children—and acts as a catalyst for community creativity and serves as the cultural anchor of Columbia’s downtown district. In order to serve even more audiences, the CMA recently underwent a renovation of the 1998 facility, including new collection galleries with a progressive thematic layout, new studios for art-making and cutting-edge program and event spaces. The newly renovated Boyd Plaza adjacent to the CMA provides an attractive outdoor art and gathering space downtown. The CMA is committed to the concept of an inclusive and participatory 21st century museum, where art is meant to be experienced, not just seen. The CMA is a collecting institution and maintains a collection numbering approximately 7,000 works of art. The CMA’s collecting emphasis is on American, Asian, European, and Contemporary art. The collection includes artists as aesthetically and stylistically varied as Sandro Botticelli, Renee Cox, Charles and Ray Eames, Sam Gilliam, Robert Henri, Claude Monet, Tintoretto, Pat Steir, and Andy Warhol. The governing Collections Committee has an eye to the future and embraces accessions of remarkable artworks that foster ideas through visual conversations. The CMA encompasses 124,000 square feet of permanent and temporary exhibition galleries, studios, public spaces, and storage. The museum actively mounts approximately four special exhibitions per year, with a dynamic menu of related public and educational programs. The CMA operates with an approximately $4.5 million budget and a staff of 29 full-time and 27 part-time employees (including security and special event staff).

Jason Rapp

‘The show can’t go on’

P&C  reviews hard times in the arts


Hub readers know the devastation felt in South Carolina's arts community because of the pandemic's economic effects.

Know, though, the story is reaching broader audiences. Today, the Greenville outpost of the Post & Courier published a story that paints a bleak picture throughout the state. From the story:

“You know the old adage, ‘The show must go on.’ Well, this is one of those times when the show can’t go on,” said Graham Shaffer, technical director at the Greenville Theatre. “We just have to sit here until we can.”

Some hoped for salvation via a federal coronavirus relief package that hasn’t materialized. Now, the South Carolina Arts Commission has asked the state General Assembly to approve $3.8 million in nonrecurring funds to prop up the ailing industry until it can recover. Originally, the arts commission asked for that amount to help venues make repairs to aging buildings.

Now it just hopes to keep the buildings open.

Read Nate Cary's full story here. Subscription possibly required.

Jason Rapp

Tuning Up: Update on relief funding awards to S.C. arts orgs

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Columbia

The Columbia Museum of Art announces it has been selected as a recipient of a CARES Act economic stabilization grant from the National Endowment for the Humanities (NEH). The $150,000 award will support public programming associated with the upcoming major exhibition Visions from India: 21st-Century Art from the Pizzuti Collection. “I am pleased that the Columbia Museum of Art has received funding allocated through the CARES Act,” says Congressman James E. Clyburn. “The museum serves as a community center, art studio and entertainment venue. We must continue to support them as they strive to provide safe opportunities to participate in meaningful cultural experiences and connect with others.” From Oct. 17, 2020, through Jan. 10, 2021, the CMA will present Visions from India, a breathtaking sweep of 21st-century painting, sculpture, and multimedia works from India and its diaspora. The museum is eager to showcase this exhibition for diverse local and regional audiences and believes it will make an important impact on the community. The NEH is generously providing support for exhibition-related activities that require retaining humanities staff to maintain and adapt critical public programs.

Greenville

Local arts organizations have received another infusion of COVID-19 relief funds thanks to a $100,000 contribution from Hollingsworth Funds Inc. The funding, which is being distributed by the Metropolitan Arts Council, was awarded to the following groups: Artisphere, Centre Stage, Greenville Chorale, Greenville County Museum of Art, Greenville Symphony Orchestra, Greenville Theatre, Metropolitan Arts Council, Peace Center, South Carolina Children’s Theatre and Warehouse Theatre. Each of the 10 organizations will receive $10,000 within the next few days, said Alan Ethridge, executive director of the Metropolitan Arts Council.

Jason Rapp

Tuning Up: Anthology includes Boucher + art museums set reopening dates

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


  • Poet's Choice just announced that "A Perfect Night,” a poem by Clarence Carter Boucher, was selected for inclusion in the anthology A Childbirth Song or Poem. Boucher has been participating in SCAC programs since 1981. His residencies are often interdisciplinary, involving the visual arts, writing and music. Arts Access South Carolina, which provides arts experiences for people with disabilities, named him as a master teaching artist.
  • Two big names on the South Carolina art museum scene announced reopening plans in recent days. Visitors can peruse the collection at the Columbia Museum of Art starting June 16, and the Gibbes Museum of Art (Charleston) announced via email that it will welcome patrons starting June 1. Before going, make sure you're aware of safety precaution policies in place by checking each museum's website:

Jason Rapp

Hub E-vents: April 29

You want art. You crave art.

#SCartists and arts organizations want to fill that void. They live for that. It’s a calling. Yet in times of social distancing, that’s hard to do. Through the wonders of modern technology, many are trying and succeeding. So while we’re all staying home to protect vulnerable family, friends, and neighbors,  The Hub is stepping up to fill the void between artists and arts lovers. (Learn more about Hub E-vents here.)

Here are some events for today. (Or anytime.)

  • This is the juxtaposition of several things artistic, some of which don't get much attention on The Hub. (But The Hub thinks you'll follow along just fine.) This spring, Columbia Museum of Art was gearing up for It's Alive!, a unique printmaking (check) exhibition of horror and sci-fi movie (check) promo posters (another check, honestly) collected by Kirk Hammett, a founding member of the heavy-metal band (big check) Metallica (a long-time Hub favorite). Obviously you can't venture to the CMA for this, but you can get a grand tour by the guitar-shredding collector himself. Rock. On.
  • From museum at home to orchestra at home. Have a sonic experience at home, or even on a socially-distant walk, with the South Carolina Philharmonic. The Midlands' professional orchestra is sharing archival recordings of favorite past performances through the upcoming weeks. Clap between movements! Hum along without getting shushed! Wear pajamas! Heck, we'll say it again: Rock. Rach. On.
 

Submitted material

Events job opening at Columbia Museum of Art

Title: Special Events Assistant Reports to: Special Events Manager Purpose: To assist in managing and selling the museum’s facilities event rental program. (Ed. note: No application deadline was given.)
Responsibilities Primarily assists with event execution and planning: to include management of assigned events, client relations, and supervision of event staff. Handles administrative tasks including event inquiries, scheduling, contracts, and billing. Provides support for the Special Events Manager. Assists with sales to meet annual revenue goals for venue rentals and corporate memberships. Supervisory Duties

Supervise part-time event staff at specific events, as directed. Primary Responsibilities include but are not limited to:

Administration (40% - 16 hours a week)

    • Assist Special Events Manager daily
    • Serve as one of two special event staff who are primary contacts for all event inquiries
    • As assigned, offer facility walkthroughs to potential clients
    • Work with Special Events Manager to plan every two-week work schedule
    • Communicate with clients throughout rental timeline in advance of deadlines for contracts, payments, walkthroughs, floorplans, and insurance documents; manage records on the shareddrive
    • Assist the Special Events Manager with admin and planning for internal events, including submitting check requests, purchase orders, and RFPs
    • Manage rental information forms, prepare for walkthroughs and meetings as necessary
    • Schedule event holds on the CMA master calendar, communicate with clients and update as 2-week hold comes to an end
    • Enter rentals and payments into group sales in database and update as necessary
    • Enter interactions and contacts into database in a timely manner

Events (40% - 16 hours a week)

    • Work a varying 40-hour week to cover day, night, and weekend events
    • Use quick problem solving to address client needs
    • Offer clients excellent customer service in all communications before, during, and after event
    • Manage specific events, including setup and breakdown, coordinate event timelines, and work with vendors and facilities/maintenance staff
    • Supervise part-time event staff and vendors as directed, at specific events or as part of an event managed by the special events manager
    • Work with the special events manager to train part-time event staff as needed
    • Manage inventory (including alcohol) before and after events, and monitor stock of event supplies
    • Record attendance numbers

Promoting, Selling, and Cultivating (20% - 8 hours a week)

    • Provide consistently excellent communication and customer service to clients
    • Attend internal and external meetings as deemed necessary or as assigned, and work as a team with other museum staff
    • Identify, research, and pitch new prospects for rentals and vendor or community partnerships, participate in cultivation and solicitation
    • Consider rental contacts, both inquiries and confirmed, for membership and donor cultivation
    • Meet goals for rental sales, sponsorships and corporate memberships each fiscal year
    • Attend community and networking events as necessary to build relationships and promote the museum

Job Type

This is a full-time, non-exempt position not to exceed 40 hours per week. Schedule varies, requiring flexibility, including an average of 2-4 evenings weekly and 2-3 weekends per month. Must be able to lift up to 50lbs, move furniture and equipment, reach, stand, and walk for extended hours.

Knowledge and Experience

Knowledge of facility operations, event planning, sales management, accounting, marketing, or administration helpful. Experience working as part of a team, strong verbal and written communication and customer service skills, and strong organization required.

Skills and Abilities

Be a positive, confident employee and an advocate for the museum. Interact with people from all backgrounds in a clear, courteous, and respectful way. Be a highly motivated team player who is enthusiastic and proactive, and who thrives in a very fast-paced environment. Should have a passion for the job and the museum, and be creative, innovative, agile, and vibrant. Possess a strong sense of urgency, priority, and follow-through. Maintain a consistently professional appearance. Work independently, anticipate needs, and manage multiple tasks and assignments simultaneously. Be able to work collegially with staff across departments to achieve common objectives. Discretion and sound judgment are required. Maintain the highest professional and ethical standards.

Applicants are asked to send your resume and cover letter to jdixon-mccray@columbiamuseum.org. (Ed. note: No application deadline was given.)

Unique partnership to celebrate South Carolina’s hip-hop culture

Love, Peace & Hip-Hop and Columbia Museum of Art announce partnership


Love, Peace & Hip-Hop and Columbia Museum of Art (CMA) announce a groundbreaking new project entitled “TRIBE: A Celebration of South Carolina Hip-Hop Culture.” A unique partnership spanning the fields of music, visual art, dance, and live performance, TRIBE celebrates the core elements of hip-hop culture in South Carolina. The initial offering from the TRIBE project is Love, Peace & Hip-Hop founder FatRat Da Czar’s double-CD studio album, also entitled TRIBE, which will release on Tuesday, Nov. 12. The album’s 25 tracks feature artists from across the state and across generations of South Carolina hip-hop and was inspired by the TRIBE exhibition. As part of the album release, Czar will perform on Nov. 15 at CMA’s Arts and Draughts, bringing on stage some of South Carolina’s most elite past, present, and future hip-hop artists. “In the world of hip-hop, the time for the Carolinas is now,” said FatRat Da Czar (right), founder of Love, Peace & Hip-Hop. “It’s a perfect time to celebrate our contribution to the international scene as well as honor the pioneers who paved the way.” “A celebration of hip-hop culture is a celebration of art and people, which is what the TRIBE project is at its core. I’m excited for the Columbia Museum of Art to expand upon the partnership we launched last April with Love, Peace & Hip-Hop,” said Joelle Ryan-Cook, deputy director and director of external affairs for the Columbia Museum of Art. “The upcoming TRIBE album release at the November Arts & Draughts is a great way to invite music lovers into the museum to an event that is at its best when community partners help co-create a dynamic and unique experience for everyone who attends.”

History

In 2019, the hip-hop scene in the Carolinas has ascended from the underground to mainstream national success, most notably with Charlotte artist DaBaby and Columbia producer Jetsonmade charting with number one Billboard Hot 100 breakout hits twice in a row. In addition, Renni Rucci, who hails from Hopkins, signed with Quality Control in March 2018, releasing her debut album Big Renni in May 2019. Columbia artist Blacc Zacc recently inked a deal with Interscope, the record label for Dr. Dre, Tupac, Eminem, and 50 Cent. For a state and region that has been so far off the radar nationally, this is a prime time to pause and reflect upon the founders and architects of South Carolina hip-hop. The TRIBE album, inspired by the process of assembling and curating the upcoming TRIBE exhibition, was an opportunity for Czar to work with featured artists across the full spectrum of South Carolina’s hip-hop history. As part of his album release, FatRat Da Czar will perform on Friday, November 15 at Columbia Museum’s Arts and Draughts, bringing on stage some of South Carolina’s most elite past, present, and future hip-hop artists. The second phase of the project is a mixed-media exhibition, “TRIBE: A Celebration of South Carolina Hip-Hop Culture,” which will be on view at the Columbia Museum of Art from January 18 through April 12, 2020. This exhibition will feature visual art elements, as well as artifacts from South Carolina hip-hop history. Additional planned elements of the TRIBE project include a documentary film featuring interviews with influential South Carolina hip-hop figures, as well as community dialogues and roundtables, and more. This project is supported by a grant from the Knight Foundation Fund and by a Connected Communities grant at Central Carolina Community Foundation.

About FatRat Da Czar

FatRat Da Czar is a recording artist and producer, entrepreneur, and hip-hop activist based out of Columbia. Czar’s music career has spanned over two decades, and his role as an acclaimed solo artist was solidified with the release of Da Cold War album trilogy (2007-2012). In addition to opening for acts to include Notorious B.I.G., Snoop Dogg, and Lauryn Hill, Czar has also recorded and mixed sessions as chief engineer at The Boom Room for national artists ranging from KRS-One to Kevin Gates. In 2013, Czar co-founded World Famous Hip-Hop Family Day, a free annual festival dedicated to celebrating hip-hop culture that has delivered artists such as KRS-One, SugarHill Gang, Kid N Play, MC Lyte, and Big Daddy Kane to crowds of 18,000+ on Columbia’s Main Street.

About Love Peace & Hip-Hop

The goal of Love, Peace & Hip-Hop is to ensure that hip-hop, represented properly, can be a medium through which the community can come together, all ages and races, for a day of peace, love, and unity, and having fun. This is accomplished by combining some of the best and brightest live performers, DJs, B-Boy dance crews, hip-hop visual artists, and craft and fashion vendors to create South Carolina’s most unique and entertaining community experience at World Famous Hip-Hop Family Day. To learn more, visit www.lovepeacehiphop.com.

About the Columbia Museum of Art

The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community  enrichment for all. Located in the heart of downtown Columbia, S.C., the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history. Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds. It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Elizabeth O'Neill Verner Governor's Awards for the Arts for outstanding contributions to the arts in South Carolina. In order to serve even more audiences, the CMA recently underwent a transformation. Funded by a successful capital campaign, the two-year renovation project garnered new collection galleries with a progressive thematic layout, new studios for artmaking, cutting-edge program and event spaces, an entrance on Main Street, and a revamped CMA shop. Overall, more than 15,000 square feet of functional space were added to the building’s existing footprint. To learn more, visit columbiamuseum.org.

Tuning Up: Experience the arts this weekend

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


[caption id="attachment_40184" align="aligncenter" width="600"]Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute) Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute)[/caption]

Hey, look; we made it.

Friday is here. You've been looking forward to it since 8:30 or 9 a.m. Monday, and it's finally here. The Hub will be mowing and pitching in on some house cleaning for sure, but a good weekend has more to it than the mundane. We are here to help. BLACKVILLE The 8th Annual Blackville Music & Art Festival is bringing a weekend full of entertainment and activities to downtown Blackville this weekend, May 17-19. Organizers promise a carnival, parade, car & bike show, several live performances, art displays, vendors, and live artist demonstrations by South Carolina artists Edmon Glover Richburg, Ment Nelson, and Terrance Washington. CHARLESTON Not an exhibition per se, but how about something that keeps on giving? Halsey Institute of Contemporary Art is offering BOGO memberships (for all membership levels!) until May 31. It's part of their May giving campaign. Use this deal to enjoy Cry Joy Park—Gardens of Dark and Light from Jennifer Wen Ma (opens Saturday).  Ma helped design the stunning opening ceremony for the Beijing Olympics. COLUMBIA Your last chance to see Jackson Pollock: Mural is Sunday, when the exhibit at Columbia Museum of Art closes. The museum devoted two galleries not just to the mural that launched his fame but to the techniques and creation that made it what it is. LAKE CITY Join ArtFields in Lake City for a dual gallery opening on May 18th from 6-8 p.m. at TRAX Visual Art Center and Jones-Carter Gallery. On opening night, enjoy hors d'oeuvres and drinks while you view artwork from Beverly Buchanan, Jenny Fine, and Jerry Siegel. Additionally, Fine and Siegel will be present to talk about their work and the inspiration behind their pieces.

Van Gogh and more coming to CMA in 2019 

Columbia Museum of Art announces 2019 season

Columbia Museum of Art announced its full schedule of featured exhibitions through the remainder of the year, a broad assortment of largely exclusive, house-organized shows including Van Gogh and His Inspirations.
“From bold inflatables to delicate linocuts, from familiar Van Goghs to modern Latin American works of art, the roster of exhibitions the CMA is offering over the next year embraces a wide variety of materials and techniques, concepts and cultures, and times and places,” says Della Watkins, CMA executive director. “All will allow us to celebrate ideas different from our own and marvel at visual accomplishments — and have fun doing it.” Currently open exhibitions include Jackson Pollock: Mural, on view through May 19, 2019;Our Voice: Celebrating the Coretta Scott King Illustrator Awards, on view through April 21, 2019, in conjunction with Richland Library; and the freshly opened A Life with Art: Gifts from Dwight and Sue Emanuelson.
  A Life with Art: Gifts from Dwight and Sue Emanuelson March 8 – May 19, 2019 Dwight and Sue Emanuelson have generously given artworks to the CMA for 35 years, and this sweeping four-gallery exhibition celebrates the couple’s ardent engagement with art and artists. Highlights include Abstract Expressionism, Pop Art, and midcentury design, with work by Pierre Cardin and Charles and Ray Eames. This is a unique collection of modern and contemporary art assembled through the lens of one couple’s life with art and each other. Shades of Greene: The Art of Sanford Greene April 4 – June 23, 2019 Sanford Greene has worked professionally in comic illustration and related industries for over 15 years, including work for mainline publishers Marvel, DC, Dark Horse, and Image Comics. Greene’s most recent work with Marvel series Power Man and Iron Fist as well as covers for Black Panther and Luke Cage have made him well known in the comic-book scene, but his work is multidimensional. Taking a broad look at his artistic evolution, this exhibition explores Greene’s versatility as an artist and illustrator from an early age into his professional career. Latinidad: Latin American Art from the Collection April 26 – September 1, 2019 Latinidad: Latin American Art from the Collection features 20 rarely seen gems from the collection made between the 1950s and early 1990s by artists born in Chile, Cuba, Mexico, and Puerto Rico, including Roberto Matta, René Portocarrero, Ruffino Tamayo, and David Alfaro Siqueiros. With styles and influences on view including Mexican folk art and Surrealism, the installation also showcases a complete 1953 portfolio by important print collective Centro de Arte Puertorriqueño (Center for Puerto Rican Art) and contemporary photography by Jorge Otero. Wow Pop Bliss: Jimmy Kuehnle’s Inflatable Art June 14 – September 8, 2019 Jimmy Kuehnle is a performance and sculpture-based artist who creates large-scale, high-tech inflatables that expand our notions of abstract art. For this exhibition, Kuehnle is filling four galleries with touchable, interactive environments using inflatables that combine sound, light, space, and texture to create unexpected experiences for visitors as they move under, through, and around these works. Kuehnle is also creating a bright pink inflatable sculpture that will project dramatically out of the CMA façade’s architectural grid overlooking Boyd Plaza, literally spilling out into the city as a calling card to the wonder inside. Supported by The Contemporaries of the Columbia Museum of Art. Mimi Kato: Ordinary Sagas June 14 – September 8, 2019 Mimi Kato draws on the rich history and visual traditions of Japanese culture as well as the absurd everyday elements of contemporary life and merges them in imaginary landscapes. In her lengthy artistic process, Kato photographs herself as a range of costumed characters — from everyday Japanese citizens to fantastical creatures in the forest — and embeds these images into large photomontages. Her work is narratively complex and darkly humorous. Supported by Susan Thorpe and John Baynes. Maryanna Williams: New Work September 6 – December 29, 2019 Maryanna Williams’ imagery creates a dialogue between simple forms and intricate patterns. In her prints she has explored moths, jellyfish, and even Italian Renaissance portraits, each subject chosen for its inherent beauty, delicate patterning, and vibrant hues. Close up and filling the picture plane, her subjects shift between realism and abstraction, at times dissolving into facets of color and marks vibrating across surfaces. Williams’ work is not about scientific illustration or realism, but about transforming subjects from nature and art into images that express her deep passion for the intense beauty that she sees in the world. Van Gogh and His Inspirations October 4, 2019 – January 12, 2020 Van Gogh and His Inspirations, presented by The Blanchard Family, is an original exhibition organized by the CMA that brings the work of one of the most beloved artists in the world to Columbia, South Carolina, alongside a variety of handpicked paintings and drawings that shaped his vision. From 2001 to 2010, as Steven Naifeh and Greg Smith researched their New York Times bestseller Van Gogh: The Life, they built a collection of over 30 works by artists who influenced Van Gogh’s aesthetic thinking. These works join loans from 10 museums across the U.S. to explore the artistic evolution of Van Gogh through the lens of the artists who inspired him. This exhibition also brings 12 paintings and drawings by Van Gogh, including an outstanding painting of poppy fields from the National Gallery of Art, a sensitive painting of a peasant woman weaving from The Boston Museum of Fine Art, and the world-famous self-portrait from the Wadsworth Atheneum Museum of Art. Side-by-side with their inspirations, these works offer visitors a window into the mind of Van Gogh. For more information, visit columbiamuseum.org.

About the CMA

The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community enrichment for all. Located in the heart of downtown Columbia, the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history. Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds. It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Elizabeth O'Neill Verner Governor's Awards for the Arts for outstanding contributions to the arts in South Carolina. In order to serve even more audiences, the CMA is undergoing a transformation funded by a successful capital campaign. In order to serve even more audiences, the CMA recently underwent a transformation. Funded by a successful capital campaign, the two-year renovation project garnered new collection galleries with a progressive thematic layout, new studios for artmaking, cutting-edge program and event spaces, an entrance on Main Street, and a revamped CMA shop. Overall, more than 20,000 square feet of functional space were added to the building’s existing footprint. To learn more, visit www.columbiamuseum.org.