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South Carolina to benefit from $1.1 million in NEA funding

Yesterday, the National Endowment for the Arts (NEA) made its second major grant announcement of FY23, encompassing more than $103 million in recommended grants.

Organizations in all 50 states and U.S. jurisdictions will carry out arts projects in three NEA funding categories: Grants for Arts Projects, Our Town, and State and Regional Partnerships. “The National Endowment for the Arts is pleased to support a wide range of projects, demonstrating the many ways the arts enrich our lives and contribute to healthy and thriving communities,” said NEA Chair Maria Rosario Jackson, PhD. “These organizations play an important role in advancing the creative vitality of our nation and helping to ensure that all people can benefit from arts, culture, and design.” The NEA provided examples of each grant, which The Hub is providing below. Among the grantees, the South Carolina Arts Commission, city of Charleston, and Watering Hole Poetry are receiving funding that totals $1,127,400.

Grants for Arts Projects

  • Next application deadline: Thursday, July 6
Grants for Arts Projects (GAP) is the National Endowment for the Arts’ largest grants program for organizations. Matching grants range from $10,000 to $100,000, and are recommended for organizations in all 50 states, Puerto Rico, and the District of Columbia. In July 2022, 1,927 eligible applications were received requesting more than $98 million in FY23 support. This round, 1,129 projects are approved for funding totaling more than $31 million. Project-based funding will support opportunities for public engagement with the arts and arts education, the integration of the arts with strategies that promote the health and well-being of people and communities, and the improvement of overall capacity and capabilities within the arts sector. Through this grant category, the NEA provides comprehensive and expansive funding for communities across a variety of artistic disciplines and fields. Recommended grants this round support a range of activities. Two entities in South Carolina received this funding:
  • The city of Charleston received a $40,000 grant to support the creation of public art and the preservation of existing cultural assets.
  • Watering Hole Poetry in Columbia was granted $15,000 in support of a writing retreat and online craft talks.
Others nationally include:
  • The commission of a site-specific public artwork by artist Kehinde Wiley (b. 1977) by Association for Public Art (Philadelphia, Pennsylvania)—The artist will create a large bronze sculpture for the city of Philadelphia which will be located on its main cultural artery, the Benjamin Franklin Parkway. The creation of the work will address the city's need for diverse voices and perspectives in public spaces.
  • A technical theater workforce development program at THEARC Theater through Building Bridges Across the River (Washington, DC)—Participants will learn the art and science of technical theater and acquire skills in lighting, sound engineering, set design, stage management, and arts administration.
  • Photography and the Holocaust: Then & Now, an exhibition and accompanying publication by Center for Exploratory and Perceptual Arts (Buffalo, New York) —The project will feature as many as 15 artists whose work utilizes historic photo-documents, archival materials, and new imagery to investigate photographic evidence and explore the role of personal perspective in interpreting images. Public programming will provide audiences with opportunities to address issues of antisemitism.
  • Engagement in outdoor arts programming, artist residencies, and public programs by Indigenous Creatives Collective (Seattle, Washington)—Comprising works by resident Indigenous artists knowledgeable about Native ecological systems, multidisciplinary arts programming will include an exhibition and other public arts events hosted on the organization’s wooded property in South Seattle.
  • The Appalachian Teaching Artist Fellowship by Partners for Rural Impact, Inc. (Berea, Kentucky)—Teaching artists in rural Eastern Kentucky will participate in paid professional learning opportunities, including workshops, a mentorship, and a teaching practicum. Workshops will include training in arts integration, development of standards-aligned lesson plans, and best practices for successful school and community arts partnerships in the rural Appalachian context.
  • The creation and presentation of enVISION: The Next Chapter, an immersive dance-theater work by ShaLeigh Dance Works (Rougemont, North Carolina)—The performance will be accessible to sighted audiences and to people who are blind or have low vision. Accompanying engagement programs will train local dancers to accompany movers who are blind or have low vision to dance classes and help other organizations learn best practices to replicate the program across North Carolina while documenting the process.
  • An interactive touring exhibition program of Space Messengers by STEMarts Lab (El Prado, New Mexico)—An initiative exploring the intersection of arts and science using new media technologies, with a focus on students from Northern New Mexico, will introduce audiences to video mapping, virtual reality design, and sound design, while exploring science concepts and examining complex ethical impacts of new technologies.
  • In-person and online workshops for writers at all stages of their careers by Torch Literary Arts (Round Rock, Texas) —The project will focus on creating advancement opportunities for Black women writers, as well as a retreat where participants can share ideas and receive professional advice while working on a manuscript in progress.
The next deadline for organizations interested in applying for Grants for Arts Projects is Thursday, July 6, 2023; visit arts.gov for guidelines and application resources.

Our Town

  • Next application deadline: Thursday, August 3
Our Town is the NEA’s creative placemaking grants program. Our Town projects advance local economic, physical, or social outcomes in communities, ultimately laying the groundwork for systems change and centering equity. Matching grants in this category range from $25,000 to $150,000 and support projects that will take place in 34 states. Of the 175 eligible applications, 57 projects are approved for funding totaling $4,175,000. Our Town projects require a partnership between a nonprofit organization and a local government entity, with one of the partners being a cultural organization. Project-based funding will support activities that integrate arts, culture, and design into local efforts that strengthen communities. Recommended grants include:
  • The City of Wheeling, West Virginia—to support the development of an arts and culture master plan. In partnership with ARTWORKS around Town, Inc., the City of Wheeling will work with area stakeholders to produce an arts and culture master plan that includes a cultural asset map, a regional tourism assessment, a wayfinding signage plan and design, and an action plan for the creation of a new cultural district, gathering input from community members. Building on a $25 million-dollar award from the state's department of transportation, the city plans to connect community members to area cultural assets, elevate civic engagement opportunities, and align investments in arts and culture with current infrastructure development in Wheeling.
  • Clockshop in Los Angeles, California—to support community engagement activities and cultural asset mapping to influence the design and engineering of 100 acres of parkland along the Los Angeles River. In collaboration with the University of Southern California's Los Angeles River Integrated Design Lab, the U.S. Army Corps of Engineers, California State Park system, and the City of Los Angeles' Bureau of Engineering, Clockshop will facilitate the inclusion of community histories into the development of the River Futures Model, a 60-foot hydraulic model of the Los Angeles River.
  • Epicenter in Green River, Utah—to support engagement activities and temporary art and design installations that address affordable housing and downtown revitalization in rural Green River, Utah. Epicenter will invite as many as six artists and designers to collaborate with community stakeholders on temporary art and design installations, concepts for public spaces and cultural facilities, and affordable housing design ideas. Led by Epicenter’s in-house design team and building on local planning efforts, the project will highlight Epicenter’s Canal Commons, a new affordable housing complex under development on a three-acre parcel downtown which was donated by the town of Green River, Utah.
  • The Town of Killingly, Connecticut—to support community engagement, arts programming, and public art that celebrates the local Laotian and Southeast Asian community. Project activities will include the creation of a mural and a short documentary film focused on uplifting local residents and their stories, along with musical performances and other arts activities that center Laotian culture. Killingly Historical and Genealogical Society, Killingly Public Library, Killingly Business Association, and Laos Cultural Community of Connecticut will engage residents and high school students in collecting local stories and producing cultural programming.
The next deadline for organizations interested in applying for Our Town is Thursday, August 3, 2023; visit arts.gov for guidelines and application resources. More information about all of the National Endowment for the Arts’ grant opportunities is available at arts.gov/grants. This section also includes resources for first-time and returning applicants as well as information on how to volunteer to be an NEA panelist.

State and Regional Partnerships (like the SCAC)

Each year, approximately 40 percent of the NEA’s appropriated program funds are awarded to state arts agencies, regional arts organizations, and the national service organization to support the work of the states and regions. In total, up to $67.9 million is recommended for these partners in FY 2023, with up to $55.1 million of that total designated for State Arts Agencies—of which the SCAC is one. The agency will receive $1,072,400 to further its work of promoting equitable access to the arts and supporting the cultivation of creativity on behalf of South Carolina residents and visitors. State & Regional Partnership Agreement grants extend the NEA’s reach to even more communities, reflecting investments in locally-determined priorities, and translate national leadership into local benefit. To learn more about how the National Endowment for the Arts is impacting individual states and regions of the country, select a state or territory on the state impact page or visit the regional map.

About the National Endowment for the Arts

Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. To learn more, visit arts.gov or follow us on Twitter, Facebook, Instagram, and YouTube.

Jason Rapp

Mary Whyte donates first sculpture to Charleston

New addition at Joe Riley Waterfront Park

[caption id="attachment_49901" align="aligncenter" width="800"] Mary Whyte and Lilly Jones (l-r) are all smiles in front of "Lilly." Charleston Post & Courier photo by Henry Taylor.[/caption]

Last week, Mary Whyte joined Charleston dignitaries and one special Citadel cadet in a Charleston park for a memorable gifting.

Though Whyte's normal medium is watercolor, her foray into sculpture is now a fixture in her city's Waterfront Park. Lilly depicts a young Black girl reaching to the sky. The eponymous subject of the bronze statue, Lilly Jones, is now a Citadel cadet who attended the dedication ceremony. “On behalf of our citizens, I'd like to thank Mary Whyte. This remarkable statue of Lilly is a beautiful and joyous work of art, and I can't imagine a more appropriate home for it than Waterfront Park,” Mayor John Tecklenburg said. “The statue of Lilly is not only a tribute to our African American community, but will be a joyful welcome to Waterfront Park visitors as well,” Whyte remarked. Visit Lilly at Joe Riley Waterfront Park, Vendue Range & Concord Street in Charleston.      

Jason Rapp

Catch American Ballet Theatre in Charleston

ABT Across America on July 17

Presented by the Charleston Gaillard Center

American Ballet Theatre will take to the road this summer, traveling by bus and truck to just eight U.S. cities—including Charleston.

The Charleston Gaillard Center will present ABT Across America for an outdoor performance at The Citadel’s parade ground, Summerall Field. The show will be performed without an intermission. Repertory for ABT Across America will feature Lauren Lovette’s La Follia Variations, a work for eight dancers set to music by Francesco Geminiani, Jessica Lang’s Let Me Sing Forevermore, a pas deux blending ballet and jazz vocabulary set to songs sung by Tony Bennett, Darrell Grand Moultrie’s Indestructible Light, a celebration of American jazz music, and a classical pas de deux from ABT’s extensive repertoire. Support for this program is made possible by generous donors who have committed time and resources to the Charleston Gaillard Center’s Dance Initiative.

Jason Rapp

New CEO named by Charleston Gaillard Center

Lissa Frenkel to start in July

[caption id="attachment_46857" align="aligncenter" width="601"] Charleston Gaillard Center[/caption]

Charleston Gaillard Center, a world-class performance hall featuring pre-eminent performers across artistic genres and arts-enhanced education programs throughout the Charleston community, announced Lissa Frenkel as its new chief executive officer. She will begin her new role in July 2021.

Most recently, Frenkel served as managing director of the Park Avenue Armory, a premier cultural institution producing and commissioning unconventional works in the performing and visual arts in Manhattan. During her tenure with the Armory, she was instrumental in building its operating budget from $6 million to $27 million and in leading the $165 million in capital redevelopment projects that invested in the adaptive reuse and restoration of the building. “I look forward to building on the Gaillard Center’s successes and leading the Charleston Gaillard Center team to expand the institution’s identity as a world-class innovator in the performing arts in the region. I am thrilled to be joining such a culturally adventurous community in Charleston and at the prospect of partnering with both the Gaillard’s resident companies and collaborators and the broader Charleston community as a conduit for artistic expression and conversation in the city. Working closely with the Gaillard Performance Hall Foundation, I am delighted to support Charleston’s long-term commitment to the arts,” said Frenkel. Prior to the Armory, Frenkel worked at the Lincoln Center Development Project, a $500 million cultural redevelopment of the Lincoln Center complex in Manhattan that included the expansion of The Julliard School, Alice Tully Hall and multiple public spaces. Originally from Boston, Frenkel earned her undergraduate degree in art history from Emory University and her master’s degree in urban planning from the Graduate School of Design at Harvard University.
The Charleston Gaillard Center opened in 2015 after a $142 million renovation. With a design echoing the tradition of Europe’s renowned opera houses, the Martha & John M. Rivers Performance Hall features superb acoustics, meticulously integrated in the design, construction and furnishings. With a capacity to seat 1,818, the hall features a 65-musician orchestra pit, nine dressing rooms, six certified sensory- inclusive areas and has programmed Broadway shows, musicians, authors, comedians and performance artists ranging from the Royal Philharmonic Orchestra, Yo-Yo Ma, Alvin Ailey American Dance Theater and the Charleston Jazz Festival to Keb’ Mo’, Renee Fleming and Tony Bennett. In addition to the Martha & John M. Rivers Performance Hall, The Charleston Gaillard Center features a 13,137-square-foot Grand Ballroom, an expansive 8,587-square-foot terrace lawn and a variety of pre- function spaces, complete with a full-service, on-site catering team. Throughout the years, The Charleston Gaillard Center has hosted many notable cultural, political and corporate events, including the 2016 and 2020 Democratic Party presidential debates, Southeastern Wildlife Exposition, South Carolina International Trade Conference and Benefitfocus’ One Place conference.
The Charleston Gaillard Center is a nonprofit, state-of-the-art performing arts center located in downtown Charleston, S.C. Opened in 2015, the Gaillard’s vision to be a community centerpiece is illustrated through its premier year-round programming and partnership with the Gaillard Performance Hall Foundation to extend educational opportunities throughout the community. Follow us on Facebook, Twitter, Instagram and YouTube.  

Jason Rapp

Gibbes Museum of Art seeking accounting manager

Work for a Governor's Award-winner

APPLICATION DEADLINE: Tuesday, April 20, 2021
The Hub is not sure what's in the water between the Ashley and the Cooper, but today is—at least unofficially—Charleston arts jobs day here. The latest comes from our friends (and yes, grantees) at the Gibbes Museum of Art. Check it out, and stay tuned for one more post today about arts jobs. – Ed.
The accounting manager is responsible for performing highly specialized non-profit accounting work required to maintain the institution’s general ledger. Working under the direction of the CFO-Director of Finance, Administration & Operations, the accounting manager manages the daily activities of the accounting functions to record the revenues, expenditures, assets, and liabilities of the Gibbes Museum quickly and accurately. Should be a highly motivated self-starter and detail oriented. The position is also responsible for assisting the CFO in the annual financials and audit through our 3rd party audit firm.

Major responsibilities and duties

  • Manages the daily accounting activities required to maintain the general ledger. Work includes, but not limited to, check runs, accounts receivable, payroll, accounts payable transactions, recording of revenue and expenses, and etc.
  • Payroll Processing: Bi-monthly processing utilizing ADP, maintenance of leave and time reporting.
  • Maintains organized GL, set of detailed records & files of financial transactions.
  • Reviews general ledger balances monthly to ensure accuracy of posting.
  • Makes and implements recommendations to improve accounting processes and procedures. Performs other duties as assigned or required.
  • Shopify reporting, deposits and reconciliations with store coordinator.
The Gibbes, in conformity with applicable laws is an Equal Opportunity Employer and does not discriminate on the basis of race, color, sex, sexual orientation, age, religion, national origin, or disability. Learn more on the Gibbes' careers page.

Submitted material

Temporary sculpture installed in Charleston

'Under Glass' conjoins natural sciences, spirituality

The Charleston Parks Conservancy is bringing public sculpture to the West Ashley Greenway with a temporary art installation by Georgia artist Mike Wsol. The piece was installed May 8 near the St. Andrew's School of Math and Science between Campbell Drive and the West Ashley Greenway. The Conservancy awarded Wsol with an exhibition prize at ArtFields in May 2018. ArtFields is an annual art exhibit and competition in Lake City showcasing the work of artists around the Southeast. Over the last year, Wsol has been planning and designing his sculpture for the West Ashley Greenway. Titled “Under Glass,” Wsol said the sculpture was “designed with the natural sciences and spirituality in mind. Its form divided in two chambers separates the viewer below from the natural light entering and reflecting within the upper chamber. Experiencing ‘Under Glass’ highlights the separation of the viewer’s physical body from the passing light nature provides.” The sculpture is made from two 325-gallon scrap propane tanks bolted to an X-shaped foundation that will be buried underground and covered with sod and soil. After the installation is complete, the sculpture will appear to balance atop the earth. It will be on display until October. In the coming months, the Conservancy will host educational events and opportunities for the public and schoolchildren to view the sculpture and interact with the artist. Wsol's recent creative work has taken the form of large experiential, interactive public sculpture, prints, and drawings. His work has been exhibited in New York, Washington, D.C., Atlanta, Chicago, and Miami, among other cities. Wsol has also been the recipient of grants and awards from The National Oceanic and Atmospheric Administration (NOAA), City of Atlanta Department of Watershed Management, Indiana University, and the Georgia State University Center for Collaborative and International Arts to name a few. He earned a master of architecture from the University of Virginia, a master of fine art in sculpture from the University of Georgia, a master of arts in sculpture and a bachelor of arts in sculpture from Eastern Illinois University. The Charleston Parks Conservancy launched its Art in the Parks program in 2017, an effort to encourage temporary public art displays in Charleston city parks through collaborations with artists and arts organizations, including Redux Contemporary Art Center, City of Charleston Office of Cultural Affairs and ArtFields. The first art installation was in Hampton Park last year. In 2017, the Conservancy received a $50,000 grant from the National Endowment for the Arts for a planning and public engagement process to encourage creative placemaking along the West Ashley Greenway and Bikeway. The site of Wsol’s installation was identified in the plan as location for public art that engages the community and encourages social interaction. “This installation is the first of many public art projects we’ll bring to West Ashley,” said Harry Lesesne, executive director of the Charleston Parks Conservancy. “As we work on the overall master plan for revitalizing the West Ashley Greenway and Bikeway, pubic art and arts programming will play an important role in how we reshape this public space and encourage resident use and engagement.” The ArtFields exhibition prize is part of the Art in the Parks program created by the Charleston Parks Conservancy in collaboration with Redux Contemporary Art Center and the City of Charleston Office of Cultural Affairs.

About the Charleston Parks Conservancy

The Charleston Parks Conservancy is a nonprofit organization dedicated to inspiring the people of Charleston to connect with their parks and together create stunning public places and a strong community. The Conservancy opens doors to individuals and organizations in Charleston wanting to engage with their parks and green spaces in a kaleidoscope of positive ways. With the help of its Park Angels, the Conservancy improves, enhances, and invigorates these spaces, making Charleston even better, stronger, and more successful. For more information about or to support the Charleston Parks Conservancy, please visit www.charlestonparksconservancy.org.

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Art in the Parks Week comes to Charleston

The Charleston Parks Conservancy will celebrate Art in the Parks Week with two events open to the public.

  • An Art in the Parks reception will be 6-8 p.m. Tuesday, Oct. 16 at Redux Contemporary Art Center (1056 King St.) The public is invited to hear from Georgia-based artist Joseph Dreher (known as JOEKINGATL). In April, Dreher installed four large-scale sculptures in Hampton Park, kicking off the Conservancy’s Art in the Parks program. The installation – called “Plant Vitae” – is located on the southern edge of Hampton Park along Mary Murray Drive. It represents Charleston residents in a way that celebrates the people and the community. Dreher worked with children from schools near Hampton Park and the local Boys and Girls Club to create the portraits showcased in the final art pieces. Dreher will talk about his inspiration and the creative process for these works of art as well as his other artwork. One of his sculptures will be on display in front of Redux Contemporary Art Center. This event is free and open to the public. Light food and drinks will be served.
  • Join the Conservancy for Art in the Parks at Twilight from 6-8 p.m. Thursday, Oct. 18 at Hampton Park. The public can get one final look at Dreher’s sculptures in the park before they are removed. He also will be on hand to answer questions about the pieces and his artistic process. In addition, live artists will be working during the event, local band Lumberjack Time Traveler will perform, and food will be available for purchase from Blackense Soul Food Hibachi food cart. Admission is free and the event is open to the public.
The Conservancy launched its Art in the Parks program in 2017, an effort to install temporary public art displays in Charleston city parks through collaborations with artists and arts organizations, including Redux Contemporary Art Center, City of Charleston Office of Cultural Affairs and ArtFields. For more information, visit www.charlestonparksconservancy.org.

About the Charleston Parks Conservancy

The Charleston Parks Conservancy is a nonprofit organization dedicated to inspiring the people of Charleston to connect with their parks and together create stunning public places and a strong community. The Conservancy opens doors to individuals and organizations in Charleston wanting to engage with their parks and green spaces in a kaleidoscope of positive ways. With the help of its Park Angels, the Conservancy improves, enhances, and invigorates these spaces, making Charleston even better, stronger, and more successful. For more information about or to support the Charleston Parks Conservancy, please visit www.charlestonparksconservancy.org.

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Spoleto, Piccolo Spoleto festivals begin today in Charleston

The international arts community turns its attention to South Carolina today as two signature festivals begin at noon. Spoleto Festival USA and Piccolo Spoleto Festival begin with noon opening ceremonies from the city's famed Four Corners of Law intersection (Meeting and Broad streets). If you're not going to make it down, you can livestream the event thanks to the city of Charleston on Facebook. S.C. Arts Commission Executive Director Ken May will be among the dignitaries launching the festival. The S.C. Arts Commission is pleased to provide support for both festivals. They, along with ArtFields in Lake City and Artisphere in Greenville, are our state's three signature arts festivals. Both Spoleto and Piccolo Spoleto will provide a plethora of performances in all disciplines through June 10. Start making plans to go now!

See you there!

City of Charleston seeks proposals for public art

Proposals due April 4. The City of Charleston, S.C., seeks to commission a work of public art to be placed in a new display fountain at Gadsdenboro Park, located off Concord Street, directly across the street from the Charleston Maritime Center. This park space is currently under construction and is expected to be completed by October 2014. Because this property once was, and still is, an active waterfront, the artwork should speak to the important role of the Charleston waterfront as well as the regional migratory waterfowl. The project budget to design, fabricate, engineer and install the art work is between $30,000 to $40,000. Structural engineering services may be necessary for installation. Resume and submittals are due by 4 p.m. on April 4, 2014. Submissions are accepted via mailed submittals only. Emailed submittals will not be accepted. Provide three (3) copies. Please mail all submittals to the following address: City of Charleston Department of Parks, Capital Projects Division ATTN: Beth Brownlee 823 Meeting Street Charleston, SC 29403 The following information must be submitted to the City of Charleston. Incomplete or late submittals will not be accepted. • Statement of Interest – briefly describe your interest in the project. Explain your qualifications for this commission (5000 characters or less) • Resume – please provide no more than three (3) pages on 8 ½ x 11. Resumes should include education, solo and group exhibits, public/private commissions, and gallery representation. • References – please provide three (3) professional references from your former art projects include contact name, current phone number and email address. • Images including an image identification list – please provide three to six images of your completed past art projects. Please include title of work, medium, location, date completed and project budget. • Proposal: - Provide a illustrations of concept(s) for consideration. Multiple concepts can be submitted by the same artist or art team. Graphics submitted shall not exceed three (3) pages on 8 ½ x 11. - Provide a narrative regarding the design concept being proposed. Narrative should explain how the design meets the stated objects of the RPF. Include a summary detailing the medium, dimensions and method of fabrication. Narrative shall not exceed two (2) pages on 8 ½ x 11. Up to three artists or artist team finalists will be selected to develop a site-specific proposal for the project. Finalists will be given a $500 stipend for their design and will be required to make a presentation to the selection committee during an in-person interview in Charleston, South Carolina, on May 9, 2014. Finalists should be prepared to provide more background on themselves as a public artist, explain the meaning behind their concept, and present drawings/renderings/maquettes of their design, preliminary budget and timeline, as well as a detailed description or sample of materials to be used. Please direct all questions related to the project to Beth Brownlee, City of Charleston Department of Parks Project Manager at (843) 577-2173 or BrownleeE@charleston-sc.gov. Please refer to the City of Charleston’s BidLine for additional information regarding the project.

South Arts awards $28,836 to South Carolina arts organizations

South Arts announces a total of $28,836 awarded to South Carolina arts organizations for fiscal year 2013-14 to present touring artists. Through the Regional Touring program, the National Endowment  for the Arts and South Arts partner to offer nonprofit presenting organizations fee support to present artists from outside of their states. Touring support is awarded for theatre, music, opera, musical theatre and dance projects that contain both a public performance and an educational component.

South Carolina grant recipients and amounts:
  • Arts Center of Coastal Carolina (Hilton Head), $5,475
  • City of Charleston (Charleston), $3,525
  • Clemson University (Clemson), $3,861
  • Peace Center Foundation (Greenville), $6,100
  • Rock Hill School District (Rock Hill),$3,825
  • University of South Carolina Educational Foundation (Columbia), $2,860
  • Walhalla Civic Auditorium (Walhalla), $3,190
A total of 126 applications were submitted from South Arts’ nine-state region, and 100 projects totaling $433,193 in funding will be supported by grants. The following states are in South Arts’ region: Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina and Tennessee. About South Arts South Arts, a nonprofit regional arts organization, was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to address the role of the arts in impacting the issues important to our region, and to link the South with the nation and the world through the arts.
Via: South Arts