All levels of ability and experience welcome at 2016 S.C. Clay Conference
Registration deadline is Feb. 5.
Making Clay Personal is the theme of the second annual South Carolina Clay Conference, taking place Feb, 26-28, 2016, at the Newberry Firehouse Conference Center in Newberry, S.C. Presenters Michael Sherrill, Glenda E. Guion and Bill Griffith will take attendees through the journey of creating objects in clay that are uniquely personal and expressive of the individual artist. All levels of ability and experience are invited to attend.
“I hope that the topic of making clay personal will open a dialogue about sorting out what is important to the clay artist when, at times, the choices seem endless,” says Guion. “We are bombarded with visual images and fragmented thoughts on a daily basis, either through our physical experiences or the new 'virtual realities.' Regardless of the clay material resources or the artist experience, trusting your gut instincts to develop a personal visual language for your work can be the most challenging part of creating the work.”
Sherrill and Guion will take the stage on Friday and Saturday to demonstrate their work while interacting with attendees, answering questions and offering inspiration for finding a personal clay voice. On Sunday, Griffith will introduce attendees to the personal journeys of many well-known clay artists.
“As makers, we often can reach a point when we become disengaged with our work and feel a need to change technically or aesthetically using new materials, forms and or content,” says Griffith. “Why and when does this occur and how and where do we find inspiration and motivation to make this meaningful shift? My lecture will include images and testimonials from several well-known ceramic artists who have experienced this transition, along with their personal thoughts and perhaps some helpful suggestions."
The conference is presented by the Newberry Arts Center, which is a part of the City of Newberry Parks, Recreation and Tourism Department. “Our goal in having a yearly conference is to bring together clay artists and potters from across South Carolina in an effort to build a stronger clay community," says conference organizer Marquerite Palmer. "By joining together once a year, we gain knowledge from collaborative conversations, share upcoming workshop information statewide, and discuss individual challenges and successes. Through interaction, communication and education, we hope to move clay forward for the benefit of all S.C. clay artists and potters.”
All conference attendees, amateur and professional, are encouraged to bring pottery and sculpture to sell at the 2016 S.C. Clay Conference Pottery Sale. The sale is open to the public and advertised throughout the state. A small percentage of sales is used to support the Newberry Arts Center and the conference. Art work from this year’s presenters will also be available for sale.
Some of Newberry’s top restaurants will provide food for meals, the reception and the Saturday night barbecue. Coffee, drinks, snacks and more are also included in the registration fee. Several vendors will be displaying their pottery-related items as well as offering demonstrations and information.
Registration is $225 for attendees and $125 for students. For more information and or to register, visit www.southcarolinaclayconference.com or contact Marquerite Palmer, email@example.com, (803) 321-1015.
The South Carolina Clay Conference’s purpose is to assist in the growth and direction of South Carolina potters through presentation, demonstration, and networking opportunities. Conference organziers seek to create a flourishing clay community in the state of South Carolina, with the aspiration to move clay forward.
Via: S.C. Clay Conference
Ceramics class leads Governor’s Cup organizers to commission handmade trophies from Redbird Studio
According to The State newspaper, the organizers of the Governor's Cup road race have commissioned one-of-a-kind ceramic trophies from Redbird Studio and Gallery in Columbia. (See photos of the trophies being made.)
Winners of the Governor’s Cup this fall won’t be handed the standard, commemorative coffee mug once they cross the finish line.
Instead, they’ll be getting an original work of art by ceramic artist Virginia Scotchie.
Event organizers commissioned the unique trophies to add more prestige to the half-marathon, a mainstay on the calendars of competitive runners since 1973 and now the premiere race in the Midlands. It will be held Nov. 9.
Last week, Scotchie began making 200 trophies out of clay dug from a pit in Bethune, a raw and symbolic product.
"We really wanted to work with a clay that was from South Carolina," said Scotchie, an art professor and head of the University of South Carolina ceramic studio area.
The design is evocative of the state capitol, with a winner’s ribbon and medal draped below the dome. One detail — the color of the glaze — is still under discussion. The artist is leaning toward bronze or indigo blue.
“People are going to be talking about this,” said Rick Noble, vice-chairman of the board of the Carolina Marathon Association, the sponsoring organization.
“Frankly, most awards at races are pretty mundane.”
The finished trophies will not be uniform, of course, since they’re handmade.
This is the first time the Governor’s Cup has commissioned handmade trophies.
They were the brainchild of Sarah Blackwell, a runner and member of the Governor’s Cup Committee who took a class at Redbird Studio over the summer. She got to looking at some of the work on display in the gallery and approached Scotchie and her partner at Redbird, Bri Kinard, about designing a trophy.
“I wanted to have something people actually wanted to display on their mantle,” Blackwell said.
The original trophies will go to first-, second- and third-place finishers in the various age groups participating in the half-marathon or the 8K. An 8K is basically five miles, a step up from the more traditional 5K for people who’ve been working on their endurance.
Via: The State
Historic Columbia Foundation debuts exhibit on ceramics in 19th-century Columbia
On July 26, Historic Columbia Foundation will debut From Landrum to Leeds: Common Ceramics in 19th-Century Columbia, a new exhibit highlighting examples of the Foundation’s collection of locally made and used ceramics. The exhibit will be on display at the Robert Mills House through January 31.
The exhibit draws on HCF's growing collection of locally made and imported ceramics, including various dining, cooking and storage wares common in 19th-century Columbia, S.C. In addition to Edgefield pottery and a variety of imported English ceramics, exhibit highlights include examples from the Landrum-Stork pottery, which was located in what is today Forest Acres.
From Landrum to Leeds is shown as part of the regularly scheduled guided tours of the Robert Mills House. Ceramics are highlighted in a focus gallery and displayed in period-appropriate settings throughout the house.
Tours run at the top of the hour Tuesday through Saturday, 10 a.m. to 3 p.m. (last tour starts at 3 p.m.) and Sunday, 1 to 4 p.m. (last tour starts at 4 p.m.). Free for HCF members, tours are $6 for non-member adults and $3 for non-member youth. Tickets can be purchased at the Gift Shop at Robert Mills, 1616 Blanding Street.
HCF’s Second Sunday Roll in August will focus on ceramics as well. John Sherrer, Historic Columbia Foundation’s director of cultural resources, will lead this tour exploring the ceramics interests of 19th-century Columbians. Starting with a guided tour of From Landrum to Leeds, participants will then travel by bus to Forest Acres to see the former location of the Landrum-Stork pottery. Other stops include Main Street, where locals purchased a variety of domestically produced and imported wares for their homes and businesses during the 1800s. The Sunday Roll takes place Aug. 11 at 2 p.m.
For more information about the exhibit and the tour, visit Historic Columbia Foundation's website.
Above: blue shell platter. Made in Leeds and other English manufacturing centers, shell-edge style dishes, serving platters and other forms were popular among residents of Columbia and Richland County. Right: alkaline-glazed stoneware storage jug. Landrum-Stork pottery is a local expression of the alkaline-glazed tradition made famous in Edgefield, S.C.
About Historic Columbia Foundation
In November 1961, a small group of individuals intent on saving the Ainsley Hall House from demolition officially incorporated as the Historic Columbia Foundation. Over the next five decades the organization, which was founded on the premise of preservation and education, would take on the stewardship of seven historic properties in Richland County. Today, the organization serves as a model for local preservation efforts and interpretation of local history.
Via: Historic Columbia Foundatin
Don’t forget about these upcoming opportunities…
Here are some deadlines we shared earlier, and now that they're almost here, we want to be sure you don't miss out on the opportunity to take advantage of them!
- The 2013-2014 Southern Circuit Tour provides independent filmmakers with the paid opportunity to participate in a six-venue tour of the Southeastern United States, screen their films for new audiences, and engage audiences in discussions about the content and production of their films. Read more >>
- The 4th annual Charleston Film Festival will review shorts and feature-length films from filmmakers from SC, NC and GA. Cash prizes of $2,500 will be awarded for best regional films; the Grand Prize includes a one-week exhibition at Terrace Theater. Read more >>
- The ArtFields festival juried competition has extended its deadline for new works (2- and 3-dimensional). Three emerging or established artists residing in the Southeastern states will receive career-changing cash prizes that honor their exceptional talents. Top Prize is $50,000 with People’s Choice and Juried Panel Winner prizes of $25,000 each. Read more >>
- South Arts is accepting applications for partner venues to host filmmakers and their work for the 2013-2014 Southern Circuit Tour of Independent Filmmakers, providing communities with an interactive way of experiencing independent film. Read more >>
- Carolina’s Got Art! invites amateur and professional artists in South Carolina and North Carolina to enter its 2013 juried shows, with more than $15,000 in cash and prizes. Read more >>
- The 12th annual South Carolina Palmetto Hands Juried Fine Craft Competition and Exhibition is presented as a component of the annual North Charleston Arts Festival. Objects juried into the show may compete for cash prizes totaling up to $6,500. Read more >>
Fine craft artists invited to apply for Palmetto Hands Competition & Exhibition
Fine craft artists from across South Carolina are invited to participate in the 12th annual South Carolina Palmetto Hands Juried Fine Craft Competition and Exhibition. Objects juried into the show may compete for cash prizes totaling up to $6,500. The exhibition is presented as a component of the annual North Charleston Arts Festival, to be held May 3-11, 2013. Applications are available online. Deadline for submissions is March 15, 2013.
Presented by the City of North Charleston Cultural Arts Department, this unique exhibition features objects of clay, fiber, glass, metal, wood and three-dimensional mixed media. Up to 30 works will be selected to tour the state through the South Carolina State Museum’s Traveling Exhibitions Program. Sites across South Carolina may request the exhibit to tour in their facilities, thus providing additional exposure for the selected artists.
Karen Derksen, director of Winthrop University Galleries and lecturer for the Department of Fine Arts and the Department of Design at Winthrop, will jury this year’s competition. Derksen has coordinated collaborative community projects including the public art installation of Carla Stetson’s "The Red Line" in Rock Hill, MUSE Fest, Pecha Kucha Charlotte and the Artist & Civic Engagement Projects at Winthrop. She has juried a number of exhibitions, acted as small festival representative for the Edmonton Arts Council Festival Granting Jury and served on the panel for the Center for Craft, Creativity and Design 2011 Craft Research Fund Grants. Derksen is also one of the founding members of Media, Art, Design, Exposed in Edmonton.
The exhibition will be on display May 3-11, 2013, at the Charleston Area Convention Center. An opening reception and announcement of awards will be held May 3.
For more information about the North Charleston Arts Festival, Palmetto Hands, or other exhibition opportunities, contact the North Charleston Cultural Arts Department at (843)740-5854, email firstname.lastname@example.org, or visit NorthCharlestonArtsFest.com.
[caption id="attachment_3239" align="alignright" width="390"] Susan Lenz, Handed Down, Best in Show 2012[/caption]
Via: North Charleston Arts Festival
National tour of South Carolina face jugs comes to Columbia
The Columbia Museum of Art and McKissick Museum at the University of South Carolina have collaborated to bring to South Carolina an exhibit focused on 19th-century face jugs. "Face Jugs: African-American Art and Ritual in 19th-Century South Carolina" is the first exhibition in nearly 30 years to bring together a collection of this African-American pottery. Objects in the show come from private and public collections, including McKissick Museum, the New-York Historical Society, the Philadelphia Museum of Art, and the National Museum of American History, Smithsonian Institution, among others.
The Columbia Museum of Art is the only South Carolina venue on the national tour for the exhibition, which has been jointly organized by the Milwaukee Art Museum and the Chipstone Foundation, a nonprofit organization dedicated to promoting American decorative arts scholarship.
The exhibition is a masterworks show celebrating the aesthetic power of these objects and suggesting new ways to consider their uses and cultural meanings. African-American potters produced the ceramic face jugs in the Edgefield District (present-day Aiken County) in the mid-19th century. These expressive faces featuring bulging eyes and bared teeth seem mysterious to modern-day viewers. Although anthropomorphic ceramic vessels have been made for centuries in almost every part of the world, those made in Edgefield are unique. Why do they look the way they do? What did they mean in their own time? How were they used? These questions and more are explored in the exhibition.
The exhibition runs through Dec. 16 at the Columbia Museum of Art. A daylong symposium, "Unmasking the Mysteries of Face Jugs," takes place Dec. 8. Visit McKissick Museum's website to register for the symposium.
Via: Columbia Museum of Art, McKissick Museum