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South Arts announces inaugural Southern Cultural Treasures cohort

The initiative funds 17 BIPOC arts organizations across the Southeastern region with $6 million

South Arts is pleased to announce the Southern Cultural Treasures: a $6,000,000, four-year initiative supporting Black, Indigenous, and People of Color (BIPOC) -led and -serving arts and cultural organizations throughout the Southeast.

[caption id="attachment_45781" align="alignright" width="301"]Select works of pottery by the Catawba Nation displayed on billowy fabric Pottery from the Catawba Nation.[/caption] This initial cohort is made up of 17 organizations that represent BIPOC arts and community-driven stewardship throughout the nine-state region that includes Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee. “South Arts is honored to recognize and support these 17 organizations as Southern Cultural Treasures,” said South Arts’ President and CEO Susie Surkamer. “These groups push the boundaries of creative expression, anchor their local communities, and advance the arts in our nine state region. Our hope is that this initiative, with the help of these organizations, will foster a more equitable art community throughout the Southeastern region.” South Arts first announced the Southern Cultural Treasures program in the fall of 2021. It complements the Ford Foundation’s America’s Cultural Treasures initiative, which aims to acknowledge and honor the diversity of artistic expression and excellence in America and provide critical funding to organizations that have made a significant impact on America’s cultural landscape. "We are thrilled to partner with South Arts and honor these seventeen cultural institutions and their contributions to the regional landscape," said Lane Harwell, program officer for creativity and free expression at the Ford Foundation. "We hope this investment will inspire more funders and patrons to support the diversity of arts organizations and expressions in the American South." Organizations throughout the nine-state region were given the opportunity to submit a letter of intent in late 2021. After review, those most closely aligned with the program goals were invited to complete a full application that went through a pair of national reviews before undergoing an interview process with South Arts’ leadership. These 17 exceptional nonprofits were chosen for their vital impact on their communities and helping to both define and preserve the uniqueness of the arts ecosystem in the region. Among the 17 Southern Cultural Treasures are two South Carolina-based organizations: the Catawba Indian Nation in Rock Hill and Colour of Music, Inc. of Mount Pleasant. The remaining 15 groups are:
  • Alabama Jazz Hall of Fame, Inc. of Birmingham
  • Diaspora Vibe Cultural Arts Incubator of Miami
  • Teatro Avante of Miami
  • Art2Action Inc. of Tampa
  • Deep Center, Inc. of Savannah
  • Otis Redding Foundation of Macon
  • True Colors Theatre Company of Atlanta
  • Ballethnic Dance Company Inc. of East Point, Georgia
  • Asia Institute, Inc. of Louisville, Kentucky
  • Junebug Productions, Inc. of New Orleans
  • Efforts of Grace, Inc. of New Orleans
  • Mississippi Center for Cultural Production in Utica
  • B.B. King Museum and Delta Interpretive Center of Indianola, Mississippi
  • JazzArts Charlotte
  • Collage Dance Collective of Memphis
The 17 Southern Cultural Treasures were chosen after completing a vigorous application and interview process. “These organizations make up a dynamic representation not only of their region and their communities, but also the burgeoning desire to grow and serve the cultural landscape of the South,” said Joy Young, Ph.D., South Arts’ vice president of programs. “Our duty at South Arts is to continue advocating for this kind of instrumental support, and we are confident that this cohort of Southern Cultural Treasures will help inspire these pursuits on a national scale.” The program is expected to run through March 2025 and provide each organization with up to $300,000 of general operating grants distributed over three years, an additional project grant of up to $7,500, customized consultant services, networking, cohort building, and knowledge sharing. Southern Cultural Treasures is designed to be a measure of sustainable support. By providing BIPOC-led and -serving organizations with tools and framework to establish their own agency and institutional narratives, the initiative encourages growth throughout the South—not only in the context of the arts, but also in the impact of surrounding communities as well. “The Southern Cultural Treasures program is a testament to the creative excellence and resilience of artists and creative practitioners across the South,” said South Arts Board Chair Neil Barclay. “Through this initiative, the 17 selected organizations are not only representing their local artists and communities but also the cultural pulse of their nine states.” South Arts’ Southern Cultural Treasures is supported by the Ford Foundation, with additional support from the Community Foundation for Greater Atlanta, Community Foundation of Greater Birmingham, the Infusion Fund, a partnership between the City of Charlotte, Foundation For The Carolinas and generous donors to support the arts and cultural sector, and the Zeist Foundation. Please contact South Arts if you would like more information about opportunities to match this investment in select communities.
South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org.  

Jason Rapp

NEA announces $57 million in American Rescue Plan grants

567 arts organizations benefit, including five in S.C.

The National Endowment for the Arts (NEA) today announced it has recommended American Rescue Plan (ARP) awards totaling $57,750,000 to 567 arts organizations to help the arts and cultural sector recover from the pandemic.

The organizations may use this funding to save jobs, and to fund operations and facilities, health and safety supplies, and marketing and promotional efforts to encourage attendance and participation. The full list of recommended awards, sorted by city/state, is available from arts.gov. “Our nation’s arts sector has been among the hardest hit by the COVID-19 pandemic. The National Endowment for the Arts’ American Rescue Plan funding will help arts organizations rebuild and reopen,” said Dr. Maria Rosario Jackson, chair of the NEA. “The arts are crucial to helping America’s communities heal, unite, and inspire as well as essential to our nation’s economic recovery.” Grants are recommended to organizations in both rural and urban communities; in all 50 states, Puerto Rico, the U.S. Virgin Islands, and Washington, DC; and represent all 15 of the NEA’s artistic disciplines. The NEA encouraged applications from a variety of organizations for this opportunity and provided numerous resources for navigating the application process. Among the recommended organizations, 27 percent are first-time NEA grantees and 78 percent are small or medium sized organizations with budgets of less than $2 million. [caption id="attachment_14408" align="alignright" width="250"]Catawba potter Keith Brown works on a project. Catawba potter Keith Brown works on a project in this file photo.[/caption] Grant award recommendations are for $50,000, $100,000, or $150,000 and do not require cost share/matching funds. In South Carolina, five organizations are recommended for the awards:
  1. Beaufort County Black Chamber of Commerce: $150,000
  2. Greenville Light Opera Works: $50,000
  3. Hampton County: $150,000
  4. Colour of Music, Inc.: $150,000
  5. Catawba Indian Nation: $150,000
The American Rescue Plan was signed into law in March 2021 and included $135 million for the National Endowment for the Arts for the arts sector. This is the third installment of ARP funding. In April 2021, the NEA announced $52 million (40 percent) in ARP funding would be allocated to 62 state, jurisdictional, and regional arts organizations for subgranting through their respective programs. In November 2021, the NEA announced $20.2 million to 66 local arts agencies for subgranting to local artists and art organizations. The National Endowment for the Arts received more than 7,500 eligible applications requesting $695 million. To review the applications, the agency employed more than 450 expert readers and panelists to review and score each application using the published review criteria. The NEA recognizes that the financial needs of the arts and culture field far outweigh the available funds that will be awarded through these programs and encourages eligible organizations to explore the agency’s other grant opportunities which can be found on arts.gov.

About the National Endowment for the Arts

Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. To learn more, visit arts.gov or follow us on Twitter, Facebook, Instagram, and YouTube.

Jason Rapp

Rural arts and culture initiative expands to 15 counties

Addressing local issues with S.C. Arts Commission program

[caption id="attachment_45057" align="aligncenter" width="600"] Mavens join heads and hands to celebrate their local communities and discuss shared challenges in a January meeting in Eastover, South Carolina, hosted by Michael Dantzler. Shown l to r, mavens and their corresponding counties: Brooke Bauer, Catawba Indian Nation/York; Marquerite Palmer, Newberry; Lottie Lewis, Allendale; Betty McDaniel, Pickens; Victoria Smalls, Beaufort; Evelyn Coker, Barnwell; Audrey Hopkins-Williams, Hampton; Libby Sweatt-Lambert, Chester; Luis Rodriguez (seated), Marion; Johnny Davis, Jasper; Michael Dantzler, Richland; and Matt Mardell, Colleton. Photo credit: Sherard Duvall, OTR Media.[/caption]
For Immediate Release

Across South Carolina, an initiative called The Art of Community: Rural SC has taken root, creating new networks, community engagement, partnerships and energy to change minds and build communities together.

The initiative, a program of the South Carolina Arts Commission (SCAC), poses a central question: “How can we use arts and culture as strategic tools to address local challenges we face?” “It’s growing, and it’s always a learning opportunity,” said Matt Mardell, executive director of the Colleton Museum, Farmers Market and Commercial Kitchen in Walterboro, South Carolina. Mardell is one of the ‘mavens’ for The Art of Community; Rural SC. He said that, as part of this network of rural leaders and their teams, he is “hearing others’ creative solutions to issues we all face.” He and his predecessor, Gary Brightwell, have participated in the initiative with five other mavens from throughout a six-county Lowcountry region since it was conceived in 2015 and launched in 2016. Mavens in other counties include: Lottie Lewis of Allendale; Dr. Yvette McDaniel representing Bamberg; Evelyn Coker of Barnwell; Audrey Hopkins-Williams of Hampton; and Johnny Davis representing Jasper County. The growth Mardell references is an expansion of the initiative in 2019 that includes a broader swath of rural South Carolina. Nine additional mavens represent their communities from the mountains to the sea and myriad cultures in between. They include the following community leaders and their corresponding counties: Kayla Hyatt-Hostetler of Aiken; Victoria Smalls of Beaufort; Lydia Cotton of Berkeley; Libby Sweatt-Lambert representing Chester; Luis Rodriguez representing Marion; Marquerite Palmer of Newberry; Betty McDaniel of Pickens; Michael Dantzler of Richland; and Dr. Brooke Bauer with co-maven Laney Buckley of The Catawba Indian Nation in York County. How does the initiative work? “It’s a framework built with four critical components:  mavens, local teams, partners and advisors coupled with a state arts agency willing to invest in rural and tribal communities in a new way,” said Community Arts Development Director Susan DuPlessis of the arts commission. All 15 teams, created and led by the mavens, gather locally and as a statewide network to get to know each other better, to listen, and to consider their local assets and challenges—ultimately, to learn together. "Mavens are 'the bridges' who make this initiative work," DuPlessis said. "Knowing that I have a community beyond my community has bolstered me in my local work," said maven Lottie Lewis of Allendale. As part of this initiative, Lewis led members of her local team on a fact-finding field trip to Tamaqua, Pennsylvania, in 2019. They went to explore how another small, rural town had spurred connection and growth using arts and culture. They then planned to integrate some of that learning into their local project. “We learned so much from our new friends in Tamaqua,” Lewis said. “We were inspired by how they engaged their local community to share their ideas about where they live.” Allendale’s local project plan, though, along with the plans of the other 14 sites in this initiative, took an unexpected turn beginning in the spring of 2020. “We all had to shift in how we were engaging with one another and ask what our roles are in this moment of quarantine and separation,” according to DuPlessis who said many of the participating teams shifted their focuses to react to the circumstances created by the COVID-19 pandemic and mounting social justice issues. Since March 20, the arts commission has convened mavens in weekly meetings to continue the practice of sharing, listening and learning together. "That's what's been so important to me and other mavens who I now count as dear friends," Lewis said. She also notes the spirit of the initiative which, built on trust and relationships, has allowed for flexibility with grant-funded local projects in this “uncertain time.” Each of The Art of Community: Rural SC teams received a $7,500 grant award in FY20 to engage and build community in ways that use arts and culture strategically. “Project plans in January 2020 didn’t look the same three months later in March,” DuPlessis said. Some communities planning festivals and other gatherings have had to postpone those for now. In a number of cases, mavens and their teams retrofitted their projects to respond to the current context and include the following examples:
  • In Aiken, in addition to getting helpful information out about the pandemic, the local project also incorporated the NextGen fight for equality, justice and respect for all people through the creation of a ‘peaceful protest’ linking them with other students around the country;
  • In Allendale, the local project’s focus became community engagement through a celebration of frontline pandemic workers as ‘hometown heroes;’
  • In Bamberg County, the local team developed a 'Little People's Learning Page' to accompany the local newspaper and address learning in a fun, creative way for students who are isolated from one another;
  • In Barnwell County, the Town of Blackville team developed a new dance called ‘The Wagon Wheel’ to engage its residents on social media in a healthy activity during a time of isolation;
  • In Beaufort County, a collective of Gullah Geechee artists used their voices and talents for public service announcements that address safety protocols for the pandemic;
  • In Berkeley County, a Spanish-language video was created to remind its community of best practices for reducing infection rates; and
  • In Chester County, the town of Fort Lawn team partnered with local businesses and state parks to showcase artists' and entrepreneurs' work to help generate income during this time of economic distress.
[caption id="attachment_45056" align="aligncenter" width="600"] The Allendale Rural Arts Team, led by maven Lottie Lewis,  celebrated its Hometown Heroes June 19 with recognition of front line workers in the face of COVID 19; and the unveiling of a community mural by Hampton County artist Sophie Docalavich. Photo credit: Xavier Blake.[/caption] Other participating communities in the initiative bolstered their local project planning by addressing infrastructure and equipment needs as they anticipate future community gatherings, festivals and local engagement as part of their community building strategies. For instance, in Walterboro where the WHAM Festival, originally set for March 27-29, was cancelled, Matt Mardell re-examined the needs for this inaugural event by purchasing displays for exhibits and creating a website for the festival--WHAMfestival.org. The festival is now tentatively set for Oct. 23-25, 2020. Set within the framework of “arts plus economic development,” Mardell said, “I know when the festival does happen, we will be ready and even better prepared for it.” In addition to implementing local projects, all participants are invited to join additional activities and programs to build their own toolkits for considering the importance of ‘place’ in South Carolina and in their personal lives. They include a community writing workshop series; a field school offering instruction in documentary skills; and asset mapping workshops. These offerings are all coordinated by the arts commission’s Folklife & Traditional Arts Program. In addition to these activities, a rural networking program called CREATE: Rural SC engages rural creative professionals who serve as conduits between the mavens, the local creative economies and the arts commission. "These new networks and learning opportunities are bridging gaps and connecting us in ways we need to be connected in rural communities and across the state," Hampton County Maven Audrey Hopkins-Williams of Estill said. All 15 communities, along with the arts commission, partners and advisors constitute a ‘learning community’ that spans the state and the nation. Its story has been shared in national and state conferences from South Carolina to Iowa and Colorado; and from Detroit to Washington, D.C. using the voices and stories of mavens, advisors and emerging creative leaders. Also, with more than 25 partners in its national Advisory Council, this learning community has access to a wide range of sectors, insights, geographies and resources for community building using arts and culture. Co-chairs for the advisory council are Pam Breaux, president and CEO for the National Assembly of State Arts Agencies (NASAA), headquartered in Washington; and Bob Reeder, program director for Rural LISC (Local Initiatives Support Corporation), headquartered in New York City. Looking at the value of community engagement in rural America, Co-Chair Pam Breaux cites The Art of Community: Rural SC as an exemplar for state arts agencies across the country. "This work has become a leading example of ingenuity in funding, partnership and framework creation for state arts agencies across the country," she said. Art of Community: Rural SC Director Susan DuPlessis was invited to share the initiative at a National Press Club briefing in Washington in January 2018; Mardell of Colleton County joined her as the local voice and example of growth and development through arts and culture as demonstrated through the Colleton Museum, Farmers Market and Commercial Kitchen. More than 25,000 'views' resulted on social media from that presentation. The South Carolina initiative was also included within a rural action guide on developing prosperity, produced by the National Governors Association, the National Endowment for the Arts and NASAA. “This initiative is about re-imagining 'place' in terms of assets, not deficits,” said Co-Chair Bob Reeder whose professional work in the field of community development crosses the nation. “We're building on the strengths of local communities and the power of a network that connects to state and national resources,” he said. “Ultimately, this work is about changing minds.” Concurring with Reeder, Advisor Dixie Goswami of Clemson, South Carolina noted that the initiative makes visible local people, including young people, as "assets with wisdom and knowledge, not as deficient and needing outside help." Goswami is director of the Write to Change Foundation and director emerita of Middlebury Bread Loaf NextGen Network. "We're a state rich in creativity and ingenuity—and this initiative showcases some of that in our smallest communities" said SCAC Executive Director David Platts. "We are grateful to USDA-Rural Development for first believing in and funding this initiative in 2015. We've built a case for creative placemaking—the strategic use of arts and culture to address community issues—and this platform is being showcased nationally. The arts commission has also garnered more support for this approach from the Gaylord and Dorothy Donnelley Foundation as well as funding from the South Carolina General Assembly. The Art of Community: Rural SC initiative is part of the Community Arts Development program of the arts commission and is one of three program areas that also include artist services and arts education. “Through this program, we continue to strive to meet our mission-‘to develop a thriving arts environment’ for the people and places in our South Carolina,” said Board of Commissioners Chair Dee Crawford of Aiken, South Carolina. “The arts are invaluable to our communities, both big and small. They are tools for growth, development and social cohesion in each and every county in our state.” Crawford also serves on the Advisory Council for Art of Community: Rural SC. The South Carolina Arts Commission is supported in part by an award from the National Endowment for the Arts and collaborates in its work with the National Assembly of State Arts Agencies and South Arts. It received funding from USDA-Rural Development to launch this program in 2015; and additional USDA-RD funding from 2017 to 2019. It also has received support from the Gaylord and Dorothy Donnelley Foundation for this initiative since 2018. More information about The Art of Community: Rural SC can be found at https://www.southcarolinaarts.com/community-development/programs/art-of-community-rural-sc/, including a recently produced film called Meet the Mavens and a brochure featuring all mavens representing 14 South Carolina counties and the Catawba Indian Nation in York County.
ABOUT THE SOUTH CAROLINA ARTS COMMISSION With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Susan DuPlessis

Catawba Indians and ‘Pocahontas’ star announce film production partnership

Article by Tracy Kimball

[caption id="attachment_26346" align="alignright" width="300"]Catawba Indian Nation film agreement Irene Bedard and Bill Harris[/caption] Native American actress Irene Bedard is known for lending her voice to her craft. As an advocate and one of the most recognizable Native American actresses, Bedard lent her voice as ‘Pocahontas’ in the animated Disney films, and now hopes to lend her voice and influence to the York County-based Catawba Indian Nation. On Thursday, Bedard met with Catawba leaders to discuss a business partnership between her company, Sleeping Lady Films Waking Giants Productions, and the tribe’s production company, Red Heritage Media. The two companies hope to collaborate on television and film projects with Native American themes, as well as documentaries and short stories, said Bert Hesse of Studio South, a media production company that is partnering with the Catawbas. “It’s a great opportunity for not only the Catawba Nation, but for all of our storytelling capabilities, collectively – and then on top of that for the surrounding community as well, because it is going to bring a lot of revenue into the area,” Bedard told the Catawba leaders. The Catawbas purchased Red Heritage Media earlier this year and hope to build a $350 million movie studio project on 124 acres of tribal land in eastern York County with Studio South. The plans include multiple sound stages, a “five-star” hotel, a new Catawba Cultural Center, a school for film and music, retail and offices. “We are excited to hear of the future works of the Catawba studios and all the individuals involved,” Bedard said. “We are out here to endorse (the project) and to let people know that something like this in this area has the potential to create hundreds of millions, if not billions, of dollars in revenue for this state and surrounding communities.” The Alaskan actress told Catawba leaders that Native Americans need to “take charge of our voice” and tell the “many amazing stories, inspiring stories and stories of resilience.” Bedard said for the most part Native Americans in films have been invisible. “I have realized just how we’ve had this great stage to be able to tell some incredible stories and go into this little fire, this little television, or this big screen and see something through the eyes of somebody else,” she said. “It’s amazing and it’s powerful.” Catawba Indian Chief Bill Harris and Bedard shared stories of non-Native Americans expressing interest in Indian cultures, but who are uneducated. “I do believe people around the world will want to come and learn more about the Catawbas,” Bedard said. “People around the world, they love us (Native Americans).” At the meeting Thursday, Harris spoke warmly with the actress once included among People magazine’s 50 Most Beautiful People. For Harris, Bedard’s influence is not about her fame or beauty, but as a spokesperson for Native American issues. “I think what’s far more important than the fact that Irene is an actress is Irene’s voice,” Harris said. “It’s what she brings to the world when she speaks about native country.”