Tuning Up: Artisphere sponsor, Mellon museum grants
Good morning!"Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...
Artisphere's title sponsor re-ups. Artisphere announced a continued three year partnership with TD Bank, who has been the presenting sponsor since the festival’s inception in 2005. The festival takes place every year the second full weekend in May, during Mother’s Day weekend. The three-day event has something for patrons of all ages, with art, music, food, interactive exhibits, and more along the popular Main Street corridor. Though 2020’s festival was virtual, Artisphere is planning for a safe return in 2021. Museum struggles continue. One-third of American museums are at risk of closure, according to a recent American Alliance of Museums study. The Andrew W. Mellon Foundation announced the second round of the Art Museum Futures Fund, distributing additional emergency COVID-19 grants totaling $3 million to provide much-needed support to small arts and cultural institutions across the U.S. Unfortunately none of the first- or second-round grantees are South Carolina institutions, but we post to remind our readers that your local museum, art or otherwise, is likely feeling the pain of the pandemic. Support them, other local arts organizations, and #SCartists in any way you can.
Artisphere, postponed since May, to go virtual
Greenville's signature festival will be held online in October[caption id="attachment_15746" align="aligncenter" width="600"] An Artisphere dance performance. File photo.[/caption]
Artisphere presented by TD Bank, one of the nation’s top fine arts festivals, will be transformed into a virtual event the weekend of October 2-4.
Artisphere- The Virtual Experience will go live to the public on Friday, October 2 at 8 p.m.
Artisphere -The Virtual Experience will feature the work of over 70 juried professional artists from around the country. Each artist will have multiple pieces for sale in an online marketplace, where patrons can seamlessly browse and shop from a varied and curated selection of art, from pottery to oils to jewelry.
“Although we can’t be together in our usual festival atmosphere this year, we are proud to continue our partnership with Artisphere to present The Virtual Experience,” said Chris Fincher, regional vice president for TD Bank. “We hope the Upstate community will join us virtually as we show our support for these talented artists from across the country and our unique, vibrant arts culture in Greenville.”
The Virtual Experience will also provide unique opportunities for engagement with artists, jurors, and gallerists through Facebook and Instagram Live. Programming also includes favorites from past Artispheres, such as metalsmith Ryan Calloway and chalk artist Nate Baranowski, live from Chicago, as well as Kidsphere activities and Artist Demos.
“Our aim is to create an engaging virtual experience for the Artisphere faithful,” stated Linda Hannon, president of the Artisphere board of directors. “Our patrons have become accustomed to a level of unparalleled artistry and programming and our innovative approach to this year’s show will not disappoint.”
Art patrons can experience Artisphere presented by TD Bank -The Virtual Experience October 2-4 by visiting Artisphere.org. Patrons are encouraged to sign up for the newsletter and follow on Instagram and Facebook to stay informed.
Artisphere is a highlight of Greenville’s cultural calendar and a Top 10 Fine Arts festival in the country. The event features a juried Visual Artist Row; Artists of the Upstate, a juried exhibition of local artists; Outdoor Stages with performances by local and national artists; hands-on Kidsphere children’s art activities; the Culinary Arts Café that highlights local restaurants; and Special Festival Art Projects that enliven the streets of Greenville with street musicians, acrobats, sidewalk artists, and more. Artisphere is attended by approximately 90,000 patrons annually and has an estimated economic impact of $6.4 million on the Greenville community. Artisphere is a 501(c) (3) not for profit organization. For information visit www.artisphere.org.
Artisphere is presented by TD Bank and receives grant funding from the South Carolina Arts Commission, among others.
Tuning Up: Update on relief funding awards to S.C. arts orgs
Good morning! "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...
ColumbiaThe Columbia Museum of Art announces it has been selected as a recipient of a CARES Act economic stabilization grant from the National Endowment for the Humanities (NEH). The $150,000 award will support public programming associated with the upcoming major exhibition Visions from India: 21st-Century Art from the Pizzuti Collection. “I am pleased that the Columbia Museum of Art has received funding allocated through the CARES Act,” says Congressman James E. Clyburn. “The museum serves as a community center, art studio and entertainment venue. We must continue to support them as they strive to provide safe opportunities to participate in meaningful cultural experiences and connect with others.” From Oct. 17, 2020, through Jan. 10, 2021, the CMA will present Visions from India, a breathtaking sweep of 21st-century painting, sculpture, and multimedia works from India and its diaspora. The museum is eager to showcase this exhibition for diverse local and regional audiences and believes it will make an important impact on the community. The NEH is generously providing support for exhibition-related activities that require retaining humanities staff to maintain and adapt critical public programs.
GreenvilleLocal arts organizations have received another infusion of COVID-19 relief funds thanks to a $100,000 contribution from Hollingsworth Funds Inc. The funding, which is being distributed by the Metropolitan Arts Council, was awarded to the following groups: Artisphere, Centre Stage, Greenville Chorale, Greenville County Museum of Art, Greenville Symphony Orchestra, Greenville Theatre, Metropolitan Arts Council, Peace Center, South Carolina Children’s Theatre and Warehouse Theatre. Each of the 10 organizations will receive $10,000 within the next few days, said Alan Ethridge, executive director of the Metropolitan Arts Council.
Metropolitan Arts Council distributes relief funding in Greenville Co.
In conjunction with the Graham Foundation and the Canal Charitable Foundation, the Metropolitan Arts Council of Greenville is distributing $275,500 to 28 local arts organizations.“All of us at MAC are very pleased to be in a position to raise and provide this level of funding for these organizations that are such important assets to Greenville,” said Alan Ethridge, MAC executive director. The fund was started with a $102,000 withdrawal from the MAC Endowment for the Arts which was established in 2009 for the organization’s grants program. “This is the first time we have withdrawn any funds from the endowment, but it was very important to do so given the projected losses of so many arts organizations,” said MAC board chairman Michael Cooper of TD Bank. “Once we realized the severity of the economic downturn caused by the COVID-19 pandemic, the MAC board and staff went immediately to work to begin a relief fund.” “The Graham Foundation and the Canal Charitable Foundation contributed to the fund very generously,” Ethridge continued. “Greenville is so fortunate to have such philanthropic partners who realize the importance of the arts in the vitality of our amazing city. Throughout their histories, both entities have ensured that the arts have had a very visible presence in the community by providing very substantial funding to cultural initiatives. It is a privilege to be working with both of them during these challenging times.” “Arts organizations have had to cancel/postpone performances, events, exhibits and fundraisers. That loss of income can be devastating. These relief funds will have a tremendous impact on our cultural community,” Artisphere Executive Director Kerry Murphy said. Holly Caprell, Greenville County Youth Orchestra executive director said, “I am so thankful for MAC’s dedication to helping small organizations like ours. Looking ahead to our next season, there are so many unknowns. This grant will help us bridge funding gaps and give us the freedom to plan projects that will encourage our students to grow musically.” Ethridge also said that additional relief funding may be necessary as we are not yet familiar with the distancing norms for the latter part of the year and 2021. “MAC will certainly assess the future needs of our organizational constituents and perhaps be able to provide additional relief funding. I certainly want to thank the MAC board of directors and staff, the executive committee and the endowment committee for making sure the fund came to fruition.” The 28 arts organizations receiving funding are Artisphere, Carolina Dance Collaborative, Carolina Music Museum, Centre Stage, Chicora Voices, Emrys, Foothills Philharmonic, GLOW Lyric Theatre, Greenville Center for Creative Arts, Greenville Chautauqua Society, Greenville Chorale, Greenville Concert Band, Greenville County Museum of Art, Greenville County Youth Orchestra, Greenville Jazz Collective, Greenville Symphony Orchestra, Greenville Theatre, Greer Cultural Arts Council, International Ballet, Makers Collective (Indie Craft Parade), Mauldin Cultural Center, Peace Center, SC Bach, South Carolina Children’s Theatre, Vaughn Newman Dance, The Warehouse Theatre, Wits End Poetry and Younts Center for Performing Arts.
Governor honors Artisphere founder, SCAC board chair
Henry Horowitz receives the Order of the PalmettoThursday night at the gala to open the 15th Artisphere, Gov. Henry McMaster honored its founder with the Order of the Palmetto, South Carolina's highest civilian honor. Horowitz received the award for his contributions to the state of South Carolina through Artisphere and other statewide arts organizations, according to the Greenville Journal. He is currently chairman of the S.C. Arts Commission (SCAC) board of directors. "The South Carolina Arts Commission has known for a long time how much the arts in our state benefit from Henry’s dedicated leadership. He has had significant impact, both in Greenville and throughout the state. His award is well deserved, and we’re very happy for him," SCAC Executive Director Ken May said. Artisphere ran from Friday-Sunday in downtown Greenville. It is a significant point of pride for the Upstate region. The celebration of visual, performing, and culinary arts attracted visitors and artists from around the country as it does every year, making it one of the nation's top 10 arts festivals. (Small South Carolina also boasts Spoleto Festival USA and Piccolo Spoleto in Charleston and ArtFields in Lake City, all nationally-known festivals occurring each April/May). Click here to read the rest of the story.
Artisphere continues arts festival season in S.C.
Arts festival season has hit full-stride in South Carolina. This weekend, it's Greenville and Artisphere in the spotlight with the return of the signature Upstate event, which draws artists, art lovers, and tourists from all over the Southeast. The fun began about an hour ago and runs through Sunday:
- Friday, May 11: 12-8 p.m.*
- Saturday, May 12: 10 a.m. to 8 p.m.*
- Sunday, May 13: 11 a.m. to 6 p.m.
What would Greenville be without arts grants?
From The Greenville News
Article by Donna Isbell Walker, photos by Lauren Petracca
Image: Alyson Amato, co-founder of Carolina Dance Collaborative, leads an after-school dance class last week at Chandler Creek Elementary in Greer.
This weekend, Greenville will proudly display its commitment to the arts.
The 13th annual Artisphere festival opens Friday, and for three days, the streets of downtown will overflow with rich color and the sounds of music and the aroma of lamb burgers and caramel popcorn.
Last year, Artisphere had an economic impact of $6.4 million, as 100,000 visitors packed the streets, purchasing original art, checking out the local merchants, sampling the cuisine.
But, what would the festival look like if it didn’t receive funding from the South Carolina Arts Commission?
Kerry Murphy, the festival’s executive director, said putting on the festival would be a lot tougher without a $21,000 general operating support grant from SCAC, which in turn receives a large portion of its funding from the National Endowment for the Arts.
The NEA has been under fire this year, as President Donald Trump’s proposed budget would have eliminated the NEA, as well as the National Endowment for the Humanities and the Corporation for Public Broadcasting. Those agencies were spared by the House Appropriation Committee’s appropriations bill for the 2017 fiscal year, which actually increased NEA and NEH funding.
Across the Upstate, arts grants make a difference. At Chandler Creek Elementary School in Greer one recent afternoon, students showed off the jazz and African dance moves they spent the previous six weeks mastering in an after-school program operated by Communities in Schools through the 21st Century Community Learning Centers.
At the South Carolina Governor’s School for the Arts and Humanities, teachers have the chance to attend workshops and other professional development opportunities, and they share that knowledge with other teachers, as well as the students The Greenville Symphony Orchestra targets elementary and middle school students with its educational outreach programs, and Warehouse Theatre takes Shakespeare to middle and high schools around the Carolinas, in a program that offers a mini-course in the Bard, complete with a live production of one of his plays.
It may be easy to take for granted that Greenville’s local theaters will continue to stage productions each year, that festivals will brighten the streets of downtown, that students can learn painting and music and creative writing in school.
But all of those programs require funding, in most cases more money than an arts entity can generate on its own, said Mike Sablone, producing artistic director for Warehouse Theatre.
“All of that funding is incredibly important to every aspect of the theater,” Sablone said. “We’re a non-profit. We rely on ticket sales, we rely on donations, we rely on grants. And all those allow us to do the work that we do. And without that money, we’d have to take a harder look at how we produce, what we produce, and the quality that we’ve come to expect with a Warehouse Theatre production.”
Greenville is blessed to have a vibrant arts scene, one that contributes to the city’s overall popularity as a place to visit and as a place where people are moving, said Dr. Braxton Ballew, education director for Greenville Symphony Orchestra.
“We’ve got a tremendous arts community here, and I think it’s no accident that you see Greenville on these top 10 best places to live, top 10 places to retire (lists), all the accolades that we get, and we just happen to have this great arts community here, that’s not a coincidence,” Ballew said. “It cannot be understated what a big part the Arts Commission is to that success.”
Learning new things
The Chandler Creek dance program offers third- through fifth-graders at the Title I school a chance to learn dances that they might not otherwise have an opportunity to practice, said Alyson Amato, co-founder and director of education for Carolina Dance Collaborative.
For six weeks, Amato and Kelsey Crum, Carolina Dance Collaborative’s other co-founder, taught the students the moves for three dances, and on the seventh week, they demonstrated their new skills for parents and friends.
They rolled their arms, snapped their fingers, did the “smush the bug” step, showed off their best jazz hands, and performed a celebratory African dance called yankadi, to songs like the Jackson 5’s “I Want You Back” and “Blackbird” from the Broadway show “Fosse.”
The program isn’t just a chance to have fun, Amato said.
“The process of learning something, practicing it and then performing it is a massive self-esteem booster,” Amato said. “Seeing how they work hard at something, they can achieve in just six weeks. And also, having fun doing it at the same time. It’s also a way to really enhance what they get in their physical education during school time. Because you will see, we sweat. … But I really do want them to get their heart rate up, also their minds to be challenged.”
The 21st Century Community Learning Centers funding includes enrichment opportunities such as the dance program. Without that funding, the program might be merely homework-based, or it might be cut entirely, Amato said.
More than entertainment
A community’s support of the arts means more in the long run than an evening of entertainment at the theater or the ballet, said Julie Allen, vice president of arts and academics at South Carolina Governor’s School for the Arts and Humanities.
“Many people see arts-based funding as something which is nice,” Allen said. “It’s something that a community does when it’s nice, when there’s extra money. But I think when you delve a little bit deeper into that, you recognize that the arts, while there certainly is an aesthetic value, and there’s an intrinsic human value, there’s also a real economic value. The arts are a significant part of South Carolina’s economy; they’re an incredible part of Greenville’s economy. And so I do think anything we can do to help people see the arts as an intrinsic part of a vibrant economy is really important.”
But even beyond that, a talent and affinity for the arts can go a long way toward helping a teenager find his or her voice, a purpose in life, a profession.
“Particularly for arts students, who often see themselves as perhaps a little bit different than their typical peer, this is a place that they feel is home,” Allen said. “It’s a place they feel safe, it’s a place they’re willing to take risks. And a lot of students do come back talk about (how) ‘I found my voice here because it gave me the confidence to continue to grow and figure out who I was.’”
Dozens of grants
For the 2017 fiscal year, the South Carolina Arts Commission awarded 28 grants totaling more than $400,000 to Greenville County organizations and individuals. Those grants ranged from $625 to Foothills Philharmonic Orchestra for general operating support, to $2,057 for Sweet Adelines International Greenville in Harmony for operating support for small organizations, to general operating support grants of more than $25,000 each to the Peace Center Foundation, Greenville Symphony Association, and South Carolina Arts Alliance.
Warehouse Theatre receives funding from South Carolina Arts Commission, as well as a direct NEA grant for the Shakespeare program, now in its third year.
Shakespeare in American Communities, a national program of the National Endowment for the Arts in partnership with Arts Midwest, offers a $25,000 matching grant, and Warehouse must raise an equal amount of money through corporate sponsorships and other donations.
The aim of the program is “to increase Shakespeare performance in different communities across the nation,” said Mallory Pellegrino, director of education for Warehouse Theatre. “We are one of the very few companies in the Southeast.”
Through the grant, Warehouse is able to present Shakespeare to middle- and high-school students in the Carolinas, using a company of six or seven actors who travel to schools and offer an introductory workshop on the play to be presented, as well as a follow-up class after students have seen the play.
If the grant money disappeared, Pellegrino said, the program wouldn’t necessarily disappear. It would, however, require substantial changes to the way it operates, perhaps by soliciting more local sponsorships and donors.
But the biggest change would to be make the program “revenue-driven,” Pellegrino said. “We would have to make sure that we had enough venues to be able to go out, that there were enough people interested in it. And you would begin to limit your reach and your impact.”
Making an impact
The Greenville Symphony Orchestra seeks to make much of its educational impact on elementary and middle school students.
This year, GSO received a $10,000 grant from the NEA to fund its free concert for middle-school band and strings students, said Linda Grandy, Greenville Symphony Orchestra development director.
In addition, the GSO received a general operating support grant of $25,391 from SCAC this year, which helps to fund other educational programs, including the concerts available to all of Greenville County’s elementary schools.
One important aspect of the GSO’s educational programs is the opportunity for students to see the symphony in concert at no charge, which is especiallyimportant for students at less-affluent schools, said the GSO’s Ballew.
Losing that funding would have an impact on several programs, including GSO partnerships with SC Children’s Theatre and Greenville County Library.
“Maybe we wouldn’t offer as many, or maybe we would start charging $5 at the door,” Ballew said.
Sharing the wealth
Education is, of course, the mission of the South Carolina Governor’s School for the Arts and Humanities, whose operational budget comes from the state. But continuing education is important to the teachers who share their knowledge and skills in visual arts, drama, creative writing and music.
And an SCAC grant for Arts in Basic Curriculum Advancement allows Governor’s School teachers to participate in continuing education programs that help both students and other teachers, Allen said.
When SCAC’s funding was increased two years ago, the commission passed on the increase, which allowed the Governor’s School to add a couple of components to its continuing education focus. One way was to share the knowledge, to offer professional development opportunities to teachers in other areas.
“We identified drama as an area where there seemed to be a real need for drama teachers in the state to have professional development experiences,” Allen said. “Typically, there’s one drama teacher in a school, maybe there’s two or three in a district. But to get content-level, really high-level training, those opportunities are often few and far between for them. So what we’ve been able to do is essentially share that wealth.
“For the last two years, we’ve brought a group of drama teachers here, we’ve let that group identify what their particular needs are, and the nice pairing there is the person that’s led those workshops for the last two years is someone who had elevated her own training by virtue of having taken advantage of the professional development funding earlier from the Arts Commission. So it was kind of a way of paying back what she had gained.”
Important source of funding
Artisphere depends on the SCAC funding for a large part of its budget; other revenue sources include vendor fees, corporate sponsorships, merchandise sales and other grants, Murphy said.
“That’s a very healthy mix, and is a huge part of why we’ve been able to grow the festival and its impact over the years,” Murphy said.
If the government grants were no longer available, Artisphere would survive, but other organizations might not be able to weather the loss, she said.
“We have spent a lot of time diversifying our funding model so that if we lose any single funder we can mitigate the loss of that funding, either through a focused effort to replace the money, or by trimming expenses here and there,” Murphy said. “That isn’t the case for smaller organizations, where SCAC funding could represent an entire marketing budget, or fees for artists for a performance.
“We think it is important to have public arts funding because it makes a statement about what we care about as a community.”
Alyson Amato, co-founder of Carolina Dance Collaborative, teaches an after-school dance class at Chandler Creek Elementary in Greer last week.
Greenville’s Artisphere seeks logistics coordinator
Note: Applications for this position are no longer being accepted. Artisphere seeks a logistics coordinator to work in partnership with the executive director (ED), the event management team and a volunteer board of directors to oversee the coordination and administration of all logistical planning, organizing, and executing of the organization’s events both internally and externally. Reporting to the ED, the logistics coordinator is responsible for carrying out the festival plan designed by management and will oversee internal office operations. Qualifications include a successful project management track record in either a cultural, not-for-profit or event management organization. Send resume, cover letter with salary requirements and references by September 16, 2016, to firstname.lastname@example.org Artisphere is a three-day celebration of the arts, visual and performing, that takes place in downtown Greenville every May. 2017 will mark the 13th anniversary of the Artisphere festival that has become a signature event on Greenville’s cultural calendar. Artisphere is consistently ranked a TOP 10 Fine Arts Festival in the Country by notable industry indices.
SC jeweler takes risks and reaps national acclaim
[caption id="attachment_27847" align="alignright" width="200"] A model wears a conceptual wood piece by Kate Furman, made for “The Lines Within," a collaboration with Greenville, SC photographer Eli Warren.[/caption] Greenville, South Carolina native Kate Furman remembers the day she first was introduced to metalsmithing. “I was interviewing for the Fine Arts Center program and was in their metals studio. There were really cool tools everywhere. When they asked me what class I wanted to take, I said this one.” Spoiler alert-she was accepted into the program. Her skill blossomed there under the tutelage of renowned metalsmith Susan Willis who encouraged Kate to continue her education after highschool and pursue a BA in metalsmithing. Furman attended UGA’s metalsmithing program for four years and moved to Jackson Hole, Wyoming afterward teaching at the local arts center and raft guiding on the side. “I fell in love with Jackson and never thought I would leave but got into RISD which was a lifelong dream. Winston (her dog) and I moved to Providence, Rhode Island and I earned a Masters Degree from RISD. My favorite part of that was that I was taught by the people that I had been studying for the past 5 or so years.” At RISD Kate was encouraged to think outside the box and mix the natural influences from Jackson Hole with metal elements to create wearable works of art. Furman’s original wood centric conceptual art style emerged from her time at Jackson Hole as a raft guide. “Some people are still very confused by them, but it’s funny. People either love them or aren’t quite sure what to think. I apply to art exhibitions all over the country with those pieces.” These large, strong pieces of jewelry are laden with chain work and can be worn draped around the neck. They, much like Furman herself are unusual, thought provoking and enigmatic. Furman’s smaller pieces of jewelry have found home in the southern trendy-chic boutiques such as Augusta 20. The smaller wearable pieces carry a visually apparent nature flashback as well including twig like bracelets, blue crab pendants and wood bark textured wedding bands made from golds, silvers and bronzes. Her wearable jewelry line is a perfect representation of South Carolina’s married landscape as it meshes influence from the Upstate’s signature oak branches to Pawleys Island tide forgotten castaway sea shells. Furman’s casting process takes the original items from their home in nature and perfectly recreates each sea shell, pine cone, and broken twig into a everyday piece of metal art. This two-tiered jewelry concept of producing both one of a kind conceptual jewelry as well as the wearable jewelry has allowed for her to grow her brand at a slow and steady pace. Some of her large conceptual pieces are in museums and shows world-wide. They’ve been in Australia, Netherlands and just recently shown in Boston. She shipped a few pieces overseas to the UK for a high end conceptual fashion shoot. She’s even ventured into using 3-D printing technology to mass produce jewelry for her more budget conscious clients. By partnering with a local 3-D printer, Furman not only supports another local business, but also is able to communicate for freely with her supplier about the process and the quantity of work she needs in order to satisfy her demand. [caption id="attachment_27849" align="alignright" width="300"] Kate Furman’s 3-D printed jewelry has been a fun and popular choice. Photo by Eli Warren of The Needed Image[/caption]
Furman’s eyes are set to the horizon as she plans her next stage as an artist. “I just bought a space on Pendleton Street that’s going to be a studio. Part of it will be retail with open hours and allow people to come visit me while I’m working and learn about the process and just hang out. Over time I’ll become more and more involved with the Greenville Center for Creative Arts as that program grows,” says Furman. Her recognition in Greenville is growing after she was selected as a 2016 Emerging Artist Award Winner for Artisphere. Artisphere is a nationally renowned art festival held in Greenville, South Carolina’s welcoming and chic downtown. Furman competed with thousands of artist nation-wide for a spot in the line-up and received a tent where she could sell her work during the festival along with the honor of her award. “It was one of the coolest weekends ever. I had so much support from family and friends and was able to meet many new artists and clients. I couldn’t even walk across my booth most of the time- it was so packed. It was a rewarding experience that I hope to be able to repeat again.” Her business grows every year. “I have always known what I wanted and have done it, “ she says as she fidgets. “Look I can’t sit still! I like being back at home because I have support of everyone I grew up with. I try to bring a version of art that wasn’t here before. Beyond fashion jewelry is kind of new to Greenville. It’s fun to be a bit of a pioneer. “ Check out Kate’s jewelry here at www.katefurman.com