2020 S.C. Arts Commission fellowships announced
Four honored for achievement in visual art, craft, and music
FOR IMMEDIATE RELEASE
COLUMBIA, S.C. – South Carolina artists in Darlington, Pickens, and Richland counties representing four arts disciplines received individual artist fellowships for fiscal year 2020 after approval by the S.C. Arts Commission board of directors.
Individual artists residing in South Carolina full-time whose work covers visual arts, craft, music composition and music performance were invited to apply for fiscal year 2020 awards. Applications were up 25% over last year. Out-of-state panelists from each discipline review the applications and, based solely on their blind review of anonymous work samples, recommend recipients of each $5,000 fellowship. At its June meeting, the S.C. Arts Commission board of directors approved the following recommendations:
- Adrian Rhodes of Darlington County for visual art,
- Valerie Zimany of Pickens County for craft,
- Fang Man of Richland County for music composition, and
- Craig Butterfield of Richland County for music performance.
Fellowships recognize and reward the artistic achievements of exceptional South Carolina individual artists. Recognition from fellowship awards lends artistic prestige and often opens doors to other resources and employment opportunities.
“These awards can be transformative; they lift artists’ spirits and self-perception while allowing them to focus on their art. Past fellows talk about how it can be a life-changing event,” S.C. Arts Commission Executive Director
Ken May said. “South Carolina’s artists are at the core of our creative economy and serve as indispensable contributors to quality of life in our communities. Our agency is proud to deliver these tokens of gratitude on behalf of those most affected by the work being honored: the people of South Carolina.”
The diverse panelists (above) who judged each discipline’s nominees work in those disciplines. Reviewing the visual art and craft applicants were
Wendy Earle, curator of contemporary art at the Southeastern Center for Contemporary Art in Winston-Salem, North Carolina;
Bruce Pepich, executive director and curator of collections of the Racine Art Museum and Wustum Museum of Fine Arts in Racine, Michigan; and
Marilyn Zapf, the assistant director and curator at the Center for Craft, a national arts nonprofit headquartered in Asheville, North Carolina.
Brent Milam, instructor of music theory and composition at Georgia State University; and
Dr. Robert Tanner, associate professor of music at Morehouse College, reviewed the music composition applicants.
Verena Lucía Anders, a conductor, pianist, vocalist, composer, music educator, and winner of multiple Grammy Awards; and
Tami Lee Hughes, a concert violinist, recording artist, and music educator reviewed applicants in music performance.
Four fellowships per year are awarded to artists working in rotating disciplines. One artist from each of these fields: prose, poetry, dance choreography and dance performance, will be honored in fiscal year 2021. To be eligible, artists must be at least 18 years old and a legal U.S. resident with permanent residence in the state for two years prior to the application date and throughout the fellowship period. Applications will be accepted later this summer following announcement by the S.C. Arts Commission. For more on discipline rotation, eligibility requirements, and the application process, please visit
https://www.southcarolinaarts.com/grant/fel/
About the FY20 S.C. Arts Commission Fellows
VISUAL ART | ADRIAN RHODES | Darlington County
Adrian Rhodes, a Hartsville, South Carolina native, received her Master of Fine Arts in painting and printmaking from Winthrop University in 2011. Printmaking forms the core of her mixed media practice, resulting in installation, paintings, editioned prints, collage, and sculptural paper pieces. Her work has shown throughout the Carolinas, including select solo exhibitions at the UNC Charlotte, City Art in Columbia, the Dalton Gallery at the Center for the Arts in Rock Hill, and the Rebecca Randall Bryan gallery at Coastal Carolina University. Her work has frequently received awards in juried competitions, including taking the top prize at VAE Raleigh’s
Contemporary South 2017 and Best of Show at the
York County Juried Exhibition in 2013. Her work was recently featured in the
Paper Worlds exhibition at the Spartanburg Art Museum. She currently teaches printmaking at the University of South Carolina. Her work can be seen at
www.adrianrhodes.com, and you can follow her studio practice on Instagram: @adrian_rhodes.
CRAFT | VALERIE ZIMANY | Pickens County
Extensive time in Japan fostered Valerie Zimany’s examinations of complex relationships, to include East and West. She spent several years there after earning a Bachelor of Fine Arts from the University of the Arts in Philadelphia—first as a Fulbright Fellow, then completing a Master of Fine Arts at Kanazawa College of Art as a Japanese Government Scholar, and three more years in residency at the Utatsuyama Craft Workshop in Kanazawa. Her work has been included in numerous solo and group exhibitions and competitions in Japan; Korea; Billings, Montana; Philadelphia and Pittsburgh; Columbia; and more and it appears in multiple public and private collections. She was named an American Craft Council Searchlight Artist for 2007, a Ceramics Monthly Emerging Artist for 2008, and was a finalist for the Niche Award (2011) and the Society for Contemporary Craft’s Founder’s Prize 2013). She is department chair and associate professor of art (ceramics) at Clemson University.
MUSIC: COMPOSITION | FANG MAN | Richland County
Hailed as “inventive and breathtaking” by the New York Times, Fang Man’s original concert music has been performed by the Los Angeles Philharmonic Orchestra New Music Group under the baton of Esa-Pekka Salonen, American Composers Orchestra, Tokyo Philharmonic Orchestra, National Orchestre de Lorraine (France), Minnesota Orchestra, Music from China, and others. She is the recipient of Guggenheim and other fellowships and grants and the National Endowment for the Arts, Music from China, and Toru Takemitsu (Japan) awards. She has received commissions from around the world and has multiple recordings. Fang served as a resident composer in Italy, the United Kingdom, and the U.S. and has degrees from Cornell (MFA, DMA) and Beijing Central Conservatory of Music. She is currently an assistant professor at the University of South Carolina.
MUSIC: PERFORMANCE | CRAIG BUTTERFIELD | Richland County
Craig Butterfield is professor of double bass and jazz studies at the University of South Carolina, where he directs one of the largest double bass programs in the Southeast. He has composed, performed, and recorded in genres as diverse as classical, jazz, American folk, and World music. Notable collaborations include touring and recording with jazz trumpeter Maynard Ferguson, three albums of original music with multi-instrumentalist Jesse Jones as the Jones/Butterfield duo, three albums with classical guitarist Matthew Slotkin as Dez Cordas, a collaboration with classical pianist Charles Fugo, and a current recording project of original folk-inspired music with Boomtown Trio. Butterfield’s YouTube channel featuring original performances in multiple genres has more than a quarter of a million views.
About the South Carolina Arts Commission
With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians.
Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
- arts education,
- community arts development,
- and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit
SouthCarolinaArts.com or call 803.734.8696.
Among the more than 400 artists from throughout the Southeast are 124 #SCartists who will vie for the big, $50,000 grand prize. The list features artists known well by the SCAC: fellowship recipients, emerging artists, and artist partners; and we recognize a couple South Arts fellows as well.
An email from ArtFields said the panel was "extremely impressed" by the applicants' quality of work. ArtFields 2023 takes place April 19-29 in Lake City.
The project takes place this year with a juried process resulting in a October–December exhibition for the competition’s three finalists and an award celebration announcing the winner. Eligible artists are invited to apply for the 701 CCA Prize 2022 by completing and submitting the application package by Thursday, Sept. 1, 2022.
The 701 CCA Prize 2020 winner receives a six-week paid residency at 701 CCA. A solo exhibition following the residency will feature work created during it.
701 CCA in Columbia provides the time and place for conversations and reflection. The 701 CCA Prize is an art competition and exhibition for South Carolina artists 40 years old and younger. The project identifies and recognizes young professional South Carolina artists whose work is exemplary in its originality, shows awareness of artistic developments and is of high artistic merit.
Rhodes submitted to all four previous prize competitions. The printmaker and mixed media an installation artist holds both bachelor's and master's in fine arts from Winthrop University and has exhibited widely and often throughout the Carolinas and beyond. Recognitions of her career so far include being South Carolina Arts Commission visual arts fellow in 2020, selection for the 701 CCA South Carolina Biennial in 2019 and 2021, and the recent region-wide exhibition Coined In The South at the Mint Museum in Charlotte.
“My work is about relationships, and the complexity of closeness- the simultaneous struggle to separate from your past and return to it in the same breath.
As a medium based in the creation of multiples, printmaking becomes a method for creating structure. This framework, indulging a desire for order, creates space for disruption. Using prints as modular components allows the work to inherit visual information across pieces. I am interested in how this repetition of imagery and motif reflects recurring thought patterns.
Tedious handwork is an anxiety response, reflecting an obsessive desire for control, which is undone through woundings within the work. In a world of instant gratification, the act of sitting with heavy thoughts and repetitive processes for an extended time becomes a statement in itself, bringing that act to the content and context of the work."
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