Two-part writing workshop ‘visits’ Westminster
Medlock Bridge Park
Chattahoochee River National Recreation Area
Communal Pen, a creative writing workshop presented by the S.C. Arts Commission and South Carolina Humanities, is back for starting Saturday, March 20 to help you write to celebrate memories, stories, and traditions of place… continuing its reimagined virtual format with a brand-new theme!
What are the memories, stories and traditions that make your community home?
What landmarks, customs, sights and sounds connect us with family, friends and neighbors, while highlighting our unique experience and identity?
Sometimes, you’ve just got to write it down!
Facilitator EBONI RAMM will lead the virtual workshop as you write to celebrate and explore connections to place and community. Often, it is in our written words that memory lives. The writing process can itself help us to awaken and preserve thoughts and traditions, offering insight, understanding and respect to present and future generations.
In conjunction with the traveling exhibit Water/Ways, the city of Westminster is co-host of this two-part writing workshop, which will be conducted over two Saturday mornings next month:
- 10 a.m. to 12:30 p.m. Saturday, March 20
- 10 a.m. to 12 p.m. Saturday, March 27
Space is limited; registration is on a first-come, first-served basis online or call 803.734.8680. The new format does not support walk-ins as previous workshops have.
Share it with your friends on Facebook!
NOTE: marking yourself as “Going” on Facebook DOES NOT register you for Communal Pen.
No previous experience necessary! Although Communal Pen is a virtual program, the Water/Ways exhibit will be on display in Westminster Train Depot (129 E. Main St.) from March 6 through April 17.
The Communal Pen writing workshop draws inspiration from the new Smithsonian exhibit, Water/Ways, which is touring South Carolina with the Smithsonian Institution’s Museum on Main Street (MoMS) Traveling Exhibition Service from June 2020-April 2021. MoMS provides access to the Smithsonian for small-town America through museum exhibitions, research, educational resources, and programming.
Exhibit themes and images are a springboard for igniting our own stories, giving voice to our shared and individual experience of place.
Communal Pen is developed through the S.C. Arts Commission’s place-based initiative, “Art of Community: Rural SC,” a new framework for engagement, learning, and action in rural communities. The writing workshops are coordinated through the SCAC’s Folklife & Traditional Arts and Community Arts Development programs, with generous support from South Carolina Humanities.
Deeply rooted in South Carolina, “Communal Pen” writing workshop creator and facilitator Eboni Ramm fell in love with the arts at a very young age and was encouraged throughout her youth to express herself. Today, an accomplished poet and jazz singer, she invites audiences of all ages to share her passion for combining these art forms, highlighting her belief in the powerful influence of jazz on the American literary experience and aesthetic. She has taught her unique Jazz Poetry Salon at residencies with the Richland County Public Library, Arts Access South Carolina, Youth Corps, Fairfield Middle School, McKissick Museum, and ColaJazz’s partnership with Jazz at Lincoln Center, among others. Other selected accomplishments include her publication, Within His Star: The Story of Levi Pearson, celebrating Eboni’s ancestor who added strength to the unprecedented Brown vs. The Board of Education case, and the release of her poetry CD, Passion, and her jazz CD, The Look of Love. Learn more about Eboni at www.EboniRamm.com.
“Communal Pen: Water/Ways” coordinator Laura Marcus Green is program specialist for community arts & folklife at the S.C. Arts Commission, where she provides statewide outreach and project coordination through the Art of Community: Rural SC initiative and other projects, while managing folklife grant and award programs. She holds a Ph.D. in folklore from Indiana University and an M.A. in folklore/anthropology from the University of Texas at Austin. Selected prior positions include folklife & traditional arts program director at McKissick Museum, community engagement coordinator for the Museum of International Folk Art’s Gallery of Conscience, and work as a folklife fieldworker and researcher, writer, curator and consultant for various arts and culture agencies nationwide. Having attended, coordinated, and facilitated diverse workshops, she is a devoted believer in the power of community writing.