National Association of Women Artists admits Heath Springs artist
The National Association of Women Artists, Inc. (NAWA) is pleased to announce that Fran Gardner of Heath Springs, has been accepted into membership, having met the standards required by the membership jury of NAWA.
Gardner was inducted on Nov. 14 at the Rubin Museum in New York. In addition to this honor, her work is exhibited in the New Members Show that also opened on Nov. 14 at the NAWA Gallery, her first New York exhibit. She is a professor of art and art history at the University of South Carolina Lancaster where she teaches a variety of studio courses, art history, art appreciation, and art education. She earned her Bachelor of Fine Arts from Columbia College (1982) and later, her Master of Fine Arts from Vermont College of Norwich University (1993). Gardner stated, “This organization has a long and important history of supporting women artists. I am honored to be included in the membership of this group that continues to address the inequity of opportunities for women in the arts. I look forward to working with both the National Association and the South Carolina Chapter to open doors and break down barriers for women artists and to exhibit and present my work on regional and national levels in support of the NAWA mission.”
Dean Dr. Walter Collins at UofSC Lancaster added that, “Prof. Fran Gardner has helped to create a dynamic culture of artistic expression, critique, and appreciation at UofSC Lancaster. Over the span of her career, we have seen interest in art courses grow which has served to diversify not only our academic offerings but our student body. The NAWA induction and her recent exhibition in their gallery space are such fitting honors and recognitions for Prof. Gardner and add esteem to both her national reputation and the influence of her scholarly work.”
The National Association of Women Artists, Inc. (based in New York City with a chapters in Florida, Massachusetts and South Carolina), is a source of culture and education through its active exhibition scheduled throughout the U.S. as well as in the NAWA Gallery.
NAWA has a permanent collection at the Jane Voorhees Zimmerli Art Museum at Rutgers University in New Jersey, and other educational opportunities to its members and the general public. Most NAWA members are listed in Who’s Who in American Art, and are represented in museums, galleries, corporate collections and traveling exhibitions through the U.S. and abroad.
A non-for-profit, non-political member-supported organization of professional women in the Fine Arts, NAWA was founded in 1889 by five innovative women: Grace Fitz Randolph, Edith Mitchill Prellwitz, Adele Francis Bedell, Anita C. Ashley, and Elizabeth S. Cheever. The five founders were seeking exhibition opportunities for gifted artists who had been denied participation in the prominently male-dominated art institutions of the time. Early annual exhibitions included the notable Rosa Bonheur, Mary Cassatt, Suzanne Valadon, and Gertrude Vanderbilt Whitney. As the organization grew, Louise Nevelson, Judy Chicago, Janet Fish, Mariam Shapiro, Marisol, Audrey Flack, Faith Ringgold and many additional illustrious artists supported the organization.
NAWA looks forward to new challenges for art in the 21st century and is committed to including its membership other accomplished women artists capable of significant contributions to the ongoing history of American Art. NAWA is archived in numerous museums and libraries throughout the U.S.
Please visit the NAWA website for more event information, to download applications or to support the organization: www.thenawa.org
S.C. Arts Awards: Dr. Stephen Criswell
2018 Recipient Feature Series
As the day nears for the 2018 South Carolina Arts Awards, The Hub is taking 10 days to focus on this year's 10 recipients: five receiving the Elizabeth O'Neill Verner Governor's Awards for the Arts and five receiving the Jean Laney Harris Folk Heritage Award, which are managed jointly by the South Carolina Arts Commission and McKissick Museum at USC.
This week, the Folk Heritage Award recipients are featured.
Dr. Stephen Criswell
Traditional Arts & Folklife
| Advocacy Award
Dr. Stephen Criswell has worked in the field of folklore for over twenty years. A 1997 graduate of the University of Louisiana at Lafayette, he has concentrated on the study and preservation of South Carolina traditions, customs, and cultural practices. His research and fieldwork (much of it conducted with his late wife, Samantha McCluney Criswell) have included African American family reunion traditions, Southern foodways, especially Carolina Fish Camps, and literary uses of folk culture. His most prominent contribution is his work as an advocate for Native American culture, with a special focus on Catawba potters and contemporary expressive traditions.
In 2005, the University of South Carolina Lancaster hired Criswell and challenged him to build and direct USCL’s Native American Studies program. Thirteen years later, the Native American Studies Center (NASC) houses the largest fully intact collection of Catawba pottery in existence, an extensive archival collection, and a staff dedicated to celebrating and promoting Native American culture. Through the efforts of Dr. Criswell and his colleagues, USCL now offers students a concentration in Native American Studies. Criswell has worked closely with South Carolina tribal leaders and members, the Catawba Cultural Preservation Project, and a variety of arts and cultural agencies, to bring greater attention to the history and culture of South Carolina Native communities. Under his leadership, the NASC has mounted thirty-two exhibitions, covering a range of subjects. Since opening in 2012 in the heart of downtown Lancaster, the NASC has seen 30,000 visitors from all over the world, a clear demonstration of raising awareness of the history, culture and traditions of Native people of the South.
Criswell has conducted oral history interviews with a host of Catawba potters, including Eric Cantey, Evelyn George, Elsie George, Bertha Harris, Beulah Harris, Cora Harris Hedgepath, and Elizabeth Plyler. His work with these artists provides a public forum that gives voice to Native American community members of whom many might otherwise be unaware. In 2013, the NASC launched the Native American Artist-in-Residence Program, which provides Native artists a venue to present their culture and heritage to a wide audience of students, teachers, community members, and tourists.
Criswell’s philosophy is grounded in knowing who we are, who we all
are, embracing our different cultures, and learning from each other through the richness of our shared heritage. With this zeal he has written grants to secure funding to create and sustain programs that bring the Native American experience into the conversation of contemporary South Carolina culture. To date, he has secured more than $360,000 in funding from such notable sources as the National Endowment for the Arts, the South Carolina Arts Commission and the Duke Endowment. This funding has created a platform that brings people together to learn, share, and connect through an important, though underappreciated, aspect of South Carolina culture.
Traditional artist and educator Beckee Garris of the Catawba Nation states, “Dr. Stephen Criswell has made part of his life’s mission to help people understand the vast cultural histories of the natives in South Carolina. He preserves these histories by collecting our stories and respecting us in the process. I am very fortunate to say he is my mentor and also my friend.” A dedicated scholar, advocate, and mentor, Criswell is a tireless supporter of the traditional arts in South Carolina.
South Carolina Arts Awards Day is Wednesday, May 2, 2018. Gov. Henry McMaster will present each recipient's award beginning at 10:30 a.m. in the State House. The event is open to the public. Following the ceremony, the South Carolina Arts Foundation honors the recipients and the arts community at the S.C. Arts Awards Luncheon and Art Sale. Tickets are $50. Please go here for more information and reservations.
State to honor five with 2018 Folk Heritage Awards
FOR IMMEDIATE RELEASE
19 March 2018
COLUMBIA, S.C. – Five South Carolina recipients are to be honored by the General Assembly with the Jean Laney Harris Folk Heritage Award, presented annually to recognize work that keeps the state’s traditional art forms alive.
- Four artists and one advocate selected
- Program managed jointly by McKissick Museum at USC and South Carolina Arts Commission
- Awards to be presented May 2 at South Carolina Arts Awards Day
The following five recipients – four artists and one advocate – are being recognized as practitioners and advocates of traditional arts significant to communities throughout the state. Their traditions embody folklife’s dynamic, multigenerational nature, and its fusion of artistic and utilitarian ideals. The 2018 recipients are:
- The Blackville Community Choir (Blackville): A Capella Spiritual and Gospel Singing
- Michael King (Greenville): Piedmont blues
- Henrietta Snype (Mount Pleasant): Sweetgrass basketry
- Deacon James Garfield Smalls (St. Helena Island): Traditional spirituals
- Dr. Stephen Criswell (Lancaster): Folklife & Traditional Arts Advocacy
“The work of proliferating our state’s unique cultural heritage is an important one in an age of constant change,” South Carolina Arts Commission Executive Director Ken May
said. “The intrinsic value of these treasured art forms is the story each tells of where and who we’ve been, and are, as a culture. We should all be grateful for the work these award recipients do on our behalf.”
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Jean Laney Harris[/caption]
The Jean Laney Harris Folk Heritage Award
is named for the late State Rep. Jean Laney Harris of Cheraw, respected as an outspoken advocate and ardent supporter of the arts and cultural resources of the state. Up to four artists or organizations and one advocate may receive awards each year. The program is managed jointly by the South Carolina Arts Commission and McKissick Museum at USC. Community members make nominations to recognize exemplary artistic achievement/advocacy. An independent advisory panel appointed by the lieutenant governor and house speaker selects the recipients, who must be living and practicing in the state.
The Jean Laney Harris Folk Heritage and Elizabeth O’Neill Verner Governor’s awards, sponsored by Colonial Life
, are presented at South Carolina Arts Awards Day on Wednesday, May 2 in a morning ceremony at the State House. The S.C. Arts Foundation will honor the recipients afterward during a fundraising luncheon at the USC Alumni Center (900 Senate St., Columbia). South Carolina artists’ work will be on sale to support the programs of the S.C. Arts Commission. Luncheon tickets are $50 per person and available for purchase through SouthCarolinaArts.com
or by calling 803.734.8696.
For more information about the Folk Heritage Awards, visit the McKissick Museum website at
or the S.C. Arts Commission website, SouthCarolinaArts.com
ABOUT THE FOLK HERITAGE AWARD RECIPIENTS
- Blackville Community Choir (Artist Category) was formed in 1965 as the Macedonia Tabernacle Choir. In 1976, the choir changed its name to The Blackville Community Choir. The group expanded to include members from different congregations and continued to sing at churches, festivals, funerals, weddings, banquets, public schools, and college graduations. Choir members have been advocates for the arts, organizing an annual program featuring visual and performing artists, collectors, crafters, entrepreneurs, culinary artists, and storytellers.
- J. Michael King (Artist Category) is a composer, writer, teacher, and accomplished Piedmont blues musician with an insatiable love of traditional South Carolina music. The Piedmont blues, a unique regional distillation of the blues, blossomed in Georgia, the Carolinas, and Virginia near the beginning of the 20th century. Influenced by ragtime music and early banjo techniques, Piedmont blues involves a light, finger-picking style and steady rhythms. A popular instructor, King teaches the Piedmont blues throughout the region. For over 30 years, he has mentored musicians of all ages in and around upstate South Carolina.
- Even at 98, Deacon James Garfield Smalls (Artist Category) sings songs dating back to the mid-19th century and stands as one the most important active Gullah singers and cultural ambassadors. Smalls received musical training from B.H. Washington, a member of the St. Helena Quartet and music director at St. Joseph Baptist Church. Smalls sang in Washington’s renowned community choir The Hundred Voices, and later led the ensemble. He also served for many years as director of the senior choir at St. Joseph Baptist Church. Beyond his early musical career, Smalls served in the Pacific with the U.S. Navy’s Seabees during World War II. Over the past three decades, Deacon Smalls has led the singing at Penn Center Community Sings, various island churches, and music festivals.
- Henrietta Snype (Artist Category) is a Mount Pleasant native and third generation sweetgrass basket maker. Snype’s work has been featured at venues in the Lowcountry and in museums throughout the U.S., including the Smithsonian Institution's National Museum of African Art. Schools, museum shops, business owners, and private art collectors have commissioned works from her. She conducts workshops for public and private schools throughout Charleston, Berkeley, and Dorchester counties and does countless demonstrations for all ages.
- Dr. Stephen Criswell (Advocacy Category) has worked in folklore and anthropology for more than 20 years. His most prominent contribution is his advocacy work for Native American culture, focusing on Catawba potters and contemporary expressive traditions. In 2005, the University of South Carolina Lancaster hired Criswell and challenged him to build and direct its Native American Studies program. After 13 years, the Native American Studies Center (NASC) houses the largest fully intact collection of Catawba pottery in existence and an extensive archival collection. Its new facility has welcomed 30,000 visitors from all over the world since 2012, raising awareness of the history, culture and traditions of Native people of the South.
ABOUT THE FOLKLIFE AND TRADITIONAL ARTS PROGRAM
The Folklife and Traditional Arts Program is designed to encourage, promote, conserve and honor the diverse community-based art forms that make South Carolina distinct. The major initiatives of the program serve both established and emerging cultural groups that call South Carolina home.
ABOUT MCKISSICK MUSEUM
The University of South Carolina’s McKissick Museum
tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30 a.m. – 5 p.m. Monday through Friday, 11 a.m. – 3 p.m. Saturdays. The Museum is closed Sundays and university holidays. For more information, please call at 803.777.7251 or visit http://www.sc.edu/study/colleges_schools/artsandsciences/mckissick_museum/
ABOUT THE SOUTH CAROLINA ARTS COMMISSION
The South Carolina Arts Commission is the state agency charged with creating a thriving arts environment that benefits all South Carolinians, regardless of their location or circumstances.
Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing services, grants, and leadership initiatives in three areas:
- arts education,
- community arts development,
- and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com
or call 803.734.8696.
Florence and Lancaster recognized for revitalization and development
Congratulations to the cities of Florence and Lancaster for being recognized by the Municipal Association of South Carolina for downtown revitalization and economic development efforts. In both cases, arts and culture organizations (most of whom have been awarded S.C. Arts Commission grants over the years) played key roles in the cities' achievements. These examples of partnerships and cooperative planning between local governments, educational institutions and arts organizations are models in how to attract new businesses and visitors.
Florence's plan for arts and cultural development included a new library and theatre, and a soon-to-be new museum, and has culminated in the state-of-the-art Francis Marion Performing Arts Center:
In 2005, the City of Florence hired a consultant to create a master plan for downtown redevelopment. The plan identified arts and cultural development as a necessity to encourage renewal for the city center. In the years that followed, a new library and theatre were constructed, and the city anticipates the opening of a new museum this year. But the crown jewel of these new developments is the state-of-the-art Francis Marion Performing Arts Center, located in the heart of downtown Florence.
The $37 million facility boasts a main stage and outdoor amphitheater, a garden courtyard, an academic wing, and upper and lower lobbies for events and receptions. It has been honored with architectural awards for its innovative use of sustainable materials.
Officials formed partnerships with private entities to secure the land and fund construction of the Center. The partnership formed between the city and the university is a mutually beneficial one. Francis Marion handles the ongoing costs and daily operation of the performing arts center and, in return, the university’s theatre and fine arts department is in the academic wing of the facility. Pee Dee residents are winners as well, as they now have a venue to enjoy musical and theatrical performances close to home.
Using culture and the arts as an economic development tool is working in Florence. After the performing arts center was constructed, a boutique hotel opened downtown. New businesses and restaurants are flourishing as well, and office and retail space in the city center is being redeveloped for new merchants.
The City of Lancaster partnered with USC Lancaster to open a new Native American Studies Center
downtown, which provided more room for the half-million Catawba artifacts—the world’s largest Catawba collection—in the school’s possession, as well as space for a growing number of students attending USCL:
Downtown Lancaster needed an anchor. The University of South Carolina Lancaster needed space to store and showcase its large collection of Catawba pottery and artifacts. A partnership was born.
Plans for the Native American Studies Center began when Lancaster municipal officials met with community groups to discuss cultural tourism and historical assets as catalysts for downtown revitalization. They brought faculty in on the conversations. The faculty shared that they were in desperate need of more room for the half-million Catawba artifacts—the world’s largest Catawba collection—in the school’s possession, as well as space for a growing number of students attending USCL.
The City of Lancaster purchased a long-empty furniture store on Main Street using funds raised from hospitality taxes and a Duke Energy grant. Officials worked with faculty from USCL’s Native American Studies department to design classrooms, labs and galleries in the renovated space. The city improved existing parking and created additional parking areas. Working with regional tourism and preservation groups, the city then developed a marketing plan to promote the new center.
Locating a cultural attraction downtown has been a boon for tourism in Lancaster. Even better, there are more college students spending time—and dollars—in the city center. The project has been so successful that officials are working with USCL to relocate more of the University’s departments downtown. Workshops, festivals, seminars and other public events are in the works as well to draw more people to the Native American Studies Center.
A once-empty building is now a cultural asset, and downtown Lancaster is once again the center of conversation.
The awards were presented at the MASC's annual meeting July 20.
Via: Municipal Association of South Carolina