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Jason Rapp

SCAC commitments to DEI, rural aided by grant from Coastal Community Foundation of S.C.

$14,339 grant expands agency work in Lowcountry


For Immediate Release

COLUMBIA, S.C. – A grant awarded to the South Carolina Arts Commission (SCAC) by Coastal Community Foundation of South Carolina (CCF) supported commitments to expanding diversity, equity, and inclusion and reaching rural communities.

Visit the Coastal Community Foundation of South Carolina's website at https://coastalcommunityfoundation.org/That perfectly complements the SCAC’s new strategic plan, released in late 2020, which calls for it to “promote equitable access to the arts” through a renewed focus on diversity, equity, and inclusion. Additionally, the agency has a commitment to expanding arts opportunities in rural communities through such initiatives as its nationally recognized program The Art of Community: Rural SC. Extenuating circumstances in FY19 led to $500 from that year’s Expansion Arts Fund award being held over to FY20, bringing that year’s funding to $14,839. This is how the funds were distributed by the SCAC:
  • Aldwyth, an individual artist in Beaufort County, was granted $2,500 to support the creation of works for Pictures of Nothing or Mr. Varnedoe, Why Abstraction?, a multi-disciplinary exhibition focused on Kirk Varnedoe’s book, Pictures of Nothing: Abstract Art Since Pollock. Pandemic restrictions continue to postpone the public display of the works created by Aldwyth and an assistant.
  • Fletcher Williams, an individual artist in Charleston County, was granted $2,500. He worked with a local fabricator and a team of assistants to create the mobile walls for his Picket Fence – Promiseland Consisting of sculpture and large-scale paper art, the installation encouraged visitors to imagine and observe the Aiken-Rhett House as possibly seen through different eyes, times, and sets of experiences. Though delayed, the project opened and was used as a tool to address current events, serving both artistic and social-awareness goals while engaging new patrons who may have previously been unaware of or disinterested in the arts.
  • Marlanda Dekine, an individual artist in Georgetown County, received $2,500 for research related to the experiences of the artist as a Gullah-Geechee descendant living in South Carolina “with a rootedness in Africana & Caribbean being and creolization.” Written and recorded interviews, community engagement, and tours of local museums and plantations assisted in the completion of written-word poetry. The culmination of this work is to be a serial poem offered through spoken word as a site-specific soundscape, or aural architecture, as well as in live performances for the community, with discourse and audience interaction as part of the final product. In this context, Dekine acts as a conduit and witness of present, past, and future.
  • Community arts organization Colleton Museum, Farmers Market and Commercial Kitchen in Colleton County received $7,339 from the Expansion Arts Fund to support the development of WHAM!, Walterboro History, Art, & Music, a new public festival. They’ve used an indefinite delay to reexamine how they implement content for the rural community they serve. By reconceptualizing the initial project, they’ve seen increased interest from artists representing a broader segment of the community and now have a more flexible framework that can be used and reused at any time.

About the South Carolina Arts Commission

The mission of the South Carolina Arts Commission (SCAC) is to promote equitable access to the arts and support the cultivation of creativity in South Carolina. We envision a South Carolina where the arts are valued and all people benefit from a variety of creative experiences. A state agency created by the South Carolina General Assembly in 1967, the SCAC works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas: arts education, community arts development, and artist development. Headquartered in Columbia, S.C., the SCAC is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts, and other sources. Visit SouthCarolinaArts.com or call 803.734.8696, and follow @scartscomm on social media.

Milly

New Harmonies exhibition explores the roots of American music

[gallery link="file"] Hartsville and Walterboro are the last South Carolina stops on the Smithsonian Institution’s traveling exhibition, "New Harmonies: Celebrating American Roots Music." New Harmonies explores Americans' creative expression through music -- music known by names such as the blues, country western, folk ballads and gospel. The instruments vary from fiddle to banjo to accordion to guitar to drum, but a drum in the hands of an African sounds different than one in the hands of a European or an American Indian. Yet all the rhythms merge, as do the melodies and harmonies, producing completely new sounds -- new music. Through photographs, recordings, instruments, lyrics and artist profiles, the exhibition explores the distinct cultural identities of music that shaped America and made this country the birthplace of more music than any place on earth. The story is full of surprises about familiar songs, histories of instruments, the roles of religion and technology, and the continuity of musical roots from "Yankee Doodle Dandy" to the latest hip hop CD. New Harmonies is on exhibition at the Black Creek Arts Council in Hartsville until Nov. 11. The exhibition then moves to the Colleton County Museum and Farmers Market in Walterboro from Nov. 17 - Jan.5.  Marlena Smalls and the Hallelujah Singers will perform at the opening Nov. 17. Developed as part of the Museum on Main Street program, New Harmonies is designed especially for small museums and rural audiences that lack regular access to traveling exhibitions. New Harmonies is sponsored in South Carolina by the Humanities CouncilSC. Photos (top, left to right): Blues "harpist" James Cotton. Spanish American musicians in Taos, New Mexico, 1940. American Indian Powwow, 2006. (bottom, left to right): Folk musicians, New York City, 1960s. Nathan Williams and his Zydeco Chas Chas, Louisiana. Roy Acuff at the Grand Ole Opry, 1939. Via: Humanities CouncilSC, Museum on Main Street