Ashley Carder preserves old-time music legacy
Fiddler Ashley Carder, a 2012 Jean Laney Harris Folk Heritage Award recipient, was featured in an article in The State on Feb. 17:
“The jam session in the back room at Bill’s Pickin’ Parlor rolls on into the night, local bluegrass veterans and relative novices alike feeding off the fiddle player with the engaging smile and impeccable playing style.
“Play that waltz that sounds like taaaa-ta, ta-ta-ta-ta, ta-ta-ta-ta,” says Hershel Wise, whose 80-year-old fingers still can play the notes on his mandolin though his mind can’t recall the tune’s title.
Ashley Carder considers the request for a second, then his bow takes off on the staccato notes of “The Westphalia Waltz.” The other musicians — Wise, two more fiddle players, three guitar players and a stand-up bass plucker — follow Carder’s lead even if they don’t know the tune well or at all.
It’s impossible to estimate the number of fiddle tunes — from obscure old-time music to bluegrass standards — filed away in Carder’s head. He’s been stowing them away for decades as he learned from any old-time fiddle player who would show him the way.
And as those old-timers have passed away, Carder felt a responsibility to preserve their legacy whether in sessions like the Friday night jams at Bill’s, in the multiple bands he plays with or in the recordings he has compiled through the years.
Last year, Carder was honored with a Jean Laney Harris Folk Heritage Award by the S.C. Arts Commission for his efforts to preserve the music of his predecessors. But he’s more of a rewards guy than an awards guy. He loves watching his mentors’ family members tear up when they hear the preserved songs or seeing novice fiddlers light up as they figure out how to play an old tune.
His most recent project chronicles the career of one of his mentors — Pappy Sherrill. A legend in bluegrass/country circles dating back to the 1920s, Sherrill gained fame in South Carolina as the fiddler player in The Hired Hands.”
Via: The State