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Richland Library seeks submissions for upcoming art exhibition

Application deadline: Friday, Nov. 15, 2019


Richland Library is currently accepting submissions for an exhibition, highlighting works by contemporary South Carolina and regional artists that focus on the importance of inclusion and racial equity in our community. Speaking to the life experiences of marginalized and underserved communities, the exhibition will run from March 4-May 1, 2020 at the Main location (1431 Assembly St.) in tandem with the 2020 TogetherSC Non-Profit Summit on Racial Equity. Artists working in all media and styles are encouraged to apply by November 15, 2019. For more information on what to include in the submission and where to send it, please visit richlandlibrary.com/art.
[caption id="attachment_34666" align="aligncenter" width="401"] The world-famous Hub Calls for Art Megaphone.[/caption]

Submitted material

‘Taking Flight’ in Columbia (but not at CAE)

The resident artists of Stormwater Studios have settled into their studios and taken inspiration from their new surroundings. Earlier this year they were named a Wildlife Habitat Area by the South Carolina Wildlife Federation and are drawing on this theme in their new show Taking Flight, which runs from Nov. 20-Dec. 8. There will be an opening reception and Open Studios on Thursday, Nov. 21 from 5-8 p.m. in conjunction with Vista Lights. Admission is free and there will be light refreshments and a cash bar. Stormwater Studios is located at 413 Pendleton St., Columbia.

UofSC SVAD offering artist residency in Columbia

Application deadline: Jan. 5, 2020


The School of Visual Art and Design (SVAD) at the University of South Carolina is accepting applications for its 2020 Artist Residency Program at Stormwater Studios in Columbia. SVAD hosts an Artist Residency Program through its studio space inside of Stormwater Studios, providing essential studio space for students, faculty members, and visiting artists and community members to develop new work, lead workshops, give educational talks, and host exhibitions. We’ve designed our studio to be an ideal working environment for visual artists to test new ideas and experiment with materials. The program is designed to provide a local or regional artist with the time and space to create new works within an established artist community, and the opportunity to engage with SVAD students, faculty, and staff, as well as the greater Columbia community. The participating artist-in-residence will be provided an honorarium of $1,000 to support their work and activity, but housing and transportation are not provided. Participation in Third Thursday Open Studios (March 19, 2020) and with the SVAD and Columbia communities is strongly encouraged. Dates of residency: March 2, 2020 – April 3, 2020

How to apply

Please send the following by email, as one PDF, to svadstrm@mailbox.sc.edu:
  • Digital portfolio (10 – 20 images)
  • Resume
  • Artist Statement describing the following:
    •  current work
    • proposed project while in residence
    •  how you will engage with SVAD’s students and the local community (workshop, presentation, etc.), a requirement of the residency
SVAD is accepting applications through Jan. 5, 2020. (Look, it's a cliché, but it really will be here before you know it.) Semi-finalists will be interviewed and the final artist chosen by Jan. 31, 2020. The full details can be found on their website. If you have additional questions, please reach out to Community Programs Coordinator Anna Toptchi, at toptchi@mailbox.sc.edu or 803.777.4184.

2nd Act Film Project returns Oct. 30 in Columbia

Two screenings at Trustus Theatre


The 2nd Act Film Project, an endeavor of the Jasper Project, will premier its 6th season of short films on October 30 at Trustus Theater in Columbia’s historic Vista. There will be two screenings, at 7 and 9:15 p.m. Tickets are $15-20 and are available via Eventbrite.com. Ten filmmaking teams, selected from an open call for entries, will each debut an original short film having been provided with the 1st and 3rd acts of a screenplay and tasked with writing the 2nd act and creating the film in its entirety. Teams are provided a small stipend to fund their projects. The 2019 2nd Act Film Project teams are led this year by David Axe, Ian O’Briant, Amy Brower, William Woody, Jennifer Baxley, Sean Parsons, Silas Rowland, Henry Coonrod, Taiyen Stevenson, and Daniel Colella. Wade Sellers is the project director. For more information on the 2nd Act Film Project, go to www.secondactfilmafestival.com.

About the 2nd Act Film Project

The 2nd Act Film Project is a unique take on the film project concept. The goal of the 2nd Act Film Project is to promote the growth of independent filmmaking in Columbia and grow the network of independent filmmakers throughout South Carolina. Founded in 2013, the project has already produced 50 films. The 2nd Act Film Project Is presented by the Jasper Project - a non-profit arts organization based in Columbia (www.JasperProject.org).

Columbia Children’s Theatre names first executive director

Two additional staff added


Columbia Children’s Theatre (CCT) board of directors named Larry Hembree as the theatre’s first executive director. Hembree (right), who has been on the leadership staff for several other local arts organizations including Nickelodeon Theatre, S.C. Arts Commission, Arts Center of Kershaw County, and Trustus Theatre, assumed his new responsibilities Oct. 1. Hembree oversees administrative staff, strategic planning, board engagement, development and community outreach. He previously served as the theatre’s development director since January 2017. The board has also created two other new positions, hiring Ginny Herring as director of finance and Sean Taylor as director of marketing. “I am excited to help give our area’s youth a voice through their participation in the arts,” Hembree said. “Columbia Children’s Theatre has done a phenomenal job both producing a five-show season for youth and families by an adult professional theatre company (the only company of its kind in South Carolina) and, at the same time, creating opportunities to showcase youth in theatre productions." “This is an incredibly exciting time for CCT. This theatre plays a critically important part in the lives of so many young people and having someone with Larry’s stature as executive director will help CCT and its drive to give a voice to those young people through the arts,” CCT Board Chairmain Frank Braddock said. Founded in 2005, CCT first operated out of the former Sara Nance School (now the Katheryn M. Bellfield Booker Washington Heights Cultural Arts Center), an arts incubator run by the City of Columbia. Initial programming included professional theatre for youth and families, touring shows across the city and providing residencies and workshops in schools and parks. In 2009, the theatre expanded programming to include classes for youth and added a five-production season of shows featuring youth. Co-founders Jerry Stevenson and Jim Litzinger serve as artistic and technical directors, respectively. CCT has grown to support four administrative and eight artistic staff positions along with many volunteers and other contracted employees. CCT currently presents out of Richland Mall, next door to Barnes & Noble, in Forest Acres. The next production, Oct. 18-20, is “Les Misérables: School Edition,” featuring over 60 teens from across the Midlands. For more information on the theatre, visit columbiachildrenstheatre.com.

2020 S.C. Arts Commission fellowships announced

Four honored for achievement in visual art, craft, and music


FOR IMMEDIATE RELEASE COLUMBIA, S.C. – South Carolina artists in Darlington, Pickens, and Richland counties representing four arts disciplines received individual artist fellowships for fiscal year 2020 after approval by the S.C. Arts Commission board of directors. Individual artists residing in South Carolina full-time whose work covers visual arts, craft, music composition and music performance were invited to apply for fiscal year 2020 awards. Applications were up 25% over last year. Out-of-state panelists from each discipline review the applications and, based solely on their blind review of anonymous work samples, recommend recipients of each $5,000 fellowship. At its June meeting, the S.C. Arts Commission board of directors approved the following recommendations:
  • Adrian Rhodes of Darlington County for visual art,
  • Valerie Zimany of Pickens County for craft,
  • Fang Man of Richland County for music composition, and
  • Craig Butterfield of Richland County for music performance.
Fellowships recognize and reward the artistic achievements of exceptional South Carolina individual artists. Recognition from fellowship awards lends artistic prestige and often opens doors to other resources and employment opportunities. “These awards can be transformative; they lift artists’ spirits and self-perception while allowing them to focus on their art. Past fellows talk about how it can be a life-changing event,” S.C. Arts Commission Executive Director Ken May said. “South Carolina’s artists are at the core of our creative economy and serve as indispensable contributors to quality of life in our communities. Our agency is proud to deliver these tokens of gratitude on behalf of those most affected by the work being honored: the people of South Carolina.” The diverse panelists (above) who judged each discipline’s nominees work in those disciplines. Reviewing the visual art and craft applicants were Wendy Earle, curator of contemporary art at the Southeastern Center for Contemporary Art in Winston-Salem, North Carolina; Bruce Pepich, executive director and curator of collections of the Racine Art Museum and Wustum Museum of Fine Arts in Racine, Michigan; and Marilyn Zapf, the assistant director and curator at the Center for Craft, a national arts nonprofit headquartered in Asheville, North Carolina. Brent Milam, instructor of music theory and composition at Georgia State University; and Dr. Robert Tanner, associate professor of music at Morehouse College, reviewed the music composition applicants. Verena Lucía Anders, a conductor, pianist, vocalist, composer, music educator, and winner of multiple Grammy Awards; and Tami Lee Hughes, a concert violinist, recording artist, and music educator reviewed applicants in music performance. Four fellowships per year are awarded to artists working in rotating disciplines. One artist from each of these fields: prose, poetry, dance choreography and dance performance, will be honored in fiscal year 2021. To be eligible, artists must be at least 18 years old and a legal U.S. resident with permanent residence in the state for two years prior to the application date and throughout the fellowship period. Applications will be accepted later this summer following announcement by the S.C. Arts Commission. For more on discipline rotation, eligibility requirements, and the application process, please visit https://www.southcarolinaarts.com/grant/fel/

About the FY20 S.C. Arts Commission Fellows

VISUAL ART | ADRIAN RHODES | Darlington County Adrian Rhodes, a Hartsville, South Carolina native, received her Master of Fine Arts in painting and printmaking from Winthrop University in 2011. Printmaking forms the core of her mixed media practice, resulting in installation, paintings, editioned prints, collage, and sculptural paper pieces. Her work has shown throughout the Carolinas, including select solo exhibitions at the UNC Charlotte, City Art in Columbia, the Dalton Gallery at the Center for the Arts in Rock Hill, and the Rebecca Randall Bryan gallery at Coastal Carolina University. Her work has frequently received awards in juried competitions, including taking the top prize at VAE Raleigh’s Contemporary South 2017 and Best of Show at the York County Juried Exhibition in 2013. Her work was recently featured in the Paper Worlds exhibition at the Spartanburg Art Museum. She currently teaches printmaking at the University of South Carolina. Her work can be seen at www.adrianrhodes.com, and you can follow her studio practice on Instagram: @adrian_rhodes. CRAFT | VALERIE ZIMANY | Pickens County Extensive time in Japan fostered Valerie Zimany’s examinations of complex relationships, to include East and West. She spent several years there after earning a Bachelor of Fine Arts from the University of the Arts in Philadelphia—first as a Fulbright Fellow, then completing a Master of Fine Arts at Kanazawa College of Art as a Japanese Government Scholar, and three more years in residency at the Utatsuyama Craft Workshop in Kanazawa. Her work has been included in numerous solo and group exhibitions and competitions in Japan; Korea; Billings, Montana; Philadelphia and Pittsburgh; Columbia; and more and it appears in multiple public and private collections. She was named an American Craft Council Searchlight Artist for 2007, a Ceramics Monthly Emerging Artist for 2008, and was a finalist for the Niche Award (2011) and the Society for Contemporary Craft’s Founder’s Prize 2013).  She is department chair and associate professor of art (ceramics) at Clemson University. MUSIC: COMPOSITION | FANG MAN | Richland County Hailed as “inventive and breathtaking” by the New York Times, Fang Man’s original concert music has been performed by the Los Angeles Philharmonic Orchestra New Music Group under the baton of Esa-Pekka Salonen, American Composers Orchestra, Tokyo Philharmonic Orchestra, National Orchestre de Lorraine (France), Minnesota Orchestra, Music from China, and others. She is the recipient of Guggenheim and other fellowships and grants and the National Endowment for the Arts, Music from China, and Toru Takemitsu (Japan) awards. She has received commissions from around the world and has multiple recordings. Fang served as a resident composer in Italy, the United Kingdom, and the U.S. and has degrees from Cornell (MFA, DMA) and Beijing Central Conservatory of Music. She is currently an assistant professor at the University of South Carolina. MUSIC: PERFORMANCE | CRAIG BUTTERFIELD | Richland County Craig Butterfield is professor of double bass and jazz studies at the University of South Carolina, where he directs one of the largest double bass programs in the Southeast. He has composed, performed, and recorded in genres as diverse as classical, jazz, American folk, and World music. Notable collaborations include touring and recording with jazz trumpeter Maynard Ferguson, three albums of original music with multi-instrumentalist Jesse Jones as the Jones/Butterfield duo, three albums with classical guitarist Matthew Slotkin as Dez Cordas, a collaboration with classical pianist Charles Fugo, and a current recording project of original folk-inspired music with Boomtown Trio. Butterfield’s YouTube channel featuring original performances in multiple genres has more than a quarter of a million views.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Tuning Up: Myriad opportunities for artists + grant writing

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


This one's for you, #SCartists...

[caption id="attachment_34666" align="aligncenter" width="563"] The world-famous Hub Calls for Art Megaphone.[/caption] A spate of calls for art and/or fellowship opportunities came through in recent days, so we're letting you know what we've seen (which, dear reader, is not to be assumed is an exhaustive list of opportunities). Please visit links for deadlines and requirements/restrictions/guidelines! And now, here they are:
  • Submissions are being sought for the 701 CCA South Carolina Biennial 2019, the center's fifth survey exhibition of work by contemporary South Carolina artists. The exhibition will be held at 701 Center for Contemporary Art in Columbia. The 701 CCA S.C. Biennial 2019 will be presented in two parts with openings in September and November. Artists working in all media and styles are encouraged to apply. Artists must be a current resident of South Carolina. Please visit the website for specific details regarding the submissions.
  • Greenville Center for Creative Arts announced that 2019/2020 Brandon Fellowship applications will open June 7, 2019. The Brandon Fellowship is a 12-month program that aims to develop three emerging artists between the ages of 21-30. Brandon Fellows receive a university style studio space at GCCA, a $250 stipend for art supplies per six-month period, an artist mentor, access to one 6-week class per session, and participation in group shows & community events. Please visit the GCCA website for Brandon Fellowship information.
  • Spartanburg/Upstate musicians are encouraged to sign up for live street performances in the Spartanburg Downtown Cultural District. Currently, performances are scheduled to be held near four street intersections: Liberty & East Main streets, Church & East Main streets, Magnolia & Dunbar streets, and W. Main St. Pocket Park by The Coffee Bar. The live performances will take place Wednesdays, Fridays, and Saturdays, concluding in October. You must be a Chapman Cultural Center registered musician to perform. A link to join the registry and more information is on this page.

Oh, yeah, grant writing

The Central Midlands Council of Governments and Grant Writing USA will present a two-day grants workshop in Columbia, June 17-18, 2019.  This training is applicable to grant seekers across all disciplines.  Attend this class and you'll learn how to find grants and write winning grant proposals. Beginning and experienced grant writers from city, county, and state agencies as well as nonprofits, K-12, colleges and universities are encouraged to attend. Multi-enrollment discounts and discounts for Grant Writing USA returning alumni are available.  Tuition payment is not required at the time of enrollment. Tuition is $455 and includes everything: two days of terrific instruction, workbook, and access to our Alumni Forum that's packed full of tools, helpful discussions and more than 200 sample grant proposals.  Seating is limited, online reservations are necessary. Click here for full event details.

Columbia’s Wideman Davis Dance selected for South Arts program

'Momentum' to help build touring capacity

[caption id="attachment_40193" align="aligncenter" width="600"]Momentum program director with Thaddeus Davis and Tanya Wideman-Davis. Momentum program director Nikki Estes (left) meeting with Thaddeus Davis (center) and Tanya Wideman-Davis (right) of Wideman Davis Dance in Columbia, South Carolina prior to "Migratuse Ataraxia," a multidisciplinary reimagining of antebellum homes[/caption]
South Arts, a regional nonprofit arts organization, has announced the five Southern dance companies selected to participate in Momentum. This new three-year project, funded with support from The Andrew W. Mellon Foundation, will allow the selected companies to build their capacity for regional and national touring. South Arts“There is remarkable dance occurring in our region,” said Nikki Estes, program director with South Arts. “Southern artists are pushing boundaries and telling important stories through this art form. Yet, they are often overlooked in favor of their counterparts in other parts of the US. Through Momentum, we aim to address that gap and raise the profile of Southern dance companies across the region and country.” Over the course of three years, each company will receive professional development, residency opportunities, and touring grants to fund their work. Participants will also showcase at the Performing Arts Exchange booking conference to share their work with arts presenters and programmers. The selected companies are:
  • Dimensions Dance Theater of Miami, Miami, Florida. Jennifer Kronenberg, Artistic Director.
  • Helen Simoneau Danse, Winston-Salem, North Carolina. Helen Simoneau, Artistic Director.
  • New Dialect, Nashville, Tennessee. Banning Bouldin, Artistic Director.
  • staibdance, Avondale Estates, Georgia. George Staib, Artistic Director.
  • Wideman Davis Dance, Columbia, South Carolina. Tanya Wideman-Davis and Thaddeus Davis, Artistic Directors.
The five companies were selected from an application pool of 37 companies by a national panel of leaders in the field of dance presenting and touring, and show exceptional promise both in their artistic quality and potential for expanded touring. The panel included:
  • Neil Barclay (CEO, Charles H. Wright Museum of African American History),
  • Christy Bolingbroke (Executive/Artistic Director, National Center for Choreography at The University of Akron),
  • Laurie Eisenhower (Founding Artistic Director, Eisenhower Dance),
  • Christopher Heacox (Executive Director, Auburn University Performing Arts Center),
  • Sophie Myrtil-McCourty (President, Lotus Arts Management),
  • Martin Wechsler (Former Director of Programming, The Joyce Theater),
  • and Ichun Yeh (Vice President/Director of Booking, Sozo Artists).
“Momentum is the next incarnation of our Dance Touring Initiative,” continued Estes. Through the Dance Touring Initiative, nearly 30 performing arts presenters throughout the Southern region have received professional development and funds to strengthen their work with touring modern dance and contemporary ballet companies over the last ten years. “We recognized that—even though we were working with Southern arts organizations—Southern dance companies were often not being engaged for tours. We began designing Momentum as soon as we identified this need.” The companies selected for Momentum will convene at the 2019 Performing Arts Exchange conference in Orlando, Florida to begin their professional development, and will participate in a series of webinars throughout the program addressing pertinent topics to the field. Additionally, they will be partnered with Dance Touring Initiative presenters for residencies to develop their work and touring capacity. South Arts will make grants available to present these companies in upcoming seasons. “Momentum is deeply informed by our new mission statement: advancing Southern vitality through the arts,” said Susie Surkamer, executive director with South Arts. “One of our goals is to support the artistic and professional growth and success of artists in the South, and Momentum represents new steps for our organization in that direction.” To learn more about Momentum as well as South Arts’ other programs supporting artists, arts organizations, and communities throughout the South, visit www.southarts.org.

About Wideman Davis Dance

Tanya Wideman Davis and Thaddeus Davis, Artistic Directors Wideman Davis Dance, founded in 2003, is deeply committed to revealing social and political issues through an African American perspective. They make work that is inspired by and engaged with current issues including race, social class, gender, and location. Viewing education as essential, Wideman Davis Dance connects with communities of all ages through residencies and by increasing their awareness of these social and political issues, and the ways in which those issues play out in today’s world. When designing residencies, they create environments for participants that cultivate their potential and empower them to change. The company works in an egalitarian way, in collaboration with artists, scholars, and students, implicitly shifting the traditional company model and leveling the hierarchical structures that typically exist within the arts field and its pedagogy. Wideman Davis Dance make dances that have the capacity to tell the truth and move the spirit, giving voice to the people who both perform and view them. They create a space for truths to be told, rupturing the silence of denial, and retelling history about the African American experience. Through their work, they catalyze an artistic ripple effect: their dances—and this shared history—resonate emotionally within the artists who perform it and ultimately within the audiences who view it. Ideally, artists and audiences are motivated to tell their own truths in their own voices: they remember and discover things about themselves and about their own history. Telling such truths can foster a range of reactions, from inspiration to discomfort, from inquiry to debate. In their artistic encounters, the company highly values the exchange that occurs with their audiences as they respond. The company draws from a strong lineage of dance forms they have studied, artists with whom they have worked, and socio-historical issues that they illuminate. Through both choreography and performance, they embody a range of aesthetics, including ballet and contemporary movement. They have created and performed with legendary companies and artists, including Dance Theater of Harlem, Alonzo King’s LINES Ballet, the Joffrey Ballet, Donald Byrd/The Group, Ballet NY, and Complexions Contemporary Ballet. Most influential is the lineage of ideas, history, and social structures that inspire their work and influence the world in which they—and their audiences—live. Artist Statement Wideman Davis Dance moves audiences, through the dances we create and perform, dialogues we lead, research we conduct, and movement experiences we share. We invite audiences and communities to engage: With ideas. With history. With the world around us. With honesty. Our artistic vision reflects truths from our shared lives. Our lineage draws from our long careers with leading professional companies in ballet and contemporary dance. Our model for working with audiences reflects decades of collaborating with communities around the country. Our track record of working with—and delivering to—presenters, colleges, and communities shows lasting results, as told through the stories from our collaborators.

About South Arts

South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org.

Tuning Up: Experience the arts this weekend

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


[caption id="attachment_40184" align="aligncenter" width="600"]Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute) Jennifer Wen Ma’s team installs a version of Cry Joy Park at Beijing’s Tang Contemporary in October 2018. (Courtesy Halsey Institute)[/caption]

Hey, look; we made it.

Friday is here. You've been looking forward to it since 8:30 or 9 a.m. Monday, and it's finally here. The Hub will be mowing and pitching in on some house cleaning for sure, but a good weekend has more to it than the mundane. We are here to help. BLACKVILLE The 8th Annual Blackville Music & Art Festival is bringing a weekend full of entertainment and activities to downtown Blackville this weekend, May 17-19. Organizers promise a carnival, parade, car & bike show, several live performances, art displays, vendors, and live artist demonstrations by South Carolina artists Edmon Glover Richburg, Ment Nelson, and Terrance Washington. CHARLESTON Not an exhibition per se, but how about something that keeps on giving? Halsey Institute of Contemporary Art is offering BOGO memberships (for all membership levels!) until May 31. It's part of their May giving campaign. Use this deal to enjoy Cry Joy Park—Gardens of Dark and Light from Jennifer Wen Ma (opens Saturday).  Ma helped design the stunning opening ceremony for the Beijing Olympics. COLUMBIA Your last chance to see Jackson Pollock: Mural is Sunday, when the exhibit at Columbia Museum of Art closes. The museum devoted two galleries not just to the mural that launched his fame but to the techniques and creation that made it what it is. LAKE CITY Join ArtFields in Lake City for a dual gallery opening on May 18th from 6-8 p.m. at TRAX Visual Art Center and Jones-Carter Gallery. On opening night, enjoy hors d'oeuvres and drinks while you view artwork from Beverly Buchanan, Jenny Fine, and Jerry Siegel. Additionally, Fine and Siegel will be present to talk about their work and the inspiration behind their pieces.

Tuning Up: Blythewood poet laureate, mural SZN, SEPF

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Surprise poet laureate named in Blythewood. Perhaps known most for horses and signifying to I-77 southbound travelers that their sojourn through the back country from Rock Hill is transitioning to civilization, Blythewood is embracing arts and culture of late. The first Doko Film Fest was just last weekend, Doko Meadows Park features community concerts through the summer, and Tuesday the town named Sara Corn its first poet laureate. Never heard of her? It's probably because she's 11. Read more about Sara and her honor from ColaDaily. Congrats, Sara! Say it with us: #BecauseOfArtsEd (Post continues below image.) [caption id="attachment_39999" align="aligncenter" width="600"]McCormick mural Jeffrey Callaham mural in McCormick. Image by McCormick County Coordinator La Ruchala Murphy/SCAC.[/caption] Welcome to MURAL SZN. Murals are time-honored public art displays that community planners and citizenry in search of a rallying point enjoy in equal measure. Two new ones came across The Hub's radar:
  • "Lady Vista" now resides in the Congaree Vista (an official South Carolina Cultural District) courtesy of Columbia artist Cait Maloney.
  • Another official South Carolina Cultural District also has a new mural: Spartanburg Downtown checks in with a work by Lucy Boland (w/ an assist from Russel Bannan).
  • With help from an SCAC grant, the McCormick Chamber of Commerce, Willington on the Way, and McCormick Arts Council (MACK) debuted a mural (above) celebrating the history of the Willington area. This mural consists of a series of panels created by McCormick artist Jeffery Callaham and included the support and enthusiasm of more than 120 local elementary, middle, and high school students.
"Keys" to the kingdom? Piano lovers take note: tickets are now on sale to all events of the 2019 Southeastern Piano Festival. Artists known the world over will descend on South Carolina for concerts June 16-22. Artists the world will soon know compete in the Arthur Fraser International Piano Competition and give a recital on the 22nd.