← View All Articles

Jason Rapp

Hub E-vents: El Cinco de Mayo

You want art. You crave art.

#SCartists and arts organizations want to fill that void. They live for that. It’s a calling. Yet in times of social distancing, that’s hard to do. Through the wonders of modern technology, many are trying and succeeding. So while we’re all staying home to protect vulnerable family, friends, and neighbors,  The Hub is stepping up to fill the void between artists and arts lovers. (Learn more about Hub E-vents here.)

Here are some virtual arts events

Sometimes we do events on the same day, sometimes we promo upcoming ones. Sometimes we do both. There are no rules in quarantine life! (Help yourself by reading all of them.)

Today

It's Creative Tuesdays with Liz... You'll need a piece of paper (any color), scissors, glue, old magazines or newspapers, and markers, crayons or colored pencils. Watch here at 11 a.m.: https://youtu.be/yCGcUaoivMo (Videos from past projects are available there for you to check out anytime.) Next week Liz is making '3D Frog on a Lily Pad.' You'll need paper, green construction paper, markers, crayons, or colored pencils, scissors and glue.

Upcoming

 
  Your event not here? Here's a little more on how Hub E-vents works.

Submitted material

100 bucks for 100 words

New contest from Sunspot Literary Journal

Submission deadline: June 30, 2020
A contribution from Sunspot Literary Journal: Microfiction, micro essay, micro memoir, short poem, micro script, micro screenplay... if it's 100 words or less, it might be worth $100. No restrictions on theme or category. In addition to receiving the cash prize, the winner will be published. Select finalists will have the chance to be published. Sunspot asks for first rights only; all rights revert to the contributor after publication. Works accepted for publication include bylines and biographies. These are published in the next quarterly digital edition an average of one month after contest completion. All the published pieces will be considered for inclusion in the annual fall print edition. Enter as many times as you like. One piece per submission. Pieces must be unpublished except on a personal blog or website. Simultaneous submissions accepted. Work can have won other awards without being disqualified.

Cash award of $100 Entry fee: $5 Open April 1, 2020 Closes June 30, 2020

Link here to submit: https://sunspotlit.submittable.com/submit/164031/100-for-100-words-2020

Jason Rapp

South Carolina Novel Prize opens submission window

Author Stephanie Powell Watts judging entries

Submission deadline: Monday, March 16 23, 2020 at 11:59 p.m.
Every other year, the South Carolina Novel Prize recognizes one of South Carolina’s exceptional writers. Submissions will be read anonymously by our readers at the College of Charleston Department of English and this year's judge, author Stephanie Powell Watts. The contest is highly competitive, and the winner is provided a book contract with Hub City Press, who will print no fewer  than 2000 copies to be nationally distributed to the trade in 2021. This can also bring recognition that may open doors to other resources and opportunities in the literary community. The S.C. Novel Prize is funded by the South Carolina Arts Commission, Hub City Press, and South Carolina Humanities. The College of Charleston and South Carolina State Library are also partners. The South Carolina Novel Prize (formerly the First Novel Prize) is open to any South Carolina writer, including those who have never had a novel published and those who have been published. Applicants’ works are reviewed anonymously by panelists who make their judgments on the basis of artistic merit and narrowed through two rounds of judging. Five novels will be judged in a third round by Watts. Find the eligibility and restrictions and link to submit on SouthCarolinaArts.com. [caption id="attachment_34666" align="aligncenter" width="563"] The world-famous Hub Calls for Art Megaphone.[/caption]   Ed. note: This post was updated March 12, 2020 with a deadline extension to March 23, reflected at the top of the post.

Tuning Up: Homeless shelter artists, new book release

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Fundraiser features art by homeless shelter residents

From ColaDaily.com: Transitions Homeless Center, the largest homeless facility serving Midlands residents, will be holding its eighth annual Reconstructing Home fundraiser Thursday at the Columbia Museum of Art. Reconstructing Home showcases current and past residents' artwork that will be available for purchase ... This year's event will display not just 2-D paintings, but also some 3-D work. "We have some afghans this year, a couple of really cool wooden 3-dimensional large pieces, and we have a butterfly quilt that butterflies were actually painted onto the fabric," explained (Vice President of Advancement Elizabeth) Iglehart. Read the full story, and see pictures, here.

Publication announced for new Janet Kozachek book

Finishing Line Press is announcing the publication of My Women, My Monsters, a new collection of poems by Orangeburg author Janet Kozachek. “In this book, Janet Kozachek, through her evocative illustrations and often biting poems, removes the lid of the cauldron containing several familiar feminine monsters–monsters that women know from their everyday encounters with other women and also from uncomfortable glances within," writes Rutgers University Professor of Comparative Literature Janet A. Walker in her review. Kozacheck, a Helena Rubinstein Scholar, holds a Master of Fine Arts in drawing and painting from Parsons School of Design and a certificate of graduate study from Beijing Central Art Academy where she studied Chinese poetry and painting. She received a category award in drawing at Artfields and grants from the Puffin Foundation and South Carolina Humanities.

NEA announces ‘Big Read’ community reading program grants

Additions to the NEA Big Read Library include selections in honor of 100th anniversary of women’s suffrage

Application deadline: Wednesday, January 29, 2020
Are you a nonprofit organization interested in increasing community engagement, creating new partnerships, and celebrating great books? The 2020/2021 guidelines for National Endowment for the Arts Big Read grants are now available. This National Endowment for the Arts initiative, in partnership with Arts Midwest, supports community reading programs across the country, each designed around a single NEA Big Read book. In honor of the 100th anniversary of women’s suffrage, the 2020/2021 list of NEA Big Read books will include classic literature by four female authors: My Ántonia by Willa Cather, The Essential Emily Dickinson (a selection of poems by Dickinson, introduced by Joyce Carol Oates), Their Eyes Were Watching God by Zora Neale Hurston, and The Heart Is a Lonely Hunter by Carson McCullers. Also new for 2020-2021 is the addition of the novel Circe by Madeline Miller, a retelling of the life of a Greek mythological goddess, and An American Sunrise, a new collection of poems by U.S. poet laureate Joy Harjo, which will be available in place of her book How We Became Human. In total, 32 books will be available for NEA Big Read projects taking place between September 2020 and June 2021; the full list of titles is available in the guidelines on Art Midwest’s website, where potential applicants can also find full details on eligibility, how to apply, and application advice. The application deadline is Wednesday, January 29, 2020. In addition to libraries, eligible applicants include colleges and universities, arts organizations, museums, humanities councils, school districts, historical societies, and more—read the guidelines for complete eligibility information. “Hosting an NEA Big Read program has been shown to be a powerful way to build community and encourage dialogue on a variety of pertinent topics, from taking care of elderly parents, such as in Can’t We Talk About Something More Pleasant?, to the opioid crisis in Burning Bright, to the challenges some boys face at the brink of manhood in Hustle,” said Amy Stolls, director of literary arts at the Arts Endowment. All NEA Big Read programs include a series of events, ranging from lectures and book discussions to film screenings and performances, all designed to create opportunities for conversation and engagement among a wide range of community members. Visit the National Endowment for the Arts Big Read website for more information on the program— including book and author information, podcasts, and videos—as well as to read community stories from past NEA Big Read grantees.

About the National Endowment for the Arts Big Read

Since the program began in 2006, the National Endowment for the Arts has funded more than 1,500 NEA Big Read programs, providing more than $21 million to organizations nationwide. In addition, NEA Big Read activities have reached every Congressional district in the country. Over the past 13 years, grantees have leveraged more than $50 million in local matching funds to support their NEA Big Read programs. More than 5.7 million Americans have attended an NEA Big Read event, approximately 92,000 volunteers have participated at the local level, and 40,000 community organizations have partnered to make NEA Big Read activities possible. For more information about the NEA Big Read and to suggest a book, please visit arts.gov/neabigread.

About the National Endowment for the Arts

Established by Congress in 1965, the National Endowment for the Arts is the independent federal agency whose funding and support gives Americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. Through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the Arts Endowment supports arts learning, affirms and celebrates America’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across America. Visit arts.gov to learn more.

About Arts Midwest

Arts Midwest, a nonprofit regional arts organization headquartered in Minneapolis, serves audiences, arts organizations and artists throughout the nine state region of Illinois, Indiana, Iowa, Michigan, Minnesota, North Dakota, Ohio, South Dakota, and Wisconsin. One of six non-profit regional arts organizations in the United States, Arts Midwest's history spans more than 30 years. Arts Midwest promotes creativity, nurtures cultural leadership, and engages people in meaningful arts experiences, bringing vitality to Midwest communities and enriching people's lives. Annually, cultural programs initiated by Arts Midwest reach close to a million people, enhancing the quality of life in hundreds of cities, towns, and rural areas. Arts Midwest's high-quality cultural activities, in a spectrum of artistic genres, reach school children, university students, families, and adults of all ages.

Submitted material

Jasper Project to release sixth ‘Fall Lines’

The Jasper Project, in partnership with Richland Library, Richland Library Friends and Foundation, and One Columbia for Arts and History, announces the release of Fall Lines – a literary convergence, volume V on Sunday, Aug. 18, 2019 from 2-3:30 p.m. at the main branch of Richland Library (1431 Assembly St., Columbia). Fall Lines – a literary convergence is a South Carolina based print literary journal that solicits submissions of poetry and prose internationally. With more than 500 submissions this year, more than 30 were selected for publication through a blind reading process. The winner of the Saluda River Prize for Poetry is Kimberly Driggers for her poem, “Imagine the Sound of Waves.” The winner of the Broad River Prize for Prose is Derek Berry for his story, “Sasquatch.” Judy Goldman served as the judge for the prose competition and Délana R. A. Dameron served as the judge for poetry.  DéLana R.A. Dameron is the author of Weary Kingdom and How God Ends Us. She is an arts and culture strategist who lives in Brooklyn. Goldman is the author of two award-winning poetry collections and two novels, Early Leaving and The Slow Way Back, which was a finalist for SIBA's Novel of the Year and winner of the Sir Walter Raleigh Fiction Award and the Mary Ruffin Poole Award for First Fiction. Her memoir, Losing My Sister, was a finalist for both SIBA's Memoir of the Year and ForeWord Review's Memoir of the Year. Her work has appeared in Real Simple, The Washington Post, and in many literary journals. She teaches writing workshops throughout the Southeast, and serves on the permanent faculty of Table Rock Writers Workshop. Winners are sponsored by the Richland Library Friends and Foundation. The public is invited to the free release event, readings, and awards ceremony on Sunday, August 18th from 2-3:30 p.m. at the main branch of the Richland Library. Copies of Fall Lines will be available and free.

Submitted material

Governor’s School announces 10th U.S. Presidential Scholar in the Arts

Amber Magnuson among just 20 nationwide


Amber Magnuson, a creative writing senior at the South Carolina Governor's School for the Arts and Humanities, was selected to join the 55th class of U.S. Presidential Scholars and is one of only 20 students chosen nationwide as a U.S. Presidential Scholar in the Arts.  Amber Magnuson headshotMagnuson is the Governor's School's 10th student to receive this honor since 2008, nine of which have come from the creative writing department. She will travel to Washington in June to participate in an original performance at The Kennedy Center. "This is the highest national student honor for the arts in the United States, and we congratulate Amber for her outstanding achievements and the Creative Writing Department faculty for continuing to cultivate these exceptional students," said Governor's School President Dr. Cedric Adderley. Prior to attending the Governor's School, Magnuson was a student at Greenville Senior High Academy and the Fine Arts Center. During her sophomore year, she was a YoungArts finalist and attended National YoungArts Week in Miami, Florida in 2017. In the Governor's School's Creative Writing Residential High School Program, led by published, experienced writers who provide daily student mentorship, Magnuson has received numerous accolades. During her senior year, she won first place in Nonfiction in Pfeiffer University's Piedmont Institute of Communication, Art and Music (PICMA) contest and in Ringling College's Storytellers of Tomorrow Contest. She also received a Silver Medal in Nonfiction in the 2019 National Scholastic Art & Writing Awards competition and three Gold Keys, one Silver Key, and two Honorable Mentions in the 2019 Scholastic Art & Writing Awards, Region-at-Large competition. Magnuson was also named a National Merit Finalist. After graduation, she will attend Columbia University in New York City. A press release from the U.S. Department of Education states that the White House Commission on Presidential Scholars selects honored scholars annually based on their academic success, artistic and technical excellence, essays, school evaluations and transcripts, as well as evidence of community service, leadership, and demonstrated commitment to high ideals. Of the 3.6 million students expected to graduate from high school this year, more than 5,200 candidates qualified for the 2019 awards determined by outstanding performance on the College Board SAT and ACT exams, and through nominations made by Chief State School Officers, other partner recognition organizations or the National YoungArts Foundation's nationwide YoungArts program.
For more information about the S.C. Governor's School for the Arts and Humanities and their creative writing programs, visit www.scgsah.org.

Union library named finalist for National Medal

Here's a belated note worth sharing with Hub readers today. – Ed. Union County Carnegie Library Earlier in March, the Institute of Museum and Library Services today announced 30 finalists for the 2019 National Medal for Museum and Library Service. The National Medal is the nation’s highest honor given to museums and libraries for community service. Over the past 25 years, the award has celebrated institutions throughout the nation that have demonstrated extraordinary and innovative approaches to public service. Union County Carnegie Library was named to the finalist list. Throughout March and April, IMLS will celebrate the excellent community work of these institutions through its six-week Share Your Story social media campaign, which began last week. Anyone with a story to tell about these libraries and museums is encouraged to share comments and pictures with #IMLSmedals and tag IMLS on Facebook and Twitter. "We are thrilled to be a finalist for the National Medal, and we know that this is due in large part to our facility and partnerships. We wanted to share this great news with you and tell you how much we appreciate our partnership and are thankful for your support," Executive Director Rieta Drinkwine said. The S.C. Arts Commission was one such partner, as UCCL was host of the first Communal Pen writing workshop series that has since worked its way through South Carolina since last September. National Medal winners will be announced later this spring. Representatives from winning institutions will receive their medals at a ceremony on June 12 in Washington. Learn more about the Union County Library System here. 

Submitted material

U of SC Press celebrates the life and work of Boyd Saunders

The University of South Carolina Press has recently published A VIEW FROM THE SOUTH: THE NARRATIVE ART OF BOYD SAUNDERS, by Thomas Dewey II with a Foreword by Charles R. Mack.

Event TODAY at U of S.C. Thomas Cooper Library, 4:30 p.m., Columbia


A VIEW FROM THE SOUTH is a celebration of the prolific artist's heartfelt devotion to the people and places of the American South. It is the first comprehensive examination of the life and art of Boyd Saunders, one of America’s premier printmakers. In this celebration of an enduring and widely acclaimed career as an artist, Thomas Dewey II chronicles Saunders’s work not only as a printmaker, but also as a painter, sculptor, illustrator, author, educator, amateur musician, and sometimes horseman. With great care Dewey exposes the common thread that runs through Saunders’s visual expressions: his intriguing tales that reveal his heartfelt devotion to the people and places of the American South. Dewey has captured Saunders’s life story through intensive research as well as via a series of interviews with the artist over several years. Details of Saunders’s early life on a West Tennessee farm and his family’s long attachment to the land document a profound influence on his life, outlook, and art. But Saunders was also moved by literature—namely that of William Faulkner, whom he met while earning a master’s of fine art at the University of Mississippi. Saunders credits Faulkner with inspiring much of his work, demonstrated in his Spotted Horses, a limited volume of lithographs illustrating Faulkner’s short story of the same name, which was published by the University of South Carolina Press in 1989. Now a distinguished professor emeritus of the University of South Carolina, Saunders founded its Art Department’s printmaking program as well as a southern printmaker’s organization called the Southern Graphics Council. In the more than forty years since its founding the organization, now called SGC International, it has grown well beyond its southern borders and now serves twenty-five hundred members worldwide. A View from the South features more than 120 color images showcasing the themes, ideas, and techniques Saunders has used in his paintings, drawings, prints, sculptures, etchings, lithographs, and woodcuts. His art is exhibited throughout the world and is included in many private and public collections, including the Boston Public Library, the U.S. Wildlife Collection in Washington, D.C., and Shanxi University collection in China. A foreword is provided by Charles R. Mack, professor emeritus of art history at the University of South Carolina. Thomas Dewey II is a faculty emeritus associate professor of art history at the University of Mississippi. He holds bachelor’s and master’s degrees in art history from Southern Illinois University and a Ph.D. in art history from the University of Wisconsin, Madison. Dewey has published widely in professional journals and penned an entry, “Audubon in Mississippi,” in The Mississippi Encyclopedia. On March 14 Boyd Saunders will be celebrated by the University Libraries and the University South Carolinians Society in a 4:30 p.m. event at the Thomas Cooper Library, where Boyd Saunders will show a "mini-retrospective" and discuss "The Storyteller's Art."