S.C. Arts Awards: Hampton III Gallery
2019 Recipient Feature Series
As the day nears for the 2019 South Carolina Arts Awards, The Hub is taking 15 days to focus on this year's recipients: nine receiving the Elizabeth O'Neill Verner Governor's Awards for the Arts and five receiving the Jean Laney Harris Folk Heritage Award, which are managed jointly by the South Carolina Arts Commission and McKissick Museum at UofSC. In between the two groups, we'll run a special feature on S.C. Arts Awards sponsor Colonial Life.
Hampton III Gallery
Since 1970 the mission of the Hampton III Gallery has been and continues to be supporting professional living artists and the estates of professional artists in or from South Carolina ranging from post-World War II to the present.
South Carolina’s oldest art gallery was started by a teacher who, with summers off, started an art gallery for three artist friends. Around the time of its 1970 opening, certain South Carolina artists were exhibiting beyond the state’s borders throughout the Southeast: Carl Blair
, Emery Bopp
, and Darell Koons
. Those artists invited their friends to the gallery, and Leo Twiggs, Jeanet Dreskin, and William Halsey joined the fold.
The gallery’s vision of supporting artists and educating the public to the rich heritage of South Carolina artists continues into 2019. Over 500 paintings, sculptures and original prints are kept in inventory. Changing exhibitions, artists’ talks, and special events provide educational opportunities for all. Consultation is available for private and corporate collections. Exhibitions change every 6-8 weeks. The public is invited to all events.
Hampton III Gallery has an additional distinction. The following 11 artists, all recipients of the Verner Award, either have been or are represented by it: Jeanet Dreskin, William Halsey, John Acorn, Carl Blair, Leo Twiggs, Boyd Saunders, Tom Stanley, Edward Rice, Corrie McCallum, Guy Lipscomb, and Laura Spong. Gallery owner Sandy Rupp
no doubt hopes for more in the future.
The following excerpt from Town Carolina in 2016 tells more of the gallery’s reach:
“Representing artists with work in the permanent collection of MoMA, the MET, and the Whitney in New York City, not to mention the National Gallery in Washington, and the Art Institute of Chicago, Hampton III Gallery owner Sandy Rupp has spent more than 25 years curating art. Her collaborations between artists, collectors, museums, and academic institutions form the basis for her South Carolina–focused exhibits. Featuring sculpture, collage, mixed media, prints, and paintings in subjects as varied as still life, figurative work, and landscapes, the Hampton III Gallery offers art aficionados work at any budget.”
to learn more.
South Carolina Arts Awards Day is Wednesday, May 1, 2019. The festivities begin at 10 a.m. with a reception that leads up to the awards ceremony at the UofSC Alumni Center (900 Senate St., Columbia). The event is free and open to the public. Following the ceremony, the South Carolina Arts Foundation honors the recipients and the arts community at the S.C. Arts Awards Luncheon and Art Sale. Tickets are $50. Please go here for more information and reservations.
Unified auditions coming for Upstate actors
Registration deadline: Tuesday, Feb. 5, 2019
Be seen by casting directors for Upstate theatres
Brought to you by the South Carolina Theatre Association
Go here to register now!
- Actors should prepare a 60 second monologue
- Must be from a published play
- Must be memorized
- No costumes, please
- Musical theatre actors should prepare 90 seconds of monologue and song
- Must be from a published play or musical
- Must be memorized
- Must provide your own sheet music (we will provide the accompanist)
- You can use the 90 seconds however you wish (all song, or song and monologue)
- Technicians should prepare a presentation of their work.
- Must bring your portfolio
- May bring any examples.
- You and your portfolio will be posted in a room for the casting directors to come visit and chat with you during their lunch break.
- All auditionees including technicians will be included in the e-book that will be provided to participating theatres. Upon registration you will receive and email requesting you to submit your resume and headshot. If technicians have an on-line portfolio they can submit that link as well. No paper copies will be accepted.
- Please note: the Upstate Unified Auditions are opens to theatre artists age 8 and up. (18 and older on 2/16; ages 8-17 on 2/17)
- If you have questions or issues registering, please contact Anita Sleeman: firstname.lastname@example.org.
Mauldin unveils latest public art installation embracing industry
The City of Mauldin unveiled The Groundbreaking – the fourth installation along its Public Art Trail – on Wednesday, Dec. 12.
Artist Arrington Matthews’ sculpture exemplifies the theme “Industry of the Upstate” by portraying the ever-changing face of industry – from where we began to where we are heading. Matthews has been a metalsmith with John Boyd Smith Metal Studios since 2012, where he designs, creates, and finishes architectural commissions. Skilled in design, welding, forging, and metal fabrication, his work is represented in Florida, Maryland, California, Hilton Head, Savannah, and now Mauldin.
Matthews is also a firefighter with the Mauldin Fire Department. Being an employee of the city, he is intimately aware of the growth Mauldin has seen recently and chose to focus his piece on the city’s industry.
The focal point of The Groundbreaking is a six-foot-tall shovel rooted in a chunk of actual railroad track and painted with a skyline graphic. The overall effect is a representation of the changing face of Mauldin from a railroad-rooted city to one that has expanded to include a variety of industries. Large metal gears round out the piece, indicating the combination of Mauldin’s current businesses and tourism efforts working to create a forward-moving city.
The Mauldin Public Art Trail was established in December 2014 as a way to beautify the community with artworks created by South Carolina artists. This year’s sculpture will join three others outside of the Mauldin Cultural Center — 2015’s The Depot, 2016’s Palmetto with Flowers, and 2017’s We Are All One.
To learn more about the installations along the Public Art Trail or how you can submit an application, please visit MauldinCulturalCenter.org/public-art-trail.
About the City of Mauldin
The city of Mauldin is located in the Upstate of South Carolina and in the heart of Greenville County. It is the 17th largest city in South Carolina out of 270 municipalities and one of the fastest growing cities in the state. Mauldin was first charted in 1820 and has grown to a population of more than 25,000. More information about the city of Mauldin can be found online at CityOfMauldin.org
Greenville (S.C.) aims to be the next Portland (Ore.)
Thriving cultural scene rejuvenates Greenville
Everybody who's been there in the last 10 years knows that, but the rest of the U.S. is catching on. None other than the Wall Street Journal checked in last week with a glowing report on Greenville. The city that shares a name with so many others across the nation is aiming to become the East Coast's Portland ... a city that shares its name with so many others across the nation.
The WSJ's conclusion is that artists, arts, and culture are the driving factors of the Greenville boom. (Again, you
From the story:
All of these artists—and hundreds of others—have chosen to live in Greenville, S.C., a Southern city of about 68,000 people that once called itself the Textile Capital of the World. Today, the vibrant arts scene is revitalizing the city itself, attracting other artists, young professionals and families wanting a fun, affordable place to live.
“We came looking for artists,” says Mr. Ambler, who is 47. He and his wife wanted to live somewhere warm, but California was too expensive and they didn’t think Florida was a good fit for his artwork. When a teaching job opened, they moved in 2000 to Seneca, S.C., about 30 miles west of Greenville, and bought a 1,800-square-foot studio for $88,000, selling it seven years later for $210,000.
Go here to read the full story.
(Subscription not required.)
Chicora Voices looking for executive director
Application deadline: Wednesday, Oct. 24, 2018
Chicora Voices in Greenville is seeking a part-time executive director to manage operations and strategic execution.
He/she is responsible for overseeing fundraising efforts, community outreach, marketing, and organizational administration. This role reports to the board of directors. Chicora Voices Executive Director is responsible for several core functions:
- Financial performance and fundraising
- Organizational operations
- Community outreach and marketing
- Board of directors responsibilities
Requirements include a bachelor’s degree; knowledge of fundraising strategies, specific to non-profit and arts
organizations; ability to work independently, as well as engage volunteer and donor groups; strong written communication, oral communication, and presentation skills.
Please click here to learn more and find out how to apply.
Not familiar with Chicora Voices?
Chicora Voices is a recognized 501(c)(3) non-profit organization that provides six single-gender choirs for boys, girls, young women and young men of Upstate South Carolina and Western North Carolina. The choirs perform independently and together as an ensemble.
The mission of Chicora Voices is to provide a premier choral experience for young people of Greenville and the surrounding communities. These are our goals as we work to accomplish our mission:
- To provide high quality musical training in the choral setting that promotes music literacy and healthy singing habits.
- To achieve artistic excellence in musical performances.
- To develop self-discipline in an environment promoting mutual respect.
- To promote a lifelong appreciation and enjoyment of choral music.
- To provide need-based scholarships to deserving students.
Wheel Sessions: Greenville’s Underground Jazz Series
“Wheel Sessions” is a jazz performance series in Greenville with performances for an intimate listening audience on the 2nd and 4th Thursday of each month. The concerts begin at 7:30 p.m.
The first 41 Wheel Sessions were held at their namesake venue, the Wheel, a shared arts space in West Greenville’s Arts District. Wheel Sessions host and resident drummer Kevin Korschgen transformed that location, filled with funky comfortable furniture, into a “groovy” underground jazz club not unlike one you might find in New York City’s Greenwich Village. Set as theater in the round, that intimate space played an important role in establishing a unique Wheel Session brand.
However, the true success of the sessions is in the music! Sadly, the Wheel no longer exists – but the sessions continue to thrive. The Wheel Sessions enjoy an enthusiastic and supportive fan base. Whether billed as a House Party, held in a local club, or in its soon to be home, the Greenville Unitarian Universalist Fellowship (GUUF), the Wheel Sessions are a must see and hear event.
Mr. Korschgen consistently books many of the Carolina’s finest jazz musicians for the sessions, extending them complete artistic license to perform as if they where in Village. Until you have attended a Wheel Session it is hard to imagine such creative jazz brewing in the Upstate.
For information on upcoming shows, visit wheelsessions.com.
Wheel Session 48
Thursday, July 26, 2018
Justin Ray Quartet
7:30-9:30 p.m. … doors open at 7 p.m.
Greenville Unitarian Universalist Fellowship
1135 State Park Rd., Greenville, SC 29609
Admission $15 (Cash only)
To reserve a seat, phone or text 312.520.2760 or email Kevin at email@example.com
Header photo by Chevanon Photography from Pexels
South Arts awards $27,000 among seven S.C. arts groups
South Arts, a nonprofit regional arts organization, has awarded 68 grants totaling $276,949 to arts organization throughout the South.
These funds, made possible through partnership with the National Endowment for the Arts, support the presentation of touring performing and literary artists in public performances and readings along with educational activities throughout Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee.
“These funds represent a major step for our organization in pursuit of our newly revised mission statement and strategic plan,” said executive director Susie Surkamer (former executive director of the S.C. Arts Commission. - Ed.) “We have refocused our grantmaking guidelines to primarily support Southern artists on tour throughout our communities. The talent and artistry created within our nine states is immense, and deserves to be shared.”
Organizations applied for consideration, making cases for the artistic merit of the proposed artists and the ability to develop audiences. An external panel of arts professionals reviewed each application for funding consideration. The grants must be matched at least dollar for dollar by the recipient organization.
These grants represent multiple initiatives by South Arts. Performing Arts Touring grants support engagements of guest Southern artists (theatre, music, opera, musical theatre, and dance) from outside of the presenter’s state. Literary Arts Touring grants support engagements of guest Southern writers (fiction, creative nonfiction, and poetry) from outside the presenter’s state. Launchpad grants are part of a year-long professional development program for presenters new to the field, and include the opportunity to present artists from an adjudicated roster. Dance Touring Initiative funds are part of an ongoing capacity-building program developing audiences for modern dance and contemporary ballet throughout the region.
“We are so proud to support tours of diverse, talented artists representing the breadth of our region,” continued Surkamer. “Some of the highlights this year include Ranky Tanky
, based in coastal South Carolina, blending their Gullah heritage with influences of jazz and funk. Rosie Herrera Dance Theater of Miami is one of the nation’s leading contemporary ballet companies, effortlessly working across genres including hip hop, dance theater, and cabaret. Poet Jericho Brown, an associate professor Emory University in Atlanta, is a leading voice with verses exploring race, masculinity, and community.”
Applications for South Arts touring grants for nonprofit and governmental organizations in the nine-state region open in the fall each year with deadlines in March and May. Additional information and a full listing of grant recipients is available at www.southarts.org
About South Arts
South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org
South Carolina's recipients
- City of Charleston Office of Cultural Affairs (Charleston) received a $5,800 grant as part of the Dance Touring Initiative.
- City of Charleston Office of Cultural Affairs (Charleston) received a $2,354 Literary Arts Touring grant to present P. Scott Cunningham in October 2018.
- Midlands Technical College (Columbia) received a $5,800 grant as part of the Dance Touring Initiative.
- Southern Guitar Festival and Competition (Columbia) received a $878 Performing Arts Touring grant to present Jay Kacherski in June 2019.
- Coker College (Hartsville) received a $5,800 grant as part of the Dance Touring Initiative.
- Arts Center of Coastal Carolina (Hilton Head) received a $5,569 Performing Arts Touring grant to present Ballet Memphis in January 2019.
- Wits End Poetry (Greenville) received a $890 Literary Arts Touring grant to present Asia Samson & Daryl Funn in September 2018.
Artisphere continues arts festival season in S.C.
Arts festival season has hit full-stride in South Carolina.
This weekend, it's Greenville and Artisphere in the spotlight with the return of the signature Upstate event, which draws artists, art lovers, and tourists from all over the Southeast. The fun began about an hour ago and runs through Sunday:
*ARTISPHERE AFTER HOURS CONCERTS: the WYFF-4 Main Stage features musical performances from 8-9:45 p.m.
- Friday, May 11: 12-8 p.m.*
- Saturday, May 12: 10 a.m. to 8 p.m.*
- Sunday, May 13: 11 a.m. to 6 p.m.
There are a host of exhibits, performances (dance and music), and vendors (craft, food, etc.) to take in as you wind your way
through downtown Greenville.
Artisphere is presented by TD Bank, and receives support from the South Carolina Arts Commission.
SCGSAH creative writing student gets prestigious honor
Aidan Forster was already having an amazing-beyond-belief senior year.
[caption id="attachment_35108" align="alignright" width="200"] Aidan Forster[/caption]
A National Merit Finalist, he received college acceptances from Yale, Stanford, Columbia, Penn, and Cal-Berkeley, among others. (He chose Brown University, and will enroll in the fall.)
But then the U.S. Department of Education came calling and gave the creative writing senior from Taylors studying at the S.C. Governor's School for the Arts and Humanities (SCGSAH) further plaudits to his credit by naming him a U.S Presidential Scholar in the Arts, one of only 20 in the nation. Aidan was nominated by the National YoungArts Foundation and will represent our state as the only arts scholar selected from South Carolina.
"Aidan is a rare combination of talent and fearlessness and intellect. With his writing, he is unafraid to push himself into unexplored areas, places that aren’t necessarily in his comfort zone. I’m not sure we’ve ever had a writer who worked as hard to get the most out of his talents ... I can’t wait to see what he accomplishes in the years ahead," Creative Writing Department Chair Scott Gould said.
Aidan will be the 8th U.S. Presidential Scholars in the Arts from the Governor's School's Creative Writing Department. In addition, he:
- was the inaugural recipient of the 2018 YoungArts Lin Arison Excellence in Writing Award, which provides a $50,000 scholarship,
- is a 2018 YoungArts Finalist, one of 19 selected nationally for Creative Writing, and attended YoungArts Week in Miami in January,
- received two Gold Medals, one silver medal, and a Silver Medal with Distinction for his writing portfolio in the 2018 National Scholastic Art & Writing Awards competition,
- was included in the 2017 Best New Poets annual anthology of 50 poems from emerging writers, published by the University of Virginia,
- and his poetry chapbook, Exit Pastoral, was selected to be published by YesYes Books as a winner in the Vinyl 45's Chapbook Contest. He is the youngest author to be chosen.
State to honor five with 2018 Folk Heritage Awards
FOR IMMEDIATE RELEASE
19 March 2018
COLUMBIA, S.C. – Five South Carolina recipients are to be honored by the General Assembly with the Jean Laney Harris Folk Heritage Award, presented annually to recognize work that keeps the state’s traditional art forms alive.
- Four artists and one advocate selected
- Program managed jointly by McKissick Museum at USC and South Carolina Arts Commission
- Awards to be presented May 2 at South Carolina Arts Awards Day
The following five recipients – four artists and one advocate – are being recognized as practitioners and advocates of traditional arts significant to communities throughout the state. Their traditions embody folklife’s dynamic, multigenerational nature, and its fusion of artistic and utilitarian ideals. The 2018 recipients are:
- The Blackville Community Choir (Blackville): A Capella Spiritual and Gospel Singing
- Michael King (Greenville): Piedmont blues
- Henrietta Snype (Mount Pleasant): Sweetgrass basketry
- Deacon James Garfield Smalls (St. Helena Island): Traditional spirituals
- Dr. Stephen Criswell (Lancaster): Folklife & Traditional Arts Advocacy
“The work of proliferating our state’s unique cultural heritage is an important one in an age of constant change,” South Carolina Arts Commission Executive Director Ken May
said. “The intrinsic value of these treasured art forms is the story each tells of where and who we’ve been, and are, as a culture. We should all be grateful for the work these award recipients do on our behalf.”
[caption id="attachment_2612" align="alignright" width="150"]
Jean Laney Harris[/caption]
The Jean Laney Harris Folk Heritage Award
is named for the late State Rep. Jean Laney Harris of Cheraw, respected as an outspoken advocate and ardent supporter of the arts and cultural resources of the state. Up to four artists or organizations and one advocate may receive awards each year. The program is managed jointly by the South Carolina Arts Commission and McKissick Museum at USC. Community members make nominations to recognize exemplary artistic achievement/advocacy. An independent advisory panel appointed by the lieutenant governor and house speaker selects the recipients, who must be living and practicing in the state.
The Jean Laney Harris Folk Heritage and Elizabeth O’Neill Verner Governor’s awards, sponsored by Colonial Life
, are presented at South Carolina Arts Awards Day on Wednesday, May 2 in a morning ceremony at the State House. The S.C. Arts Foundation will honor the recipients afterward during a fundraising luncheon at the USC Alumni Center (900 Senate St., Columbia). South Carolina artists’ work will be on sale to support the programs of the S.C. Arts Commission. Luncheon tickets are $50 per person and available for purchase through SouthCarolinaArts.com
or by calling 803.734.8696.
For more information about the Folk Heritage Awards, visit the McKissick Museum website at
or the S.C. Arts Commission website, SouthCarolinaArts.com
ABOUT THE FOLK HERITAGE AWARD RECIPIENTS
- Blackville Community Choir (Artist Category) was formed in 1965 as the Macedonia Tabernacle Choir. In 1976, the choir changed its name to The Blackville Community Choir. The group expanded to include members from different congregations and continued to sing at churches, festivals, funerals, weddings, banquets, public schools, and college graduations. Choir members have been advocates for the arts, organizing an annual program featuring visual and performing artists, collectors, crafters, entrepreneurs, culinary artists, and storytellers.
- J. Michael King (Artist Category) is a composer, writer, teacher, and accomplished Piedmont blues musician with an insatiable love of traditional South Carolina music. The Piedmont blues, a unique regional distillation of the blues, blossomed in Georgia, the Carolinas, and Virginia near the beginning of the 20th century. Influenced by ragtime music and early banjo techniques, Piedmont blues involves a light, finger-picking style and steady rhythms. A popular instructor, King teaches the Piedmont blues throughout the region. For over 30 years, he has mentored musicians of all ages in and around upstate South Carolina.
- Even at 98, Deacon James Garfield Smalls (Artist Category) sings songs dating back to the mid-19th century and stands as one the most important active Gullah singers and cultural ambassadors. Smalls received musical training from B.H. Washington, a member of the St. Helena Quartet and music director at St. Joseph Baptist Church. Smalls sang in Washington’s renowned community choir The Hundred Voices, and later led the ensemble. He also served for many years as director of the senior choir at St. Joseph Baptist Church. Beyond his early musical career, Smalls served in the Pacific with the U.S. Navy’s Seabees during World War II. Over the past three decades, Deacon Smalls has led the singing at Penn Center Community Sings, various island churches, and music festivals.
- Henrietta Snype (Artist Category) is a Mount Pleasant native and third generation sweetgrass basket maker. Snype’s work has been featured at venues in the Lowcountry and in museums throughout the U.S., including the Smithsonian Institution's National Museum of African Art. Schools, museum shops, business owners, and private art collectors have commissioned works from her. She conducts workshops for public and private schools throughout Charleston, Berkeley, and Dorchester counties and does countless demonstrations for all ages.
- Dr. Stephen Criswell (Advocacy Category) has worked in folklore and anthropology for more than 20 years. His most prominent contribution is his advocacy work for Native American culture, focusing on Catawba potters and contemporary expressive traditions. In 2005, the University of South Carolina Lancaster hired Criswell and challenged him to build and direct its Native American Studies program. After 13 years, the Native American Studies Center (NASC) houses the largest fully intact collection of Catawba pottery in existence and an extensive archival collection. Its new facility has welcomed 30,000 visitors from all over the world since 2012, raising awareness of the history, culture and traditions of Native people of the South.
ABOUT THE FOLKLIFE AND TRADITIONAL ARTS PROGRAM
The Folklife and Traditional Arts Program is designed to encourage, promote, conserve and honor the diverse community-based art forms that make South Carolina distinct. The major initiatives of the program serve both established and emerging cultural groups that call South Carolina home.
ABOUT MCKISSICK MUSEUM
The University of South Carolina’s McKissick Museum
tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30 a.m. – 5 p.m. Monday through Friday, 11 a.m. – 3 p.m. Saturdays. The Museum is closed Sundays and university holidays. For more information, please call at 803.777.7251 or visit http://www.sc.edu/study/colleges_schools/artsandsciences/mckissick_museum/
ABOUT THE SOUTH CAROLINA ARTS COMMISSION
The South Carolina Arts Commission is the state agency charged with creating a thriving arts environment that benefits all South Carolinians, regardless of their location or circumstances.
Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing services, grants, and leadership initiatives in three areas:
- arts education,
- community arts development,
- and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com
or call 803.734.8696.