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New faces hired at The Gibbes Museum of Art

Storied museum welcomes four

   
Katie Borges Special Events Manager Katie Borges coordinates the rentals at the Gibbes Museum of Art. Whatever the event, she will work with the clients, planners, and vendors, from the initial walk-through to the event itself, making sure that everything goes smoothly. Katie was born and raised in St. Louis, Missouri, and moved to Charleston to attend the College of Charleston, where she studied art history. After graduating, she moved to New York where she worked in public relations for a lifestyle firm. She has since moved back home to Charleston and combined her love for both art and events in her current role. Erin Nathanson Contemporary Initiatives and Visitor Engagement Consultant Erin Nathanson has expertise in the art of curating and the direction of special projects. With more than a decade of experience, Erin’s projects have actualized many artists’ work in the world and captured international media attention including Artforum, Hyperallergic, The Wall Street Journal, Playboy, American Photo Mag, Artsy, Artnet News and more. She graduated from the College of Charleston with a bachelor's in arts management in 2007, coordinated the City Gallery at Waterfront Park for five years, created the foundation for ArtFields in Lake City, South Carolina, and in 2015 founded The Southern, a contemporary art gallery dealing in recent works by artists connected to the American South. Erin’s role with the Gibbes Museum of Art will focus on contemporary initiatives and visitor engagement that support artists in the Southeastern region to include the 1858 Prize for Contemporary Southern Art, the visiting artist program, and product development for the museum store. Tommy Sanders Membership and Development Coordinator Tommy Sanders specializes in member relations and non-profit fundraising. He is a Charleston native and graduated from the College of Charleston in 2018 with a bachelor's in English. Prior to coming on board with the Gibbes Museum of Art, Tommy worked as a news clerk for the Post and Courier. Chase Quinn Program and Tour Coordinator A 2019 South Carolina Press Association award recipient, Chase Quinn is a writer, editor, public relations consultant and nonprofit program coordinator. Quinn will develop and support museum education, events and visitor enhancement initiatives. Before relocating to Charleston in 2016, Chase lived in New York City and worked as culture and programs associate at The Center for Constitutional Rights (CCR). He is originally from Wilmington, Delaware and studied at Boston University. His writing portfolio includes contributions to top literary and culture publications including Bon Appetit, Vanity Fair, HUFFPOST, Artforum, The Guardian US and Guernica.
The Gibbes Museum of Art received the Elizabeth O'Neill Verner Governor's Award for the Arts in the organization category in May 2019.

2019’s 1858 Prize finalists announced by Gibbes Museum of Art

Winner to be announced later this month

Finalists include one #SCartists

1858 Prize logo
The Gibbes Museum of Art is pleased to announce the finalists for the annual 1858 Prize for Contemporary Southern Art. The 2019 finalists are Damian Stamer, Donte’ K. HayesStephanie Patton, Martha Clippinger, Michi Meko and South Carolina's Herb Parker, an installation artist. One of these artists, whose work demonstrates the highest level of artistic achievement, while contributing to a new understanding of art in the South, will be presented a $10,000 cash prize and have one selected artwork exhibited in the contemporary and modern galleries for the duration of 2020. “This year we were forced to choose six finalists due to the outstanding caliber of candidates we received,” said Angela Mack, executive director at the Gibbes Museum of Art. “Each of these finalists embodies an artist on the forefront of southern contemporary art. The 1858 prize embodies everything that the Gibbes stands for, and this years’ nominees truly impressed us.” This year, more than 200 artists across the Southeast submitted applications. The winner will be announced by the end of November and celebrated at the Amy P. Coy Forum and Prize Party hosted by Society 1858 at the Gibbes on Feb. 6-7, 2020 in Charleston. The forum will bring together artists and experts for a conversation about the impact of contemporary art in the South followed by a reception celebrating the 2019 winner.

2019 Finalists

Damian Stamer Damian Stamer (b. 1982) is a North Carolina based painter. In an ongoing series, the artist captures old barns, however picturesque and quaint, that stand as remnants of American industries founded upon slavery and exploitation. Time is visible here. Quiet moments approach the sublime when afternoon light rakes the grain of a fallen beam, or cloud-like stuffing erupts from a rotten chair. Violent and tender, this beauty hinges on the delicate nature of existence. These remnants are, like us, soaked with impermanence. We cannot escape a similar fate. Damian Stamer has exhibited extensively in the Southeastern United States as well as internationally in Tokyo, Japan and Budapest, Hungary. His work is in the permanent collection of The Mint Museum and the North Carolina Museum of Art. He is represented by SOCO Gallery in Charlotte, North Carolina and Bridgette Mayer Gallery in Philadelphia, Pennsylvania. Donte’ K. Hayes Donte’ K. Hayes is a Georgia based ceramicist. Through the influence of hip-hop, history, and science fiction, the artist’s artwork explores themes in Afrofuturism, a projected vision of an imagined future which critiques the historical and cultural events of the African Diaspora and the distinct black experience of the Middle Passage. While also delving into deeper social issues which broaden the conversation between all of humanity. From these ideas, his art practice is based on research and references the visual traditions from the American South, the Caribbean, and the African continent. Hayes works in clay as a historical and creative base material to inform memories of the past. Ceramics becomes a bridge to conceptually integrate disparate objects and or images for the purpose of creating new understandings and connections with the material, history, and social-political issues. These ceramic objects are vessels, each making symbolic allusions to the black body. Donte’ K. Hayes has exhibited extensively across the Southern United States as well as internationally in London, England. He is the recent recipient of full tuition residencies at the Watershed Center for the Ceramic Arts in Newcastle, Maine and Haystack Mountain School of Crafts in Deer Isle, Maine. His artwork is in the permanent collection of the Zuckerman Museum of Art, Kennesaw State University, Kennesaw, Georgia and Spruill Arts Center, Atlanta, Georgia. Hayes is a 2020 Forthcoming Master of Fine Arts (M.F.A.) Degree Candidate, School of Art and Art History, The University of Iowa, Iowa City, Iowa. Herb Parker Herb Parker (b. 1953) is a South Carolina based installation artist. His nature-based installations, which began in the mid-seventies, are created to enhance a viewer’s perception of the environment and our relationship with nature. These environmental installations evolved from the artist’s thoughts on the mechanism of natural systems in time. This series serves as an ephemeral memento to the resilience of nature and an affirmation of the continuum of systems within the natural order.  Parker’s nature-based installations speak in a hybrid language from three distinct realms: architecture, sculpture and landscape.  His thoughts revolve around time, movement, history, culture, community, dialogue, spirituality, entropy and regeneration. The architectural situations created have recurring motifs that include; sanctuary, labyrinth, the golden ratio, and a place for dialogue. Herb Parker hopes to achieve a synthesis of systems from the natural world in the service of architectonic ideals. Herb Parker is a professor of art at the College of Charleston since 1991. He was awarded the South Arts South Carolina Fellowship, South Arts, Atlanta, Georgia in 2017. Parker’s nature-based installations have taken him all over the world, most recently to create “Sami Dialogue,” Landart in Alingsas, Nolhaga Park in Alingsas, Sweden and to participate in the 8th Geumgang Nature Art Biennale, Mt. Yeonmi, in Gongju, Korea. Martha Clippinger Martha Clippinger (b. 1983) is a North Carolina based multi-media artist. Clippinger’s work blurs the lines between painting and sculpture, fine art and folk, craft and design. The artist intuitively explores color, geometry, and texture while constructing dimensional paintings from scraps of wood and sewing quilts from reclaimed fabrics. Clippinger embraces the inherent imperfections of found materials and integrates them into the off-kilter geometries and irregular symmetries of their designs. A curiosity to learn about different materials engages the artist in a variety of processes. Clippinger’s developed a visual vocabulary of colors, shapes, and which forms across a range of media that includes not only wooden constructions and quilts, but also woolen weavings and ceramics. The painted constructions, while modest in scale, occupy a space beyond their physical dimensions, and the large, woolen tapestries shift from wall to floor and back again.  Clippinger uses these objects to play with architecture and draw attention to the relationship between the artwork and its surrounding. Martha Clippinger most recently exhibited with Elizabeth Harris Gallery in NYC, Philadelphia’s Magic Gardens in Philadelphia, PA, and Hodges Taylor in Charlotte, NC. Her practice and work was featured in Burnaway’s September editorial “Take Five: Textiles.” She has instructed at Duke University, NC and Penland School of Craft, NC. Michi Meko Michi Meko is a Georgia based multi-media artist. In the summer of 2015, they almost drowned. Inviting this life changing event’s influence into the artist’s studio practice, Meko’s recent paintings and sculptures focus on the African American experience of navigating public spaces while remaining buoyant within them. Meko’s work contributes to an important conversation, reflecting upon the African American experience in public spaces. Now more visible and open with the evidence and sharing offered by social media. This barrage of images simulates the experience of drowning under the heavy weight of ten thousand pounds of pressure while being held to the ocean’s floor. Michi Meko’s work uses a visual language of naval flags and nautical wayfinding, combined with romanticized objects of the American South as a means to communicate the psychological and the physical. These references signal the warning of a threat or the possibility of safe passage. Working beyond the physical image of the body, objects of buoyancy and navigation become metaphors for survival. Michi Meko’s most recent selected solo exhibitions include Chimento Contemporary in Los Angeles, CA and the Alan Avery Art Company in Atlanta, GA. In 2017, Meko was awarded the Joan Mitchell Painters and Sculptors Grant. His work lives in the permanent collection of the High Museum of Art, GA among many private collections. Stephanie Patton Stephanie Patton (b. 1969) is a Louisiana based multi-media artist. Humor plays an important role in the artist’s work. Often using it as a device to bring attention to critical issues including an exploration of mental and physical health, themes of healing, comfort and self-preservation. As a child of a parent afflicted with mental illness, Patton can speak of the misunderstood nature of this disease and the taboos associated with it. Through this experience, Patton gravitates towards materials and processes that best addresses their conceptual concerns and often allude to various emotional states. Mattress quilting can suggest ideas related to birth, death, intimacy, relationships, illness and rest. Patton also uses vinyl in sculptural relief work for its physical properties as well as for its inherent references to mental and physical health and protection. Patton’s work often addresses psychological themes while exploring the relationship between humor and personal therapies. Stephanie Patton was recently selected as South Arts 2019 Southern Prize and State Fellows. Patton’s work exhibited at Art Miami, Miami, FL with Arthur Roger Gallery and the New Orleans Museum of Art, LA. This year, Patton was the Artist-in-Residence for the Joan Mitchell Center in New Orleans, LA, June – July. Stephanie Patton’s work lives in private and public permanent collections including the New Orleans Museum of Art, LA, and the Frederick R. Weisman Foundation, Los Angeles, CA. The 2019 panelists included 2018 Prize Winner Dr. Leo Twiggs, Society 1858 representatives Emily Broome and Jay Benson, Artist/Curator Alex Paik, Birmingham Museum of Art Curator Hallie Ringle and Spelman Museum of Fine Art Curator Anne Collins Smith. For more information, visit www.1858prize.org.

About Society 1858

The 1858 Prize for Contemporary Southern Art is presented by Society 1858, a member auxiliary group of the Gibbes Museum of Art. This group of dynamic young professionals supports the Gibbes Museum with social and educational programs tailored for up-and-coming art patrons. To learn more about membership in Society 1858, please visit www.gibbesmuseum.org.

About the Gibbes Museum of Art

Home to the Carolina Art Association, established in 1858, the Gibbes Museum of Art is recognized among the oldest arts organizations in the United States. Housing one of the foremost collections of American Art from the 18th century to the present, the museum’s mission is to enhance lives through art by engaging people of every background and experience with art and artists of enduring quality and by providing opportunities to learn, to discover, to enjoy and to be inspired by the creative process. For more information, visit www.gibbesmuseum.org.

Tuning Up: A new day at SCAC + Florence 3 arts grant

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


You're forgiven if you thought this feature was lost to the sands of time. It doesn't look like we've had a "Tuning Up" since June. Time to fix that!
  • IT'S A NEW DAY. Last week brought the news that the S.C. Arts Commission wants to serve constituents now based on what you need rather than by where you're located. Today's the day the new system is in effect. Callers to the agency will get a new menu of options, and visitors to our website can solicit staff assistance in a new way too.
  • FLORENCE 3 GETS GRANTS FOR ARTS PROJECT. "The Distinguished Art Program grant is for the project 'Innovate – Creative and Critical Thinking through the Arts.' More than 3,000 students and 238 teachers will benefit from this grant program." Go here for the full story on SCNow.com. The grant comes from the S.C. Dept. of Education.
  • KEEP TURNING, DORIAN. At this writing, Hurricane Dorian's track appears to be continuing its ever-so-gradual shift eastward and away from the S.C. coast. You don't need The Hub to tell you that's good news, but we can tell you word's come in that 2019 Verner Award recipients the Gibbes Museum of Art plus College of Charleston's Halsey Institute of Contemporary Art—among many others—are closed as the storm makes its way along the coast. The closings are in response to mandatory coastal evacuations. Be safe out there, and definitely be ArtsReady: visit SouthCarolinaArts.com for resources to help you do just that.
 

Submitted material

Submissions open for $10,000 1858 Prize

Prize honors contemporary Southern art

Submissions open Aug. 1 through Oct. 1, 2019
The Gibbes Museum of Art is pleased to announce the 2019 1858 Prize for Contemporary Southern Art. Each year, the 1858 Prize is presented by Society 1858, a member auxiliary group of the Gibbes Museum of Art comprised of young professionals. The $10,000 cash prize is awarded to one artist whose work demonstrates the highest level of artistic achievement in any media, while contributing to a new understanding of art in the South. Past winners include Leo Twiggs (2018), Bo Bartlett (2017), Alicia Henry (2016), Deborah Luster (2015), Sonya Clark (2014), John Westmark (2012), Patrick Dougherty (2011), and Radcliffe Bailey (2010). Submissions for 2019 will be accepted online at www.1858prize.org from Aug. 1-Oct. 1, 2019. "For more than 10 years, Society 1858 has celebrated a diverse number of southern artists through the 1858 Prize for Contemporary Southern Art,” says Molly Waring, President of Society 1858. “This year, we are pleased to announce the call for submissions to help further our mission of supporting contemporary artists from the south whose works present a new understanding of art in the region." Artists from Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, and Virginia are eligible to apply. All submissions are thoughtfully reviewed by a panel of visual arts professionals, Society 1858 representatives, and Gibbes Museum of Art staff members. Artists must submit:
  • completed registration form
  • brief artist statement (150 words or less)
  • résumé or CV
  • portfolio of work (up to 10 images) including title, date, medium, and dimensions for each work
  • $25 non-refundable entry fee
  • submit at www.1858prize.org
For general questions about the 1858 Prize, please contact the Gibbes Museum of Art at 1858prize@gibbesmuseum.org For technical support while submitting your application, please contact SlideRoom at support@slideroom.com Finalists will be announced in October and the winner will be announced in fall 2019 on the 1858 Prize website and via press release. The winner will be celebrated at the Amy P. Coy Forum and Prize Party hosted by Society 1858 at the Gibbes on February 6 & 7, 2020 in Charleston.

All you need to know about S.C. Arts Awards Day

14 recipients to be honored May 1

  • Elizabeth O’Neill Verner Governor’s Award for the Arts, Jean Laney Harris Folk Heritage Award presented at ceremony
  • S.C. Arts Awards Luncheon & Art Sale to follow

COLUMBIA, S.C. – Two awards honoring high arts achievement in South Carolina will be presented to 14 recipients Wednesday, May 1, 2019 during South Carolina Arts Awards festivities at the UofSC Alumni Center in Columbia. The South Carolina Arts Awards, sponsored by Colonial Life, are a joint presentation of the South Carolina Arts Commission, South Carolina Arts Foundation, and McKissick Museum at the University of South Carolina to award the Elizabeth O’Neill Verner Governor’s Awards for the Arts and Jean Laney Harris Folk Heritage Awards.

Awards Ceremony

Both awards will be presented at the awards ceremony at the UofSC Alumni Center (900 Senate St., Columbia), which begins with a reception from 10-10:45 a.m. The official ceremony begins at 11 a.m. S.C. Arts Commission Board Chairman Henry Horowitz and Executive Director Ken May will be joined by South Carolina First Lady Peggy McMaster to present the awards to each recipient. Nine recipients from their respective categories are being recognized with Elizabeth O’Neill Verner Governor’s Awards for the Arts for outstanding achievement and contributions to the arts in South Carolina:
  • ARTIST: Tyrone Geter, Elgin
  • INDIVIDUAL: Kathleen Bateson, Hilton Head Island
  • ARTS IN EDUCATION (Individual): Simeon A. Warren, Charleston
  • ARTS IN EDUCATION (Organization): South Carolina African American Heritage Commission, Hartsville
  • BUSINESS: Hampton III Gallery, Taylors
  • GOVERNMENT: Florence County Museum, Florence
  • ORGANIZATION: The Gibbes Museum of Art, Charleston
  • ORGANIZATION (Special Award): Town Theatre, Columbia
  • LIFETIME ACHIEVEMENT: Cecil Williams, Orangeburg
Four artists and one advocate are being recognized with the Jean Laney Harris Folk Heritage Award as practitioners and advocates of traditional arts significant to communities throughout the state. Their traditions embody folklife’s dynamic, multigenerational nature, and its fusion of artistic and utilitarian ideals. They are:
  • John Andrew “Andy” Brooks (Liberty): Old-Time Music
  • Dorothy Brown Glover (Lincolnville): Quilting
  • Julian A. Prosser (Columbia): Bluegrass Music
  • The Voices of Gullah Singers (St. Helena Island): Gullah Singing
  • Dale Rosengarten, Ph.D. (McClellanville): Advocacy, African-American Lowcountry Basketry & Southern Jewish Heritage
McKissick Museum will celebrate this year’s Folk Heritage Award recipients at a mixer Tuesday, April 30 from 6-8 p.m., at the Blue Moon Ballroom (554 Meeting St, West Columbia). Admission is free for McKissick members or $5 for non-members. RSVP’s can be made, or tickets purchased, by going here. For more information, or to RSVP or purchase a ticket over the phone, call 803.777.2876.

S.C. Arts Awards Luncheon & Art Sale

The S.C. Arts Foundation will honor the recipients afterward during a fundraising luncheon at the UofSC Alumni Center (900 Senate St., Columbia). Works by South Carolina will be on sale from 11 a.m. to noon, with proceeds supporting S.C. Arts Commission programs. The luncheon program is expected to run from 12:30 to 2 p.m.
  • Unique ikebana flower arrangements, in partnership with Ikebana International Chapter #182 of Columbia, will serve as table centerpieces. Each arrangement, available for sale, will be presented in an included, original vase crafted by a South Carolina artisan.
  • Art experiences will also be sold.
  • The keynote speaker will be S.C. Arts Commission Executive Director Ken May, retiring at the end of June 2019 after 33 years at the agency and the past nine as its leader, giving a “State of the Arts” message.
  • Luncheon tickets are $50 per person and available for purchase through SouthCarolinaArts.com or by calling 803.734.8696.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing services, grants, and leadership initiatives in three areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

S.C. Arts Awards: The Gibbes Museum of Art

2019 Recipient Feature Series

As the day nears for the 2019 South Carolina Arts Awards, The Hub is taking 15 days to focus on this year's recipients: nine receiving the Elizabeth O'Neill Verner Governor's Awards for the Arts and five receiving the Jean Laney Harris Folk Heritage Award, which are managed jointly by the South Carolina Arts Commission and McKissick Museum at UofSC. In between the two groups, we'll run a special feature on S.C. Arts Awards sponsor Colonial Life.

The Gibbes Museum of Art

Organization Category Since its construction in 1905, the Gibbes has been a center of creativity for the visual arts in the South. It generates scholarship, exhibitions, and programs that promote a deep understanding of the diverse Lowcountry region and provides context for its role in American and world culture. The mission of the Gibbes is to enhance lives through art by engaging people of every background and experience with art and artists of enduring quality, by collecting and preserving art that touches Charleston, and by providing opportunities to learn, discover, enjoy, and be inspired by the creative process. A 2017 Economic Impact Study has concluded that the Gibbes is a "driving force in the community" with a calculated 120 million dollar impact on the tourist economy through the 60,000 visitors it attracts and the jobs it creates. In spring 2016 the Gibbes reopened after a 17 million dollar capital project that restored and renovated its original Beaux Arts building, which is the oldest art museum facility in the South. Today visitors begin their artistic discovery through free access to the ground floor public education center with state-of-the art lecture, performance, and studio spaces that open directly into the Lenhardt Garden, where numerous private and corporate rental events take place. Nine splendid galleries greet visitors on the second and third floors where world-renowned American artists spanning 300 years of art history are showcased, including the Mary Jackson Modern and Contemporary Gallery named after the renowned American sweetgrass basket maker, whose work is permanently on display. Regularly changing special exhibitions attract audiences from around the world. The Gibbes renovation has received accolades from all sectors including the South Carolina Department of Archives and History, the Preservation Society of Charleston, and Historic Charleston Foundation. The Gibbes houses an exceptional painting and works on paper collection that spans from the Colonial period through the present, the most comprehensive collection of objects from the Charleston Renaissance period (1915-1940), and the third largest collection of miniature portraits in the country. It lends more than 50 objects per year to renowned art institutions such as the Guggenheim Museum, The Metropolitan Museum of Art, the San Francisco Museum of Modern Art, MoMA, and Art Institute of Chicago; serves as an image resource to publishing houses, businesses, and scholars; participates in the Google Art & History initiative; and offers thousands of objects from the collection for online research. Its many exhibition publications featuring original research have garnered numerous awards and have changed the way Charleston and the South are viewed in the history of American art. Dynamic year-round programming engages and supports the needs of the region’s innovators and creative community. It continually develops new, multi-dimensional education and outreach programs—more than 100 per year— to expand the museum experience while addressing the interests of an increasingly diverse audience. As part of a 10-Year Strategic Plan launched in 2018, the Gibbes has set forth goals to offer transformational exhibitions exploring the themes of social justice; innovation; health and wellness; and conservation and the environment. In addition, the creation the 1858 Prize for Contemporary Southern Art in 2008 strengthens its focus on contemporary artists by awarding $10,000 to a living artist whose work contributes to a new understanding of art in the South. Visit GibbesMuseum.org to learn more.
South Carolina Arts Awards Day is Wednesday, May 1, 2019. The festivities begin at 10 a.m. with a reception that leads up to the awards ceremony at the UofSC Alumni Center (900 Senate St., Columbia). The event is free and open to the public. Following the ceremony, the South Carolina Arts Foundation honors the recipients and the arts community at the S.C. Arts Awards Luncheon and Art Sale. Tickets are $50. Please go here for more information and reservations.

2019 Verner Award to honor nine South Carolinians

State's highest arts honor recognizes outstanding achievement and contributions

Awards to be presented May 1 at S.C. Arts Awards


COLUMBIA, S.C. – Nine South Carolinians are to be honored by the South Carolina Arts Commission with the 2019 Elizabeth O’Neill Verner Governor’s Award for the Arts—the state’s highest arts honor. The following recipients from their respective categories are being recognized for outstanding achievement and contributions to the arts in South Carolina:
  • LIFETIME ACHIEVEMENT:  Cecil Williams, Orangeburg
  • ARTIST:  Tyrone Geter, Columbia
  • INDIVIDUAL:  Kathleen (Kathi) P. Bateson, Hilton Head Island
  • ARTS IN EDUCATION: Simeon Warren, Charleston (Individual) S.C. African American Heritage Commission, Hartsville (Organization)
  • BUSINESS:  Hampton III Gallery, Taylors
  • GOVERNMENT:  Florence County Museum, Florence
  • ORGANIZATION: Gibbes Museum of Art, Charleston Columbia Stage Society (Town Theatre), Columbia (Special Award)
Print and web images of recipients available here: https://www.dropbox.com/sh/plf40ffa55oxh5g/AAAksiSWeKNQxxytp5yBM8DQa?dl=0 “It is an honor and privilege to recognize individuals and organizations who live out the service, commitment and passion that help the arts thrive in South Carolina,” S.C. Arts Commission Chairman Henry Horowitz said. “Each of the Verner Award recipients makes a tremendous contribution not just locally, but they are honored for broad impact on the state’s arts community and beyond. These are outstanding ambassadors for our state." A diverse committee, appointed by the S.C. Arts Commission Board of Directors and drawn from members of the South Carolina community at large, reviews all nominations and, after a rigorous process, makes recommendations to the board for final approval after a series of panel meetings produces a recommendation from each category. The 2019 Verner Awards will be presented with the Jean Laney Harris Folk Heritage Awards at South Carolina Arts Awards sponsored by Colonial Life on Wednesday, May 1 in a morning ceremony at the USC Alumni Center (900 Senate St., Columbia). The S.C. Arts Foundation will honor the recipients afterward during a fundraising luncheon. South Carolina artists’ work will be on sale to support the programs of the S.C. Arts Commission. Luncheon tickets are $50 per person and are to be available for purchase by mid-March. For more about the Verner Awards or the S.C. Arts Awards Luncheon, call 803.734.8696 or visit SouthCarolinaArts.com.

About the Verner Award Recipients

Cecil Williams (Lifetime Achievement), an Orangeburg native, is a professional photographer, videographer, publisher, inventor, author, and architect best known for his photographic documentation of the struggle to achieve freedom, justice, and equality during the Civil Rights struggle. By the age of 9, he had already begun his career in photography and by 15 was working professionally as a freelancer for such publications as JET and the Afro-American, and as an Associated Press stringer. The teenaged Williams documented segregated life in the Jim Crow era and the Clarendon movement that led to Briggs v. Elliott in the 1950s, countless protests and then desegregation at Clemson University and the University of South Carolina and was there for the Orangeburg Massacre in 1968. Williams, who received an art degree from Claflin University, owns Cecil Williams Photography, LLC and was recently appointed by Claflin as its historic preservationist. Williams is also recipient of the Order of the Palmetto, the state’s highest award to an individual, and Governor’s Award in the Humanities from SC Humanities. In a career that spreads across continents, Tyrone Geter (Artist Category) has built an international reputation as a world-class artist, painter, sculptor, illustrator, and teacher. Recently retired associate professor of art at Benedict College in Columbia, Geter received his Master of Fine Arts from Ohio University in 1978 with an emphasis on painting and drawing. In 1979, he relocated to Africa, living, drawing, and painting among the Fulani and local peoples of Northern Nigeria, “a lesson in the creative process that no art school would ever teach me.” Since, he has illustrated 30 children’s books, exhibited on four continents, and after relocating to South Carolina, until recently taught painting and drawing at Benedict and curated its Ponder Fine Arts Gallery. Kathleen P. Bateson (Individual Category) is president/CEO and executive producer of the Arts Center of Coastal Carolina – a past Verner Award recipient in the organization category. She is past president of the S.C. Arts Alliance board, served as chair and founding co-chair of the Arts & Cultural Council of Hilton Head; and was a founding member and is chair of the Community Foundation of the Lowcountry’s Women in Philanthropy. Bateson is founder and president of Management for the Arts, a national firm specializing in NPO organizational restructure, institutional planning, strategic positioning and new business ventures. She has served as a cultural representative on international delegations to South Africa, China and Japan, and is herself a goldsmith and professional set designer. Simeon A. Warren (Arts in Education Individual Category) is a cathedral-trained stone carver, sculptor, and conservator. He holds a degree from the Glasgow (Scotland) School of the Arts, and his career has led to stone work at or on some of England’s major cathedrals (and even Buckingham Palace). In 2001 he emigrated to Charleston, where he was a founding faculty member at what became the American College of Building Arts in 2004. He developed college-level courses for professors, delivered the college’s licenses to recruit and to teach, hired the college’s faculty, and served as dean from 2006 to 2013. Warren owns a private architectural stone practice and is developing The Stone People Project, among other public art projects. The S.C. African American Heritage Commission (Arts in Education Organization Category) identifies and promotes the preservation of historic sites, structures, buildings, and culture of the African American experience in South Carolina, and assists and enhances the efforts of the S.C. Department of Archives and History. SCAAHC is a leader in integrating the arts into education resources, publishing the “Supplement to the Teacher’s Guide Integrating Art into Classroom Instruction” in 2016 and a subsequent revision last year. Since 1970, Hampton III Gallery (Business Category) has supported professional living artists and the estates of professional artists in or from South Carolina ranging from post WWII to the present. Hampton III Gallery’s vision of supporting artists and educating the public to the rich heritage of South Carolina artists continues into 2019. South Carolina’s oldest gallery has more than 500 paintings, sculptures and original prints in inventory. Changing exhibitions, artists’ talks, and special events provide educational opportunities for all. Consultation is available for private and corporate collections. Exhibitions change every 6-8 weeks. The public is invited to all events. The Florence County Museum (FCM) (Government Category) reflects the region’s rich artistic, cultural and historic heritage. Its permanent collection currently includes eight works by celebrated 20th century African American artist and Florence native, William H. Johnson and it is home to The Wright Collection of Southern Art, a volume of over 140 works representing some of the finest in 20th century Southern art (including some by Elizabeth O’Neill Verner). The FCM provides a platform for contemporary artists as host of the Pee Dee Regional Art Competition, South Carolina’s oldest juried art competition, since 1954. Since 1905, the Gibbes Museum of Art (Organization Category) has been a center for creativity for the visual arts. It provides more than 100 educational programs and events. Nine galleries spanning 300 years of art history are showcased to 60,000 visitors a year who discover, enjoy, and are inspired by the creative process. The museum loans 50 objects a year to the major U.S. art museums. Dynamic year-round programming engages, and the Gibbes continually develops new multi-dimensional education and outreach programs that expand the museum experience while offering exhibitions that stay relevant to current topics. Celebrating its 100th season in 2018/2019, Columbia Stage Society’s Town Theatre (Organization Category Special Award) provides quality, live, family-oriented community theatre and entry-level experience for those who wish to participate on or off stage. Every performance has open auditions, with all community members being encouraged to attend. On stage, Town Theatre’s current and alumni performers have appeared on Broadway, network television and in major feature films. Off stage, ample opportunity exists for community members to get involved as costumers, as set and backstage crew, by helping in the box office, or as ushers and house managers.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing services, grants, and leadership initiatives in three areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Tuning Up: 1858 Prize and forum tomorrow + SEPF 2019 lineup

Good morning!  "Tuning Up" is a morning post series where The Hub delivers curated, quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Collaborative first steps. Tomorrow is a big night at the Gibbes Museum of Art in Charleston. Dr. Leo Twiggs is set to receive the 1858 Prize for Contemporary Southern Art. The pride of Orangeburg is the first S.C. artist (ahem, #SCartists) to receive the $10,000 prize. But you knew all that. What you might not know is that afterward is the Amy P. Coy Forum and 1858 Prize Party (6-8 p.m., 135 Meeting St., Charleston) at which representatives from ArtFields, South Arts, and the Gibbes will use the forum to discuss collaboration among the Southeast's three biggest arts prizes, which happen to be awarded by those entities. Where will it lead? We don't know, but that's why we're going. See you there? $35. SEPF announces 2019 guest artists. (And there are some, ahem, key names here.) Summertime is music festival time, and every year Columbia is a piano hotspot. The Southeastern Piano Festival is set to return June 16-23, 2019 and last week announced their guest artists. Artistic Director Joseph Rackers promises and incredible week of music. (Take it from The Hub – don't miss Alessio Bax). In addition to performances, accomplished pianists will give masterclasses and it all comes to a head with the Arthur Fraser International Piano Competition on June 21. (The teenage winner performs a concerto with the South Carolina Philharmonic.)

Submitted material

Verner Award recipient Leo Twiggs a finalist for 1858 Prize

The Gibbes Museum of Art and Society 1858 have announced the 2018 short list of finalists for the 1858 Prize for Contemporary Southern Art. The five artists selected for the short list are:

  • María Magdalena Campos-Pons,
  • Stephen Hayes,
  • Birney Imes,
  • Leo Twiggs,
  • and Susan Worsham.
The 1858 Prize, awarded annually with a cash prize of $10,000, acknowledges an artist whose work demonstrates the highest level of artistic achievement in any media, while contributing to a new understanding of art in the South. Nearly 250 artists from Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia, and West Virginia submitted applications to the 2018 competition. The finalists were selected by a distinguished panel of judges including:
  • Bo Bartlett, artist, 2017 winner of the 1858 Prize;
  • Liza Cleveland, Society 1858 board member;
  • Adam Justice, Assistant Curator of Modern & Contemporary Art, The Mint Museum;
  • Anja Kelley, Society 1858 board member;
  • Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art, Nasher Museum of Art;
  • Pam Wall, Curator of Exhibitions, Gibbes Museum of Art;
  • and Caroline Wright, Independent Curator and Co-founder of look-see.co.
The 1858 Prize winner will be announced by the Gibbes Museum in August.

Tuning Up: Writing workshops for girls + 1858 Prize + Twitter

Good morning!  "Tuning Up" is a morning post series where The Hub delivers quick-hit arts stories of interest to readers. Sometimes there will be one story, sometimes there will be several. Get in tune now, and have a masterpiece of a day. And now, in no particular order...


Writing workshops for girls.  Big opportunity here for high school girls (grades 9-12) who are serious about honing their sci-fi and fantasy and/or poetry-writing skills: Columbia College is to offer two workshops June 18-22 on its campus, one on each topic. We don't cross-post much, but take a quick peek at Arts Daily for more information. The poetry workshop will be taught by Dr. Ray McManus, who pitched in as one of the judges for the Poetry Out Loud state finals this past March. Good enough for government work. It's not mentioned in the story, but just so you know, an additional $100,000 appropriated to the S.C. Arts Commission's budget by the Senate is among the differences to be reconciled by a General Assembly conference committee next month. While the budget was not sent to Gov. McMaster by the legislators' self-imposed deadline, this story claims a government shutdown is unlikely. The Hub and SCAC, along with other dedicated state employees, are grateful. Follow us. Do you follow us on Twitter? We'd hate to think you'd miss such social media goodness as this (right). Social media, for all its ills, is also one incredible tool. We're hoping to improve our Twitter presence, while (clearly) not taking ourselves too seriously. Last call for 1858! Applications for the 1858 Prize for Contemporary Southern Art awarded by our friends at the Gibbes Museum will be accepted through May 31! The 1858 Prize awards $10,000 to an artist whose work contributes to a new understanding of art in the South. Learn more here.