Jason Rapp

Arts Education Partnership report lauds ABC Project in S.C.

AEP report 'reflects back and projects forward'


Over 25 years ago, the U.S. Department of Education and the National Endowment for the Arts partnered with the National Assembly of State Arts Agencies and Council of Chief State School Officers to create the Arts Education Partnership (AEP) to ensure that all students have equitable access to an excellent arts education.​ - AEP report


A new report from AEP takes a long look at the genesis of the partnership. While it's no surprise to those involved in the work, casual readers might be surprised to know that South Carolina and a few South Carolinians at the right place at the right time figured mightily in how everything came together on a national level. In a Part 2 of the report, former SCAC Executive Director Scott Shanklin-Peterson and Dr. Terry Peterson recount work with Dick Riley in Columbia as governor and Washington as President Clinton's education secretary to get the arts included in sweeping educational reforms in the 1980s and 1990s. The South Carolina Arts Commission (SCAC) is extremely proud of the ongoing work of the Arts in Basic Curriculum Project, a national model for integrating the arts into K-12 curriculum discussed at length in the AEP report. Together with the South Carolina Dept. of Education and the Winthrop University College of Visual and Performing Arts, the ABC Project continues serving the Palmetto State 31 years after starting and 33 years after the SCAC received a $20,000 Arts in Schools Basic Education planning grant from the National Endowment for the Arts to develop the it. Read the full report here.

Jason Rapp

‘Learning Why’ provides S.C. quality arts ed lessons

Arts in Basic Curriculum Project, SCETV partner for students


A collaboration between the Arts in Basic Curriculum Project (ABC) Project and SCETV is thrilled to highlight great teachers through the in-state television network's "LearningWhy." 

The partnership stems from a singular belief: all students in South Carolina deserve a quality arts education. Through the generosity of great teachers like Elise Helms sharing great lessons, that goal is possible. ABC Project’s mission is to provide leadership to achieve quality arts education for all students. For the past 32 years, ABC Project has worked with schools and districts across the state to invest resources in teacher professionalism to design and create standards-based, quality arts and arts-integrated lessons. As a part of this investment and mission, ABC Project has aimed to collect and publish exemplary lessons that can be shared across the state. Through the partnership with SCETV "LearningWhy," lesson plans are reviewed by content specialists within ABC's network, and then vetted by SCETV for publication. The lessons submitted are from South Carolina Arts Commission ABC Advancement grant applicants who received a top score on a submitted lesson. This year, ABC Project had one teacher who was published. Veteran music teacher Elise Helms’ music lesson, "Making Music with the Pout, Pout Fish," is the culminating lesson on how music can help tell a story. This 2nd-grade lesson asks students to contemplate the question, “how can we use instrument sounds to enhance our storytelling?” Helms’ lesson skillfully combines the use of various classroom percussion instruments along with The Pout-Pout Fish by Deborah Diesen to guide students as they explore both storytelling and instrumental music. To check out "Making Music with the Pout, Pout Fish," along with other great one-to-one lessons, you can visit www.learningwhy.org. The ABC Project is a long-standing partnership among the South Carolina Arts Commission, Winthrop University, and the South Carolina Dept. of Education.
Helms, a 33-year veteran elementary music educator who has made music education her life's work, feels passionately about the arts being a part of every child's elementary school experience and beyond. Currently, at AC Moore Elementary School in Columbia (Richland One School District), she taught at Irmo Elementary (District Five of Lexington and Richland Counties), where she was chosen Teacher of the Year in 2003. Among her many leadership contributions, she served as lead teacher for District 5 Elementary Music teachers, president of the Elementary Division of South Carolina Music Educators Association, and coach for the Curriculum Leadership Institute for the Arts. She is the co-founder of the District 5 Elementary Honor Choir which was chosen to participate in the Celebration of States in Washington for two different years. Helms earned a bachelor's of music education from Newberry College and a master's in education in administration from the UofSC.

Jason Rapp

Race in America: How art, and a St. Helena champion, open world’s eyes to S.C.’s Gullah Culture

An interview with Mary Inabinett Mack


Mary Inabinett Mack is a newly-minted recipient of the Governor's Award for the Arts and a legend in her coastal community of St. Helena Island.

Late last week, she was the subject of a story chronicling her community impact through the arts (subscription may be required to read) by David Lauderdale of the Hilton Head Island Packet. Mack was, until recently, owner of Red Piano Too Art Gallery. Her influence in Lowcountry art, in particular Gullah-centric art, is what helped her to the state's highest award for the arts. From the story:

She would get a nursing degree in New York City, raise a family there, and move back home for good in 1977. She was deputy director of the Beaufort-Jasper-Hampton Comprehensive Health Services by day, and an art framer by night.

In New York, Mack’s husband took her to an outdoor art display in Greenwich Village, and her walls were never again bare.

“Art fulfills a need,” she said. “It’s like a passion. It lifts my spirit.”

As a student at Penn, Mack sat next to Sam Doyle Jr. They called him “Chubby.”The teacher asked them to bring in something from the community to reflect their lives. Chubby brought one of his daddy’s paintings.We can look back now and see how it changed the course of history.

Jason Rapp

Fairfield Central High’s ‘Theater Tech Team (T3)’ brings home title

Midlands school earns National Federation of High Schools award


The South Carolina High School League announced that its candidate for the 2020 NFHS Heart of the Arts Award, the Fairfield Central High T3 (Theatre Tech Team), has been selected by the NFHS Heart of the Arts Selection Committee to receive the NFHS Section 3 Heart of the Arts Award.

SCHSL Commissioner Jerome Singleton states, “To say we are pleasantly surprised with yet another NFHS award is putting it mildly. We have had a banner year as far as national recognitions and, this being only our second arts centered nomination and winning the Section 3 title, it puts a bright light on a somewhat somber end to 2019-20 school year. We are truly proud of the Fairfield Central High students for their work on the T3 projects, especially a production as moving as A Pony and His Boy.”

Although the SCHSL is not an activities association, all states are encouraged to nominate their state’s best arts activities and projects. Last year, South Carolina won the national title with Beaufort High School’s theater club. There are only eight section award winners in the country each year.

"I am already so proud of the students, so to learn that their accomplishments were appreciated outside of the district was truly heartwarming. For the past three years these students have come together from such a variety of backgrounds and interests, from athletes to STEM Cohort members, from G&T Artistic identifications to students with special needs, they've worked as a team to bring important stories to the forefront in our community, and they’ve done it together," Fairfield County School District Coordinator of Visual and Performing Arts Julianne Neal said. "Not only do they collaborate because they need to do that for a project, they truly care about one another and the stories that they are telling. As each of them moves toward graduation, whether they continue in an arts-based career or plan to enjoy the arts as a hobby or past-time, through the T3 program they know that their creativity and focus on important issues can make a difference in the world. I’m so very proud of every one of them."
Top photo by Ylanite Koppens from Pexels
Secondary photo by cottonbro from Pexels

Jason Rapp

SCAC announces four 2021 fellowship recipients

Individual excellence in writing, dance honored


for immediate release

COLUMBIA, S.C. – Hard work and exceptional abilities are earning four South Carolina artists practicing in the dance and writing disciplines fellowships from the South Carolina Arts Commission for fiscal year 2021.

The South Carolina Arts Commission (SCAC) Board of Directors approved four $5,000 fellowships among several other FY21 grant awards to be announced at a later date. The SCAC’s four fellows are:
  • Sarah Blackman of Greenville County in prose,
  • John Pursley III of Greenville County for poetry,
  • Erin Bailey of Richland County for dance choreography,
  • and Tanya Wideman-Davis of Richland County for dance performance.
Individual artists residing in South Carolina full-time whose work covers prose, poetry, dance choreography, and dance performance were invited to apply last fall for fiscal year 2021 awards. Out-of-state panelists from each discipline reviewed applications and, based solely on blind reviews of anonymous work samples, recommend recipients of each $5,000 fellowship. “Fellowships recognize and reward the artistic achievements of exceptional South Carolina individual artists. Recognition from a fellowship lends artistic prestige and can often open doors to other resources and employment opportunities,” SCAC Executive Director David Platts said. A diverse group of panelists judged the nominees applying to the FY21 disciplines in which they work. The poetry panelists were Joseph Bathanti, writer-in-residence at Appalachian State University in Boone, North Carolina; author Sandra Beasley, an instructor with the University of Tampa who lives in Washington; and publisher Lucinda Clark, principal with the Poetry Matters Project in Augusta, Georgia. Author/educator Catherine Reid of Burnsville, North Carolina and Charlie Vazquez, a consultant in New York City, judged the prose applicants. Panelists of the dance performance applicants were Laurel Lawson of Atlanta, Georgia with Full Radius Dance and Tamara Nadel of Minneapolis, Minnesota with Ragamala Dance Company. Maura Garcia, principal of Maura Garcia Dance in Chapel Hill, North Carolina; and Patrick Makuakane of San Francisco, California with Nā Lei Hulu i ka Wēkiu Dance Company served as panelists of the dance choreography applicants. Four fellowships per year are awarded to artists working in rotating disciplines. One artist from each of these fields: visual arts, craft, media: production, and media: screenwriting will be honored in fiscal year 2022. To be eligible, artists must be at least 18 years old and a legal U.S. resident with permanent residence in the state for two years prior to the application date and throughout the fellowship period. Applications will be accepted later this summer following announcement by the SCAC. For more on discipline rotation, eligibility requirements, and the application process, please visit https://www.southcarolinaarts.com/grant/fel/.

About the FY21 Individual Artist Fellowship Recipients

Sarah Blackman | Prose | Greenville County Sarah Blackman is the director of creative writing at the Fine Arts Center, an arts-centered public high school in Greenville, South Carolina. Her poetry and prose have been published in a number of journals, magazines, and anthologies and she has been featured on the Poetry Daily website. Blackman is the co-fiction editor of Diagram, the online journal of experimental prose, poetry and schematics; and the founding editor of Crashtest, an online magazine for high school age writers she edits alongside her Fine Arts Center students. Her story collection Mother Box, published by FC2 in 2013, was the winner of the 2012 Ronald Sukenick/American Book Review Innovative Fiction Prize. Her novel, Hex, was published by FC2 in April 2016 and in 2018 she joined its board. John Pursley III | Poetry | Greenville County John Pursley III teaches contemporary literature and poetry at Clemson University, where he also directs the annual Clemson Literary Festival. He is the author of the poetry collection, If You Have Ghosts (Zone 3 Press), as well as the chapbooks, A Story without Poverty (South Carolina Poetry Initiative) and A Conventional Weather (New Michigan Press), among others. In addition, he works as the poetry editor of Burnside Review and is an assistant editor for the South Carolina Review. His poems and reviews have appeared in Poetry, AGNI, Colorado Review, Kenyon Review, and elsewhere. Erin Bailey | Dance: Choreography | Richland County Erin Bailey is a South Carolina native who discovered her passion for dance at the Fine Arts Center in Greenville. She has degrees from Columbia College (BFA) and Texas Women’s University (MFA) and has her certification and licensure in massage. She is an adjunct dance professor at Columbia and Coker colleges and the University of South Carolina. Bailey has worked and performed with Columbia area dance companies since 2004 and has performed nationally and internationally at festivals like Piccolo Spoleto in Charleston. In 2018 she founded and remains artistic director of Moving Body Dance Company. She has twice received awards for her choreography work. Photo by Jesse Scroggins. Tanya Wideman-Davis | Dance: Performance | Richland County Tanya Wideman-Davis is the co-director of Wideman Davis Dance and is on faculty as associate professor at the University of South Carolina in the Department of Theatre and Dance and African American Studies. With an extensive career as a dancer, choreographer, and teacher, she completed her Master of Fine Arts from Hollins University/ADF (2012). Tanya has danced with many world-renowned companies, including Dance Theatre of Harlem, Joffrey Ballet, Complexions Contemporary Ballet, Alonzo King Lines Ballet, Spectrum Dance Theater, Ballet NY, and as guest artist with Ballet Memphis, Cleveland San Jose Ballet, and Quorum Ballet (Portugal).  She received international acclaim as “Best Female Dancer of 2001-2002” from Dance Europe magazine. Photo by Sammy Lopez.

About the South Carolina Arts Commission

With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.

Submitted material

Rock Hill resident selected for Alabama juried exhibition

Patrick Faile's painting "Spring Break" was selected for the Watercolor Society of Alabama's 2020 National Juried Exhibition. This is his third acceptance to this national exhibition and qualifies him for Signature Membership within the Watercolor Society of Alabama. He is also member of numerous watercolor societies across America and this will be his fourth signature membership. He is a native and resident of Rock Hill and a working watercolor artist known for his national park paintings. More of his work may be seen on his website at https://www.patrickfaile.com/.

Jason Rapp

Podcast features SCAC’s ‘Art of Community: Rural SC’

Rural shines in podcast series from UofSC

Growing Rural Podcast logo
A rural-focused podcast sat down recently to chat with the South Carolina Arts Commission's Susan DuPlessis, program director of "The Art of Community: Rural SC." "Growing Rural" is a podcast devoted to rural produced by the University of South Carolina School of Medicine and its SC Center for Rural and Primary Healthcare. DuPlessis raved to The Hub about it. "I want to say a big thanks to Dr. Kevin Bennett and Alanti McGill for their interest in this initiative and the great way this series of podcasts is casting rural in a new light," DuPlessis said. DuPlessis would know; her work has been shining light on rural since the program launched in 2016. Originally in six "Promise Zone" counties in lower South Carolina, the program has spread to 15 counties total and creates a way to support new leadership, generates energy, and motivates action in our state’s rural communities by addressing long-standing challenges using arts and culture. It unites communities by giving more people a platform. One of those new leaders, Dr. Yvette McDaniel, was featured in an earlier "Growing Rural" episode. You can learn more about "Art of Community: Rural SC" on SouthCarolinaArts.com and by reading its new brochure. To listen to the podcast, visit the "Growing Rural" page.

Submitted material

Kristi Ryba named S.C.’s South Arts State Fellow

South Arts awarding more than $160,000 to 18 artists


South Arts, the nonprofit regional arts service organization advancing Southern vitality through the arts, announces the recipients of two fellowship programs.

Southern PrizeNine visual artists (one per state from its nine-state service area) will each receive a $5,000 State Fellowship; additionally, they are now in competition for the $25,000 Southern Prize with a residency at The Hambidge Center for Creative Arts and Sciences as well as the $10,000 Southern Prize Finalist awards.

The other 2020 State Fellowship recipients are:

  • Carlton Nell. Drawing. Opelika, Alabama.
  • Alba Triana. Experimental. Miami, Florida.
  • Fahamu Pecou. Painting. Decatur, Georgia.
  • Letitia Quesenberry. Multidisciplinary. Louisville, Kentucky.
  • Karen Ocker. Painting. New Orleans, Louisiana.
  • Ashleigh Coleman. Photography. Jackson, Mississippi.
  • Sherrill Roland. Multidisciplinary. Morrisville, North Carolina.
  • Bill Steber. Photography. Murfreesboro, Tennessee.

Additionally, another nine traditional artists and culture-bearers from Central Appalachian counties in KY, NC, and TN will each receive $9,000 Folk & Traditional Arts Master Artist Fellowships to continue their lifelong learning and practice. The 2020 Folk & Traditional Arts Master Artist Fellowship recipients are:

  • Roger Cooper. Old-time music. Garrison, Kentucky.
  • Charlene Long. Willow & honeysuckle basket making. Upton, Kentucky.
  • Octavia Sexton. Storytelling. Orlando, Kentucky.
  • Janet Calhoun. Pottery. Lenoir, North Carolina.
  • Susan Leveille. Handweaving. Webster, North Carolina.
  • Bobby McMillon. Ballad singing. Burnsville, North Carolina.
  • Meredith Goins. Violin luthiery. Dunlap, Tennessee.
  • Jordan Hughett. Ballad singing. Winfield, Tennessee.
  • Mark Newberry. Chair-making. Red Boiling Springs, Tennessee.

“South Arts is immensely proud to support every one of these artists, craftspeople, and tradition-bearers,” says Susie Surkamer, executive director of South Arts and a former executive director of the South Carolina Arts Commission. “Especially as our country enters the economic disruption caused by COVID-19, artists are among those most vulnerable to losing income. Yet their creativity, work, and stories are what carry us forward and will be integral to rebuilding our communities.”


Applications were open for both fellowship programs in the fall of 2019. The State Fellowships application pool was reviewed by a panel of experts including Ndubuisi C. Ezeluomba of the New Orleans Museum of Art, Edward Hayes, Jr. of The McNay Art Museum, independent art historian and consultant David Houston, and Marilyn Zapf of the Center for Craft. The panel made their recommendations based on the artistic excellence of their work and inclusiveness of the diversity of the Southern region. The Folk & Traditional Art Master Artist Fellowship applications were reviewed by a panel including Native American potter and storyteller Beckee Garris, Zoe van Buren of the North Carolina Arts Council, Mark Brown of the Kentucky Arts Council, and Evangeline Mee of the Tennessee Arts Commission. The panel made their recommendations based on the artists’ history and mastery of their respective tradition as well as the proposed lifelong learning opportunity.

The nine State Fellowship recipients will be featured in an exhibition that is scheduled to open at the Bo Bartlett Center at Columbus State University in Columbus, Georgia in May 2020; due to the current closures of facilities, this date may be postponed. The announcement of which State Fellowship recipients will also be named as the Southern Prize winner and finalist will be announced at a ceremony surrounding the opening of this exhibition.

“I would like to thank each and every one of our donors and sponsors,” continues Surkamer. “Their support and investment in the arts, culture, and tradition of our region is vital even in the best of times, and their ongoing generosity is more important than ever before.”

To view the work by each of these fellowship recipients and read more about the artists and tradition-bearers, visit www.southarts.org.


About Kristi Ryba

Kristi Ryba's Chapel Of Perpetual Adoration II Chapel Of Perpetual Adoration II ; 2018 ; Egg Tempera & 22k Gold leaf on panel ; 3 panels each 18.75 x 15.25

Kristi Ryba enchants viewers with her narrative works as she combines the elaborate skill of handmade egg tempera painting with subjects that explore contemporary events and messages of morality. Museum visitors will experience the different stages of a painting; how the artist lays out the composition, prepares the painting supports, grinds the pigment, and applies gold leaf to envelop the final piece in regalia.

Kristi Ryba holds an MFA from Vermont College, Montpelier, Vermont and most recently won 2nd place in the esteemed annual visual art competition ArtFields (2018). The artist is represented by Corrigan Gallery in Charleston and is in numerous private collections including the Medical University of South Carolina.

Artist Statement

Over the last several years, my interest in the study of Medieval and Renaissance art has informed my work. This series of paintings is taken from images from centuries ago and serve as a vehicle to simplify an urgent message by providing the symbolic and instructional imagery to illustrate and illuminate the leadership crisis we are in. All the gold, elaborate surroundings and messages of morality and ethics corresponded with what is happening in our government; the gutting of our social safety net and health care, eliminating environmental protections, the lack of restraint in spending money on personal enrichment and pleasure and the build-up of military spending and deficit in international diplomacy to name a few.

For more on the other 2020 State Fellows and the 2020 Folk & Traditional Arts Master Artist Fellowship recipients, please visit those links to content on SouthArts.org.

About South Arts

South Arts

South Arts advances Southern vitality through the arts. The nonprofit regional arts organization was founded in 1975 to build on the South’s unique heritage and enhance the public value of the arts. South Arts’ work responds to the arts environment and cultural trends with a regional perspective. South Arts offers an annual portfolio of activities designed to support the success of artists and arts providers in the South, address the needs of Southern communities through impactful arts-based programs, and celebrate the excellence, innovation, value and power of the arts of the South. For more information, visit www.southarts.org.

Submitted material

Flock and Rally awarded two ADDY’s for S.C. State Fair ad campaign

Flock and Rally, a women-owned integrated communications and marketing firm based in Columbia, earned two 2020 ADDY Awards for its advertising and creative work for the 2019 South Carolina State Fair. The American Advertising Federation (AAF) of the Midlands presented the awards at its annual American Advertising Awards gala last month in Columbia. South Carolina State Fair posters designed by Flock and Rally South Carolina State Fair posters designed by Flock and Rally. Click image to enlarge. More than 75 awards, which honor exceptional work in creative and engaging advertising over the past year, were presented to Midlands’ professionals and students in a variety of print, interactive and broadcast media categories. Flock and Rally won a Silver ADDY award in consumer campaigns for the South Carolina State Fair’s 2019 advertising, as well as a Silver ADDY in ambient media for the campaign’s series of four posters illustrated by designer Cait Maloney. Flock and Rally shares the consumer campaign award with Maloney as well as Forrest Clonts Photography, Cinema Couture Films and voiceover talent Joe Pinner. “It was such a pleasure working with the S.C. State Fair as it celebrated its 150th anniversary,” says Merritt McNeely, vice president of marketing at Flock and Rally. “It was a fun campaign that yielded nearly double the advance ticket sales and the largest opening day crowd ever, both of which are a direct reflection of this campaign’s early, targeted marketing and advertising. We are proud to celebrate these achievements with our partners and clients.” The 12-day S.C. State Fair offered several unique exhibits and experiences including a new, free daily circus, as well as more than 70 rides and 90 food vendors. Flock and Rally already is hard at work with the S.C. State Fair team on the campaign for the 2020 event, which runs from Oct. 14 to 25. The American Advertising Awards is one of the industry's largest creative competitions, attracting nearly 35,000 professional and student entries each year through local club competitions.


About Flock and Rally: Integrated Communications for a Brave New South Founded in 2010, Flock and Rally is a full-service, women-owned creative agency based in Columbia, South Carolina. The firm integrates branding, public relations, marketing, traditional advertising, digital advertising, social media and more into campaigns for a diverse base of clients, ranging from regional nonprofits to large-scale businesses across South Carolina and beyond. Serving industry sectors ranging from lifestyle and tourism to business, technology, real estate, economic development and more, Flock and Rally’s mission is to rally the community around great ideas. Learn more at www.flockandrally.com.

Twitter: www.twitter.com/flockandrally Facebook: www.facebook.com/flockandrally Instagram: https://www.instagram.com/flockandrally

Jason Rapp

SCAC, McKissick Museum announce 2020 Folk Heritage Award recipients

Four artists & one advocate receive awards May 6


  For Immediate Release COLUMBIA, S.C. – The General Assembly is to honor five recipients with the Jean Laney Harris Folk Heritage Award, presented annually to recognize work that keeps the state’s traditional art forms alive. Four artists and one advocate are to be recognized as practitioners and advocates of traditional arts significant to communities throughout the state. Their traditions embody folklife’s dynamic, multi-generational nature and its fusion of artistic and utilitarian ideals. The 2020 recipients are:
  • Kristin Scott Benson (Boiling Springs): Bluegrass Banjo
  • David Galloway (Seneca): Spiritual Gospel Singing
  • Voices of El Shaddai (Hilton Head Island/Bluffton area): Lowcountry Gospel Music
  • Judy Twitty (Gilbert): Quilting
  • Vennie Deas Moore (Georgetown): Folklore and Cultural Preservation
The Jean Laney Harris Folk Heritage Award is named for the late State Rep. Jean Laney Harris of Cheraw, respected as an outspoken advocate and ardent supporter of the arts and cultural resources of the state. Up to four artists or organizations and one advocate may receive awards each year. The program is managed jointly by the South Carolina Arts Commission and the University of South Carolina McKissick Museum. Community members make nominations to recognize exemplary artistic achievement/advocacy. An independent advisory panel appointed by the speaker of the House and president of the Senate select the recipients, who must be living and practicing in the state. “In the face of nonstop change, these recipients are to be commended for keeping South Carolina’s traditional art forms alive and thriving,” South Carolina Arts Commission Executive Director David Platts said. “The value of these art forms is that they tell who we are as South Carolinians. They do exceptional work on our behalf, and we all are grateful for what these award recipients do.” The Jean Laney Harris Folk Heritage Award will be presented along with the Elizabeth O’Neill Verner Governor’s Awards for the Arts at the South Carolina Arts Awards on Wednesday, May 6 at the Pastides Alumni Center at UofSC (900 Senate St., Columbia). A ticketed celebratory luncheon will begin the festivities at 11:30 a.m. before the free, public ceremony at 1 p.m. Luncheon tickets are $50 per person and available for purchase through SouthCarolinaArts.com or by calling 803.734.8696. The UofSC McKissick Museum will host a mixer to celebrate this year’s Jean Laney Harris Folk Heritage Award recipients on Tuesday, May 5, 2020, from 6-8 p.m., at the Blue Moon Ballroom in West Columbia (554 Meeting St.). Admission is free with a McKissick membership, or $5 for non-members. Please RSVP or purchase your ticket via Eventbrite here or by phone at 803.777.2876. Guests are encouraged to buy/reserve their tickets by Friday, May 1. Only a limited number of tickets will be available at the door on the evening of the event, and admission will be on a first-come, first-served basis.For more information about the Folk Heritage Awards, visit the S.C. Arts Commission website, SouthCarolinaArts.com.
ABOUT THE FOLK HERITAGE AWARDS RECIPIENTS Kristin Scott Benson (Artist Category, Bluegrass Banjo) was first nourished in her music tradition by her musician father and her grandfather, Orval Hogan, who played mandolin with the WBT Briarhoppers. Growing up in South Carolina’s Upstate region, where bluegrass was part of the local culture, she started on the mandolin at five years old, and by age ten was drawn to the banjo. Her mentor, Al Osteen, a revered banjo picker and teacher, taught Benson to not only play, but how to “think and listen.” She passes this solid foundation, along with her extensive experience, on to her own students. Benson first appeared on the Grand Ole Opry at age 19 and has since played there over 100 times. She has been recognized as the International Bluegrass Music Association's (IBMA) Banjo Player of the Year four times, and in 2018 received the Steve Martin Prize for Excellence in Banjo and Bluegrass. She has played with the Grammy-nominated bluegrass band, The Grascals, since 2008. David Galloway (Artist Category, Spiritual Gospel Singing) has spent his life in the Pendleton and Sandy Springs communities. His musical influence rests largely with his mother, who was a pastor, and her siblings, who used to sing “shape notes.” Galloway’s elders also instilled a passion for the negro spiritual. As teenagers, he and his brothers sang gospel at revivals and church services throughout the Upstate. Galloway served as Superintendent of the Sunday School at the King’s Chapel AME Church in Pendleton, where he was also an inspiration for the Junior Choir, the Young Adult Choir, the Senior Choir, the Gospel Choir, and the Male Chorus. Galloway and the KCs—a group upholding the roots of traditional spirituals, shape-note music and contemporary gospel—have sung at local churches, revivals, AME Conventions, and hosted gospel programs. Galloway remains a member of the Kings Chapel AME church choirs and as a soloist, participates in special programs, revivals, and anniversaries. For over 27 years, Voices of El Shaddai (Artist Organization Category, Lowcountry Gospel Music) choir have come together to sing. Most Voices members are native South Carolina Sea Islanders from a variety of local church choirs. Transcending geographic and musical boundaries, their music stems from oral traditions within the Lowcountry African-American religious experience. Repetition, a call-and-response pattern, and strong vocals are musical elements historically based in 19th-century African American spirituals, with melodic connections to West Africa. The Voices’ unique repertoire includes both traditional spirituals and contemporary gospel. The group’s knowledge of indigenous Gullah-Geechee musical traditions is passed down through generations of family and community members. Committed to raising the visibility of and appreciation for Lowcountry Gospel and Gullah music and culture, the Voices perform regularly at programs presented by such organizations as the Arts Center of Coastal Carolina, the Gullah Museum, and the Coastal Discovery Museum, as well as at community celebrations and various churches and congregations. Judy Twitty (Artist Category, Quilting) has spent a lifetime immersed in the art of patchwork quilting. As a girl in New Brunswick, Canada, she spent time with her grandmother, enjoying the camaraderie of quilting circles. After marrying and moving to South Carolina, Twitty took a patchwork quilting class in 1972 at the Columbia YWCA, where she soon began teaching. Over the years, Twitty has made quilts for friends, family, and as donations to community members. She has taught classes and workshops throughout the state, written articles for diverse publications, and helped found the statewide guild, Quilters of South Carolina (QSC). Twitty’s love of innovation has inspired her and others to explore the limits of their imagination, from a revival of the 19th-century Victorian crazy quilt technique, to creating embroidered, eco-dyed fabric books. Twitty’s quilting has garnered awards at local quilt shows, the South Carolina State Fair, the QSC Quilters’ Expo, and the prestigious American Quilters Society annual show. Vennie Deas Moore (Advocacy Category, Folklore & Cultural Preservation) is a folklorist and cultural preservationist. Born and raised in South Carolina’s Lowcountry, she has witnessed firsthand the community’s ever-changing cultural landscape. Her thirty-year career is informed and inspired by her ancestors, particularly her mother, Eugenia Deas, a 2005 Jean Laney Harris Folk Heritage Award recipient. Deas Moore’s extensive freelance career encompasses oral history, folklore research, documentary photography, and medical history. Through her research, writing, documentary photography, and public lectures, she has created a body of impactful and powerful stories as a vehicle for education and cultural preservation. Her work focuses on Lowcountry people, places, work, traditions, and foodways, with an enduring specialty in the heritage of coastal fisherman. Her research has led to collaborations with diverse state and national historical sites and institutions, including the University of South Carolina’s McKissick Museum, the South Carolina State Museum, Historic Columbia, and Richland County Library, among many others. Deas Moore is currently a cultural historian and curator at the Rice Museum in Georgetown.
ABOUT THE FOLKLIFE AND TRADITIONAL ARTS PROGRAM The Folklife and Traditional Arts Program is designed to encourage, promote, conserve and honor the diverse community-based art forms that make South Carolina distinct. The major initiatives of the program serve both established and emerging cultural groups that call South Carolina home.
ABOUT MCKISSICK MUSEUM The University of South Carolina’s McKissick Museum tells the story of southern life: community, culture, and the environment. The Museum is located on the University of South Carolina’s historic Horseshoe with available parking in the garage at the corner of Pendleton and Bull streets. All exhibitions are free and open to the public. The Museum is open from 8:30 a.m. to 5 p.m. Monday through Friday, 11 a.m. to 3 p.m. Saturdays. The Museum is closed Sundays and University holidays. For more information, please call at 803.777.7251 or visit sc.edu/mckissickmuseum.
ABOUT THE SOUTH CAROLINA ARTS COMMISSION With a commitment to excellence across the spectrum of our state’s cultures and forms of expression, the South Carolina Arts Commission pursues its public charge to develop a thriving arts environment, which is essential to quality of life, education, and economic vitality for all South Carolinians. Created by the South Carolina General Assembly in 1967, the Arts Commission works to increase public participation in the arts by providing grants, direct programs, staff assistance and partnerships in three key areas:
  • arts education,
  • community arts development,
  • and artist development.
Headquartered in Columbia, S.C., the Arts Commission is funded by the state of South Carolina, by the federal government through the National Endowment for the Arts and other sources. For more information, visit SouthCarolinaArts.com or call 803.734.8696.